This book is an abridged version of Feng Qi’s two major works on the history of philosophy, The Logical Development of Ancient Chinese Philosophy and The Revolutionary Course of Modern Chinese Philosophy. It is a comprehensive history of Chinese philosophy taking the reader from ancient times to the year 1949. It illuminates the characteristics of traditional Chinese philosophy from the broader vantage point of epistemology. The book revolves around important debates including (...) those on “Heaven and humankind” (tian ren天人), “names and actualities” (mingshi名實), “principle and vital force” (liqi理氣), “the Way and visible things” (daoqi道器), “mind and matter/things” (xinwu心物), and “knowledge and action” (zhixing知行). Through discussion of these debates, the course of Chinese philosophy unfolds. Modern Chinese philosophy has made landmark achievements in the development of historical and epistemological theory, namely the “dynamic and revolutionary theory of reflection”. However, modern Chinese philosophy is yet to construct a systematic overview of logic and methodology, as well as questions of human freedom and ideals. Amid this discussion, the question of how contemporary China is to “take the baton” from the thinkers of the modern philosophical revolution is addressed. (shrink)

本书以“美是有价值的乐感对象”为核心观点，以本质论、现象论、美感论为基本构架，分析论述了美的语义、美的范畴、美的原因、美的规律、美的特征与美的形态、美的领域、美的风格等，构建起一个全新的“乐感美学”理 论体系。.

This is a philosophical book about the idea of human freedom in the context of Chinese philosophy on truth, the good, and beauty. The book shows that there is a coherent and sophisticated philosophical discourse on human freedom throughout the history of Chinese Philosophy in aesthetics, ethics, and epistemology. Feng Qi discusses the development of freedom in light of the Marxist theory of practice. In the history of philosophy, the relation between thought and existence, which (...) is fundamental to philosophy, has stimulated many debates. These debates, though they have assumed diverse forms in Chinese and Western philosophy, have eventually concentrated on three inquiries: the natural world (the objective material world); the human mind; and the concepts, categories, and laws that are representative forms of nature in the human mind and in knowledge. In Chinese philosophy, the three inquiries are summarized using three notions: qi (气 breath, spirit), xin (心 heart), dao (道 the Way). What relationship do the three notions have with each other? This book explores the way to human freedom through the divergent paths in Chinese philosophy. This book’s investigation of human activities brings the typical Chinese philosophical discourse from the cosmological realm into the realm of human beings as individuals. In this regard, the three inquiries can be described as being about real life, ideals, and individuals. (shrink)

Carl Schmitt's political and legal theory has been subject to criticism by Chinese scholars. One of the criticisms is based on the judgment that there are uncomfortable similarities between Schmitt's and Mao's theories. Due to the similarities between Schmitt and Mao, many Chinese scholars argue that it is morally wrong to rely on Schmitt's political theory in contemporary China. In contrast to this view, this book develops a new way of reading and benefiting from Schmitt's legal and political (...) theories. It explores Schmitt's theories from the perspective of what Zheng refers to as 'the politics of transition'. This book shows that Schmitt's theory can be beneficial for filling in the details of the politics of transition. Carl Schmitt, Mao Zedong and the Politics of Transition also contributes to identifying the real theoretical relationship between Schmitt and Mao from the perspective of the politics of transition. It shows that although there are some similarities between Schmitt's and Mao's theories, there are fundamental differences as well. (shrink)

Yi-He is universal symbol of Chinese philosophy, it contains two thoughts of “Yi” and “He”. Thought of “Yi” represents idea of change in Chinese philosophy，thought of “He” represents idea of harmony in Chinese philosophy. “Philosophy of Yi-He” is dialectical synthesis of thought of “Yi” and thought of “He”, as well as the unique nature of Chinese philosophy thought. It embodies the deep structure of Chinese cultural spirit and the innovative pattern (...) of Chinese philosophy thought. At present, “philosophy of Yi-He” conforms to the topic of the age, i.e. developing in all-round and coordinating way and constructing harmonious society. It constitutes Chinese philosophy idea which reflects and criticizes modern civilization and creating viewpoint on harmonious development. “Philosophy of Yi-He” calls on harmonious world and constructs harmonious development idea in the relationship between human being and nature, human being and society, human being and themselves, human being and civilization. The viewpoint on harmonious development of Chinese philosophy aims at creating an ideal of harmonious world. (shrink)

本书分上、下两册,上册自先秦至唐代,下册自宋代至清末民初。本书主要收入各时代的主要学派、主要哲学的代表性作品。.

本然论作为一种思想方法,经历了一个从哲学史学的方法向元哲学方法的变化过程。本书着眼于从文化发生学、语言哲学、思想衍化逻辑学等元哲学视角省察式建立方法基础的原因.

