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Peter Lamarque [100]Peter Vaudreuil Lamarque [2]
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Profile: Peter Lamarque (University of York)
  1. Truth, Fiction, and Literature: A Philosophical Perspective.Lamarque Peter & Haugom Olsen Stein - 1994 - Oxford University Press.
    This book examines the complex and varied ways in which fictions relate to the real world, and offers a precise account of how imaginative works of literature can use fictional content to explore matters of universal human interest. While rejecting the traditional view that literature is important for the truths that it imparts, the authors also reject attempts to cut literature off altogether from real human concerns. Their detailed account of fictionality, mimesis, and cognitive value, founded on the methods of (...)
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  2. On Not Expecting Too Much From Narrative.Peter Lamarque - 2004 - Mind and Language 19 (4):393–408.
    The paper offers a mildly deflationary account of narrative, drawing attention to the minimal, thus easily satisfied, conditions of narrativity and showing that many of the more striking claims about narrative are either poorly supported or refer to distinct classes of narrative—usually literary or fictional—which provide a misleading paradigm for narration in general. An enquiry into structural, referential, pragmatic, and valuebased features of narrative helps circumscribe the limits of narration and the test case of the narrative definition of the self (...)
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  3. How Can We Fear and Pity Fictions?Peter Lamarque - 1981 - British Journal of Aesthetics 21 (4):291-304.
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  4.  8
    The Philosophy of Literature.Peter Lamarque - 2009 - Blackwell.
    The latest volume in the Foundations of the Philosophy of the Arts series is a comprehensive study of a relatively new but increasingly influential branch of aesthetics.
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  5. The Opacity of Narrative.Peter Lamarque - 2014 - Rowman & Littlefield International.
    What is narrative? What is distinctive about the great literary narratives? In virtue of what is a narrative fictional or non-fictional? In this important new book Peter Lamarque, one of the leading philosophers of literature at work today, explores these and related questions to bring new clarity and insight to debates about narrative in philosophy, critical theory, and narratology.
     
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  6.  8
    The Rule of Metaphor: Multi-Disciplinary Studies of the Creation of Meaning in Language. [REVIEW]Peter Lamarque - 1979 - Philosophical Quarterly 29 (115):188-190.
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  7.  78
    Work and Object.Peter Lamarque - 2002 - Proceedings of the Aristotelian Society 102 (2):141–162.
    The paper considers what kinds of things are musical, literary, pictorial and sculptural works, how they relate to physical objects or abstract types, and what their identity and survival conditions are. Works are shown to be cultural objects with essential intentional and relational properties. These essential properties are connected to conditions of production and conditions of reception, of both a generic and work-specific kind. It is argued that work-identity is value-laden, whereby essential to the survival of a work is the (...)
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  8.  37
    Work and Object: Explorations in the Metaphysics of Art.Peter Lamarque - 2010 - Oxford University Press.
    Issues about the creation of works, what is essential and inessential to their identity, their distinct kinds of properties, including aesthetic properties, ...
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  9.  46
    Poetry and Abstract Thought.Peter Lamarque - 2009 - Midwest Studies in Philosophy 33 (1):37-52.
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  10.  69
    The Uselessness of Art.Peter Lamarque - 2010 - Journal of Aesthetics and Art Criticism 68 (3):205-214.
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  11.  22
    Fiction and Narrative, by Derek Matravers.Peter Lamarque - 2016 - Mind 125 (498):616-619.
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  12.  22
    Fictional Points of View.Robert Hopkins & Peter Lamarque - 1998 - Philosophical Review 107 (1):140.
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  13. Aesthetics and Literature: A Problematic Relation?Peter Lamarque - 2007 - Philosophical Studies 135 (1):27 - 40.
    The paper argues that there is a proper place for literature within aesthetics but that care must be taken in identifying just what the relation is. In characterising aesthetic pleasure associated with literature it is all too easy to fall into reductive accounts, for example, of literature as merely “fine writing”. Belleslettrist or formalistic accounts of literature are rejected, as are two other kinds of reduction, to pure meaning properties and to a kind of narrative realism. The idea is developed (...)
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  14. Literature.Peter Lamarque - 2001 - In Berys Nigel Gaut & Dominic Lopes (eds.), The Routledge Companion to Aesthetics. Routledge.
     
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  15. Cognitive Values in the Arts: Marking the Boundaries.Peter Lamarque - 2006 - In Matthew Kieran (ed.), Contemporary Debates in Aesthetics and the Philosophy of Art. Blackwell. pp. 127--39.
     
