33 found
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  1.  35
    The Dynamic of Hexis in Aristotle's Philosophy.Pierre Rodrigo - 2011 - Journal of the British Society for Phenomenology 42 (1):6.
  2. Corporeity and Affectivity: Dedicated to Maurice Merleau-Ponty.Karel Novotny, Pierre Rodrigo, Jenny Slatman & Silvia Stoller (eds.) - 2013 - Brill.
    This volume focuses on Maurice Merleau-Ponty’s important contribution to the phenomenology of corporeity and affectivity, and it explores the various influences his work had and still has on other disciplines.
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  3. Ni le corps ni l’esprit. La chair de Husserl à Merleau-Ponty.Pierre Rodrigo - 2003 - Studia Phaenomenologica 3 (3-4):107-117.
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  4.  40
    « Chair » Et « Figure » Chez Merleau-Ponty Et Deleuze.Pierre Rodrigo - 2011 - Chiasmi International 13:179-191.
    “Flesh” and “Figure” in Merleau-Ponty and DeleuzeGilles Deleuze points out, in his work on Francis Bacon, that “the phenomenological hypothesis is perhaps insufficient because it invokes only the lived body. But the lived body is still very little in relation to a more profound and almost unlivable Power.” The present study fi rst seeks to specify what is this intensive Power of a life carried out at the limit of the unlivable. This leads to an analysis of Deleuze’s notion of (...)
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  5.  1
    Esthétique Et Herméneutique: La Fin des Grands Récits?Jean-Claude Gens & Pierre Rodrigo (eds.) - 2004 - Editions Universitaires de Dijon.
    Le XXe siècle a été celui d'un éclatement sans précédent des formes traditionnelles de l'art, et donc aussi de son essence ou de son "idée". Est-ce à dire qu'un héritage entier de sens et de culture a été dilapidé en cet âge qu'on a dit être celui de la "fin de l'art"? Doit-on au contraire penser qu'héritage il y a bel et bien eu, sur un mode critique et selon des logiques qui ne firent peut-être pas sans raison? Loin d'être (...)
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  6.  7
    Gadamer Et les Grecs.Jean-Claude Gens, Pavlos Kontos & Pierre Rodrigo (eds.) - 2004 - Vrin.
    Ce recueil vise à interroger un versant moins connu, mais essentiel, de la pensée de Gadamer, sa méditation des philosophes grecs, des Présocratiques à Plotin, qui occupe un tiers de ses œuvres complètes.
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  7. Puissances de L'Image.Jean-Claude Gens & Pierre Rodrigo (eds.) - 2007 - Editions Universitaires de Dijon.
    L'omniprésence des images dans la société mass-médiatique est corrélative de leur évanescence et du constant renouvellement qui conditionne le processus de leur consommation. Leur omnipotence se réduit ainsi à celle de stimuli destinés à induire des comportements. Or, il convient d'autant plus de revenir d'une telle exténuation de l'image que cette dernière constitue l'une des dimensions essentielles du déploiement de la vie humaine. L'image est traditionnellement rapportée à l'activité imaginante d'un sujet. Mais, s'il est vrai que l'étoffe des hommes et (...)
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  8. Display and Embellishment: Embodiment and Animality in Merleau-Ponty and Deleuze.Pierre Rodrigo - 2010 - Filosoficky Casopis 58 (1):9-22.
     
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  9.  36
    Abstract: Merleau-Ponty and Psychoanalysis.Pierre Rodrigo - 2002 - Chiasmi International 4:47-47.
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  10.  25
    Ontologie du Mouvement, Peinture Et Cinéma Chez Merleau-Ponty.Pierre Rodrigo - 2016 - Studia Phaenomenologica 16:111-133.
    The present paper investigates the late ontology of Maurice Merleau-Ponty, which considers being as expressive movement. The paper takes as its point of departure Merleau-Ponty’s reflections on painting, sculpture and especially cinema. Two reasons justify this choice. On the one hand, Merleau-Ponty’s reflections on film as a work of art are now starting to be better known, after they have been overshadowed by his writings on painting, sculpture or literature for a long time. This entails a considerable enrichment of our (...)
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  11.  37
    Compte-rendu de Jan Patočka, Aristote, ses devanciers, ses successeurs. Études d’histoire de la philosophie d’Aristote à Hegel.Pierre Rodrigo - 2012 - Chiasmi International 14:521-526.
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  12.  32
    Presentazione.Pierre Rodrigo - 2011 - Chiasmi International 13 (3):15-16.
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  13.  29
    Riassunto: La vita.Pierre Rodrigo - 2009 - Chiasmi International 11:481-482.
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  14.  34
    L’écart Du Sens.Pierre Rodrigo - 2010 - Chiasmi International 12:71-82.
