The evolution of human symbolic capacity must have been very rapid even in some intermediate stage (e.g. the proto-symbolic behavior of Homo erectus). Such a rapid process requires a runaway model. The type of very selective and hyperbolically growing self-organization called “hypercyle” by Eigen and Schuster could explain the rapidity and depth of the evolutionary process, whereas traditional runaway models of sexual selection seem to be rather implausible in the case of symbolic evolution. We assume two levels: at the (...) first level the species is adapted to ecological demands and accumulates the effects of this process in the genome. At the second level a kind of social/cultural knowledge is accumulated via a set of symbolic forms, one of which is language. Bühler’s model of three basic functions of signs can also be elaborated so that its cyclic structure becomes apparent. We assume that the hypercyclic process of semiosis and functional differentiation was triggered in 2 my BP (with the Homo erectus) and got more and more speed with the species Homo sapiens and later. The consequences for the evolutionary stratification of human languages will be drawn in the last section of the paper. The basic aim of the paper is to provide a semiotic (and not just a linguistic) explanation of the origin of language which can be linked to relevant models in evolutionary biology and which exploits the possibilities contained in self-organizing systems. (shrink)

This essay examines the possibility that phenomenological laws might be implemented by a computational mechanism by carefully analyzing key passages from the Prolegomena to Pure Logic. Part I examines the famous Denkmaschine passage as evidence for the view that intuitions of evidence are causally produced by computational means. Part II connects the less famous criticism of Avenarius & Mach on thought-economy with Husserl's 1891 essay 'On the Logic of Signs (Semiotic).' Husserl is shown to reaffirm his earlier opposition to (...) associationist (Humean) and adaptationist (Darwinian) explanations of our thought-machine on the ground that they cannot reconstruct the notion of truth and its syntactic mental preservation in symbolic thought-trains. Part III reveals Husserl's interesting commitment to the idea that descriptive sciences necessarily transform into explanatory sciences on pain of contradicting the essence of science as a rational ideal. Since explanation in relation to phenomenology means causal explanation, and causal explanation in the form of the Denkmaschine accounts for phenomenological intuition, it is inferred that the rationally compelling ideal of explanatory science requires a computationalist reading of the subsequent logical investigations. (shrink)

Based on the conception of life and semiosis as co-extensive an attempt is given to classify cognitive and communicative potentials of species according to the plasticity and articulatory sophistication they exhibit. A clear distinction is drawn between semiosis and perception, where perception is seen as a high-level activity, an integrated product of a multitude of semiotic interactions inside or between bodies. Previous attempts at finding progressive trends in evolution that might justify a scaling of species from primitive to advanced (...) levels have not met with much success, but when evolution is considered in the light of semiosis such a scaling immediately catches the eye. The main purpose of this paper is to suggest a scaling of this progression in semiotic freedom into a series of distinct steps. The elleven steps suggested are: 1) molecular recognition, 2) prokaryote-eukaryote transformation, 3) division of labor in multicellular organisms, 4) from irritability to phenotypic plasticity, 5) sense perception, 6) behavioral choice, 7) active information gathering, 8) collaboration, deception, 9) learning and social intelligence, 10) sentience, 11) consciousness. In light of this, the paper finally discusses the conceptual framework for biosemiotic evolution. The evolution of biosemiotic capabilities does not take the form of an ongoing composition of simple signs into composite wholes. Rather, it takes the shape of the increasing subdivision and control of a primitive, holophrastic perception-action circuit already committed to “proto-propositions” reliably guiding action already in the most primitive species. (shrink)

The study seeks to contribute to the concept of semiotic causation by building a nomenclature of effects (interpretants) produced by signs. As a starting point, the suggested approach uses Charles Peirce’s idea that the interpretant itself is a sign that is produced by another sign. From this, the study suggests that Peirce’s ten-fold division of signs can be used as a basis for the division of interpretants and, thus, proposes a nomenclature that distinguishes poti-interpretants (interpretants that are quali-signs), sin-interpretants (...) (interpretants that are sin-signs), and legi-interpretants (interpretants that are legi-signs), also differentiating between iconic, indexical, and symbolic interpretants, as well as rhematic, dicent, and argumentive interpretants. The article uses Peirce’s famous whistle example (EP 2:4–5) to illustrate how the proposed systematics of interpretants works and demonstrates that it aligns well with Peirce’s distinction of feeling, reaction, and thinking, as feeling corresponds to the production of iconic poti-interpretants and iconic sin-interpretants, reaction corresponds to the production of indexical sin-interpretants, and thinking corresponds to the production of legi-interpretants. The article also suggests how the proposed ten-fold systematics of interpretants can be reconciled with Peirce’s original classifications of interpretants, as immediate-dynamical-final interpretants correspond to the triad of poti-, sin-, and legi-interpretants, while emotional-energetic-logical interpretants correspond to the three sub-classes of sin-interpretants, i.e. iconic sin-interpretants, rhematic indexical sin-interpretants, and dicent indexical sin-interpretants. The study then explores how the suggested classification of interpretants can be used to draw distinctions between different kinds of semiosis in different agents. In particular, the study shows how the proposed ten-fold classification can be applied to analyze diverse biosemiotic and anthroposemiotic processes. It also tests how different capacities to produce interpretants can be used to distinguish full-fledged signs from quasi-signs and demonstrates that in some cases of zoösemiosis, as well as in proto-semiosis and tardo-semiosis, the production of symbolic interpretants is diminished. (shrink)

