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Peter Lamarque [99]Peter Vaudreuil Lamarque [2]
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Peter Lamarque
University of York
  1. On Not Expecting Too Much From Narrative.Peter Lamarque - 2004 - Mind and Language 19 (4):393–408.
    The paper offers a mildly deflationary account of narrative, drawing attention to the minimal, thus easily satisfied, conditions of narrativity and showing that many of the more striking claims about narrative are either poorly supported or refer to distinct classes of narrative—usually literary or fictional—which provide a misleading paradigm for narration in general. An enquiry into structural, referential, pragmatic, and valuebased features of narrative helps circumscribe the limits of narration and the test case of the narrative definition of the self (...)
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  2. Truth, Fiction, and Literature: A Philosophical Perspective.Peter Lamarque & Stein Haugom Olsen - 1994 - Oxford University Press.
    This book examines the complex and varied ways in which fictions relate to the real world, and offers a precise account of how imaginative works of literature can use fictional content to explore matters of universal human interest. While rejecting the traditional view that literature is important for the truths that it imparts, the authors also reject attempts to cut literature off altogether from real human concerns. Their detailed account of fictionality, mimesis, and cognitive value, founded on the methods of (...)
  3. The Opacity of Narrative.Peter Lamarque - 2014 - Rowman & Littlefield International.
    What is narrative? What is distinctive about the great literary narratives? In virtue of what is a narrative fictional or non-fictional? In this important new book Peter Lamarque, one of the leading philosophers of literature at work today, explores these and related questions to bring new clarity and insight to debates about narrative in philosophy, critical theory, and narratology.
     
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  4.  88
    The Philosophy of Literature. [REVIEW]Peter Lamarque - 2009 - Analysis 69 (3):593-594.
    As a recent distinguished editor of British Journal of Aesthetics and a major contributor in his own right to recent debates on aesthetics and the philosophy of art – not least in the particular field with which this particular volume is concerned – Peter Lamarque is particularly well placed to author this survey of past and contemporary work on the philosophy of literature. Moreover, as those already familiar with Professor Lamarque's work will no doubt expect, this volume offers remarkably clear (...)
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  5. How Can We Fear and Pity Fictions?Peter Lamarque - 1981 - British Journal of Aesthetics 21 (4):291-304.
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  6. Truth, Fiction and Literature: A Philosophical Perspective.Peter Lamarque & Stein Olsen - 1994 - Philosophical Quarterly 47 (187):241-243.
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  7. Cognitive Values in the Arts: Marking the Boundaries.Peter Lamarque - 2006 - In Matthew Kieran (ed.), Contemporary Debates in Aesthetics and the Philosophy of Art. Blackwell. pp. 127--39.
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  8.  45
    Work and Object: Explorations in the Metaphysics of Art.Peter Lamarque - 2010 - Oxford University Press.
    Issues about the creation of works, what is essential and inessential to their identity, their distinct kinds of properties, including aesthetic properties, ...
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  9. On the Distance Between Literary Narratives and Real-Life Narratives.Peter Lamarque - 2007 - Royal Institute of Philosophy Supplement 60:117-132.
    It is a truth universally acknowledged that great works of literature have an impact on people's lives. Well known literary characters—Oedipus, Hamlet, Faustus, Don Quixote—acquire iconic or mythic status and their stories, in more or less detail, are revered and recalled often in contexts far beyond the strictly literary. At the level of national literatures, familiar characters and plots are assimilated into a wider cultural consciousness and help define national stereotypes and norms of behaviour. In the English speaking world, Shakespeare's (...)
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  10.  6
    Ignorance: A Case for Scepticism.Peter Lamarque - 1975 - Philosophical Quarterly 26 (105):369-371.
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  11. Work and Object.Peter Lamarque - 2002 - Proceedings of the Aristotelian Society 102 (2):141–162.
    The paper considers what kinds of things are musical, literary, pictorial and sculptural works, how they relate to physical objects or abstract types, and what their identity and survival conditions are. Works are shown to be cultural objects with essential intentional and relational properties. These essential properties are connected to conditions of production and conditions of reception, of both a generic and work-specific kind. It is argued that work-identity is value-laden, whereby essential to the survival of a work is the (...)
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  12.  25
    The Rule of Metaphor: Multi-Disciplinary Studies of the Creation of Meaning in Language. [REVIEW]Peter Lamarque - 1979 - Philosophical Quarterly 29 (115):188-190.
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  13.  65
    The Rule of Metaphor: Multi-Disciplinary Studies of the Creation of Meaning in Language.Peter Lamarque - 1977 - Philosophical Quarterly 29 (115):188-190.
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  14.  63
    Poetry and Abstract Thought.Peter Lamarque - 2009 - Midwest Studies in Philosophy 33 (1):37-52.
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  15.  4
    The Nature of Fiction.Peter Lamarque - 1993 - Philosophical Quarterly 43 (171):253-256.
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  16. Aesthetics and Literature: A Problematic Relation?Peter Lamarque - 2007 - Philosophical Studies 135 (1):27 - 40.
    The paper argues that there is a proper place for literature within aesthetics but that care must be taken in identifying just what the relation is. In characterising aesthetic pleasure associated with literature it is all too easy to fall into reductive accounts, for example, of literature as merely “fine writing”. Belleslettrist or formalistic accounts of literature are rejected, as are two other kinds of reduction, to pure meaning properties and to a kind of narrative realism. The idea is developed (...)
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  17.  88
    The Uselessness of Art.Peter Lamarque - 2010 - Journal of Aesthetics and Art Criticism 68 (3):205-214.
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  18.  91
    The Elusiveness of Poetic Meaning.Peter Lamarque - 2009 - Ratio 22 (4):398-420.
    Various aspects of poetic meaning are discussed, centred on the relation of form and content. A C Bradley's thesis of form-content identity, suitably reformulated, is defended against criticisms by Peter Kivy. It is argued that the unity of form-content is not discovered in poetry so much as demanded of it when poetry is read 'as poetry'. A shift of emphasis from talking about 'meaning' in poetry to talking about 'content' is promoted, as is a more prominent role for 'experience' in (...)
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  19.  11
    Work and Object.Peter Lamarque - 2002 - Proceedings of the Aristotelian Society 102 (1):141-162.
    The paper considers what kinds of things are musical, literary, pictorial and sculptural works, how they relate to physical objects or abstract types, and what their identity and survival conditions are. Works are shown to be cultural objects with essential intentional and relational properties. These essential properties are connected to conditions of production and conditions of reception, of both a generic and work-specific kind. It is argued that work-identity is value-laden, whereby essential to the survival of a work is the (...)
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  20.  35
    Objects of Interpretation.Peter Lamarque - 2000 - Metaphilosophy 31 (1-2):96-124.
  21. The Death of the Author: An Analytical Autopsy.Peter Lamarque - 1990 - British Journal of Aesthetics 30 (4):319-331.
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  22. Literature.Peter Lamarque - 2001 - In Berys Nigel Gaut & Dominic Lopes (eds.), The Routledge Companion to Aesthetics. Routledge.
     
