Comparative political theory is at best an embryonic and marginalized endeavor. As practiced in most Western universities, the study of political theory generally involves a rehearsal of the canon of Western political thought from Plato to Marx. Only rarely are practitioners of political thought willing (and professionally encouraged) to transgress the canon and thereby the cultural boundaries of North America and Europe in the direction of genuine comparative investigation. Border Crossings presents an effort to remedy this situation, fully launching a (...) new era in political theory. Thirteen scholars from around the world examine the various political traditions of West, South, and East Asia and engage in a reflective cross-cultural discussion that belies the assumptions of an Asian "essence" and of an unbridgeable gulf between West and non-West. The denial of essential differences does not, however, amount to an endorsement of essential sameness. As viewed and as practiced by contributors to this ground-breaking volume, comparative political theorizing must steer a course between uniformity and radical separation--this is the path of "border crossings.". (shrink)

In this paper, I present the beginnings of a resemblance theory of representation. I start by surveying the contemporary philosophical debate surrounding musical representation and reveal that its main interlocutors share a conception of artistic representation as a mode of meaningful communication. I then show how conceiving of artistic representation in this way severely limits music’s possibilities as a medium for representation. Next, I propose an alternative conception of representation that, despite its widespread acceptance outside of the philosophy of art, (...) has been largely denigrated within it: namely, that representation fundamentally depends on structural resemblance. Finally, I demonstrate how conceiving of artistic representation as grounded upon structural resemblances, rather than as a mode of meaningful communication, provides us with a more accurate picture of both (a) how music represents and (b) how we perceive and appreciate musical representations. (shrink)

In this paper, I explore the ways in which human bodies, payback, and comestibility become inescapably entangled in cultures in which honor is the prevailing virtue. Shakespeare was deeply sensitive to the social and psychological processes through which these concepts become entwined when honor is at stake—to the ways in which, as a means of corrective response, men who transgress a code of honor can be rightly reduced to their bodies, similar to how those who are not allowed to be (...) full participants in an honor culture (most particularly women) always already are. I begin by examining Shakespeare’s earliest depictions of honor cultures in Titus Andronicus and The Rape of Lucrece, and then briefly discusses how the ideas they trade in are further developed and complicated later in his career, focusing specifically on Othello. -/- . (shrink)

Tekst omawia związek sformułowanej przez Leona Chwistka koncepcji przeżycia artystycznego z charakterem ocen dotyczących najnowszych zjawisk w sztuce polskiej formułowanych przez niego w latach 30. XX w. Ukazuje pokrewieństwo tej koncepcji z pojęciem „całościowego sensu plastycznego dzieła sztuki”, określającym charakter eksperymentów artystycznych dokonywanych w środowisku przedwojennej Grupy Krakowskiej. Ufundowana na założeniach teorii wielości rzeczywistości, koncepcja przeżycia artystycznego podkreśla nierozdzielność doświadczenia odbioru rzeczywistości wyobrażeniowej dzieła sztuki z impulsem jej współtworzenia. W zamierzeniu Chwistka koncepcja ta dostarczać mogła ugruntowania teoretycznego sztuki zaangażowanej społecznie. (...) Stanowić miała również fundament dla kreślonego przez Chwistka projektu nominalistycznej estetyki zorientowanego na wypracowanie intersubiektywnych zasad oceny dzieł sztuki, na podstawie poddanych refleksji teoretycznej indywidualnych doświadczeń odbioru, przez wspólnotę osób zaangażowanych w publiczną dyskusję o sztuce. Wypracowane w ramach tego projektu kryteria oceny dzieł sztuki mogły znaleźć zastosowanie w krytyce artystycznej. (shrink)