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  16. Expression and the Mask: The Dissolution of Personality in Noh.Peter Lamarque - 1989 - Journal of Aesthetics and Art Criticism 47 (2):157-168.
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  17. The Death of the Author: An Analytical Autopsy.Peter Lamarque - 1990 - British Journal of Aesthetics 30 (4):319-331.
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  18.  23
    Objects of Interpretation.Peter Lamarque - 2000 - Metaphilosophy 31 (1-2):96-124.
  19.  69
    On the Distance Between Literary Narratives and Real-Life Narratives.Peter Lamarque - 2007 - Royal Institute of Philosophy Supplement 82 (60):117-.
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  20.  6
    Reflections on the Ethics and Aesthetics of Restoration and Conservation.Peter Lamarque - 2016 - British Journal of Aesthetics 56 (3):281-299.
    This paper looks at some of the principles behind restoration and conservation applied to ancient artefacts and architecture. A number of case studies are discussed, from medieval stained glass to buildings that have been damaged by fire. The paper ends with some remarks about the conservation of ruins. Underlying the discussion are questions about the kinds of obligations—both ethical and aesthetic—that might constrain the practices of restoration: what ought and ought not to be done in particular cases and how such (...)
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  21.  84
    Tragedy and Moral Value.Peter Lamarque - 1995 - Australasian Journal of Philosophy 73 (2):239 – 249.
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  22.  88
    Making Sense: A Theory of Interpretation. [REVIEW]Peter Lamarque - 2003 - British Journal of Aesthetics 43 (1):80-84.
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  23.  83
    Bits and Pieces of Fiction.Peter Lamarque - 1984 - British Journal of Aesthetics 24 (1):53-58.
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  24.  23
    The Puzzle of the Flash Stockman: A Reply to David Lewis.Peter Lamarque - 1987 - Analysis 47 (2):93 - 95.
    This is a short note on a problem arising from lewis's account of 'truth in fiction'. In the case of the unreliable narrator, A writer, On lewis's view, Must pretend to pretend. An explanation is offered for this in terms of mimicry or impersonation, And some consequences drawn about fictional ontology.
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  25.  78
    The Elusiveness of Poetic Meaning.Peter Lamarque - 2009 - Ratio 22 (4):398-420.
    Various aspects of poetic meaning are discussed, centred on the relation of form and content. A C Bradley's thesis of form-content identity, suitably reformulated, is defended against criticisms by Peter Kivy. It is argued that the unity of form-content is not discovered in poetry so much as demanded of it when poetry is read 'as poetry'. A shift of emphasis from talking about 'meaning' in poetry to talking about 'content' is promoted, as is a more prominent role for 'experience' in (...)
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  26.  64
    Précis of the Philosophy of Literature.Peter Lamarque - 2010 - British Journal of Aesthetics 50 (1):77-80.
    (No abstract is available for this citation).
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  27.  3
    Work and Object.Peter Lamarque - 2002 - Proceedings of the Aristotelian Society 102 (1):141-162.
    The paper considers what kinds of things are musical, literary, pictorial and sculptural works, how they relate to physical objects or abstract types, and what their identity and survival conditions are. Works are shown to be cultural objects with essential intentional and relational properties. These essential properties are connected to conditions of production and conditions of reception, of both a generic and work-specific kind. It is argued that work-identity is value-laden, whereby essential to the survival of a work is the (...)
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  28. The Philosophy of Literature : Pleasure Restored.Peter Lamarque & Stein Haugom Olsen - 2004 - In Peter Kivy (ed.), The Blackwell Guide to Aesthetics. Blackwell.
     
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  29.  30
    Reasoning to What is True in Fiction.Peter Lamarque - 1990 - Argumentation 4 (3):333-346.
    The paper discusses the principle by which we reason to what is ‘true in fiction’. The focus is David Lewis's article ‘Truth in Fiction’ (1978) which proposes an analysis in terms of counterfactuals and possible worlds. It is argued thatLewis's account is inadequate in detail and also in principle in that it conflicts radically with basic and familiar tenets of literary criticism. Literary critical reasoning about fiction concerns not the discovery of facts in possible worlds but the recovery of meanings (...)
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  30.  57
    Review: Beyond Aesthetics: Philosophical Essays. [REVIEW]Peter Lamarque - 2004 - Mind 113 (450):323-326.
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  31.  4
    Truth, Fiction, and Literature: A Philosophical Perspective.Berys Gaut, Peter Lamarque & Stein Haugom Olsen - 1996 - Philosophical Review 105 (1):84.
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  32.  5
    On the Distance Between Literary Narratives and Real-Life Narratives.Peter Lamarque - 2007 - Royal Institute of Philosophy Supplement 60:117-132.
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  33.  1
    Language, Interpretation and Worship—II: Peter Lamarque.Peter Lamarque - 1992 - Royal Institute of Philosophy Supplement 31:109-122.
    Martin Warner's subtle and far-reaching synthesis of philosophical theology and philosophy of language belongs in a cluster of papers he has written on related topics so it would be helpful to begin by setting out this wider context. His concerns overall cover three interlocking subjects: biblical interpretation, biblical translation, and reform of the liturgy. All pose a central conundrum, which in its briefest formulation is just this: what kind of meaning is involved in each case? Warner's particular focus is on (...)
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  34. Aesthetic Essentialism.Peter Lamarque - 2001 - In Emily Brady & Jerrold Levinson (eds.), Aesthetic Concepts: Essays After Sibley. Oxford University Press. pp. 100--122.
     
