9 found
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  1.  10
    Incremental Planning in Sequence Production.Caroline Palmer & Peter Q. Pfordresher - 2003 - Psychological Review 110 (4):683-712.
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  2.  27
    Vocal Imitation of Song and Speech.James T. Mantell & Peter Q. Pfordresher - 2013 - Cognition 127 (2):177-202.
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  3.  10
    Making and Monitoring Errors Based on Altered Auditory Feedback.Peter Q. Pfordresher & Robertson T. E. Beasley - 2014 - Frontiers in Psychology 5.
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  4.  19
    The Experience of Agency in Sequence Production with Altered Auditory Feedback.Justin J. Couchman, Robertson Beasley & Peter Q. Pfordresher - 2012 - Consciousness and Cognition 21 (1):186-203.
    When speaking or producing music, people rely in part on auditory feedback – the sounds associated with the performed action. Three experiments investigated the degree to which alterations of auditory feedback during music performances influence the experience of agency and the possible link between agency and the disruptive effect of AAF on production. Participants performed short novel melodies from memory on a keyboard. Auditory feedback during performances was manipulated with respect to its pitch contents and/or its synchrony with actions. Participants (...)
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  5.  21
    Context and Meter Enhance Long-Range Planning in Music Performance.Brian Mathias, Peter Q. Pfordresher & Caroline Palmer - 2014 - Frontiers in Human Neuroscience 8.
  6.  16
    Speed, Accuracy, and Serial Order in Sequence Production.Peter Q. Pfordresher, Caroline Palmer & Melissa K. Jungers - 2007 - Cognitive Science 31 (1):63-98.
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  7. Music Production Deficits and Social Bonding: The Case of Poor-Pitch Singing.Peter Q. Pfordresher - 2021 - Behavioral and Brain Sciences 44.
    Both of the companion target articles place considerable performance on music performance ability, with specific attention paid to singing in harmony for the music and social bonding hypothesis proposed by Savage and colleagues. In this commentary, I evaluate results from recent research on singing accuracy in light of their implications for the MSB hypothesis.
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  8.  14
    On Drawing a Line Through the Spectrogram: How Do We Understand Deficits of Vocal Pitch Imitation?Peter Q. Pfordresher & Pauline Larrouy-Maestri - 2015 - Frontiers in Human Neuroscience 9.
  9. Spontaneous Production Rates in Music and Speech.Peter Q. Pfordresher, Emma B. Greenspon, Amy L. Friedman & Caroline Palmer - 2021 - Frontiers in Psychology 12.
    Individuals typically produce auditory sequences, such as speech or music, at a consistent spontaneous rate or tempo. We addressed whether spontaneous rates would show patterns of convergence across the domains of music and language production when the same participants spoke sentences and performed melodic phrases on a piano. Although timing plays a critical role in both domains, different communicative and motor constraints apply in each case and so it is not clear whether music and speech would display similar timing mechanisms. (...)
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