In philosophy, there is an as yet unresolved discussion on whether there are different kinds of kinds and what those kinds are. In particular, there is a distinction between indifferent kinds, which are unaffected by observation and representation, and interactive kinds, which respond to being studied in ways that alter the very kinds under study. This is in essence a discussion on ontologies and, I argue, more precisely about ontological levels. The discussion of kinds of kinds can be resolved by (...) using a semiotic approach to ontological levels, building on the key semiotic concept of representation. There are three, and only three, levels of semiosis: non- or proto-semiotic processes without representation, such as physical or causal processes; semiotic processes with representation, such as the processes of life and cognition; and second-order semiotic processes with representation of representation, such as self-awareness and self-reflexive communication. This leads to the distinction between not two, but three kinds of kinds: indifferent, adaptive and reflexive kinds, of which the last two hitherto have not been clearly distinguished. (shrink)

Life has semiotic nature; and as life forms differ in their complexity, functionality, and adaptability, we assume that forms of semiosis also vary accordingly. Here we propose a criterion to distinguish between the primitive kind of semiosis, which we call “protosemiosis” from the advanced kind of semiosis, or “eusemiosis”. In protosemiosis, agents associate signs directly with actions without considering objects, whereas in eusemiosis, agents associate signs with objects and only then possibly with actions. Protosemiosis started from the origin of (...) life, and eusemiosis started when evolving agents acquired the ability to track and classify objects. Eusemiosis is qualitatively different from protosemiosis because it can not be reduced to a small number of specific signaling pathways. Proto-signs can be classified into proto-icons that signal via single specific interaction, proto-indexes that combine several functions, and proto-symbols that are processed by a universal subagent equipped with a set of heritable adapters. Prefix “proto” is used here to characterize signs at the protosemiotic level. Although objects are not recognized by protosemiotic agents, they can be reliably reconstructed by human observers. In summary, protosemiosis is a primitive kind of semiosis that supports “know-how” without “know-what”. Without studying protosemiosis, the biosemiotics theory would be incomplete. (shrink)

In my continuing efforts to build a bridge between psychoanalytic findings and biosemiotics here, as in previous works, ‘biosemiotic’ refers to the hierarchy of meaning-forms (from biological to semiotic-organizations) underlying an updated psychoanalytic model of mind. Within this framework I present a broad range of bio-semiotic phenomena, processes, dynamics, defenses, and universal and unique internalized interpersonal patterns, that in psychoanalysis all commonly fall under the broad heading of the “Unconscious.” Reconceptualized as interpretive data within the purview of a (...) psychoanalytic discourse-semantic this biosemiotic framework posits an epigenetic continuum of human meaning-organizations originating at basic organic levels, moving upward through biological, psycho-somatic and affective expression, proto-semiotic transmissions, represented forms, and finally to explicit linguistic signs and complex symbol systems. In addition to assuming an uninterrupted epigenetic continuum crystallizing in hierarchic organization, this framework accentuates the multilayered and increasingly condensed quality of higher more elaborate organizations of meaning in human communication, drawing attention to persisting biological undercurrents in implied sense, intent, and motivation, all of which impact on repressive/defensive mechanisms. Drawing from previous works (Aragno 1997, 2005, 2008a, b, Psychoanalytic Inquiry 29(1):30–47, 2009, Biosemiotics 3:57–77, 2010, 2011a, Signs 5:71–74, 2011b, Journal of the American Psychoanalytic Association, Centennial Paper, Special Centennial Issue 59(2):239–288, 2011b, Signs 5:29–70, 2011c) in which I labored to update and revise Freud’s first topographical theory of mind, this paper presents the phenomenology of unconscious ‘data’ for the purpose of introducing a diverse range of non-linguistic signifying forms from which psychoanalysts infer mental processes and ‘interpret’ meanings. An important underlying premise regarding psychoanalytic data and its relation to the basic biosemiotic ‘agenda’ is that until grounded in an updated developmental theory of mind inclusive of pre- and proto-semiotic-forms, that is evolutionarily plausible, epistemologically based, and correlates with contemporary neuroscience, the term “sign” is merely an abstract linguistic ‘label’ rather than a mental act with antecedent developmental stages manifesting meanings through different forms and modes of expression. Drawn from the yields of the psychoanalytic method and semantic this revised metatheoretical approach provides insights into the sensory-emotive, bodily origins of unconscious layers of non-linguistic signification thereby expanding our understanding of the formative stages of the ‘semiotic function’ in human evolution. This being the third in a series of papers integrating the yields of psychoanalytic methodology with the underlying premises of ‘Biosemiotics,’ some familiarity with the background knowledge provided in the previous two is strongly recommended. (shrink)

