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  1.  14
    Aesthetic Experience and the Ideal Work of Art.Piotr Schollenberger - 2010 - Dialogue and Universalism 20 (3-4):59-69.
    This essay discusses certain problems raised by Edmund Husserl’s conception of meaning with regard to the analysis of aesthetic experience. By referring to Jacques Derrida’s critique of phenomenological idealism I show that the metaphor of “stratification”, adopted by Husserl in his “Ideas” to a problem of discursive expression, if applied to the analysis of a work of art i.e. painting, allows to avoid the objection of “metaphysics of presence” commonly raised towards the phenomenological method.To present the major issue from the (...)
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  2.  9
    Between Art and Philosophy II Aesthetic Experience and the Ideal Work of Art.Piotr Schollenberger - 2010 - Dialogue and Universalism 20 (3-4):59.
    This essay discusses certain problems raised by Edmund Husserl’s conception of meaning with regard to the analysis of aesthetic experience. By referring to Jacques Derrida’s critique of phenomenological idealism I show that the metaphor of “stratification”, adopted by Husserl in his “Ideas” to a problem of discursive expression, if applied to the analysis of a work of art i.e. painting, allows to avoid the objection of “metaphysics of presence” commonly raised towards the phenomenological method.To present the major issue from the (...)
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  3. Doświadczenie estetyczne a idealne dzieło sztuki.Piotr Schollenberger - 2004 - Sztuka I Filozofia 24:254.
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  4. Dyskurs w otchłani.Piotr Schollenberger - 2004 - Sztuka I Filozofia 24:254.
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  5. Idleness and Contemporary Art. On Taking One\'s Time'.Piotr Schollenberger - 2010 - Art Inquiry. Recherches Sur les Arts 12:71-90.
     
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  6.  13
    Iunctim. An Essay on Alicja Kuczyńska’s Thought.Piotr Schollenberger - 2018 - Dialogue and Universalism 28 (1):253-261.
    In this essay, I trace different motives in Alicja Kuczyńska’s thought that are linked together in her philosophy of image. According to Kuczyńska, the creative power of forming artistic images is deeply rooted in existential experience that can be described in terms of finitude, fragmentality, evanescence. The desire to find a way out of such a state is the origin of philosophical as well as artistic creation. It is hope which joins together the individual wish or desire and culture. Hope (...)
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  7. Rola pamięci w filozofii Waltera Benjamina.Piotr Schollenberger - 2004 - Przeglad Filozoficzny - Nowa Seria 49 (1):77-94.
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