116 found
Order:
  1.  13
    R. A. Sharpe & Charles Taylor (1992). Sources of the Self. Philosophical Quarterly 42 (167):234.
    'Most of us are still groping for answers about what makes life worth living, or what confers meaning on individual lives', writes Charles Taylor in Sources of the Self. 'This is an essentially modern predicament.' Charles Taylor's latest book sets out to define the modern identity by tracing its genesis, analysing the writings of such thinkers as Augustine, Descartes, Montaigne, Luther, and many others. This then serves as a starting point for a renewed understanding of modernity. Taylor argues that modern (...)
    No categories
    Direct download (3 more)  
     
    Export citation  
     
    My bibliography   26 citations  
  2.  46
    R. A. Sharpe (1980). Book Reviews. [REVIEW] British Journal of Aesthetics 20 (2):78-79.
    Direct download (11 more)  
     
    Export citation  
     
    My bibliography  
  3.  71
    R. A. Sharpe (1979). Book Reviews. [REVIEW] British Journal of Aesthetics 19 (3):78-79.
    Direct download (11 more)  
     
    Export citation  
     
    My bibliography  
  4.  41
    R. A. Sharpe (1982). Book Reviews. [REVIEW] British Journal of Aesthetics 22 (1):78-79.
    Direct download (11 more)  
     
    Export citation  
     
    My bibliography  
  5.  32
    R. A. Sharpe (2000). The Empiricist Theory of Artistic Value. Journal of Aesthetics and Art Criticism 58 (4):321-332.
    Direct download (4 more)  
     
    Export citation  
     
    My bibliography   4 citations  
  6.  39
    R. A. ShARpe (1999). Book Reviews. [REVIEW] British Journal of Aesthetics 39 (1):78-79.
    Direct download (11 more)  
     
    Export citation  
     
    My bibliography  
  7.  39
    R. A. Sharpe (1981). Book Reviews. [REVIEW] British Journal of Aesthetics 21 (2):78-79.
    Direct download (11 more)  
     
    Export citation  
     
    My bibliography  
  8. R. A. Sharpe (1964). The Logical Status of Natural Laws. Inquiry 7 (1-4):414-416.
    In this note I have presented the essentials of a view of how laws are falsified, a view which has been held by some notable philosophers but which is radically opposed to that of Professor Popper. I have not scrupled to ?improve? upon it, so the view of no one philosopher is presented. I try to show that an interesting and convincing account of scientific simplicity is implicit in the theory and I conclude by suggesting how we can bring the (...)
    Direct download (2 more)  
     
    Export citation  
     
    My bibliography  
  9.  33
    R. A. Sharpe (1987). The Very Idea of a Folk Psychology. Inquiry 30 (December):381-93.
    Three arguments are proposed against the idea that ordinary talk about the mind constitutes a folk psychology, a sort of prescientific theory which explains human behaviour and which is ripe for replacement by a neurological or computational theory with better scientific credentials. First, not all talk of the mind is introduced to explain in the way assumed by those who think that mental talk hypothesizes inner processes to explain behaviour. Second, the individuation of the behaviour which is explained by the (...)
    Direct download (5 more)  
     
    Export citation  
     
    My bibliography   6 citations  
  10.  47
    R. A. ShARpe (1997). Book Reviews. [REVIEW] British Journal of Aesthetics 37 (1):78-79.
    Direct download (11 more)  
     
    Export citation  
     
    My bibliography  
  11.  41
    R. A. ShARpe (1989). Book Reviews. [REVIEW] British Journal of Aesthetics 29 (1):78-79.
    Direct download (11 more)  
     
    Export citation  
     
    My bibliography  
  12.  39
    R. A. Sharpe (1988). Book-Reviews. British Journal of Aesthetics 28 (1):78-79.
    Direct download (11 more)  
     
    Export citation  
     
    My bibliography  
  13.  38
    R. A. Sharpe (1994). Book Reviews. [REVIEW] Mind 103 (409):78-79.
    No categories
    Direct download (11 more)  
     
    Export citation  
     
    My bibliography  
  14.  99
    R. A. Sharpe (1995). Music, Platonism and Performance: Some Ontological Strains. British Journal of Aesthetics 35 (1):38-48.
    Direct download (5 more)  
     
    Export citation  
     
    My bibliography  
  15. R. A. Sharpe (2004). Philosophy of Music: An Introduction. Routledge.
    This lively and lucid introduction to the philosophy of music concentrates on the issues that illuminate musical listening and practice. It examines the conceptual debates relevant to the understanding and performing of music and grounds the philosophy to practical matters throughout. Ideal for a beginning readership with little philosophical background, the author provides an overview of the central debates enlivened by a real sense of enthusiasm for the subject and why it matters. The book begins by filling in the historical (...)
     