In contrast to the traditional relational semiotics, biosemiotics decisively deviates towards dynamical aspects of signs at the evolutionary and developmental time scales. The analysis of sign dynamics requires constructivism to explain how new components such as subagents, sensors, effectors, and interpretation networks are produced by developing and evolving organisms. Semiotic networks that include signs, tools, and subagents are multilevel, and this feature supports the plasticity, robustness, and evolvability of organisms. The origin of life is described here as the emergence (...) of simple self-constructing semiotic networks that progressively increased the diversity of their components and relations. Primitive organisms have no capacity to classify and track objects; thus, we need to admit the existence of proto-signs that directly regulate activities of agents without being associated with objects. However, object recognition and handling became possible in eukaryotic species with the development of extensive rewritable epigenetic memory as well as sensorial and effector capacities. Semiotic networks are based on sequential and recursive construction, where each step produces components that are needed for the following steps of construction. Construction is not limited to repair and reproduction of what already exists or is unambiguously encoded, it also includes production of new components and behaviors via learning and evolution. A special case is the emergence of new levels of organization known as metasystem transition. Multilevel semiotic networks reshape the phenotype of organisms by combining a mosaic of features developed via learning and evolution of cooperating and/or conflicting subagents. (shrink)

This paper describes the semiotic approach to organism in two proto-biosemiotic thinkers, Susanne K. Langer and Hans Jonas. Both authors develop ideas that have become central terms of biosemiotics: the organism as subject, the realisation of the living as a closed circular self, the value concept, and, in the case of Langer, the concept of symbol. Langer tries to develop a theory of cultural symbolism based on a theory of organism as a self-realising entity creating meaning and value. (...) This paper deals mainly with what both authors independently call “feeling”. Both authors describe “feeling” as a value-based perspective, established as a result of the active self interest manifested by an organic system. The findings of Jonas and Langer show the generation of a subject pole, or biosemiotic agent, under a more precise accent, as e.g. Uexküll does. Their ideas can also be affiliated to the interpretation of autopoiesis given by the late Francisco Varela (embodied cognition or “enactivism”). A synthesis of these positions might lead to insights how symbolic expression arises from biological conditions of living. (shrink)

This paper describes the semiotic approach to organism in two proto-biosemiotic thinkers, Susanne K. Langer and Hans Jonas. Both authors develop ideas that have become central terms of biosemiotics: the organism as subject, the realisation of the living as a closed circular self, the value concept, and, in the case of Langer, the concept of symbol. Langer tries to develop a theory of cultural symbolism based on a theory of organism as a self-realising entity creating meaning and value. (...) This paper deals mainly with what both authors independently call “feeling”. Both authors describe “feeling” as a value-based perspective, established as a result of the active self interest manifested by an organic system. The findings of Jonas and Langer show the generation of a subject pole, or biosemiotic agent, under a more precise accent, as e.g. Uexküll does. Their ideas can also be affiliated to the interpretation of autopoiesis given by the late Francisco Varela (embodied cognition or “enactivism”). A synthesis of these positions might lead to insights how symbolic expression arises from biological conditions of living. (shrink)

This paper describes the semiotic approach to organism in two proto-biosemiotic thinkers, Susanne K. Langer and Hans Jonas. Both authors develop ideas that have become central terms of biosemiotics: the organism as subject, the realisation of the living as a closed circular self, the value concept, and, in the case of Langer, the concept of symbol. Langer tries to develop a theory of cultural symbolism based on a theory of organism as a self-realising entity creating meaning and value. (...) This paper deals mainly with what both authors independently call “feeling”. Both authors describe “feeling” as a value-based perspective, established as a result of the active self interest manifested by an organic system. The findings of Jonas and Langer show the generation of a subject pole, or biosemiotic agent, under a more precise accent, as e.g. Uexküll does. Their ideas can also be affiliated to the interpretation of autopoiesis given by the late Francisco Varela (embodied cognition or “enactivism”). A synthesis of these positions might lead to insights how symbolic expression arises from biological conditions of living. (shrink)

Proponents of semiotic arguments against the commodification of certain goods face the following challenge: formulate your argument such that it does not appeal to immoral consequences, nor is really an argument showing that we ought to reform the meaning we give to commodification. I here attempt to meet this challenge via appeal to the notion of what I call proto-on-a-par value. Under this construal, the semiotic argument yields that the commodification of certain goods necessarily signals value choice, (...) where value choice ought not to be signaled. (shrink)

This paper describes the semiotic approach to organism in two proto-biosemiotic thinkers, Susanne K. Langer and Hans Jonas. Both authors develop ideas that have become central terms of biosemiotics: the organism as subject, the realisation of the living as a closed circular self, the value concept, and, in the case of Langer, the concept of symbol. Langer tries to develop a theory of cultural symbolism based on a theory of organism as a self-realising entity creating meaning and value. (...) This paper deals mainly with what both authors independently call “feeling”. Both authors describe “feeling” as a value-based perspective, established as a result of the active self interest manifested by an organic system. The findings of Jonas and Langer show the generation of a subject pole, or biosemiotic agent, under a more precise accent, as e.g. Uexküll does. Their ideas can also be affiliated to the interpretation of autopoiesis given by the late Francisco Varela . A synthesis of these positions might lead to insights how symbolic expression arises from biological conditions of living. (shrink)