Ananda Abeysekara contends that democracy, along with its cherished secular norms, is founded on the idea of a promise deferred to the future. Rooted in democracy's messianic promise is the belief that religious—political identity-such as Buddhist, Hindu, Sinhalese, Christian, Muslim, or Tamil—can be critiqued, neutralized, improved, and changed, even while remaining inseparable from the genocide of the past. This facile belief, he argues, is precisely what distracts us from challenging the violence inherent in postcolonial political sovereignty. At the same time, (...) we cannot simply dismiss the democratic concept, since it permeates so deeply through our modernist, capitalist, and humanist selves. In _The Politics of Postsecular Religion_, Abeysekara invites us to reconsider our ethical-political legacies, to look at them not as _problems_, but as _aporias_, in the Derridean sense-that is, as contradictions or impasses incapable of resolution. Disciplinary theorizing in religion and politics, he argues, is unable to identify the aporias of our postcolonial modernity. The aporetic legacies, which are like specters that cannot be wished away, demand a new kind of thinking. It is this thinking that Abeysekara calls mourning and un-inheriting. Un-inheriting is a way of meditating on history that both avoids the simple binary of remembering and forgetting and provides an original perspective on heritage, memory, and time. Abeysekara situates aporias in the settings and cultures of the United States, France, England, Sri Lanka, India, and Tibet. In presenting concrete examples of religion in public life, he questions the task of refashioning the aporetic premises of liberalism and secularism. Through close readings of Nietzsche, Heidegger, Arendt, Derrida, Butler, and Agamben, as well as Foucault, Asad, Chakrabarty, Balibar, and Zizek, he offers readers a way to think about the futures of postsecular politics that is both dynamic and creative. (shrink)

In the eyes of many, liberalism requires the aggressive secularization of social institutions, especially public media and public schools. The unfortunate result is that many Americans have become alienated from the liberal tradition because they believe it threatens their most sacred forms of life. This was not always the case: in American history, the relation between liberalism and religion has often been one of mutual respect and support. In Liberal Politics and Public Faith: Beyond Separation , Kevin Vallier attempts (...) to reestablish mutual respect by developing a liberal political theory that avoids the standard liberal hostility to religious voices in public life. He claims that the dominant form of academic liberalism, public reason liberalism, is far friendlier to religious influences in public life than either its proponents or detractors suppose. The best interpretation of public reason, convergence liberalism, rejects the much-derided "privatization" of religious belief, instead viewing religious contributions to politics as a resource for liberal political institutions. Many books reject privatization, Liberal Politics and Public Faith: Beyond Separation is unique in doing so on liberal grounds. (shrink)

This dissertation defends the place of representation in music. Music’s status as a representational art has been hotly debated since the War of the Romantics, which pitted the Weimar progressives (Liszt, Wagner, &co.) against the Leipzig conservatives (the Schumanns, Brahms, &co.) in an intellectual struggle for what each side took to be the very future of music as an art. I side with the progressives, and argue that music can be and often is a representational medium. Correspondence (or resemblance) theories (...) of representation, such as the one I offer, have been much maligned in philosophy since the 1960s. Most theories assimilate representation under “meaning,” which has usually been thought to belong primarily to language. As a result, representational content has been taken to be purely conventional in the way that sentential meaning is. People want to know what music “means,” and these theories interpret this as “what does it refer to?” or “what propositions does it express?” I argue that propositional communication is only one (small) part of the issue. Once we overcome the bias of conceiving of musical works as essentially linguistic items, speech acts (performed) or sentence tokens (written), we can begin to take music on its own terms to discover how it represents—one way in which it “means.” The first step is to “naturalize” music’s representational content. Influenced by recent discussions in the philosophies of mind and science, I argue in Chapter 1 that composers represent extra-musical objects, events, and states of affairs through their works by exploiting antecedent relations (such as similarities in pitch, timbre, and structure) in order to secure reference to them. In Chapter 2, I survey and respond to the main challenges that those skeptical of music’s representational possibilities would raise against my theory of musical representation. In Chapter 3, I explore a number of ways through which music has been claimed to represent in order to show how my theory accounts for these diverse phenomena better than its conventionalist rivals, both in terms of the metaphysics and the epistemology. Chapter 4 extends this discussion by offering an account of how we perceive, understand, appreciate, and interpret sophisticated musical representations. I conclude by teasing out some of my theory’s implications and suggesting areas for further research. (shrink)

