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  1. Understanding Works of Art: Universality, Unity and Uniqueness.Petra von Morstein - 1982 - British Journal of Aesthetics 22 (4):350-362.
  2.  51
    Kripke, Wittgenstein, and the Private Language Argument.Petra von Morstein - 1980 - Grazer Philosophische Studien 11 (1):61-74.
    "Agreement" is the key notion in Wittgenstein's explanation of the possibility of public language. Agreement in judgements constitutes the justification for asserting agreement in definitions. The determinates of rules are empirical; rules as determinables are transcendental. Rules are on the limit of public language, and not within it. Wittgenstein's skeptical solutions to skepticism about language and about the given are transcendentalistic. His skeptical solutions in other areas are conventionalistic. Skepticism about mental phenomena is not solved because of a systematic rule-gap (...)
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  3. Nietzsche and Creative Passion in Milan Kundera's "The Unbearable Lightness of Being".Petra Von Morstein - 1990 - Analecta Husserliana 28:535.
     
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  4.  37
    Über Wahrnehmung von Aspekten.Petra von Morstein - 1976 - Grazer Philosophische Studien 2 (1):67-83.
    Unter the general heading of 'as-experiences' (to see X as Y) a distinction is drawn between epistemologically neutral (N-experiences) and epistemologically bound (B-experiences). N- and B-experiences move across the scale of O- and S-experiences; the distinction between 0- and S-experiences is a distinction in degree with regard to the subject's involvement in as-experiences. Constitutive and non-constitutive aspects are distinguished, and a conceptual connection is shown between constitutive aspects of an object and Rylean categories.
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  5.  9
    On Understanding Works of Art: An Essay in Philosophical Aesthetics.Petra von Morstein - 1989 - Journal of Aesthetics and Art Criticism 47 (2):203.
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  6.  11
    Kripke, Wittgenstein, and the Privat Language Argument.Petra von Morstein - 1980 - Grazer Philosophische Studien 11 (1):61-74.
    "Agreement" is the key notion in Wittgenstein's explanation of the possibility of public language. Agreement in judgements constitutes the justification for asserting agreement in definitions. The determinates of rules are empirical; rules as determinables are transcendental. Rules are on the limit of public language, and not within it. Wittgenstein's skeptical solutions to skepticism about language and about the given are transcendentalistic. His skeptical solutions in other areas are conventionalistic. Skepticism about mental phenomena is not solved because of a systematic rule-gap (...)
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  7.  39
    Magritte: Artistic and Conceptual Representation.Petra von Morstein - 1983 - Journal of Aesthetics and Art Criticism 41 (4):369-374.
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  8.  13
    Critical Notice.Petra Von Morstein - 1984 - Canadian Journal of Philosophy 14 (1):147-152.
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  9.  38
    `Imagine'.Petra von Morstein - 1974 - Mind 83 (330):228-247.
  10.  24
    Essays in Kant's Aesthetics.Petra Von Morstein - 1984 - Canadian Journal of Philosophy 14 (1):147-152.
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  11.  8
    Über Wahrnehmung von Aspekten.Petra von Morstein - 1976 - Grazer Philosophische Studien 2 (1):67-83.
    Unter the general heading of 'as-experiences' a distinction is drawn between epistemologically neutral and epistemologically bound. N- and B-experiences move across the scale of O- and S-experiences; the distinction between 0- and S-experiences is a distinction in degree with regard to the subject's involvement in as-experiences. Constitutive and non-constitutive aspects are distinguished, and a conceptual connection is shown between constitutive aspects of an object and Rylean categories.
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  12.  9
    Understanding Works of Art: Universality, Unity, and Uniqueness.Petra von Morstein - 1981 - Dialectics and Humanism 8 (3):165-175.
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  13. Michel Foucault, This is Not a Pipe Reviewed By.Petra von Morstein - 1984 - Philosophy in Review 4 (4):144-147.
     
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  14. Michel Foucault, This is Not a Pipe. [REVIEW]Petra von Morstein - 1984 - Philosophy in Review 4:144-147.
     
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  15. On Understanding Works of Art an Essay in Philosophical Aesthetics.Petra Von Morstein - 1986
     
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  16. Sagen und zeigen: Einige bemerkungen zum verstehen Von satzen, sprechakten und gedichten.Petra von Morstein - 1978 - In Elisabeth Leinfellner (ed.), Wittgenstein and His Impact on Contemporary Thought: Proceedings of the Second International Wittgenstein Symposium, 29th August to 4th September 1977, Kirchberg/Wechsel (Austria) ; Editors, Elisabeth Leinfellner ... [Et Al.]. D. Reidel Pub. Co.. pp. 468.
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