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Philip Alperson [39]Philip A. Alperson [1]Philip Alan Alperson [1]
  1. On Musical Improvisation.Philip Alperson - 1984 - Journal of Aesthetics and Art Criticism 43 (1):17-29.
  2.  17
    What Should One Expect From a Philosophy of Music Education?Philip Alperson - 1991 - Journal of Aesthetic Education 25 (3):215.
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  3.  84
    A Topography of Improvisation.Philip Alperson - 2010 - Journal of Aesthetics and Art Criticism 68 (3):273-280.
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  4.  96
    Music, Mind, and Morality: Arousing the Body Politic.Philip Alperson & Noël Carroll - 2008 - Journal of Aesthetic Education 42 (1):1-15.
  5. When Composers Have to Be Performers.Philip Alperson - 1991 - Journal of Aesthetics and Art Criticism 49 (4):369-373.
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  6.  43
    The Instrumentality of Music.Philip Alperson - 2008 - Journal of Aesthetics and Art Criticism 66 (1):37–51.
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  7. Musical Time" and Music as an "Art of Time.Philip Alperson - 1980 - Journal of Aesthetics and Art Criticism 38 (4):407-417.
  8.  89
    Schopenhauer and Musical Revelation.Philip Alperson - 1981 - Journal of Aesthetics and Art Criticism 40 (2):155-166.
  9. The Arts of Music.Philip Alperson - 1992 - Journal of Aesthetics and Art Criticism 50 (3):217-230.
  10.  43
    What Is a Temporal Art?Jerrold Levinson & Philip Alperson - 1991 - Midwest Studies in Philosophy 16 (1):439-450.
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  11.  76
    Facing the Music: Voices From the Margins.Philip Alperson - 2009 - Topoi 28 (2):91-96.
    Recent philosophy of music in the Anglophone analytic tradition has produced many fine-grained analyses of musical practices within the context of the Western fine-art tradition. It has not for the most part, however, been self-conscious about the normative implications of that orienting tradition. As a result, the achievements of recent philosophical discussions of music have been unnecessarily constricted. The way forward is to enrich the range of musical practices philosophy takes as its target of examination.
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  12.  20
    Introduction: Diversity and Community.Philip Alperson - 2002 - In Diversity and Community: An Interdisciplinary Reader. Blackwell. pp. 1--30.
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  13. Improvisation: An Overview.Philip Alperson - 1998 - In Michael Kelly (ed.), Encyclopedia of Aesthetics. Oxford University Press. pp. 2--478.
     
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  14. The Philosophy of Music : Formalism and Beyond.Philip Alperson - 2004 - In Peter Kivy (ed.), The Blackwell Guide to Aesthetics. Blackwell.
     
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  15. Ernest Bloch, Essays on the Philosophy of Music Reviewed By.Philip Alperson - 1986 - Philosophy in Review 6 (10):464-467.
     
