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Ronald W. Hepburn [65]R. W. Hepburn [41]Ronald Hepburn [40]R. Hepburn [6]
Ronald W. Hepburn W. Hepburn [1]Rw Hepburn [1]
  1.  10
    Being and Time.Ronald W. Hepburn, Martin Heidegger, John Macquarrie & Edward Robinson - 1964 - Philosophical Quarterly 14 (56):276.
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  2. New Books. [REVIEW]W. K. C. Guthrie, Ian Hacking, Graham Bird, D. R. Cousin, Martha Kneale, Cora Diamon, R. W. Hepburn, J. L. Ackrill & P. F. Strawson - 1966 - Mind 75 (298):293-308.
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  3. "Wonder" and Other Essays : Eight Studies in Aesthetics and Neighbouring Fields.Ronald W. Hepburn - 1984
     
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  4.  82
    Symposium: Vision and Choice in Morality.R. W. Hepburn & Iris Murdoch - 1956 - Aristotelian Society Supplementary Volume 30 (1):14 - 58.
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  5.  8
    The Aesthetics of Sky and Space.Ronald Hepburn - 2010 - Environmental Values 19 (3):273-288.
    How can we best understand our aesthetic appreciation of sky and space? This essay begins by outlining the nature of spatial experience through some examples. Then it examines how our responses can be shaped by art and myth. Here we see how themes, such as ascension, that were current in prehistory and developed religions, can be reappropriated as components of a justifiable aesthetic experience. However, the task of finding defensible aesthetic responses to space as both experience and abstract idea does (...)
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  6. Aesthetic Appreciation of Nature.Ronald W. Hepburn - 1963 - British Journal of Aesthetics 3 (3):195-209.
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  7.  10
    Christianity and Paradox.Ronald W. Hepburn - 1958 - New York: Pegasus.
  8.  8
    Landscape and the Metaphysical Imagination.Ronald Hepburn - 1996 - Environmental Values 5 (3):191-204.
    Aesthetic appreciation of landscape is by no means limited to the sensuous enjoyment of sights and sounds. It very often has a reflective, cognitive element as well. This sometimes incorporates scientific knowledge, e.g.,geological or ecological; but it can also manifest what this article will call 'metaphysical imagination', which sees or seems to see in a landscape some indication, some disclosure of how the world ultimately is. The article explores and critically appraises this concept of metaphysical imagination, and some of the (...)
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  9.  76
    Philosophy, Literature and the Human Good.Ronald Hepburn - 2002 - British Journal of Aesthetics 42 (3):328-331.
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  10.  14
    Of Learned Ignorance.Ronald W. Hepburn, Nicolas Cusanus, Germain Heron & D. J. B. Hawkins - 1955 - Philosophical Quarterly 5 (20):283.
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  11.  65
    A Fresh Look at Collingwood.R. W. Hepburn - 1963 - British Journal of Aesthetics 3 (3):259-261.
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  12.  12
    Our Experience of God. [REVIEW]Ronald W. Hepburn - 1960 - Journal of Philosophy 57 (24):769-771.
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  13.  51
    Theological Aesthetics: God in Imagination, Beauty, and Art.Ronald Hepburn - 2001 - British Journal of Aesthetics 41 (2):232-234.
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  14.  45
    New Books. [REVIEW]D. R. Bell, K. Baier, Ronald W. Hepburn, Thomas McPherson, R. D. Bradley, D. D. Raphael, Antony Flew, W. H. F. Barnes, James Griffin, John Wheatley, Heinz-Juergen Schuering, D. P. Henry, Ernest H. Hutten, Anthony Kenny, Mary Warnock, Arthur Thomson & R. F. Holland - 1962 - Mind 71 (284):552-594.
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  15.  21
    The Inaugural Address: Wonder.R. W. Hepburn - 1980 - Aristotelian Society Supplementary Volume 54:1 - 23.
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  16. Symposium: Vision and Choice in Morality.R. W. Hepburn & Iris Murdoch - 1956 - Proceedings of the Aristotelian Society, Supplementary Volumes( 30:14-58.
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  17.  7
    Nature Humanised: Nature Respected.R. Hepburn - 1998 - Environmental Values 7 (3):267-279.
