15 found
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  1.  22
    Antithetical Arts: On the Ancient Quarrel between Literature and Music.Philip Gossett - 2011 - Common Knowledge 17 (3):537-537.
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  2.  20
    A Geometry of Music: Harmony and Counterpoint in the Extended Common Practice.Philip Gossett - 2012 - Common Knowledge 18 (3):552-553.
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  3.  18
    Changing Lives: Gustavo Dudamel, El Sistema, and the Transformative Power of Music.Philip Gossett - 2014 - Common Knowledge 20 (3):501-502.
  4.  17
    Portrait of a Castrato: Politics, Patronage, and Music in the Life of Atto Melani.Philip Gossett - 2014 - Common Knowledge 20 (2):364-365.
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  5.  34
    Song and Season: Science, Culture, and Theatrical Time in Early Modern Venice.Philip Gossett - 2009 - Common Knowledge 15 (2):215-216.
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  6.  38
    Securing the Past: Conservation in Art, Architecture, and Literature.Philip Gossett - 2010 - Common Knowledge 16 (1):150-151.
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  7.  29
    The Christian West and Its Singers: The First Thousand Years.Philip Gossett - 2013 - Common Knowledge 19 (3):572-573.
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  8.  11
    The Christian West and Its Singers: The First Thousand Years by Christopher Page (review).Philip Gossett - 2013 - Common Knowledge 19 (3):572-573.
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  9.  27
    The Great Transformation of Musical Taste: Concert Programming from Haydn to Brahms.Philip Gossett - 2009 - Common Knowledge 15 (3):515-515.
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  10.  30
    The written and the Sung ornamenting il barbiere di siviglia.Philip Gossett - 2011 - Common Knowledge 17 (2):231-246.
    This article—part of a Common Knowledge symposium titled “Between Text and Performance”—argues that the publication of a new edition of Il barbiere di Siviglia in Works of Gioachino Rossini (Bärenreiter-Verlag, Kassel) offers an excellent opportunity to reflect upon the written text of an opera and its relationship to the work that performers must do to realize the opera in the theater. Rossini wrote many passages that demand the intervention of performers (performing them “as written” is simply an error), yet this (...)
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  11.  41
    Unsettling Opera: Staging Mozart, Verdi, Wagner, and Zemlinsky.Philip Gossett - 2008 - Common Knowledge 14 (3):489-489.
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  12.  36
    Verdi and the Germans: From Unification to the Third Reich.Philip Gossett - 2012 - Common Knowledge 18 (2):359-361.
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  13.  5
    Verdi and the Germans: From Unification to the Third Reich by Gundula Kreuzer.Philip Gossett - 2019 - Common Knowledge 25 (1-3):440-442.
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  14.  29
    Verdi, Ghislanzoni, and "Aida": The Uses of Convention.Philip Gossett - 1974 - Critical Inquiry 1 (2):291-334.
    The existence of extensive written communications between Verdi and his librettists should have prompted scholars to prepare editions of the correspondence and to analyze its meaning and implications. Only rarely can we participate directly in the formative stages of an opera, and available material such as the correspondence between Richard Strauss and Hugo von Hofmannsthal is invaluable.1 Obeisance, at least, has been done to Verdi's correspondence. Alessandro Luzio calls the letters of Verdi to Antonio Ghislanzoni, "versifier" of Aida , "the (...)
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  15.  40
    Between text and performance symposium on improvisation and originalism.Jeffrey M. Perl, Philip Gossett, Robert Levin, Jeffrey Kallberg, Steven E. Jones, Martin Puchner, Tiffany Stern, Mark Franko & Roger Moseley - 2011 - Common Knowledge 17 (2):221-230.
    This essay introduces a Common Knowledge symposium on the relationship between texts (for instance, musical scores or dramatic scripts) and performance in the arts by drawing out its implications for the interpretation of publicly consequential texts (such as constitutions, legal statutes, and canon law). Arguing that judges and clerics could learn much from studying the work of Philip Gossett and other practitioners of textual criticism in the arts, the essay suggests that a wider array of choices exists for legal interpretation (...)
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