Most work on John Stuart Mill focuses on his account of civil or political liberties. But as Bruce Baum (2006) argues, Mill's commitment to “the free development of individuality” applied in the economic sphere as well as the social and political. As part of his decentralized, ‘liberal’, socialism (McCabe, 2021) he endorsed a ‘pluralist’ economy which combined consumer- and producer-co-operatives with some state provisions. This ‘utopia’ reveals a road untravelled by both socialism and liberalism, but aimed at achieving normative principles (...) dear to both – liberty, equality, security, fraternity, and progress – and which is worth serious consideration today. Dale E. Miller (2003) argues that, given the arguments of On Liberty, Mill should have been open to ‘capitalistic’ as well as ‘socialistic’ enterprises in his utopia. I argue that Mill's socialism (and his account of transition) involves a significant change in attitudes, which would rule out ‘capitalistic’ motivations and thus structures and organisations. One such structure is the labour market. Building on earlier work (McCabe, 2021) and comments by Joseph Persky (2024), I explore the implications of Mill's commitment to ending a competitive labour market whilst maintaining the plurality of economic enterprises for capital, ‘progress’, and Mill's commitment to diversity. (shrink)

The only complete study of Buber as a political thinker. Shed new light upon Buber's I Thou, while also attempting to understand Buber's Zionist thought and activity in a new and fresh manner.

This reissue of Richard Robinson's classic volume on Aristotle's Politics contains his clear and accurate translation of, and commentary on, books III and IV, brought up to date by a supplementary essay and new bibliography by David Keyt. This is the ideal companion to study these important books of a classic text in the history of political philosophy.

Recent years have brought enormous growth in the number of women-only art exhibitions. These exhibitions are accompanied by discussions that concentrate on curatorial feminist activism. In this text, I propose a different perspective by taking into consideration all exhibitions where the participants were determined by social category and which were organized in one country during one year. This perspective not only allows us to remark on and analyse activities that otherwise remain unnoticed but also encourages us to extend our understanding (...) of politics behind women-only initiatives. These exhibitions are generally intended to increase the capital of women artists, and to shift forces within the art and social fields in favour of women. However, as my analysis demonstrates, the organizers of different exhibitions occupy different places both in the art field and in the social field, and it is their position that determines, to a large extent, what changes they envision, what objectives they – in consequence – have and how they formulate their politics. This text also offers a reflection on whether the objectives behind organizing women-only shows has been constant or if they are a result of the current situation of women. (shrink)

This is a clear, accurate translation of the last two books of Aristotle's Politics, together with a philosophical commentary, ideally suited to students, especially those who do not know Greek.

In _The Politics of Decolonial Investigations_ Walter D. Mignolo provides a sweeping examination of how coloniality has operated around the world in its myriad forms from the sixteenth century to the twenty-first. Decolonial border thinking allows Mignolo to outline how the combination of the self-fashioned narratives of Western civilization and the hegemony of Eurocentric thought served to eradicate all knowledges in non-European languages and praxes of living and being. Mignolo also traces the geopolitical origins of racialized and gendered classifications, (...) modernity, globalization, and cosmopolitanism, placing them all within the framework of coloniality. Drawing on the work of theorists and decolonial practitioners from the Global South and the Global East, Mignolo shows how coloniality has provoked the emergence of decolonial politics initiated by delinking from all forms of Western knowledge and subjectivities. The urgent task, Mignolo stresses, is the epistemic reconstitution of categories of thought and praxes of living destituted in the very process of building Western civilization and the idea of modernity. The overcoming of the long-lasting hegemony of the West and its distorted legacies is already underway in all areas of human existence. Mignolo underscores the relevance of the politics of decolonial investigations, in and outside the academy, to liberate ourselves from canonized knowledge, ways of knowing, and praxes of living. (shrink)

The paper discusses the complexity of spiritual quest and bordercrossing dialogues in India. It discusses the multiverse of engagement between Hindus and Christians and the plural streams of co-walking, contradictions and confrontations. It discusses the complex histories of encounters between Hindus and Christians. It discusses the inter-religious dialogues undertaken by religious leaders, reformers and common people from both the traditions.

