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Pete Porter [13]Peter Porter [1]
  1.  29
    Engaging the Animal in the Moving Image.Pete Porter - 2006 - Society and Animals 14 (4):399.
    Human engagement with nonhuman animals in motion pictures is a complex process that anthropomorphism and identification misconstrue. A superior model comes from cognitive theories of how spectators engage characters, particularly Smith , who suggests modifications to account for the nuances of spectator engagement with nonhuman animal characters. The central components of this amended model include the person schema, the three types of cues that films use to activate the person schema, and what Smith calls the "Structure of Sympathy." Such a (...)
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  2.  8
    The Personal as Political in the Animal Industrial Complex.Pete Porter - 2018 - Society and Animals 26 (5):545-550.
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  3.  19
    The True Rescuers: Big Miracle, Dolphin Tale, and Buck.Pete Porter - 2014 - Society and Animals 22 (2):211-217.
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  4.  4
    For the Love of Cats !Pete Porter - 2018 - Society and Animals 26 (3):339-343.
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  5.  11
    Rise of the Consciousness of the Apes.Pete Porter - 2013 - Society and Animals 21 (5):497-500.
  6.  8
    Will the Real Ancestor Please Stand Up?Pete Porter - 2015 - Society and Animals 23 (2):197-201.
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  7.  8
    Review Section.Pete Porter - 2010 - Society and Animals 18 (3):319-323.
    The live-action comedies Hotel for Dogs and Marley and Me illustrate the prominent American stereotypes of canines as surrogate children and models of human behavior. Both adopt a human perspective on nonhuman animals, particularly dogs. An ethic of caring goes awry, to become pampering and permissiveness, and precludes empathetic training that would help dogs to prosper as canines in a human world.
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  8.  3
    A Primer on Visual Animals.Pete Porter - 2015 - Society and Animals 23 (6):631-633.
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  9.  3
    Journeys Toward an Authentic Self.Pete Porter - 2009 - Society and Animals 17 (4):368-375.
    This review explores the central themes and species ideology of Bolt, Madagascar: Escape 2 Africa, and Beverly Hills Chihuahua. All suggest incremental changes in human attitudes toward animals but all strongly confirm the mainstream view of animals as domestic companions and as models of human society. Whatever the limitations of their imagining of nonhuman existence, however, these films promise to raise awareness of some challenges faced by nonhuman animals in a human world.
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  10. My Dog, My Self; or Dogs-R-Us.Pete Porter - 2010 - Society and Animals 18 (3):319.
    The live-action comedies Hotel for Dogs and Marley and Me illustrate the prominent American stereotypes of canines as surrogate children and models of human behavior. Both adopt a human perspective on nonhuman animals, particularly dogs. An ethic of caring goes awry, to become pampering and permissiveness, and precludes empathetic training that would help dogs to prosper as canines in a human world.
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  11. Recording Angels and Answering Machines.Peter Porter - 1993 - In Proceedings of the British Academy, Volume 80: 1991 Lectures and Memoirs. pp. 1-18.
  12.  13
    Mourning the Decline of Human Responsibility Our Daily Bread Dark Water Rising: The Truth About Katrina Animal Rescues.Pete Porter - 2008 - Society and Animals 16 (1):98-101.
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