If the problem of the origin of life is conceptualized as a process of emergence of biochemistry from proto-biochemistry, which in turn emerged from the organic chemistry and geochemistry of primitive earth, then the resources of the new sciences of complex systems dynamics can provide a more robust conceptual framework within which to explore the possible pathways of chemical complexification leading to living systems and biosemiosis. In such a view the emergence of life, and concomitantly of natural selection and (...) biosemiosis, is the result of deep natural laws (the outlines of which we are only beginning to perceive) and reflects a degree of holism in those systems that led to life. Further, such an approach may lead to the development of a more general theory of biology and of natural organization, one informed by semiotic concepts. (shrink)

Some recent artists and critics have taken it upon themselves to demystify the notion of stylistic unity. Their task has included the historical reconception of a few “modernist” artists along “postmodern” lines, usually as precursors of current semiotic strategies.11 These artists may have used a set of incompatible styles to expose the artificiality of competing stylistic conventions, or even to challenge the myth that celebrates the authenticity of artistic expressiveness. Pablo Picasso and Marcel Duchamp, otherwise very different artists, have (...) both been seen as having “deconstructed” the concept of authenticity by problematizing basic means of artistic reference.12 But the desire to challenge conventions must not be misconstrued as an enduring element of an iconoclastic artist’s personality. Otherwise, the characterization is merely an updated version of the traditional argument for authorial unity. 11. The terms “modern” and “postmodern” are used in a variety of ways in contemporary criticism. Here, “modern” refers to nineteenth- and twentieth-century artists who embrace the notion of originality, and “postmodern” to those who would attack the notion by exposing the conventionality at its center. Although some critics who profess “modernism” do not mention “originality” by name, most subscribe to it in some form, often with the originality and self-sufficiency of the artist transposed to that of the work. This is especially true of the criticism of Clement Greenburg and Michael Fried.12. Rosalind Krauss rightly uses the semiotic complications of Picasso’s art to object to autobiographical interpretations of his work. In the course of the argument, she refers to Picasso’s semiotics as part of the “proto-history” of postmodernist art. See Krauss, “In the Name of Picasso,” The Originality of the Avant-Garde and Other Modernist Myths , pp. 38-39. Arguments for Duchamp’s protopostmodernism are much more common. For one example, see Krauss, “Notes on the Index: Part 1,” The Originality of the Avant-Garde, pp. 196-209. Margaret Olin is an assistant professor in the department of art history and criticism at the School of the Art Institute of Chicago. She is presently writing a book on the theories of Alois Riegl. (shrink)

