The so-called expertise defence against sceptical challenges from experimental philosophy has recently come under attack: there are several studies claiming to have found direct evidence that philosophers’ judgments in thought experiments are susceptible to erroneous effects. In this paper, we distinguish between the customary ‘immune experts’ version of the expertise defence and an ‘informed experts’ version. On the informed expertise defence, we argue, philosophers’ judgments in thought experiments could be preferable to those by the folk even if it were true (...) that philosophers’ judgments are no less immune to confounders than judgments by the folk are. We present results from an experimental study comparing philosophers and non-philosophers (n = 484), which support this version of the expertise defence. (shrink)

It has been pointed out that Gettier case scenarios have deviant realizations and that deviant realizations raise a difficulty for the logical analysis of thought experiments. Grundmann and Horvath have shown that it is possible to rule out deviant realizations by suitably modifying the scenario of a Gettier-style thought experiment. They hypothesize further that the enriched scenario corresponds to the way expert epistemologists implicitly interpret the original one. However, no precise account of this implicit enrichment is offered, which makes the (...) proposal somewhat ad hoc. Drawing on pragmatic theory, I argue that the content of Grundmann and Horvath’s modified scenario corresponds to the default interpretation of the original scenario and that epistemological expertise is not required to access the deviance-proof interpretation. This Default Interpretation proposal offers thus a more general and independently motivated solution to the Problem of Deviant Realizations. (shrink)

Joint actions typically involve a sense of togetherness that has a distinctive phenomenological component. While it has been hypothesized that group size, hierarchical structure, division of labour, and expertise impact agents’ phenomenology during joint actions, the studies conducted so far have mostly involved dyads performing simple actions. We explore in this study the complex case of collectively improvised musical performances, focusing particularly on the way group size and interactional patterns modulate the phenomenology of joint action. We recorded two expert improvisation (...) ensembles of contrasting sizes (16 vs 4 musicians) and collected data about their musical behaviour, as well as reports about five aspects of their phenomenology (sense of agency, agentive identity, integration, dependence, reflexivity) and about their musical intentions. Our overall data enabled us to assess how those five phenomenological dimensions related to one another during jointly improvised performances. They also show how such phenomenology varied with the way improvisers dynamically related to one another throughout the performance. Finally, we observe that group size strongly altered the phenomenology of improvisers who otherwise shared many characteristics (high expertise, similar aesthetic preferences, etc.). Our study thus sheds light on the interactional and structural parameters that shape and modulate our felt experience when acting together, and thereby highlights the importance of pluralism for studying the phenomenology of joint action. (shrink)

Human interactions are often improvised rather than scripted, which suggests that efficient coordination can emerge even when collective plans are largely underspecified. One possibility is that such forms of coordination primarily rely on mutual influences between interactive partners, and on perception–action couplings such as entrainment or mimicry. Yet some forms of improvised joint actions appear difficult to explain solely by appealing to these emergent mechanisms. Here, we focus on collective free improvisation, a form of highly unplanned creative practice where both (...) agents' subjective reports and the complexity of their interactions suggest that shared intentions may sometimes emerge to support coordination during the course of the improvisation, even in the absence of verbal communication. In four experiments, we show that shared intentions spontaneously emerge during collective musical improvisations, and that they foster coordination on multiple levels, over and beyond the mere influence of shared information. We also show that musicians deploy communicative strategies to manifest and propagate their intentions within the group, and that this predicts better coordination. Overall, our results suggest that improvised and scripted joint actions are more continuous with one another than it first seems, and that they differ merely in the extent to which they rely on emergent or planned coordination mechanisms. (shrink)

Proponents of the “negative program” in experimental philosophy have argued that judgements in philosophical cases, also known as case judgements, are unreliable and that the method of cases should be either strongly constrained or even abandoned. Here we put one of the main proponent’s account of why philosophical cases may cause the unreliability of case judgements to the test. We conducted our test with thought experiments from physics, which exhibit the exact same supposedly “disturbing characteristics” of philosophical cases.

In various arguments, Descartes relies on the principles that conceivability implies possibility and that inconceivability implies impossibility. Those principles are in tension with another Cartesian view about the source of modality, i.e. the doctrine of the free creation of eternal truths. In this paper, I develop a ‘two-modality’ interpretation of the doctrine of eternal truths which resolves the tension and I discuss how the resulting modal epistemology can still be relevant for the contemporary discussion.

