In this dissertation, I provide an interpretation and defense of Merleau-Ponty's thesis of the primacy of perception, namely, the thesis that all knowledge is founded in perceptual experience. I take as an interpretative and argumentative key Merleau-Ponty's phenomenological conception of motivation. Whereas epistemology has traditionally accepted a dichotomy between reason and natural causality, I show that this dichotomy is not exhaustive of the forms of epistemic grounding. There is a third type of grounding, the one characteristic of the grounding relations (...) found in perception: motivation. I argue that introducing motivation as a form of epistemic grounding allows us to see how Merleau-Ponty's thesis of the primacy of perception avoids both rationalism and empiricism. Whereas empiricism has argued that all the content of our knowledge is grounded in causal interactions between the world and our senses, and rationalism has held that experience does not suffice as a reason for knowledge, thinking of the relation between experience and knowledge in terms of motivation accommodates the best insights of rationalism and empiricism. Motivation allows us to see how knowledge can be grounded in experience without the content of knowledge being reducible to that of experience. (shrink)

In this paper I argue that, while there are real tensions between phenomenology and critique, it makes a significant difference what we understand phenomenology to be, and that on a good understanding there is room for a project that is genuinely both critical and phenomenological. I will focus on four areas of tension: the eidetic character of phenomenology as opposed to the concrete character of critique; the transcendental orientation of phenomenology as opposed to social and political orientation of critique; the (...) descriptive nature of phenomenology as opposed to the normative nature of critique; and the possibly “naïve” character of phenomenology with respect to the shaping of phenomena by social forces. In each case, I will not try to show that there is no space between phenomenology and critique; rather, I suggest that the tension between the two can be mitigated to allow for a critical phenomenology. (shrink)

Commentators have argued that disjunctivism, from a phenomenological perspective, is the most coherent response to certain skeptical concerns. They find two phenomenological beliefs in tension: that intentionality is transcendent and that perceptions and hallucinations have a similar intentional content. While not ruling out a disjunctivist phenomenology, I show that phenomenologists are not forced into disjunctivism in order to avoid skeptical problems posed by hallucination. Instead, Merleau-Ponty's approach to the horizonal structure of experience supports a novel nondisjunctivist solution: first, by distinguishing (...) proximate from ultimate objects of experience; second, by showing how every experience “belongs” to the world. (shrink)

In several papers, Mark Wrathall argued that French phenomenologist, Maurice Merleau-Ponty, identifies a sui generis type of grounding, one not reducible to reason or natural causality. Following the Phenomenological tradition, Merleau-Ponty called this form of grounding “motivation,” and described it as the way in which one phenomenon spontaneously gives rise to another through its sense. While Wrathall’s suggestion has been taken up in the practical domain, its epistemic import has still not been fully explored. I would like to take up (...) the epistemic dimension of Wrathall’s thought in this paper. Following Wrathall, I explain how motivation can help us understand the manner in which perceptions ground singular, experiential judgments. But I extend this work in two ways. First, I suggest some additional considerations that support Wrathall’s view. Second, I argue that motivation can also help account for the way perceptions ground general judgments. My aim here will not be so much to rule out other answers to these longstanding epistemological questions, as to show that motivation carves out an attractive epistemological space. (shrink)

This book draws on Merleau-Ponty’s phenomenology to develop new and promising solutions to contemporary debates about perception. In providing an extension and defense of Merleau-Ponty’s account of perceptual content and of the relation between perception and the world, it demonstrates the enduring value of Merleau-Ponty’s insights for philosophy of perception today. -/- The author focuses on two main topics: the contents and the nature of perception. In the first half of this book, the author tackles debates about the content of (...) perception, namely, what sorts of properties or features of the world reveal themselves to us in perception and in what modes. Drawing on Merleau-Ponty’s description of perceptual “sense,” the author argues that perception has a unique kind of content, which cannot be adequately described in terms of sensations or concepts. He then shows how this account of perceptual sense can clarify debates about the richness of perceptual content, including whether we can perceive moral properties. In the second half, he turns to the nature of perception. Here he argues that Merleau-Ponty’s account of perceptual intentionality makes available a powerful combination of the core insights of two main contemporary approaches to this question: realism and intentionalism. The author shows how this combination can be developed, defends it from objections, and explains how it is equipped to deal with problems posed by the existence of illusions and hallucinations. -/- Merleau-Ponty and Contemporary Philosophy of Perception will appeal to scholars and advanced students working on phenomenology and the philosophy of perception. (shrink)