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  35.  47
    The Range of Interpretation. [REVIEW]Peter Lamarque - 2003 - British Journal of Aesthetics 43 (1):80-84.
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  36.  35
    Much Ado About Nonexistence: Fiction and Reference. [REVIEW]Peter Lamarque - 2009 - Philosophical Review 118 (3):406-409.
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  37.  9
    Truth and Art in Iris Murdoch's The Black Prince.Peter Lamarque - 1978 - Philosophy and Literature 2 (2):209-222.
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  38.  24
    Whimsicality in the Films of Eric Rohmer.Peter Lamarque & Peter Goldie - 2010 - Midwest Studies in Philosophy 34 (1):306-322.
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  39.  10
    Artistic Value.Peter Lamarque - 2009 - In John Shand (ed.), Central Issues in Philosophy. Wiley-Blackwell.
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  40.  15
    Spreading the Word: Groundings in the Philosophy of Language (Review).Peter Lamarque - 1985 - Philosophy and Literature 9 (2):212-225.
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  41.  5
    Language, Interpretation and Worship—II.Peter Lamarque - 1992 - Royal Institute of Philosophy Supplement 31:109-122.
    Martin Warner's subtle and far-reaching synthesis of philosophical theology and philosophy of language belongs in a cluster of papers he has written on related topics so it would be helpful to begin by setting out this wider context. His concerns overall cover three interlocking subjects: biblical interpretation, biblical translation, and reform of the liturgy. All pose a central conundrum, which in its briefest formulation is just this: what kind of meaning is involved in each case? Warner's particular focus is on (...)
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  42.  21
    Replies to Attridge, Blackburn, Feagin, and Harcourt.Peter Lamarque - 2010 - British Journal of Aesthetics 50 (1):99-106.
    (No abstract is available for this citation).
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  43.  14
    Object, Work, and Interpretation.Peter Lamarque - 2005 - Philosophy in the Contemporary World 12 (1):1-7.
    The paper offers an overview of, and critical comments on, Michael Krausz’s Limits of Rightness. It focuses on three key aspects of the book’s intellectual framework: the ideals of interpretation, the objects of interpretation, and the ontological commitments of interpretation. The paper discusses how exactly these aspects are related Krausz’s views on constructive realism, in particular its relation to objects of interpretation, become crucial. His comments on Paul Thom’s theory of interpretations provide a context for examining the role of ‘construction’ (...)
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  44.  5
    The High Price of Evading Boredom: A Reply to Erik Bjerck Hagen.Peter Lamarque - 1999 - Nordic Journal of Aesthetics 11 (18).
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  45.  2
    VIII-Work and Object.Peter Lamarque - 2002 - Proceedings of the Aristotelian Society 102 (2):141-162.
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  46.  6
    On Keeping Psychology Out of Literary Criticism.Peter Lamarque - 2011 - In Elisabeth Schellekens & Peter Goldie (eds.), The Aesthetic Mind: Philosophy and Psychology. Oxford University Press. pp. 299-312.
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  47.  8
    Knowledge, Fiction and Imagination (Review).Peter Lamarque - 1989 - Philosophy and Literature 13 (2):365-374.
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  48. Literature and Truth.Peter Lamarque - 2010 - In Garry Hagberg & Walter Jost (eds.), A Companion to the Philosophy of Literature. Wiley-Blackwell.
     
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  49.  6
    Aesthetic Value, Experience, and Indiscernibles.Peter Lamarque - 1998 - Nordic Journal of Aesthetics 10 (17).
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  50.  15
    Arguing About Art. [REVIEW]Peter Lamarque - 1999 - European Journal of Philosophy 7 (1):89–100.
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