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  23. Tragedy and Moral Value.Peter Lamarque - 1995 - Australasian Journal of Philosophy 73 (2):239 – 249.
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  24.  35
    The Philosophy of Literature.Peter Lamarque - 2008 - Wiley-Blackwell.
    By exploring central issues in the philosophy of literature, illustrated by a wide range of novels, poems, and plays, _Philosophy of Literature_ gets to the heart of why literature matters to us and sheds new light on the nature and interpretation of literary works. Provides a comprehensive study, along with original insights, into the philosophy of literature Develops a unique point of view - from one of the field's leading exponents Offers examples of key issues using excerpts from well-known novels, (...)
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  25.  4
    Meinong.Peter Lamarque - 1975 - Philosophical Quarterly 25 (99):170-172.
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  26.  7
    Rules and Representations.Peter Lamarque - 1982 - Philosophical Quarterly 32 (127):180-181.
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  27.  13
    Presupposition and the Delimitation of Semantics.Peter Lamarque - 1975 - Philosophical Quarterly 26 (105):379-382.
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  28. Expression and the Mask: The Dissolution of Personality in Noh.Peter Lamarque - 1989 - Journal of Aesthetics and Art Criticism 47 (2):157-168.
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  29. The Philosophy of Literature : Pleasure Restored.Peter Lamarque & Stein Haugom Olsen - 2004 - In Peter Kivy (ed.), The Blackwell Guide to Aesthetics. Blackwell.
  30.  4
    The Aesthetic and the Universal.Peter Lamarque - 1999 - Journal of Aesthetic Education 33 (2):1-17.
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  31.  10
    On Keeping Psychology Out of Literary Criticism.Peter Lamarque - 2011 - In Elisabeth Schellekens & Peter Goldie (eds.), The Aesthetic Mind: Philosophy and Psychology. Oxford University Press. pp. 299-312.
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  32. On Perceiving Conceptual Art.Peter Lamarque - 2007 - In Peter Goldie & Elisabeth Schellekens (eds.), Philosophy and Conceptual Art. Oxford University Press.
     
