The effects of the late civil strife have been to free the slave and make him a citizen. Yet he is not possessed of the civil rights which citizenship should carry with it. This is wrong, and should be corrected. To this correction I stand committed, so far as Executive influence can avail.
Theodore Levitt criticizes John Kenneth Galbraith's view of advertising as artificial want creation, contending that its selling focus on the product fails to appreciate the marketing focus on the consumer. But Levitt himself not only ends up endorsing selling; he fails to confront the fact that the marketing to our most pervasive needs that he advocates really represents a sophisticated form of selling. He avoids facing this by the fiction that marketing is concerned only with the material level of existence, (...) and absolves marketing of serious involvement in the level of meaning through the relativization of all meanings as personal preferences. The irony is that this itself reflects a particular view of meaning, a modern commercial one, so that it is this vision of life that LevittÕs marketing is really SELLING. (shrink)
It has long been accepted that by the third quarter of the thirteenth century at least two Latin translations had been made from the Greek text of the Pneumatica of Hero of Alexandria. Evidence of the first of these was discovered by Valentin Rose in Henricus Aristippus' prologue to his translation of Plato's Phaedo completed in 1156. Some fifty years later, on the basis of a letter written in 1274 following the death of St Thomas Aquinas, Alexander Birkenmajer attributed a (...) second translation to William of Moerbeke. It will be the burden of this paper to deny both of these claims and, incidentally, to emphasize how little indeed was known of that potentially significant work in the Middle Ages. Not until the sixteenth century did it emerge as a powerful and attractive alternative to peripatetic theories of matter and void. (shrink)
Locke reports, in his discussion of substance and with some amusement, on the Indian philosopher who, when asked what the earth rests on, postulated an elephant and then, when asked in turn about the elephant, decided to go with a tortoise. Locke's amusement, of course, is justified. But it is also tempered if not downright equivocal. For he sees that at some point a very special elephant or—if we stick to the Indian's story—a very special tortoise will have to be (...) invoked. Locke's own tortoise, or elephant, substratum or substance, has some very peculiar properties or, alternatively, an equally alarming lack of them—so much so that, as he is painfully aware, it might well seem totally implausible. Enough of Locke though. Wittgenstein's problem, unlike Locke's, lies in epistemology. His elephant consists of an indefinitely large and varied set of bench-marks or paradigms—Moore's examples, in fact, along with some additions—that function as an epistemological ‘foundation’, ‘river bed’, ‘bedrock’, ‘rock bottom’, a ‘substratum’, no less. Where is the tortoise? Wittgenstein's answer to this is that there is no tortoise, none at all. A non-existent tortoise, however, is as unacceptable here as a regular common-or-garden one. Even the Indian realized that an elephant is no good without a tortoise. (shrink)
Charles Hartshorne is usually regarded as the developer of the theological approach initiated by Alfred North Whitehead. Justification for this view is to be found not only in the central focus of Hartshorne's voluminous writings, but also in his own references to Whitehead's accomplishments. He notes that Whitehead did not regard himself as a theologian, but rather saw his task as that of attempting to reconcile the professedly neutral burgeoning fields of science and the wider ideals necessary to civilized human (...) life. It is in the context of this pursuit that Whitehead makes his extremely suggestive, but tantalizingly vague, comments which provide a foundation for theological reconstruction. According to this approach, two dimensions, or natures, must be distinguished in God, a conceptual primordial nature which structures the possibilities for life and a concrete consequential nature which receives the actualities which result from the possibilities that are realized. (shrink)