Merleau-Ponty’s account of phenomena, or appearances, and their relation to things themselves, is obviously central to his project as a Phenomenologist. And yet there is no agreed upon interpretation of the account of appearance that he gives in the Phenomenology of Perception: many commentators suggest that that work is ultimately either Idealist or Realist, or even that his account of appearance there is simply inconsistent. In this article, I argue that Merleau-Ponty does, in fact, offer a coherent alternative to Realism (...) and Idealism about appearances in the Phenomenology, and I examine some key features of the account that often give rise to the suspicion of inconsistency. I show that these features only appear inconsistent if we adopt certain assumptions about appearance that Merleau-Ponty would reject, and that we have good reason to question as well. (shrink)

In "Motivation and the Primacy of Perception," I offer an interpretation and defense of Merleau-Ponty's thesis of the "primacy of perception," namely, that knowledge is ultimately founded in perceptual experience. I use Merleau-Ponty's phenomenological conception of "motivation" as an interpretative key. As I show, motivation in this sense amounts to a novel form of epistemic grounding, one which upends the classical dichotomy between reason and natural causality, justification and explanation. The purpose of my book is to show how this novel (...) conception of epistemic ground allows Merleau-Ponty to offer a radically new account of knowledge and its relation to perception. Over the course of seven chapters, I show that through the notion of motivation, Merleau-Ponty offers a compelling alternative to the empiricist and rationalist assumptions that underpin modern epistemology. Indeed, I argue that Merleau-Ponty's epistemological thinking is preferable to its major historical and contemporary competitors, including what I see as the other great alternative to rationalism and empiricism: Kant's transcendental idealism. Bridging phenomenology, philosophy of mind, and cognitive science, "Motivation and the Primacy of Perception" argues that epistemology has long been hampered by an inadequate phenomenology of knowledge. However, a careful description of the phenomenon of motivation can offer compelling new ways to think about knowledge and longstanding epistemological questions. (shrink)

According to a familiar line of thinking, hallucination reveals that what we take to be direct experiences of the world are in fact mere appearances: appearances which give only mediate and unreliable testimony to reality. If we wish to secure knowledge of the world, we must transition to a different register, that of reason and judgment. In this classical analysis, non-normal perception functions to show the deficit of normal perception. Merleau-Ponty offers a strikingly different account of hallucination. Far from inciting (...) skeptical concerns, Merleau-Ponty’s analysis of hallucination in the Phenomenology of Perception in fact leads him to his first sustained account of perceptual faith. Perceptual faith, as our primary bond with the world, is at the heart of Merleau-Ponty’s response to skepticism, and it underlies both perception and hallucination. In this article, I show how this surprising analysis of hallucination is possible. (shrink)

In this paper, I provide an explication and defense of Merleau-Ponty’s theory of concept formation. I argue that at the core of this theory is a distinction between concepts proper and the kinds of generalities characteristic of perceptual experience, which I call “pre-conceptual generalities.” According to Merleau-Ponty, concepts are developed through a two-stage process: first, the establishment of such pre-conceptual generalities, and second, the clarification of these generalities into concepts. I provide phenomenological evidence for the existence of pre-conceptual generalities and (...) explain how they can serve to ground concept formation. To motivate Merleau-Ponty’s account, I consider objections raised by Husserl, Cassirer, and Sellars to the classical philosophical account of empirical concept formation, abstraction. I show that Merleau-Ponty’s distinction between concepts and pre-conceptual generalities provides a philosophically viable account of the formation of empirical concepts while avoiding the problems faced by accounts that rely on abstraction. (shrink)

Self-narrative plays an important role in the constitution of the self, but it is unclear what role exactly. Some argue that personal identity is constituted by narrative, while others hold that narrative is a significant factor in shaping the self, but itself depends on the prior possession of a self. In this article, I provide an account of self-narrative that accommodates the best insights of both sides by drawing on Maurice Merleau-Ponty’s distinction between personal and pre-personal existence. This distinction allows (...) me to argue that personal identity can be constituted by self-narrative, even while the latter is founded on the pre-personal cohesion of a life. In conclusion, I draw on Judith Butler’s analysis of self-narrative in Giving an Account of Oneself to argue that my account of self-narrative avoids impossible and potentially harmful views about the self to which some accounts of narrative are implicitly committed. (shrink)