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  33. Fiction.Peter Lamarque - 2003 - In Jerrold Levinson (ed.), The Oxford Handbook of Aesthetics. Oxford University Press.
     
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  34.  92
    Bits and Pieces of Fiction.Peter Lamarque - 1984 - British Journal of Aesthetics 24 (1):53-58.
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  35.  73
    Reasoning to What is True in Fiction.Peter Lamarque - 1990 - Argumentation 4 (3):333-346.
    The paper discusses the principle by which we reason to what is ‘true in fiction’. The focus is David Lewis's article ‘Truth in Fiction’ (1978) which proposes an analysis in terms of counterfactuals and possible worlds. It is argued thatLewis's account is inadequate in detail and also in principle in that it conflicts radically with basic and familiar tenets of literary criticism. Literary critical reasoning about fiction concerns not the discovery of facts in possible worlds but the recovery of meanings (...)
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  36.  46
    Art and Philosophy: Conceptual Issues in Aesthetics.Peter Lamarque - 1983 - Philosophical Review 92 (2):266-269.
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  37.  99
    Making Sense: A Theory of Interpretation. [REVIEW]Peter Lamarque - 2003 - British Journal of Aesthetics 43 (1):80-84.
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  38.  26
    The Puzzle of the Flash Stockman: A Reply to David Lewis.Peter Lamarque - 1987 - Analysis 47 (2):93 - 95.
    This is a short note on a problem arising from lewis's account of 'truth in fiction'. In the case of the unreliable narrator, A writer, On lewis's view, Must pretend to pretend. An explanation is offered for this in terms of mimicry or impersonation, And some consequences drawn about fictional ontology.
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  39.  33
    Fiction and Narrative, by Derek Matravers. [REVIEW]Peter Lamarque - 2016 - Mind 125 (498):616-619.
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  40.  30
    Reflections on the Ethics and Aesthetics of Restoration and Conservation.Peter Lamarque - 2016 - British Journal of Aesthetics 56 (3):281-299.
    This paper looks at some of the principles behind restoration and conservation applied to ancient artefacts and architecture. A number of case studies are discussed, from medieval stained glass to buildings that have been damaged by fire. The paper ends with some remarks about the conservation of ruins. Underlying the discussion are questions about the kinds of obligations—both ethical and aesthetic—that might constrain the practices of restoration: what ought and ought not to be done in particular cases and how such (...)
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  41.  73
    Précis of the Philosophy of Literature.Peter Lamarque - 2010 - British Journal of Aesthetics 50 (1):77-80.
    (No abstract is available for this citation).
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  42. Concise Encyclopedia of Philosophy of Language.Peter Lamarque - 1997
     
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  43.  8
    The Structure of Literary Understanding.Peter Lamarque - 1979 - Philosophical Review 88 (3):468.
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  44. Aesthetics and the Philosophy of Art. The Analytic Tradition. An Anthology.Peter Lamarque & Stein Haugom Olsen - 2005 - Tijdschrift Voor Filosofie 67 (3):601-602.
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  45.  3
    VIII-Work and Object.Peter Lamarque - 2002 - Proceedings of the Aristotelian Society 102 (2):141-162.
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  46.  19
    Language, Interpretation and Worship—II: Peter Lamarque.Peter Lamarque - 1992 - Royal Institute of Philosophy Supplement 31:109-122.
    Martin Warner's subtle and far-reaching synthesis of philosophical theology and philosophy of language belongs in a cluster of papers he has written on related topics so it would be helpful to begin by setting out this wider context. His concerns overall cover three interlocking subjects: biblical interpretation, biblical translation, and reform of the liturgy. All pose a central conundrum, which in its briefest formulation is just this: what kind of meaning is involved in each case? Warner's particular focus is on (...)
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  47.  62
    Review: Beyond Aesthetics: Philosophical Essays. [REVIEW]Peter Lamarque - 2004 - Mind 113 (450):323-326.
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  48.  27
    The High Price of Evading Boredom: A Reply to Erik Bjerck Hagen.Peter Lamarque - 1999 - Nordic Journal of Aesthetics 11 (18).
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  49.  31
    Artistic Value.Peter Lamarque - 2009 - In John Shand (ed.), Central Issues in Philosophy. Wiley-Blackwell.
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  50. Aesthetic Essentialism.Peter Lamarque - 2001 - In Emily Brady & Jerrold Levinson (eds.), Aesthetic Concepts: Essays After Sibley. Oxford University Press. pp. 100--122.
     
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