Western culture, at its best, has been a continuous effort to move from the low, the necessities of the body, toward the high, an eternity toward which all men aspire in their capacity for goodness. The purpose of politics, now understood as democracy, has been to regulate the low, the base desires that set men apart from each other. Politics, then, follows culture. But this linkage has been broken by the feminist demand for equality in romantic union, thus (...) destroying the connection between lovers, farmily, and the culture which seeks to protect them The attack on courtly love through the leveling of male and female relatedness is a vicarious effort to undermine hierarchical love, natural and divine. (shrink)

The aim of the article is to outline and compare the way that Carl Schmitt and Hannah Arendt understand the spheree of politics as well as analyse the concepts of power and freedom connected with their theories. Both Schmitt and Arendt criticise liberal democracy for its “neutrality” and counterpoise it with their own understanding of political action. Especially Schmitt who understand such action as a conflict between friends and enemies. The analysis of their approach to the power and the (...) contrasting their models of politics allows Wonicki to draw conclusions about contemporary liberalism and indicating its limits. (shrink)

What I would like to say about politics does not fit the mold of common discourse and most political essays. Frankly, I have a rather negative and skeptical view of the concept that a group of people somehow has the knowledge to know what is best and the right to impose their will on the rest of the population. In fact, I think it is mankind's greatest folly to think that we can pick out a group of people from (...) the population at large -- known to be selfish, brutish and not necessarily very honest -- and to believe that these selected individuals will some how rise above the level from which they came, and to believe in these selected individuals so strongly that we will even give them guns and a monopoly over force! (shrink)

This book explores the relationship between modern technological progress and classical liberalism. The compatibility of classical liberalism and technology is questioned, using fiction and film as a window into Western society’s views on politics, economics, religion, technology, and the family.

Derrida, especially in his late work Politics of Friendship (1997), has introduced the concept of ‘a‐humanist’ politics in the context of his general project of the deconstruction of politics as following upon his showing all such words as state, nation, democracy, justice, law, community et al to be fundamentally breached by their own opposites. All these notions may be retained at one level but also transcended and transgressed by confronting them with their binaries. Derrida’s entire discursive endeavour (...) indeed is characterized by the motifs of transgression and extratranscendence. All the notions of rationality, sanity, normality, morality etc. need to be aporetically transcended and breached. Even the ‘humanity’, the least innocuous of the terms, would be supplanted by the opposite of ‘ahumanity’. ‘Is it possible’, asks Derrida, ‘without setting off loud protests on the part of militants of an edifying or dogmatic humanism, to think and to live … the experience of a certain ahumanity, beyond or below the commerce of gods and men?’ The politics, here, ‘exceeds the measure of man, without becoming a theologem’ (p.294). What could one say about this politics which resists becoming a ‘theologem’ but is still a politics, a politics beyond politics, politics of mysticism in other words. Itcertainly saves us from the dangers of certitude, of dogmatism, even of opinion. But does it also not deprive us of our own selves i.e. our humanity, our community and nation, our values and our God. Is the commitment to a voluntary death our only fate. Is the messiah of Derrida a saviour who saves or is he one who facilitates our death by coming into life himself? Is he the symbol of life or death – death of others, and then of himself. (shrink)

Subject: Volume dedicated to the question of how dance, both in its historical and in its contemporary manifestations, is intricately linked to conceptualisations of the political. Whereas in this context the term "policy" means the reproduction of hegemonic power relations within already existing institutional structures, politics refers to those practices which question the space of policy as such by inscribing that into its surface which has had no place before. The art of choreography consists in distributing bodies and their (...) relations in space. It is a distribution of parts that within the field of the visible and the sayable allocates positions to specific bodies. Yet in the confrontation between bodies and their relations, a deframing and dislocating of positions may take place. The essays included in this book are aimed at the multiple connections between politics, community, dance, and globalisation from the perspective of e.g. Dance and Theatre Studies, History, Philosophy, and Sociology. (shrink)