    The Hiatus of Sense. Framing and Cinematic Montage according to Eisenstein and Merleau-Ponty“Cinema portrays movement, but how? Is it, as we are inclined to believe, by copying more closely the changes of place? We may presume not, since slow motion shows a body floating between objects like seaweed, but not moving itself.” This interrogation constitutes the only allusion to the cinema in Eye and Mind, and, by reading the argumentation developed in this work, one cannot help thinking that the role (...)
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  15.  18
    Comment dire Ia sensation?: - logos et aisthèsis en de Anima III, 2 -.Pierre Rodrigo - 1992 - Études Phénoménologiques 8 (16):47-78.
  16.  19
    Ontology of Movement.Pierre Rodrigo - 2016 - Philosophy Today 60 (2):407-425.
    In addressing the fundamental issues of Merleau-Ponty’s last ontology, for which Being is an expressive movement, this paper focuses on Merleau-Ponty’s reflections on painting, sculpture and, mainly, cinema. Two reasons justify such a choice. The first one is that Merleau-Ponty’s reflections on films as artistic objects are starting to become better known, while an exclusive privilege has been too long given to his texts on painting, sculpture and literature. An enrichment of our reading of his aesthetics and ontology is thus (...)
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  17.  30
    riassunto: Merleau-Ponty e la psicoanalisi.Pierre Rodrigo - 2002 - Chiasmi International 4:48-48.
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  18.  23
    L’écart Du Sens.Pierre Rodrigo - 2010 - Chiasmi International 12:71-82.
    The Hiatus of Sense. Framing and Cinematic Montage according to Eisenstein and Merleau-Ponty“Cinema portrays movement, but how? Is it, as we are inclined to believe, by copying more closely the changes of place? We may presume not, since slow motion shows a body floating between objects like seaweed, but not moving itself.” This interrogation constitutes the only allusion to the cinema in Eye and Mind, and, by reading the argumentation developed in this work, one cannot help thinking that the role (...)
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  19.  27
    Abstract: Life.Pierre Rodrigo - 2009 - Chiasmi International 11:480-481.
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  20.  16
    L'onto-logique de l'événement chez Whitehead.Pierre Rodrigo - 2002 - Les Etudes Philosophiques 63 (4):475.
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  21.  13
    L’art contemporain entre évaluation et dévaluation phénoménologiques.Pierre Rodrigo - 2005 - Études Phénoménologiques 21 (41/42):111-132.
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  22.  24
    La vie.Pierre Rodrigo - 2009 - Chiasmi International 11:465-480.
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  23. Merleau-Ponty. Perception, style et métaphoricité du monde.Pierre Rodrigo - 2007 - In Bruno Curatolo & Jacques Poirier (eds.), Le Style des Philosophes. Presses Universitaires de Franche-Comté. pp. 1--10.
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  24. Où est le tableau de Van Gogh? Remarques sur l'apparaître de l'image.Pierre Rodrigo - 2007 - In Jean-Claude Gens & Pierre Rodrigo (eds.), Puissances de L'image. Editions Universitaires de Dijon. pp. 1--10.
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  25.  14
    Ontology of Movement in Advance.Pierre Rodrigo - forthcoming - Philosophy Today.
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  26.  16
    Après la phénoménologie? Ontologie de la chair et métaphysique du mouvement chez Merleau-Ponty et Patočka.Pierre Rodrigo - 2013 - Chiasmi International 15:37-49.
    Patočka discusses «the disaster of the rejection of metaphysics» by Heidegger. In this critique, he has claimed that «Merleau-Ponty, Ricoeur, Waehlens and others» could neither be satisfied with the Heideggerian closure of the ontological sphere onto itself nor be content with Husserlian transcendentalism. In fact, there is a convergence between Patočka and Merleau-Ponty on this point, as demonstrated by a note from The Visible and the Invisible in which Merleau-Ponty affirms “I am for metaphysics” ...We show that these two thinkers (...)
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  27.  14
    Presentation.Pierre Rodrigo - 2011 - Chiasmi International 13:11-12.
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  28.  10
    Marx Et la Technique.Pierre Rodrigo - 2017 - Philosophie 133 (2):37.
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  29.  13
    Introduction.Pierre Rodrigo & Len Lawlor - 2011 - Chiasmi International 13:13-14.
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  30.  11
    Présentation.Pierre Rodrigo - 2002 - Les Etudes Philosophiques 63 (4):425.
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  31.  35
    Merleau-Ponty et la Psychanalyse: L’inconscient comme “grandeur négative”.Pierre Rodrigo - 2002 - Chiasmi International 4:27-47.
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  32.  4
    Lacune et totalité.Pierre Rodrigo - 2013 - Alter: revue de phénoménologie 21:255-266.
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  33.  1
    La décapitation de I'art. Interrogations phénoménologiques sur l'art contemporain.Pierre Rodrigo - 2003 - Études Phénoménologiques 19 (37):197-219.
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