Roger Scruton's 530-page blockbuster The Aesthetics of Music was published by Oxford University Press in 1997. A paperback edition followed two years later. Neither received more than a handful of notices, a few appreciative, but some grudging and some actually hostile. As its quality has come to be recognized, and as the resentments it provoked have either died down or found newer targets, the book has gradually achieved a certain canonical, even classic, status. Students of the subject now seem to (...) feel that, however unpalatable some of its conclusions may have been, it can no longer safely be ignored. The questions, it appears, are the right ones, even if we don't care for Scruton's answers. (shrink)
Based on the findings of research conducted as part of a doctoral study aimed at obtaining an understanding of what it means to be an assessor in higher education, this paper outlines the experience of an individual lecturer at a South African university and describes the meaning he makes of his practice as an assessor within the context of a changing understanding of the nature and purpose of higher education. Making a case for personal agency and innovation as critical qualities (...) in the assessment endeavour, the researcher suggests that, in contrast to a view of education increasingly focused on standardization, accountability and outcomes, student assessment is essentially a human encounter in which the humanity and emotions of both lecturer and student need to be acknowledged. (shrink)
The primary objective of this study is to provide a description of the major ideas about void space within and beyond the world that were formulated between the fourteenth and early eighteenth centuries. The second part of the book - on infinite, extracosmic void space - is of special significance. The significance of Professor Grant's account is twofold: it provides the first comprehensive and detailed description of the scholastic Aristotelian arguments for and against the existence of void space; and (...) it presents (again for the first time) an analysis of the possible influence of scholastic ideas and arguments on the interpretations of space proposed by the nonscholastic authors who made the Scientific Revolution possible. The concluding chapter of the book is unique in not only describing the conceptualizations of space proposed by the makers of the Scientific Revolution, but in assessing the role of readily available scholastic ideas on the conception of space adopted for the Newtonian world. (shrink)
Canadians have relatively few binding national myths, but one of the most pervasive and enduring is the conviction that the country is doomed. In 1965 George Grant passionately defended Canadian identity by asking fundamental questions about the meaning and future of Canada’s political existence. In Lament for a Nation he argued that Canada – immense and underpopulated, defined in part by the border, history, and culture it shares with the United States, and torn by conflicting loyalties to Britain, Quebec, (...) and America – had ceased to exist as a sovereign state. Lament for a Nation became the seminal work in Canadian political thought and Grant became known as the father of Canadian nationalism. This edition includes a major introduction by Andrew Potter that explores Grant’s arguments in the context of changes in ethnic diversity, free trade, globalization, post-modernism, and 9/11. Potter discusses the shifting uses of the terms “liberal” and “conservative” and closes with a look at the current state of Canadian nationalism. (shrink)
George Grant's magnificent four-part meditation sums up much that is central to his own thought, including a critique of modern liberalism, an analysis of John Rawls's Theory of Justice, and insights into the larger Western philosophical ...
The study of paraconsistent logic as a branch of mathematics and logic has been pioneered by Newton da Costa. With the growing advent of distributed and often inconsistent databases over the last ten years, there has been growing interest in paraconsistency amongst researchers in databases and knowledge bases. In this paper, we provide a brief survey of work in paraconsistent databases and knowledge bases affected by Newton da Costa's important and lasting contributions to the field.