The ancient aesthetics of yijing has played a crucial role in traditional Chinese philosophy, literature and art since the eighth century CE. Defined variously by early and contemporary writers, yijing links an artist's emotional domain to objects in the world. This article conceptualises yijing as an ecological aesthetics and distinguishes it from an environmental aesthetics. In particular, two aspects of yijing render it an eco-aesthetics: subject-object correspondence (or 'engagement'); and empathic identification with the environment (or 'bio-empathy'). Three brief (...) case studies from urban planning, environmental conservation and the creative arts demonstrate the contemporary importance of yijing to ecological issues. (shrink)

Jade products that imitate ancient Chinese art samples are a special kind of objects that, in their form and decor, are close to or likened to more ancient works of arts and crafts. The article explores the artistic form and characteristic features of imitations of ancient jade products of the Qing era, presented in the collections of Russian museums and the Palace Museum of China. The object of the study are objects of Chinese art of jade carving, which (...) are in the collection of the Palace Museum (Beijing), the Museum of Anthropology and Ethnography. Peter the Great (Kunstkamera) of the Russian Academy of Sciences (St. Petersburg) and the State Museum of Oriental Art (Moscow), where the use of imitations of ancient objects was discovered. Artistic analysis of jade imitations allows us to conclude that the works of the Qing era were more complex and diverse in form, decor and carving techniques compared to Han products, while the craftsmen, although they managed to preserve the classical sophistication of objects, lost the severity and solemnity of Han jade. As well as the art history analysis of the works, one can see that the forms and decors of jade objects are the product of aesthetic consciousness. The novelty of this study lies in the fact that the varieties and features of imitations of ancient jade during the Qing Dynasty are summarized, and the huohuan technique in jade processing is confirmed. This may be of interest to researchers in related scientific fields. (shrink)

There are numerous traces of Nietzsche's influence in Wang Guowei's "On the Dream of the Red Chamber" even though there is not a single mention of Nietzsche's name in that seminal essay. Nietzschean thought looms large where Wang openly disagrees with or quietly departs from the views of Schopenhauer and, to a lesser extent, those of Kant and Aristotle. His questioning of Schopenhauer's "no-life-ism" harks back to Nietzsche's challenge to Schopenhauer's life-negating ethics. His portrayal of Bao Yu reveals three distinctive (...) character traits of the Nietzschean overman. In particular, the praise of Bao Yu's rebellious character reveals Wang's preference for the iconoclastic Nietzschean overman over the passive Schopenhauerian saint. A strong influence of Nietzsche's views of tragedy may also be observed in Wang's discussion of the tragic form. His modification of Aristotle's catharsis seems to have been made in the spirit of Nietzsche's criticism of its "pathological discharge." His stress on the ultimate salvational function of the Dream strongly reminds us of what Nietzsche has said about the life-saving role of the Dionysian tragedy in the Birth. Finally, in his conditional endorsement of "live-life-ism" we can see a thinly disguised repudiation of the extreme Darwinian tendency he mistakenly reads into Nietzsche's works. It should not be surprising that there are so many echoes of Nietzschean thought in "On the Dream." While writing this essay Wang was deeply occupied with the study of Nietzsche's aesthetic and ethical theories through comparisons with Schopenhauer's. If this influence of Nietzsche can be established on the basis of the evidence given above, there is then a need to reassess Nietzschean thought as a catalyst more important than hitherto thought for the rethinking of traditional Chinese literary and cultural traditions--a broad twentieth-century critical and intellectual trend initiated by none other than Wang's "On the Dream.". (shrink)

: There are numerous traces of Nietzsche's influence in Wang Guowei's "On the Dream of the Red Chamber " even though there is not a single mention of Nietzsche's name in that seminal essay. Nietzschean thought looms large where Wang openly disagrees with or quietly departs from the views of Schopenhauer and, to a lesser extent, those of Kant and Aristotle. His questioning of Schopenhauer's "no-life-ism" harks back to Nietzsche's challenge to Schopenhauer's life-negating ethics. His portrayal of Bao Yu reveals (...) three distinctive character traits of the Nietzschean overman. In particular, the praise of Bao Yu's rebellious character reveals Wang's preference for the iconoclastic Nietzschean overman over the passive Schopenhauerian saint. A strong influence of Nietzsche's views of tragedy may also be observed in Wang's discussion of the tragic form. His modification of Aristotle's catharsis seems to have been made in the spirit of Nietzsche's criticism of its "pathological discharge." His stress on the ultimate salvational function of the Dream strongly reminds us of what Nietzsche has said about the life-saving role of the Dionysian tragedy in the Birth. Finally, in his conditional endorsement of "live-life-ism" we can see a thinly disguised repudiation of the extreme Darwinian tendency he mistakenly reads into Nietzsche's works. It should not be surprising that there are so many echoes of Nietzschean thought in "On the Dream." While writing this essay Wang was deeply occupied with the study of Nietzsche's aesthetic and ethical theories through comparisons with Schopenhauer's. If this influence of Nietzsche can be established on the basis of the evidence given above, there is then a need to reassess Nietzschean thought as a catalyst more important than hitherto thought for the rethinking of traditional Chinese literary and cultural traditions-a broad twentiethcentury critical and intellectual trend initiated by none other than Wang's "On the Dream.". (shrink)