Jakob von Uexküll (1864–1944) was a biologist, but the impact of his work has been perhaps stronger and more persistent in philosophy and the humanities than in the natural sciences. As one of the contributors to this book observes, Uexküll's conception of biology is “more at home among the disciplines composing the Geisteswissenschaften [humanities] than those included in the Naturwissenschaften [sciences], insofar as Uexküll's biology put Verstehen [understanding] before Erklären [explaining].” Uexküll began his career as an experimentalist of a “ (...) class='Hi'>proto-behaviorist” kind but came rapidly to be dissatisfied with the reduction of physiology to action-and-reaction chains. He argued that the animal-as-machine, the model that lies behind behaviorism, cannot be the starting point of biology. The relation between cause and effect in a machine is direct: the wings of a windmill, say, transfer their movement to a cog even if no one is there to perceive the transfer. In contrast, in the realm of the living, “a stimulus must be ‘noticed’ by a subject” to have any effect. Thus, Uexküll claims, “the first task of [the biologist] consists in seeking out the animal's perception signs”—in searching for what, in its surroundings, an animal perceives and of what it takes notice.Uexküll defined surroundings (Umgebung) as the whole physical reality in the vicinity of an animal, whereas by the term environment (Umwelt) he meant only that part of an animal's surroundings that it perceives. Given Uexküll's understanding of biology as the study of signs of perception (Merkmale), it is no surprise that his work has been a crucial source of inspiration for semiotics. Only one chapter of this new book is devoted to that topic, since Uexküll's presence in the field of semiotics (and in biosemiotics more particularly) is already well documented and analyzed in many publications, whereas his impact on the field of philosophy has been less studied (Brett Buchanan's Onto-Ethologies is, to date, perhaps the best study of that kind). Martin Heidegger was not the first to import the Umwelt theory into philosophy (Max Scheller, Helmuth Plessner, and Ernst Cassirer did so before him, and to each of them a chapter is devoted), but Heidegger is the most famous. It was by reworking an example of Uexküll's—“the rock on which the lizard lies is not given to the lizard as rock, in such a way that it could inquire into its mineralogical constitution for example”—that Heidegger characterized the divergent ways in which animals and humans approach the world. The former can use the things of the world, but humans are uniquely capable of conceiving things as independent of their use of them. We have no more direct access to our physical surroundings than other animals do, but, Heidegger held, we are at least able to imagine our surroundings and the things that fill them as independent of us (and eventually to examine them in the way that a mineralogist examines stones).Thus, Heidegger used Uexküll to set out an “ontological difference” between humans and animals. Gilles Deleuze, on the other hand, made use of Uexküll to advance a nondualistic ontology in which “the affects [that animals] are capable of” is given as the definition of bodies—a definition, he emphasized, “no less valid for us, for humans, than for animals.” Other philosophers whose understanding and use of Uexküll are examined in detail include Maurice Merleau-Ponty, Georges Canguilhem, Hans Blumenberg, and Giorgio Agamben; in addition to the complementary chapter on Uexküll and semiotics, already mentioned, there is one on his place in hermeneutics and one on the influence of Kant. The final chapter concerns the remaking of Uexküll by artists. In this way, this collection of studies offers a varied, detailed, well-structured, and engaging presentation of one of the most original biologists of the last century. As a whole, this book is an example of philosophy at its best—which is: when it specifies, pluralizes, and intensifies the thoughts and works of others. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:"Periwigged Heralds":Epistemology and Intertextuality in Early American CometographyChristopher JohnsonIn the winter of 1680-81 an enormous comet appeared in the nighttime skies of Europe and the Americas.1 This "blazing star" occasioned numerous treatises, poems, pamphlets, broadsides, ballads, engravings, and woodcuts. Evaluating this cometary copia, the historian of science, Pingré, in 1783 observes:The world was inundated with writings on these phenomena, on their nature, on their significations; for there were still (...) astrologers and cometomantics [Cométomantiens]... I believe that the languages were not even as confused at the Tower of Babel, as were the sentiments concerning this famous comet.2Pingré's belated impatience with the discursive flood of "astrologers and cometomantics" echoes of course the more general Cartesian objection to the confusion of words and things, a confusion that L'Académie des sciences and Royal Society dedicated themselves to eliminating. But the arduous nature of this effort in seventeenth-century Europe is exemplified by the numerous, often-conflicting interpretations of the 1618, 1665, and 1680 comets—to say nothing of the unprecedented "new stars" or novas of 1572 and 1604, which were often treated as cometary phenomena. In this essay, though, I will trace the contours of this epistemological confusion in the Americas—specifically in [End Page 399] Mexico, Peru, and New England—where European astronomical, astrological, theological, and literary discourses concerning comets were repeated and imitated but also where they were mediated by cultural concerns unique to the New World. More particularly, by focusing on some of the intertextual aspects of the interpretation of the 1680 comet in the Americas, I suggest that the hermeneutic of signs which dominated in one way or another almost every Early American cometography is indicative of broader epistemological and rhetorical tensions that characterize the period.Popular belief in late seventeenth-century Europe generally held that a comet's appearance heralded God's wrath. In Germany the terrible "Wunder-Komet" of 1680 precipitated the publication of nearly a hundred treatises, most of which echoed the motto on a medal struck by the State Library of Zurich: "The star threatens evil things. Have faith! God will set things right."3 The devout comet-watcher could thus look forward to imminent salvation, while sinners were urged to seize a final chance to repent. Still, even many of the learned who treated comets mathematically also embraced some form of theological hermeneutic. Both Kepler and, later in his life, Newton wished to retain comets as actors in God's eschatological drama.4 Though others, like Galileo and Gassendi, saw the comet as a natural event without semiotic significance, the more astrologically inclined continued to see it not just as a sign but as the effective cause itself of ill, or less often, good fortune.5 Stanislaw Lubieniecki's1667 Theatrum cometicum thus places one comet at Jerusalem's destruction and another at Christ's birth.6 In other words, the Theatrum, like most contemporary cometographies, is fueled by the logic of analogy, for a comet was generally read as a wondrous (but usually disastrous) sign linking the microcosm and macrocosm, or alternately, as a sign legible only by translating the Book of Nature with the lexicon provided by the Book of God, the Bible.7 When it came to comets, the epistemic shift that Foucault traces in The Order of Things, from a sixteenth-century symbolic or qualitative world-view to a seventeenth-century rationalist or quantitative one, was often slowly and/or incompletely achieved. Forced to speak of a comet's "beard" or "tail," even the less mantic cometographers found themselves interrogating the analogical nature of their discourse as much as the celestial objects that excited their curiosity. [End Page 400]Especially in France and to a lesser extent England the epistemological and rhetorical assumptions associated with the idea that comets heralded misfortune were being subject to increasing scrutiny if not sometimes also outright scorn. Most famously, Pierre Bayle in his Pensées diverses; Ecrites à un Docteur de Sorbonne, à l'occasion de la comète qui parut au mois de Decembre 1680, uses the comet as a kind of floating signifier which allows him to interrogate with proto-Enlightenment rigor all manner... (shrink)