    Export citation  
     
    My bibliography   1 citation  
  16.  48
    R. A. Sharpe (1994). Making the Past: Mcfee‘s Forward Retroactivism. British Journal of Aesthetics 34 (2):170-173.
    Direct download (5 more)  
     
    Export citation  
     
    My bibliography  
  17.  23
    R. A. ShARpe (1984). Book Reviews. [REVIEW] British Journal of Aesthetics 24 (1):78-79.
    Direct download (11 more)  
     
    Export citation  
     
    My bibliography  
  18.  2
    R. A. Sharpe (1992). Moral Tales: R. A. Sharpe. Philosophy 67 (260):155-168.
    In the 11th chapter of the second book of Samuel, we read how King David saw Bathsheba in the evening: ‘v.2. And it came to pass in an eveningtide, that David arose from off his bed, and walked upon the roof of the king's house: and from the roof he saw a woman washing herself; and the woman was very beautiful to look upon.’.
    No categories
    Direct download (2 more)  
     
    Export citation  
     
    My bibliography   2 citations  
  19.  69
    R. A. Sharpe (1991). Authenticity Again. British Journal of Aesthetics 31 (2):163-166.
    Direct download (5 more)  
     
    Export citation  
     
    My bibliography  
  20.  22
    R. A. Sharpe (1991). Book Reviews. [REVIEW] British Journal of Aesthetics 31 (3):78-79.
    Direct download (11 more)  
     
    Export citation  
     
    My bibliography  
  21.  6
    R. A. Sharpe (1991). Minds Made Up. Inquiry 34 (1):91 – 106.
    Direct download (5 more)  
     
    Export citation  
     
    My bibliography   2 citations  
  22.  8
    R. A. Sharpe (1965). The Unexpected Examination. Mind 74 (294):255.
    No categories
    Direct download (5 more)  
     
    Export citation  
     
    My bibliography   4 citations  
  23.  3
    R. A. Sharpe (1992). Moral Tales. Philosophy 67 (260):155 - 168.
    No categories
    Direct download (3 more)  
     
    Export citation  
     
    My bibliography   2 citations  
  24.  25
    R. A. Sharpe (1989). Dennett's Journey Towards Panpsychism. Inquiry 32 (2):233-40.
  25.  30
    R. A. Sharpe (1978). A Transformation of a Structuralist Theme. British Journal of Aesthetics 18 (2):155-171.
    Direct download (5 more)  
     
    Export citation  
     
    My bibliography  
  26.  15
    R. A. Sharpe (1995). Book Reviews. [REVIEW] British Journal of Aesthetics 35 (2):78-79.
    Direct download (11 more)  
     
    Export citation  
     
    My bibliography  
  27. R. A. Sharpe (1985). "But is It Art?: The Value of Art and the Temptation of Theory": B. R. Tilghman. [REVIEW] British Journal of Aesthetics 25 (3):285.
     
    Export citation  
     
    My bibliography  
  28.  7
    R. A. Sharpe (1997). One Cheer for the Simulation Theory. Inquiry 40 (1):115-31.
    Direct download (3 more)  
     
    Export citation  
     
    My bibliography   1 citation  
  29.  10
    R. A. Sharpe & Marx W. Wartofsky (1969). Conceptual Foundations of Scientific Thought. Philosophical Quarterly 19 (77):374.
    No categories
    Direct download (3 more)  
     
    Export citation  
     
    My bibliography   1 citation  
  30.  8
    R. A. Sharpe (1998). Review of Levinson, The Pleasures of Aesthetics. [REVIEW] Philosophical Quarterly 48 (193):555-556.
  31.  7
    R. A. Sharpe (1982). Performing an Interpretation: A Reply. Mind 91 (361):112-114.
    No categories
    Direct download (5 more)  
     