Since the inception of Turkey as an independent state, the country has based itself on Western modes of governance, with secularism being a hallmark of the nation. In recent years, Islamic parties have made inroads in government, causing consternation among the old guard and allies in Europe. Much of the modern arguments against Turkey's inclusion in the EU rely on psuedo-Orientalist ideas; Turkey is somehow so different and alien from "European" culture that they simply do not belong in the EU. (...) Historical notions of Turkey and Islam as fundamentally different are then propagated to remove Turkey from contemporary Europe. Islamic politics in Turkey do not represent a shift to a more fundamentalist ideology; in actuality, Turkish Islamic parties are very modern movements based in progressive ideas. The rise of Islamic parties in Turkey signals a shift away from a dogmatic following of the strictly secular West into a more hybrid political identity, unshakably tied to the West but allowing for a greater expression of its Middle Eastern Muslim heritage. (shrink)

This paper enquires into the politics of real-time in online media. It suggests that real-time cannot be accounted for as a universal temporal frame in which events happen, but explores the making of real-time from a device perspective focusing on the temporalities of platforms. Based on an empirical study exploring the pace at which various online media produce new content, we trace the different rhythms, patterns or tempos created by the interplay of devices, users’ web activities and issues. What (...) emerges are distinct forms of ‘realtimeness’ which are not external from but specific to devices, organized through socio-technical arrangements and practices of use. Realtimeness thus unflattens more general accounts of the real-time web and research, and draws attention to the agencies built into specific platform temporalities and the political economies of making real-time. (shrink)

A trailblazing exploration of the political stakes of curiosity. Perry Zurn explores the political philosophy of curiosity—the heartbeat of political resistance and a critical factor in social justice. Drawing on philosophy and political theory as well as feminist theory, race theory, disability studies, and trans studies, he tracks curiosity in the structures of political marginalization and resistance.

The terms “essentialism” and “antiessentialism” have rhetorical, metaphysical, and political force in feminist philosophical literature. This paper develops the relation between the metaphysics and the politics of essentialism. I argue that there are broadly two metaphysical conceptions of essentialism implicit in the literature: the idea that there is a universal womanness that all women share, and the idea that each individual woman has certain essential properties. The first conception is false because it is incompatible with the existence of “multiple (...) identities” pointed out by proponents of the “politics of identity.” The second conception, while it may be true, is politically innocuous. In order to explain the observations of the politics of identity, we need a “metaphysics of diversity.” This paper argues that adopting a kind of resemblance nominalism will provide the required metaphysics of diversity. (shrink)

This essay argues that publicity is a necessary precondition for both politics and philosophy. Against the backdrop of the traditional dismissal of publicity as a leveling of difference, the author develops Foucault’s positive use of publicity in the Prisons Information Group as a technique of differentiation. The essay therefore proceeds in four parts: 1) it contextualizes the Prisons Information Group within Foucault’s life and work, 2) it identifies four specific modes of publicity utilized by the group, 3) it argues (...) that, through these modes, Foucault embraces classically troublesome elements of publicity (like noise, superficiality, and anonymity) as expressly transformative, and 4) it develops a consequently positive account of Foucauldian leveling. The essay concludes that publicity involves the collective transmigration of thought, word, and deed requisite to both the political and philosophical life. (shrink)

In his landmark monograph, "The Politics of Jesus", John Howard Yoder challenged mainstream Christian social ethics by arguing that the New Testament account of Jesus's founding of a messianic community entails a normative politics, not only for early Christianity but for the contemporary church. This challenge is further elaborated in several important posthumous publications, especially "Preface to Theology", in which Yoder examines the development of early Christology with attention to its political and ethical implications, and "The Jewish-Christian Schism (...) Revisited", Yoder's proposal for a renewed Jewish-Christian dialogue around the moral meaning of messianism. This article interprets these writings with reference to a range of critical scholarship on and about Yoder, Yoder and Augustine, and Jewish and Christian messianism, paying particular attention to questions of political ethics. (shrink)

