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Piotr Szalek [6]Piotr K. Szalek [1]
  1.  96
    Does Virtue Ethics Really Exclude Duty Ethics?Piotr Szalek - 2010 - International Philosophical Quarterly 50 (3):351-361.
    The paper considers whether virtue ethics should be regarded as excluding duty ethics or any of its essential elements. The argument suggested here consists of two steps: (1) an argument that there are two different versions of virtue ethics (moderate and strong) and that moderate virtue ethics does not exclude the duty ethics; (2) an analysis of various difficulties with the strong version of virtue ethics, which shows that moderate virtue ethics is more plausible because of its capacity to avoid (...)
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  2.  25
    Do Externalism and Internalism in the Debate Over EpistemicJustification Have Indeed the Same Subject?Piotr Szalek - 2009 - Rivista di Filosofia 100 (2):263-386.
  3.  13
    Does Lewis’ View on Possibilia Imply the Meinongian Ontology?Piotr Szalek - 2014 - In Marian David & Mauro Antonelli (eds.), Logical, Ontological, and Historical Contributions on the Philosophy of Alexius Meinong. De Gruyter. pp. 83-102.
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  4. Do the Externalism and the Internalism in the Debate Over Epistemic Justification Have Indeed the Same Subject?Piotr Szalek - 2008 - Acta Philosophica: Rivista Internazionale di Filosofia 17 (1):145-164.
     
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  5. Nel dibattito sulla giustificazione epistemica, l'internismo e l'esternismo parlano dawero della stessa cosa?Piotr Szalek - 2009 - Rivista di Filosofia 100 (2):262-286.
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  6. The Early Modern Origins of Pragmatism.Piotr K. Szalek - 2020 - Disputatio 12 (59):433-456.
    This paper considers the alleged pragmatism of Berkeley’s philosophy using the two Sellarsian categories of ‘manifest’ and ‘scientific’ images of the world and human beings. The ‘manifest’ image is regarded as a refinement of the ordinary way of conceiving things, and the scientific image is seen as a theoretical picture of the world provided by science. The paper argues that the so-called Berkeleian pragmatism was an effect of Berkeley’s work towards a synthesis of ‘manifest’ and ‘scientific’ images through the creation (...)
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