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  16.  47
    The Sounding of the World: Aesthetic Reflections on Traditional Gong Music of Vietnam.Philip Alperson, B. E. N. Chí & To Ngoc Thanh - 2007 - Journal of Aesthetics and Art Criticism 65 (1):11–20.
  17.  18
    Value Monism, Value Pluralism, and Music Education: Sparshott as Fox.Philip Alperson - 1997 - Journal of Aesthetic Education 31 (2):19.
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  18.  3
    Instrumental Music and Instrumental Value.Philip Alperson - 1993 - Journal of Aesthetic Education 27 (1):2.
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  19.  17
    Creativity in Art.Philip Alperson - 2003 - In Jerrold Levinson (ed.), The Oxford Handbook of Aesthetics. Oxford University Press. pp. 249--50.
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  20.  6
    Hegel and the Limits of Musical Expression.Philip Alperson & Martin Donougho - 1988 - Philosophie Et Culture: Actes du XVIIe Congrès Mondial de Philosophie 3:659-664.
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  21.  7
    The Sounding of the World: Aesthetic Reflections on Traditional Gong Music of Vietnam.Philip Alperson, Nguyen Chí Ben & To Ngoc Thanh - 2007 - Journal of Aesthetics and Art Criticism 65 (1):11-20.
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  22.  13
    The Sounding of the World: Aesthetic Reflections on Traditional Gong Music of Vietnam.Philip Alperson, Nguyễn Chí Bến & To Ngoc Thanh - 2007 - Journal of Aesthetics and Art Criticism 65 (1):11 - 20.
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  23.  28
    Introduction: New Directions in the Philosophy of Music.Philip Alperson - 1994 - Journal of Aesthetics and Art Criticism 52 (1):1-11.
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  24.  8
    Englischsprachige Philosophie der Musik: Ein Blick von Irgendwo.Philip Alperson - 2009 - Deutsche Zeitschrift für Philosophie 57 (6):879-884.
    Contemporary Anglophone philosophy of music has eschewed traditional philosophical concerns about the place of music in human affairs, concentrating instead on a more restricted domain of musical meaning related to aesthetic considerations which are ultimately tied to the concept of disinterested aesthetic experience. I argue that this emphasis needs to be supplemented by an attention to the “instrumentality” of music, understanding music in relation to questions of the social and cultural purposes that music might serve and thereby broadening the idea (...)
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  25.  20
    The Arts of Music.Philip Alperson - 1991 - Journal of Philosophy 88 (10):555-556.
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  26.  15
    Editorial Note.Philip Alperson - 1993 - Journal of Aesthetics and Art Criticism 51 (4).
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  27.  6
    What Is Music?Philip Alperson - 1989 - Journal of Aesthetics and Art Criticism 47 (3):292-294.
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  28.  3
    The Philosophy of the Visual Arts.Philip A. Alperson - 1993 - Journal of Aesthetics and Art Criticism 51 (3):525-525.
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  29.  3
    The Arts of Music.Philip Alperson - 1991 - Journal of Philosophy 88 (10):555-556.
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  30.  11
    Notes From the Editor.Philip Alperson - 2003 - Journal of Aesthetics and Art Criticism 61 (1):3–4.
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  31.  2
    The Instrumentality of Music.Philip Alperson - 2008 - Journal of Aesthetics and Art Criticism 66 (1):37-51.
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  32.  2
    Notes From the Editor.Philip Alperson - 2003 - Journal of Aesthetics and Art Criticism 61 (1):3-4.
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  33. Diversity and Community: An Interdisciplinary Reader.Philip Alperson (ed.) - 2008 - Wiley-Blackwell.
    _Diversity and Community: An Interdisciplinary Reader _is a collection of essays exploring the notion of community in its many theoretical, practical, and cultural manifestations. A collection of specially commissioned essays exploring the notion of community in its many theoretical, practical, and cultural manifestations. Discusses the idea of community in its full, cultural context. Deals with issues confronting many diverse groups, including African American, Franco-Canadian, computer-mediated, and gay and lesbian communities. Includes contributions by both eminent schlars and new voices, among them (...)
     
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  34.  30
    Diversity and Community: An Interdisciplinary Reader.Philip Alperson (ed.) - 2002 - Wiley-Blackwell.
    _Diversity and Community: An Interdisciplinary Reader_ is a collection of essays exploring the notion of community in its many theoretical, practical, and cultural manifestations. A collection of specially commissioned essays exploring the notion of community in its many theoretical, practical, and cultural manifestations. Discusses the idea of community in its full, cultural context. Deals with issues confronting many diverse groups, including African American, Franco-Canadian, computer-mediated, and gay and lesbian communities. Includes contributions by both eminent schlars and new voices, among them (...)
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  35. Ernst Bloch, Essays on the Philosophy of Music. [REVIEW]Philip Alperson - 1986 - Philosophy in Review 6:464-467.
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  36. Musical Worlds New Directions in the Philosophy of Music.Philip Alperson - 1998
     
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  37.  52
    The Philosophy of the Visual Arts.Philip Alperson (ed.) - 1992 - Oxford University Press.
    Most instructors who teach introductory courses in aesthetics or the philosophy of arts use the visual arts as their implicit reference for "art" in general, yet until now there has been no aesthetics anthology specifically orientated to the visual arts. This text stresses conceptual and theoretical issues, first examining the very notion of "the visual arts " and then investigating philosophical questions raised by various forms, from painting, the paradigmatic form, to sculpture, photography, film, dance, kitsch, and other forms on (...)
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  38. What is Music?: An Introduction to the Philosophy of Music.Philip Alperson (ed.) - 1986 - Pennsylvania State University Press.
    Contributors to this volume are Philip Alperson, Francis Sparshott, Nicholas Wolterstorff, Edward T. Cone, Peter Kivy, Jenefer Robinson, Joseph Margolis, Arnold ...
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  39. 7. in memoriam.Deanne Bogdan, David Carr, Iris M. Yob, Anthony J. Palmer & Philip Alperson - 2010 - Philosophy of Music Education Review 18 (2).
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  40. Vollkommenes hält sich fern. Ästhetische Näherungen.Andreas Dorschel & Philip Alperson - 2012 - Universal Edition.
    In ‘Vollkommenes hält sich fern’ (‘Perfection keeps itself aloof’) – the book title is drawn from a verse of American poet Kimberly Johnson (*1971) –, Philip Alperson and Andreas Dorschel discuss issues in the philosophy of music and general aesthetics related to the body, to practices and genres, values and education.
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