The introduction of Viagra in Japan is largely associated with the construction of ‘abject masculinities’. The approval of the drug comes amidst worries about hormones polluting the environment and Japanese men's unwillingness to perform their ‘appropriate gender role’ in a country coping with problems in the economy, a growing number of unmarried people, an ageing population and declining birth rates. In this article, I analyse how impotence, gender and reproduction are entangled in the ways in which Japanese physicians report erectile (...) dysfunction (ED) and prescribe Viagra. The accounts of physicians, taken from the media and scientific reports, show that medical doctors tend to uphold ‘the Viagrization of ED’, which will lead to the Viagrization of Japan. Despite discourses on medicalized sexuality, reproductive behaviour and promotion of childbirth, the politics of Viagra largely promote male recreational sex with substantial benefits for the pharmaceutical and sex industries. Also, the politics of Viagra seem to underpin the commodification of a sexualized male body that ignores the reproductive health concerns of Japanese men. (shrink)

The construction of foreign domestics as ‘Others’ has been a critical process to the globalization of domestic service. While the globalization of domestic service has been associated with a transnational female labour force, the transnational labour system has always been reconstituted as a new labour regime consistent with local particularity. In this article, I examine how Taiwanese employers discursively construct the otherness of their Filipino domestics. I argue that Taiwanese employers construct and naturalize the otherness of foreign domestics utilizing national (...) identities, racial characteristics, and nationally based class difference. These differences, integral to the racialization of foreign domestics, are central not only to the persistence of their servitude at home but also to their social and political marginalization in the host society as a whole. The localization of a transnational labour force necessitates the examination of the contextual politics of difference. Rather than speaking of the universalized experience of foreign domestics, the contextual politics of difference provides a comparative framework for understanding not only the relational but also the contextual nature of identity construction. It demonstrates how difference is localized in the transnational system of care and how the localization of difference serves to reproduce social and global inequality. (shrink)

This book intervenes in contemporary debates about the threat posed to democratic life by political emergencies. Must emergency necessarily enhance and centralize top-down forms of sovereignty? Those who oppose executive branch enhancement often turn instead to law, insisting on the sovereignty of the rule of law or demanding that law rather than force be used to resolve conflicts with enemies. But are these the only options? Or are there more democratic ways to respond to invocations of emergency politics? Looking (...) at how emergencies in the past and present have shaped the development of democracy, Bonnie Honig argues that democracies must resist emergency's pull to focus on life's necessities because these tend to privatize and isolate citizens rather than bring us together on behalf of hopeful futures. Emphasizing the connections between mere life and more life, emergence and emergency, Honig argues that emergencies call us to attend anew to a neglected paradox of democratic politics: that we need good citizens with aspirational ideals to make good politics while we need good politics to infuse citizens with idealism.Honig takes a broad approach to emergency, considering immigration politics, new rights claims, contemporary food politics and the infrastructure of consumption, and the limits of law during the Red Scare of the early twentieth century. Taking its bearings from Moses Mendelssohn, Franz Rosenzweig, and other Jewish thinkers, this is a major contribution to modern thought about the challenges and risks of democratic orientation and action in response to emergency. (shrink)

In ‘Listening to Music Together’, Nick Zangwill offers three arguments which aim to establish that listening to music can never be a joint activity. If any of these arguments were sound, then our experiences of music, qua object of aesthetic attention, would be essentially private. In this paper, I argue that Zangwill’s arguments are unsound and I develop an account of shared musical experience that defends three main conclusions. First, joint listening is not merely possible but a common feature of (...) our socially situated experiences of music. Second, when listening with others our experience of the music and our sense of community with our fellow listeners often reciprocally enhance one another. Third, how deeply and intimately we share a musical experience with others depends upon such factors as our respective backgrounds, interests, and levels of expertise. (shrink)

Introduction: Rational Animal/Political Animal One cannot help bringing expectations to Aristotle's Politics, many of which are unfavorable, ...

The Politics of the Texbook analyzes the factors that shape production, distribution and reception of school texts through original essays which emphasize the double-edged quality of textbooks. Textbooks are viewed as systems of moral regulation in the struggle of powerful groups to build political and cultural accord. They are also regarded as the site of popular resistance around discloding the interest underlying schoolknowledge and incorporating alternative traditions.