Historians of rhetoric refer to two Sophistics, one in the 5th century B.C. and another c. 2nd century A.D. Besides these two, there is a 3rd Sophistic, but it is not necessarily sequential. (The 3rd is “counter” to counting sequentially.) Whereas the representative Sophists of the 1st Sophistic is Protagoras, and the second, Aeschines, the representative sophists of the 3rd are Gorgias (as proto-Third) and Friedrich Nietzsche, Jean-François Lyotard, Michel Foucault, Jacques Lacan, and Paul de Man.To distinguish between and (...) among Socrates, Plato, and Aristotle, and then Protagoras, Gorgias, and Lacan, the author determines how far each of these personages can “count.” The model of counting, used semiotically across the topoi of “possible/impossible,” is that of the people of New Guinea: “one thing, two things, many things.” It is determined (generally) that the philosophers, including Aristotle, count to “one”; the Sophists to “two”; and Gorgias, Lacan, and Lyotard, et al. count to “many things,” thereby breaking up a monism or binarism. The ancient philosophers employ a substratum of probability to hold together the contraries of “possible/impossible”; the Sophists employ anti/logic, which keeps the contraries/antitheses separate and therefore without synthesis, but which eventually threatens the integrity of the substratum, or the law of non-contradiction; and Gorgias, Lacan, Lyotard et al. theorize about the “impossibility”/“Resistance” of the Logos (reason, logic, law, argumentation, history) to Theory/Totalization, because of the Gorgian Kairos and the Lacanian Real — both of which enter the Logos and break up the cycle of the antitheses and create “something new, irrational” (Untersteiner).This “breaking up” has a negative/positive influence on Protagoras's “man-measure doctrine,” which in turn has a similar influence on “the problem of the ethical subject.” The subject/agent not only no longer “knows” (by way of Logos) but also no longer “acts” (as independent agent); the subject becomes a function of Logos as determined by Kairos/Real; it moves from a hypotaxis/syntaxis of “one” and “two” to a radical parataxis/paralogy of “some more.”From the “Impossibility”/“tragedy” of knowledge, however, comes the “Possible,” or “Possibilisms,” which allows for the new (though divided) ethical subject to reclaim its position as “individual.” Such a reclamation of the subject, however, has a profound effect on argumentation, and especially the notion of “consensus.” What is wanted, then, in a Third Sophistic “ethical” — as opposed to a “political” — rhetoric is “dissensus” through radical parataxes and paralogies. (shrink)

Drawing on Yan’s novella Serve the People (2005), the author examines the metamorphosis of the titular master signifier that has served as a central moral mandate in the Chinese Communist Party’s ideological discourse. Relying on a Lacanian framework via Žižek’s and others’ writings, this paper attempts to show that totalitarian ideological transformation hinges on the organization of jouissance (enjoyment) that has undergone three ideological modes — proto-, post-, and neo-totalitarianism. In the first mode, the subject procures enjoyment from the (...) symbolic order through a gesture of sacrifice. Due to the collapse of the imaginary of the Socialist New Man that sustains the totalitarian gaze, the post-totalitarian subject’s cynical distance from the “official” ideology functions as the very support for the effectiveness of the ideological apparatuses. Finally neo-totalitarianism is characterized as the inverse of proto-totalitarianism: the obscene underside that supports the totalitarian order is brought to the front stage as the new symbolic mandate to enjoy. The manifestations of such metamorphosis in literary and filmic works follow the path that starts from the sublime and ends at the obscene. (shrink)

This work presents a semiotic perspective of aspects of a soundscape evaluation of the city, Supino located in the Province of Frosinone in the Italian region of Lazio. The data and sound sample collection was accomplished through the soundwalk technique undertaken by students of Çankaya University, School of Architecture during the ‘Third International Summer School in Supino’ 17–24 August 2014. For the soundscape evaluation, three zones were identified in Supino as urban, suburban, and intersection. A total of nine samples (...) across three zones were collected during three different times in a day by soundwalks from the areas located in the identified zones. A theoretical model of semiotic interpretations of soundscapes has been proposed and applied for the analysis of Supino’s soundscape. The results showed that the soundscape of Supino differs according to its cultural, habitual, and anthropological tendencies. In addition, the semantic analysis shows that the soundscape composition of the sound sources in the three zones varies by the change of time, sound composition and sources, topography, and settlement of the city. (shrink)

This paper connects the hard problem of consciousness to the interpretation of quantum mechanics. It shows that constitutive Russellian pan(proto)psychism (CRP) is compatible with Everett’s relative-state (RS) interpretation. Despite targeting different problems, CRP and RS are related, for they both establish symmetry between micro- and macrosystems, and both call for a deflationary account of Subject. The paper starts from formal arguments that demonstrate the incompatibility of CRP with alternative interpretations of quantum mechanics, followed by showing that RS entails Russellian (...) pan(proto)psychism. Therefore, CRP and RS are mutually supportive. It then provides a unified ontological picture by combining CRP and RS. The challenge faced by CRP, the combination problem, can be resolved by adopting a RS version of quantum mechanics. Technically, this is achieved by a co-consciousness relation capable of explaining the difference between first-person and third-person perspectives. The hierarchical structure of the relation removes any concern on the structural mismatch between the physical and the phenomenal. (shrink)

This book analyses various examples of the imaginative semiotisation of the Fall of Man and the Church's semiotic perception of the Divine plan for Redemption. Based on a close reading of primary sources, it analyses the meaning-making inherent in these ideas, which are filtered through and given material representation by the semiotic paradigms of various cultural fields, including philology, verbal arts and science.

