5 found
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  1. Feminism and Tradition in Aesthetics.Peggy Zeglin Brand & Carolyn Korsmeyer - 1996 - Hypatia 11 (3):169-172.
  2. Lord, Lewis, and the Institutional Theory of Art.Peggy Zeglin Brand - 1982 - Journal of Aesthetics and Art Criticism 40 (3):309-314.
    In "Convention and Dickie's Institutional Theory" (British Journal of Aesthetics 1980), Catherine Lord maintains the following thesis: (L) If a work of art is defined as institutional and conventional, then the definition precludes the freedom and creativity associated with art. Lord also maintains that the antecedent of this conditional is false. In this note, I argue that (i) certain confusions and assumptions prevent Lord from showing the antecedent is false, and (ii) even if the antecedent is assumed to be true, (...)
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  3. Introduction: Feminism and Aesthetics.Peggy Zeglin Brand & Mary Devereaux - 2003 - Hypatia 18 (4):ix-xx.
  4.  15
    Feminism and Tradition in Aesthetics.Peggy Zeglin Brand - 1996 - Journal of Aesthetics and Art Criticism 54 (4):404-405.
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    Review of Out of Order, Out of Sight. [REVIEW]Peggy Zeglin Brand - 1998 - Journal of Aesthetics and Art Criticism 56 (4):405-406.
    There has been an important artist in our midst. Her work is about gender, race, and the internal structures of the artworld, and it predated the current popularity of those topics in theoretical circles by three decades.... Piper's volumes serve two functions. Volume I, Selected writings in Meta-Art, 1968-1992, provides an intimate history of the development of her own creative art making, while Volume 2, Selected writings in Art Criticism, 1967-1992, chronicles her more public responses to art-critical writings. Together they (...)
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