    How far is it true that the aesthetic appreciation of nature obscures, rather than illuminates, its objects? Do we not humanise nature, read our own subjectivity into it, sentimentally distort it, in our aesthetic - as distinct from scientific - approaches? I argue that not all humanising falsifies, and that we can respect nature as well as annex its forms and expressive qualities in our aesthetic appreciation. Respecting/humanising are explored as two of the chief key concepts for an understanding of (...)
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  18.  44
    ‘Being’ as a Concept of Aesthetics.Ronald W. Hepburn - 1968 - British Journal of Aesthetics 8 (2):138-146.
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  19.  1
    Nature in the Light of Art: R. W. Hepburn.R. W. Hepburn - 1972 - Royal Institute of Philosophy Supplement 6:242-258.
    Art is without doubt a powerful agent in determining how nature appears to us. Andrew Forge describes seeing tree leaves in sunlight, and ‘thinking Pissarro’. ‘I am wrapped round by Impressionism and the leaves look like brush strokes’. To Harold Osborne, once one has been impressed by Van Gogh's painting of certain objects, ‘it is difficult ever again to see the objects uninfluenced by Van Gogh's vision of them’.
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  20.  15
    Book Reviews. [REVIEW]Ronald W. Hepburn - 1962 - British Journal of Aesthetics 2 (1):674-676.
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  21.  38
    Philosophy and Literature: An Introduction.Ronald Hepburn - 2002 - British Journal of Aesthetics 42 (2):209-211.
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  22.  29
    Questions About the Meaning of Life.R. W. Hepburn - 1966 - Religious Studies 1 (2):125 - 140.
    Claims about ‘the meaning of life’ have tended to be made and discussed in conjunction with bold metaphysical and theological affirmations. For life to have meaning, there must be a comprehensive divine plan to give it meaning, or there must be an intelligible cosmic process with a ‘telos’ that a man needs to know if his life is to be meaningfully orientated. Or, it is thought to be a condition of the meaningfulness of life, that values should be ultimately ‘conserved’ (...)
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  23.  11
    Art, Truth and the Education of Subjectivity.Ronald W. Hepburn - 1990 - Journal of Philosophy of Education 24 (2):185–198.
  24.  13
    New Books. [REVIEW]C. H. Whiteley, C. K. Grant, Alan Montefiore, Ronald W. Hepburn, H. J. Paton, P. H. Nowell-Smith, A. D. Woozley & J. A. Faris - 1959 - Mind 68 (272):556-574.
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  25.  18
    From World to God.Ronald W. Hepburn - 1963 - Mind 72 (285):40-50.
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  26.  6
    The Concept of Prayer.Ronald W. Hepburn - 1966 - Philosophical Books 7 (2):23-25.
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  27.  16
    Brady, Emily, and Jerrold Levinson, Eds. Aesthetic Concepts: Essays After Sibley.Ronald Hepburn - 2003 - Review of Metaphysics 56 (3):635-637.
  28. The Concept of the Sublime: Has It Any Relevance for Philosophy Today? In Art and Philosophy: Mutual Connections and Inspirations.Rw Hepburn - 1988 - Dialectics and Humanism 15 (1-2):137-155.
     
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  29.  11
    Emotions and Emotional Qualities: Some Attempts at Analysis.Ronald W. Hepburn - 1961 - British Journal of Aesthetics 1 (4):255-265.
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  30.  3
    The Discipline of the Cave.Ronald W. Hepburn & J. N. Findlay - 1966 - Philosophical Quarterly 17 (66):86.
    First published in 1966, The Discipline of the Cave is the first series of a course of Gifford lectures on philosophical issues.. J N Findlay’s lectures use the image of the Cave to show how familiarity is full of restrictions, and involves puzzles and discrepancies unable to be resolved or removed. Such philosophical perplexities may be a result of the misunderstanding and abuse of ordinary ways of thinking and speaking. They may also be a way of ‘drawing us towards being’, (...)
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  31.  8
    Values and Cosmic Imagination.Ronald W. Hepburn W. Hepburn - 1999 - Nordic Journal of Aesthetics 11 (19):35-51.