Inspired by Bermúdez’s notion of proto-logic, I would like to fathom what the true proto-logic could be like. But this will be approached only in a negative way of figuring out what it could not be. I shall argue that it could not be purely deductive by exploiting the recent researches in logic of maps. This will allow us to reorient the search for proto-logic, starting with animal abduction. I will also suggest that proto-logic won’t get (...) off the ground without proto-geometry. These negative results will shed some lights on some further conceptual and historical issues around the language of thought hypothesis to arrive at the true proto-logic. (shrink)

This is an account of Sceptical investigation as it is presented by Sextus Empiricus. I focus attention on the motivation behind the Sceptic’s investigation, the goal of that investigation, and on the development Sextus describes from proto-Sceptical to Sceptical investigator. I suggest that recent accounts of the Sceptic’s investigative practice do not make sufficient sense of the fact that the Sceptic finds a relief from disturbance by way of suspending judgement, nor of the apparent continuity between proto-Sceptical and (...) Sceptical investigation. I offer an alternative account which turns on the suggestion that the Sceptic accepts that justification is the norm of belief. (shrink)

This research examines the implementation and judicial response to Uzbekistan's new domestic violence laws enacted in 2023. Through an exploration of the semiotics of these laws, we uncover the nuanced portrayal of victim as "wife" instead of "human," reflecting a societal prioritization of family dynamics over individual rights. Through this analytical lens, we examine how domestic violence laws, as legal transplants, are interpreted by the judicial system. We highlight their translation into people’s behavior, judicial traditions, and the struggling with socio-cultural (...) norms. The findings from both quantitative and qualitative research contribute to understanding effectiveness and improving practices to achieve justice for victims. We investigated how new domestic violence laws are applied in the judicial system and the challenges victims face in seeking justice. The research highlights the necessity and effectiveness of laws while revealing socio-cultural resistance within the judicial system, such as holding victims accountable in domestic violence cases. The judicial response to domestic violence cases often favors restorative justice mechanisms, emphasizing reconciliation and lenient penalties. Notably, 61% of criminal cases conclude with reconciliation. Despite the impossibility of reconciliation in administrative cases, courts resort to the concept of "insignificance" of the violation, terminating cases on this basis in 28% of instances. However, the absence of reconciliation significantly diminishes the effectiveness of laws, depriving victims of restitution and the ability to influence the perpetrator's behavior. In the era of restorative justice application, rising questions emerge regarding its effectiveness, particularly due to socio-cultural pressure on victims and their unequal negotiation opportunities. (shrink)

Sports Semiotics' applies semiotics (and other disciplines, secondarily) to analyse the social, cultural, economic and psychological significance of sports. It includes a primer on semiotic theory, sections on the analysis of wrestling by Roland Barthes in his book 'Mythologies', as well as sections on football and the sacred, the Super Bowl, and the semiotics of televised baseball.

If it is true that semiotics has tried to establish itself as an autonomous science starting with Saussure and Peirce, in imposing itself as a cultural fashion since the 1960’s, due especially to Roland Barthes and his interest in the language of connotations, it is also true that from ancient treatises of medicine to books of magic, from rhetoric to logic, from nature to science, symbols— even from different points of view—have been the object of passionate reflections.

The proto-code of ethics and conduct for European nurse directors was developed as a strategic and dynamic document for nurse managers in Europe. It invites critical dialogue, reflective thinking about different situations, and the development of specific codes of ethics and conduct by nursing associations in different countries. The term proto-code is used for this document so that specifically country-orientated or organization-based and practical codes can be developed from it to guide professionals in more particular or situation-explicit reflection (...) and values. The proto-code of ethics and conduct for European nurse directors was designed and developed by the European Nurse Directors Association’s (ENDA) advisory team. This article gives short explanations of the code’ s preamble and two main parts: Nurse directors' ethical basis, and Principles of professional practice, which is divided into six specific points: competence, care, safety, staff, life-long learning and multi-sectorial working. (shrink)

The proto-code of ethics and conduct for European nurse directors was developed as a strategic and dynamic document for nurse managers in Europe. It invites critical dialogue, reflective thinking about different situations, and the development of specific codes of ethics and conduct by nursing associations in different countries. The term proto-code is used for this document so that specifically country-orientated or organization-based and practical codes can be developed from it to guide professionals in more particular or situation-explicit reflection (...) and values. The proto-code of ethics and conduct for European nurse directors was designed and developed by the European Nurse Directors Association’s (ENDA) advisory team. This article gives short explanations of the code’ s preamble and two main parts: Nurse directors' ethical basis, and Principles of professional practice, which is divided into six specific points: competence, care, safety, staff, life-long learning and multi-sectorial working. (shrink)

This paper sketches the relationship of Nietzsche's "Lebensphilosophie," panpsychism, animism, proto-existentialism and naturalism to contemporary ecologism/ecology. It considers his assaults on the metaphysical, epistemological and ethical foundations of anti-ecophilosophy. It connects some of his central doctrines, including self-overcoming, the will to power, "amor fati" and "fierism" to his proto-ecophilosophy and explores three kinds of nihilism which are particularly hostile to it. Finally, it notes Nietzsche's applied ecology-concems, including conservationism, preservationism and pollution.