What makes feminist theory feminist? How did so many different feminisms come to exist? In Fundamental Feminism, Judith Grant addresses these questions by offering a critical exploration of the evolution of feminist theory and the state of feminist thinking today. Grant provides a lively assessment of the major problems of contemporary feminist thought and identifies a set of common assumptions that link the wide variety of feminist theories in existence. Fundamental Feminism calls for nothing less than a substantial (...) revision of the core concepts responsible for shaping feminist theory as we now know it. Grant identifies and critiques three core concepts of feminist theory--"woman," "experience," and "personal politics"--from their origins in pamphlets and writings from the early women's liberation movement to their current construction in feminist thought. She then connects a number of major debates in feminism today to the longstanding influence of these core assumptions. These debates include the hegemony of the white female perspective, the tension between anti-pornography and pro-sex feminists, and the discussions surrounding the challenges presented by postmodernism. Grant gives readers valuable insight into the dilemma facing feminist theory today. Fundamental Feminism is a thorough and provocative analysis that will be essential reading for anyone interested in the future of feminist theory and the power of feminist politics. (shrink)
Questioning the usual judgements of political ethics, Ruth W. Grant argues that hypocrisy can actually be constructive while strictly principled behavior can be destructive. _Hypocrisy and Integrity_ offers a new conceptual framework that clarifies the differences between idealism and fanaticism while it uncovers the moral limits of compromise. "Exciting and provocative.... Grant's work is to be highly recommended, offering a fresh reading of Rousseau and Machiavelli as well as presenting a penetrating analysis of hypocrisy and integrity."—Ronald J. Terchek, (...) _American Political Science Review_ "A great refreshment.... With liberalism's best interests at heart, Grant seeks to make available a better understanding of the limits of reason in politics."—Peter Berkowitz, _New Republic_. (shrink)
Dissatisfied with the effects of schooling on children from low-income families, Doreen Grant left her post as head of a secondary school in Liverpool and turned to research for solutions to this perennial social problem. This is a popular account of her involvement with under-privileged Glaswegian parents and children, and her attempt to address the problem of underachievement from the perspective of the home rather than the educational establishment. Combining the theory of international scholars such as Brofenbrenner, Bruner, Donaldson (...) and Freire with practical experience, Doreen Grant indicates the improvements in children’s active learning when parents participate fully in the process of education. Learning Relations, first published in 1989,_ _describes the creation of a coherent learning environment in the inner city: as parents gain confidence in their personal vocation as natural educators, it becomes clear that they are not only willing but fully capable of improving their children’s chances of success. (shrink)
Serial music was one of the most important aesthetic movements to emerge in post-war Europe, but its uncompromising music and modernist aesthetic has often been misunderstood. This book focuses on the controversial journal die Reihe, whose major contributors included Stockhausen, Eimert, Pousseur, Dieter Schnebel and G. M. Koenig, and discusses it in connection with many lesser-known sources in German musicology. It traces serialism's debt to the theories of Klee and Mondrian, and its relationship to developments in concrete art, modern poetry (...) and the information aesthetics and semiotics of Max Bense and Umberto Eco. M. J. Grant sketches an aesthetic theory of serialism as experimental music, arguing that serial theory's embrace of both rigorous intellectualism and aleatoric processes is not, as many have suggested, a paradox, but the key to serial thought and to its relevance for contemporary theory. (shrink)
The Critical Imagination is a study of metaphor, imaginativeness, and criticism of the arts. Since the eighteenth century, many philosophers have argued that appreciating art is rewarding because it involves responding imaginatively to a work. Literary works can be interpreted in many ways; architecture can be seen as stately, meditative, or forbidding; and sensitive descriptions of art are often colourful metaphors: music can 'shimmer', prose can be 'perfumed', and a painter's colouring can be 'effervescent'. Engaging with art, like creating it, (...) seems to offer great scope for imagination. Hume, Kant, Oscar Wilde, Roger Scruton, and others have defended variations on this attractive idea. In this book, James Grant critically examines it. The first half explains the role imaginativeness plays in criticism. To do this, Grant answers three questions that are of interest in their own right. First, what are the aims of criticism? Is the point of criticizing a work to evaluate it, to explain it, to modify our response to it, or something else? Second, what is it to appreciate art? Third, what is imaginativeness? He gives new answers to all three questions, and uses them to explain the role of imaginativeness in criticism. The book's second half focuses on metaphor. Why are some metaphors so effective? How do we understand metaphors? Are some thoughts expressible only in metaphor? Grant's answers to these questions go against much current thinking in the philosophy of language. He uses these answers to explain why imaginative metaphors are so common in art criticism. The result is a rigorous and original theory of metaphor, criticism, imaginativeness, and their interrelations. (shrink)
Jane Grant's book explores the need to redefine the social compact in twenty-first century America. It proposes a new compact that would honor the expansion of civil, political, and social rights in America, and would integrate these rights within a new civic procedural ethos, clarifying our obligations to each other, future generations, other nations, and other species.