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  1. Lord, Lewis, and the Institutional Theory of Art.Peggy Zeglin Brand - 1981 - Journal of Aesthetics and Art Criticism 40 (3):309-314.
    In "Convention and Dickie's Institutional Theory" (British Journal of Aesthetics 1980), Catherine Lord maintains the following thesis: (L) If a work of art is defined as institutional and conventional, then the definition precludes the freedom and creativity associated with art. Lord also maintains that the antecedent of this conditional is false. In this note, I argue that (i) certain confusions and assumptions prevent Lord from showing the antecedent is false, and (ii) even if the antecedent is assumed to be true, (...)
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  2. Book Reviews: Jo Anna Issak, Feminism and Contemporary Art: The Revolutionary Power of Women'S Laughter.Peggy Zeglin Brand - 1998 - Journal of Aesthetics and Art Criticism 56 (3):299-301.
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  3. Feminism and Tradition in Aesthetics.Peggy Zeglin Brand & Carolyn Korsmeyer - 1996 - Hypatia 11 (3):169-172.
  4. Introduction.Peggy Zeglin Brand & Carolyn Korsmeyer - 1990 - Journal of Aesthetics and Art Criticism 48 (4):277-280.
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    Introduction: Feminism and Aesthetics.Peggy Zeglin Brand & Mary Devereaux - 2003 - Hypatia 18 (4):ix-xx.