How is it that sounds from the mouth or marks on a page—which by themselves are nothing like things or events in the world—can be world-disclosive in an automatic manner? In this fascinating and important book, Lawrence J. Hatab presents a new vocabulary for Heidegger’s early phenomenology of being-in-the-world and applies it to the question of language. He takes language to be a mode of dwelling, in which there is an immediate, direct disclosure of meanings, and sketches an extensive picture (...) of proto-phenomenology, how it revises the posture of philosophy, and how this posture applies to the nature of language. Representational theories are not rejected but subordinated to a presentational account of immediate disclosure in concrete embodied life. The book critically addresses standard theories of language, such that typical questions in the philosophy of language are revised in a manner that avoids binary separations of language and world, speech and cognition, theory and practise, realism and idealism, internalism and externalism. (shrink)

This paper investigates the notion of semiotic scaffolding in relation to mathematics by considering its influence on mathematical activities, and on the evolution of mathematics as a research field. We will do this by analyzing the role different representational forms play in mathematical cognition, and more broadly on mathematical activities. In the main part of the paper, we will present and analyze three different cases. For the first case, we investigate the semiotic scaffolding involved in pencil and paper (...) multiplication. For the second case, we investigate how the development of new representational forms influenced the development of the theory of exponentiation. For the third case, we analyze the connection between the development of commutative diagrams and the development of both algebraic topology and category theory. Our main conclusions are that semiotic scaffolding indeed plays a role in both mathematical cognition and in the development of mathematics itself, but mathematical cognition cannot itself be reduced to the use of semiotic scaffolding. (shrink)

Genre has been a critical issue in discourse analysis as well as in other disciplines. Based on a literature review of the concept of genre and taking judgments as one type of genre in legal settings, the present study provides a corpus-based insight into the nature of genre. The literature review per se reveals that genre has one typical feature of a sign, that is, being subject to multiple and alternative interpretations; in other words, genre as a sign may have (...) various interpretants. The present study unravels the actual generic structures, distinguishes different types of generic structures within the given genre, and then defines the dominant generic structure of judgments in Hong Kong, Taiwan, and Mainland China. This study also examines and contrasts the generic structure potential of judgments in each jurisdiction. In addition, the variation of Mainland China's judgments over time is briefly discussed. Comparing the generic structures of judgments among the three jurisdictions, as well as the structures of judgments in Mainland China over time, the paper argues that genre also has the essential features of a sign, that is, the characteristics of temporality and spatiality. (shrink)

Paniel Reyes Cárdenas provides a novel reading of Josiah Royce’s Absolute Pragmatism in the context of the nineteenth-century origins of Classical Pragmatism. Royce’s proposal leads to an integrated philosophy that unfolds the synthetic-semiotic theory of community.

What is it for a predicate or a general term to be a rigid designator? Two strategies for answering this question can be found in the literature, but both run into severe difficulties. In this paper, it is suggested that proper names and the usual examples of rigid predicates share a semantic feature which does the theoretical work usually attributed to rigidity. This feature cannot be equated with rigidity, but in the case of singular terms this feature entails their rigidity, (...) as understood in the standard characterisation. Hence, it is appropriate to call this feature proto-rigidity. (shrink)

Paniel Reyes Cárdenas provides a novel reading of Josiah Royce's Absolute Pragmatism in the context of the nineteenth-century origins of Classical Pragmatism. Royce's proposal leads to an integrated philosophy that unfolds the synthetic-semiotic theory of community.

In hindsight, it is primarily Susanne K. Langer’s theory of act, and only secondarily her theory of art, that is central to the conception of Vitality Semiotics. It focuses on affective, semiotically relevant forms that constitute our world experience, human social interaction, and ultimately art experience. Thus, this somewhat unusual distinction between these two aspects of Langer’s work is not only important for art and our understanding of the world, but can also be seen as fundamental to social interaction and, (...) furthermore, to the universal formation of culture(s). It is, as the article suggests, to be regarded as the basis of the conditio humana. (shrink)

A pioneer in the field, Christian Metz applies insights of structural linguistics to the language of film. "The semiology of film . . . can be held to date from the publication in 1964 of the famous essay by Christian Metz, 'Le cinema: langue ou langage?'"--Geoffrey Nowell-Smith, Times Literary Supplement "Modern film theory begins with Metz."--Constance Penley, coeditor of Camera Obscura "Any consideration of semiology in relation to the particular field signifying practice of film passes inevitably through a reference to (...) the work of Christian Metz. . . . The first book to be written in this field, [ Film Language ] is important not merely because of this primacy but also because of the issues it raises . . . issues that have become crucial to the contemporary argument."--Stephen Heath, Screen. (shrink)