_This article makes the following comparative claims about the contributions of Song- and Ming-dynasty Chinese discourses to recent work in the related fields of new materialism and speculative realism: emerging trends in so-called new materialism can be understood through the Chinese study of _qi _, which can be translated as “lively material” or “vital stuff”; and the notion of “speculation” as this is used in recent speculative realism can be understood as the study of, engagement with, and ultimate (...) transformation by _li _, a term meaning “principle” or “structure.” However, the focus of the article is as much polemical as it is comparative. By arguing that these contemporary Western movements be categorized by Chinese schools, I challenge and reverse the tendency to subsume non-Western philosophies under Western categories and intervene in the academic practices that continue to define the “new” on Eurocentric models alone._. (shrink)

Infra-white : an impossible beginning -- Color and white, the blank canvas : the reverse reconstruction of non-dimension -- Remnant and white, color and blankness, qi and white -- Empty and white, empty-empty-substance-substance, the empty room filled with light -- The white layout of the 'Woodcutter fighting for the path' : the ethics of remnant yielding.

Every philosophical mode has a unique conceptual system. Qi has consistently been a fundamental part of ancient Chinese philosophy, and its significance is obvious. Guided by the idea of re-evaluating all values, Yan Fu, who was deeply influenced by Western philosophy and logic, used reverse analogical interpretation to present a new explanation of the traditional Chinese concept of qi. Qi thus evolved into basic physical particles. Yan’s philosophical effort has great significance: The logical ambiguity that had (...) haunted qi was overcome. However, qi gradually evolved into a particular existence as it was Westernized. It completely lost its internal flavor as indigenous Chinese philosophy. Its previous philosophical abstraction and universality diminished and at the same time it was not Westernized into the pure concept of Hegel’s philosophy. (shrink)

ABSTRACTAfter some introductory remarks on the work of the modern Chinese philosopher Feng Qi, I begin this article by providing some observations concerning the ambiguous notion of ‘wisdom’ in Orientalist representations of non-Western thought and in comparative philosophy, as well as on the peculiar form of subjectivity ascribed to the ‘wise’ subject. I then proceed by offering an account of Feng’s philosophical universalism and historical materialist outlook, outlining the identification of wisdom with metaphysics in his early work and (...) exploring the status and function of wisdom in his mature writings. In doing so, I analyze the tension in Feng’s work between the theoretical rationality and systematicity of ‘metaphysics’ on the one hand and the existential and transformative orientation of ‘wisdom’ on the other. (shrink)

Qi is one of the most important concepts in Chinese philosophy and culture, and neo-Confucian Zhang Zai plays a pivotal role in developing the notion. This book provides a thorough and proper understanding of his thoughts.

The concept of matter is the cornerstone of philosophical materialism. In each of the nations and cultures of the world it has undergone a long historical process of change and development. To study these concepts of matter from a comparative perspective will undoubtedly help to clarify the general laws governing human philosophical thinking and their various characteristics in the many cultural traditions of the peoples of the world.

All along, many commentators stressed the differences of Chinese and Western philosophy and method of Qi, that philosophy and approach to the Western emphasis on analysis, argumentation and logic, and China's philosophical method is longer than intuition, and permits will be realized. Different methods by which they believe will give different results: the knowledge of the outside world through Western methods may be, can be obtained through the French inner truth. The former purpose we got outside, after (...) all is also in the contented. The authors believe that this orthodoxy and popular opinion is a great problem. One problem is: with or without the so-called intrinsic truth, they say, intuitive method of physical certificates but not feasible. In addition to resorting to a very small number of believers of the first-person authority, they can not explain the methods and procedures, they can not prove its effectiveness. In addition, they oppose the West, although on the surface of the speculative method, which emphasizes the importance of reflexivity within the card, but when their faith in order to convince the people off the outer ring of authenticity Wuzhen Dao, in fact, they unwittingly use on the Western speculative methods, but not the logic of Western speculative, but now the speculative. The purpose of this article, first through a thought experiment of the anti-theory, went on to argue that the orthodox view of the popular errors and false. The authors believe that: this say just false, but logically self-denial. (shrink)

The will to Qi -- Returning to the source: the history of energy and its uses -- Opening the energy gates of the body -- Powered by breath -- Cultivating mind and heart -- The elements of daily practice.

Qi (also spelled as Chi or Ki) is the universal energy or life force that permeates all beings. An understanding of Qi, a fundamental concept in traditional Chinese philosophy, is crucial to success in the practice of all East Asian healing and martial arts, from Tai Chi to Taekwondo and Reiki. But Qi has far broader and deeper applications: its proper understanding and utilization can bring harmony and balance to our modern lives. The power and focus it generates (...) can be put to use in the myriad tasks in which we engage daily, such as cooking, writing a book, designing a house, or preparing a business strategy. Reflections on Qi progresses from an explanation of what Qi is and how it is manifested throughout the universe to a description of how positive Qi can be introduced into the home, garden, workplace, and relationships. This is followed by an introduction to the various means of expressing and interpreting Qi in such pursuits as calligraphy, gardening, painting, and music. Lavishly illustrated, this book is the perfect reference for anyone interested in Eastern thought and wanting to incorporate its key beneficial elements into a Western lifestyle. (shrink)