This paper introduces freely improvised joint actions, a class of joint actions characterized by highly unspecific goals and the unavailability of shared plans. For example, walking together just for the sake of walking together with no specific destination or path in mind provides an ordinary example of FIJAs, along with examples in the arts, e.g., collective free improvisation in music, improv theater, or contact improvisation in dance. We argue that classic philosophical accounts of joint action such as Bratman’s rule them (...) out because the latter require a capacity for planning that is idle in the case of FIJAs. This argument is structurally similar to arguments for minimalist accounts of joint action, and this invites a parallel minimalist account, which we provide in terms of a specific kind of shared intentions that do not require plan states. We further argue that the resulting minimalist account is different in kind from the sort of minimalism suggested by developmental considerations and conclude in favor of a pluralistic minimalism, according to which there are several ways for an account of joint action to be minimal. (shrink)

According to an intuitive picture of relevant entailment, an entailment is relevant if all the formulas it contains contribute to its validity. In this paper, we provide a ground-theoretic analysis of this notion of contribution, and as a result of relevant entailment. We build a system of bilateral logical grounding within which we can derive classical entailment and analyze the contribution of premises and conclusions, in terms of a certain type of connection between their respective logical grounds. The resulting framework (...) is shown to have a strong unifying and explanatory power by bringing together the notions of grounding and relevance and explaining the commonalities and differences between alternative contribution-based accounts of relevance. (shrink)

A detailed analysis of joint-contribution of premises and conclusions in classically valid sequents is presented in terms of hypergraphs. In (Saint-Germier, P., Verdée, P., & Villalonga, P. T. (2024). _Relevant entailment and logical ground. Philosophical Studies_ (pp. 1–43). https://doi.org/10.1007/s11098-024-02101-1 ), this idea of joint-contribution is introduced and motivated as a method for characterizing four kinds of relevant validity, in the sense of selecting the relevantly valid sequents among the classically valid sequents. The account in (Saint-Germier, P., Verdée, P., & Villalonga, (...) P. T. (2024). _Relevant entailment and logical ground. Philosophical Studies_ (pp. 1–43). https://doi.org/10.1007/s11098-024-02101-1 ) is built on a calculus, called \(\textsf{GLK}^{\hbox {a}}\), which proves grounding claims for (enthymematically) valid sequents. In the present paper an adequate representation of \(\textsf{GLK}^{\hbox {a}}\) is given in terms of hypergraphs. The hypergraphs are a kind of diagrammatic proofs for Classical Propositional Logic, entirely based on the grounds of premises and conclusions. The hypergraphs and their visualization provide insights into the relations between premises and conclusions and into the way validity is produced by the binding of premises and conclusions via their partial grounds. They visualize the network of elements of the sequent that contribute to its logical validity. Non-contributing (i.e. irrelevant) premises and conclusions are then specified to be those that are disconnected from the network, however one constructs the graphs. (shrink)

According to Aesthetic Empiricism, only the features of artworks accessible by sensory perception can be aesthetically relevant. In other words, aesthetic properties supervene on perceptual properties. Although commonly accepted in early analytic aesthetics, Aesthetic Empiricism has been the target of a number of thought experiments popularized by Gombrich, Walton, and Levinson, purporting to show that perceptually indiscernible artworks may differ aesthetically. In particular, this literature exploits three kinds of differences among perceptually indiscernible artworks that may account for aesthetic differences: relative (...) to categories of art, historical provenance, or means of production. Like in all philosophical thought experiments, the reliability of the elicited intuitions remains an empirical question that we address here with the methods of experimental philosophy. Throughout three studies, we show that most people do not believe that non-perceptual properties can modulate our evaluation of an artwork’s beauty. However, intuitions were much more divided when considering expressive aesthetic properties (such as intensity), and even clearly reversed when considering artistic properties (such as originality or technical achievement). Overall, our studies show that the central intuitions elicited by the classical indiscernibility arguments strongly depend on the class of manipulated properties (expressive aesthetic properties vs formal aesthetic properties; aesthetic properties vs artistic properties) and are thus more suited to refute artistic empiricism than aesthetic empiricism, narrowly construed. (shrink)

Pierre Saint-Germier | : Nous discutons la thèse, acceptée par de nombreux théoriciens des intuitions rationnelles, selon laquelle ces dernières s’accompagnent d’une apparence de nécessité. L’existence d’intuitions rationnelles ayant pour objet des propositions contingentes jette un doute sur l’adéquation de cette thèse. Le problème peut trouver une solution dans le cadre d’une théorie faillibiliste des intuitions rationnelles, pourvu que l’on admette des illusions modales inéliminables. En nous appuyant sur une explication bidimensionnelle de l’a priori contingent, nous défendons une solution différente (...) consistant à reconsidérer le contenu des apparences associées aux intuitions rationnelles : ce que l’on pourrait prendre pour des apparences de nécessité n’est autre qu’une manifestation de leur caractère a priori. | : We discuss the view, accepted by many rational intuition theorists, that rational intuitions involve appearances of necessity. The fact that we can have rational intuitions of contingent propositions casts a doubt on the adequacy of this view. This fact can be accommodated by a fallibilist theory of rational intuitions, provided one accepts that these intuitions generate ineliminable modal illusions. Drawing on two-dimensional explanations of the contingent a priori, we defend an alternative view according to which the appearances involved in rational intuitions are not appearances of necessity but rather an expression of their a priori status. (shrink)