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  32.  6
    The Human Habitat - Aesthetic and Axiological Perspectives by Pauline von Bonsdorff.Ronald W. Hepburn - 1999 - Nordic Journal of Aesthetics 11 (19).
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  33.  2
    Critical Notice.R. W. Hepburn - 1973 - Canadian Journal of Philosophy 2 (3):403-411.
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  34.  1
    Painting and Reality.Ronald W. Hepburn & Etienne Gilson - 1957 - Philosophical Quarterly 10 (38):90.
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  35. Moral Arguments for the Existence of God.Ronald W. Hepburn - 1967 - In Paul Edwards (ed.), The Encyclopedia of Philosophy. New York: Macmillan. pp. 381--385.
     
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  36.  3
    Duty and Utility. A Study in English Moral Philosophy.Ronald W. Hepburn & Sven Wedar - 1954 - Philosophical Quarterly 4 (14):96.
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  37. Objections to Humanism.H. J. Blackham, Ronald Hepburn, Kingsley Martin & Kathleen Nott - 1965 - Philosophy 40 (153):253-253.
  38.  5
    Nature in the Light of Art.R. W. Hepburn - 1972 - Royal Institute of Philosophy Lectures 6:242-258.
    Art is without doubt a powerful agent in determining how nature appears to us. Andrew Forge describes seeing tree leaves in sunlight, and ‘thinking Pissarro’. ‘I am wrapped round by Impressionism and the leaves look like brush strokes’. To Harold Osborne, once one has been impressed by Van Gogh's painting of certain objects, ‘it is difficult ever again to see the objects uninfluenced by Van Gogh's vision of them’.
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  39.  4
    Religious Imagination.Ronald W. Hepburn - 1992 - Royal Institute of Philosophy Supplement 32:127-143.
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  40.  4
    Data and Theory in Aesthetics: Philosophical Understanding and Misunderstanding.Ronald Hepburn - 1996 - Royal Institute of Philosophy Supplement 41:235-252.
    This paper has a twofold structure: both parts concern philosophy's understanding of its data—in the area of aesthetics. The first part considers aesthetics as philosophy of art: the second part considers aesthetics as concerned also with the appreciation of nature.
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  41.  9
    Sublimity: The Non-Rational and the Irrational in the History of Aesthetics.R. Hepburn - 2007 - British Journal of Aesthetics 47 (2):217-219.
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  42. George Hakewill: The Virility of Nature.Ronald Hepburn - 1955 - Journal of the History of Ideas 16 (1/4):135.
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  43.  4
    Revelation Through Reason. By Errol E. Harris. (London: George Allen and Unwin Ltd. 1959. Pp. 123. Price 15s.).Ronald W. Hepburn - 1960 - Philosophy 35 (135):364-.
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  44.  8
    Analytic Aesthetics.Ronald Hepburn - 1990 - Philosophical Books 31 (3):187-188.
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  45.  8
    The Coherence of Theism By Richard Swinburne Oxford: Clarendon Press, 1977, 302 Pp., £9.00. [REVIEW]Ronald Hepburn - 1979 - Philosophy 54 (207):125-.
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  46.  3
    An Exchange on Disinterestedness.Arnold Berleant & Ronald Hepburn - 2003 - Contemporary Aesthetics 1.
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  47.  9
    Poetry and ‘Concrete Imagination’: Problems of Truth and Illusion.Ronald Hepburn - 1972 - British Journal of Aesthetics 12 (1):3-18.
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  48.  6
    The Paradox of Tragedy. By D. D. Raphael. The Mahlon Powell Lectures 1959. (George Allen and Unwin Ltd., London, 1960. Pp. 112. Price 16s.). [REVIEW]Ronald W. Hepburn - 1962 - Philosophy 37 (139):84-.
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  49.  3
    The Seventh Sense: Francis Hutcheson and Eighteenth-Century British Aesthetics.R. Hepburn - 2005 - British Journal of Aesthetics 45 (4):445-447.
  50.  6
    Particularity and Some Related Concepts in Aesthetics.Ronald W. Hepburn - 1958 - Proceedings of the Aristotelian Society 59 (1):189 - 212.
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