    Export citation  
     
    My bibliography  
  32.  37
    R. A. Sharpe (2001). Paradoxes of Emotion and Fiction. British Journal of Aesthetics 41 (2):234-236.
    Direct download (5 more)  
     
    Export citation  
     
    My bibliography  
  33.  31
    R. A. Sharpe (2001). Could Beethoven Have ‘Discovered’ the Archduke Trio? British Journal of Aesthetics 41 (3):325-327.
    Direct download (5 more)  
     
    Export citation  
     
    My bibliography  
  34.  31
    R. A. Sharpe (1971). Laws, Coincidences, Counterfactuals and Counter-Identicals. Mind 80 (320):572-582.
  35.  27
    R. A. Sharpe (1968). Factual Memory. Mind 77 (January):131-132.
    Direct download (6 more)  
     
    Export citation  
     
    My bibliography  
  36.  8
    R. A. Sharpe (1989). Worlds of Art and Works of Art. Cogito 3 (2):122-127.
    Direct download (3 more)  
     
    Export citation  
     
    My bibliography  
  37.  7
    R. A. Sharpe (1990). Metaphysical Bets. Cogito 4 (2):133-133.
    No categories
    Direct download (3 more)  
     
    Export citation  
     
    My bibliography  
  38.  22
    R. A. Sharpe (1964). Validity and the Paradox of Confirmation. Philosophical Quarterly 14 (55):170-173.
  39.  20
    R. A. Sharpe (1979). Type, Token, Interpretation and Performance. Mind 88 (351):437-440.
    No categories
    Direct download (5 more)  
     
    Export citation  
     
    My bibliography  
  40.  4
    R. A. Sharpe (1993). A Companion to Aesthetics. Cogito 7 (3):250-251.
    Direct download (3 more)  
     
    Export citation  
     
    My bibliography  
  41. R. A. Sharpe (1975). On the Causal Theory of Knowledge. Ratio 17 (2):206.
    No categories
     
    Export citation  
     
    My bibliography   1 citation  
  42.  1
    R. A. Sharpe (1985). VIII—Art and Expertise. Proceedings of the Aristotelian Society 85 (1):133-148.
    No categories
    Direct download (2 more)  
     
    Export citation  
     
    My bibliography  
  43.  10
    R. A. Sharpe (2000). A Philosophy of Mass Art. Philosophy Now 27:42-42.
    No categories
    Direct download (2 more)  
     
    Export citation  
     
    My bibliography  
  44.  12
    R. A. Sharpe (1980). The Aesthetics of Architecture By Roger Scruton Methuen, 1979, X + 302 Pp., £6.95. [REVIEW] Philosophy 55 (214):567-.
    Direct download (2 more)  
     
    Export citation  
     
    My bibliography  
  45.  11
    R. A. Sharpe (1978). Recognising an Opportunity for Action. Erkenntnis 12 (3):359 - 368.
    Direct download (5 more)  
     
    Export citation  
     
    My bibliography  
  46.  15
    R. A. Sharpe (1974). Ideology and Ontology. Philosophy of the Social Sciences 4 (1):55-64.
    Direct download (3 more)  
     
    Export citation  
     
    My bibliography  
  47.  4
    R. A. Sharpe (1999). Claes Entzenberg: Metaphor as a Mode of Interpretation. Nordic Journal of Aesthetics 11 (18).
    Direct download (3 more)  
     
    Export citation  
     
    My bibliography  
  48.  13
    R. A. Sharpe (1971). Music: The Information Theoretic Approach. British Journal of Aesthetics 11 (4):385-401.
    Direct download (5 more)  
     
    Export citation  
     
    My bibliography  
  49.  10
    R. A. Sharpe (1975). ‘Hearing As’. British Journal of Aesthetics 15 (3).
    Direct download  
     
    Export citation  
     
    My bibliography  
  50.  8
    R. A. Sharpe (1988). Culture and its Discontents. British Journal of Aesthetics 28 (4):305-316.
    Direct download (5 more)  
     
    Export citation  
     
    My bibliography  
1 — 50 / 116