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Robin James [26]Rob James [4]R. James [3]Robin M. James [3]
Robison James [2]R. W. James [2]Robison B. James [2]Robert C. James [2]

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James Dominic Rooney, OP
Hong Kong Baptist University
Robin M. James
University of North Carolina, Charlotte
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  1. Resilience and Melancholy: Pop Music, Feminism, Neoliberalism.Robin James - 2015
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  2. Oppression, Privilege, & Aesthetics: The Use of the Aesthetic in Theories of Race, Gender, and Sexuality, and the Role of Race, Gender, and Sexuality in Philosophical Aesthetics.Robin James - 2013 - Philosophy Compass 8 (2):101-116.
    Gender, race, and sexuality are not just identities; they are also systems of social organization – i.e., systems of privilege and oppression. This article addresses two main ways privilege and oppression are relevant topics in and for philosophical aesthetics: the role of the aesthetic in privilege and oppression, and the role of philosophical aesthetics, as a discipline and a body of texts, in constructing and naturalizing relations of privilege and oppression . The first part addresses how systems of privilege and (...)
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  3. Race and the Feminized Popular in Nietzsche and Beyond.Robin James - 2013 - Hypatia 28 (4):749-766.
    I distinguish between the nineteenth- to twentieth-century (modernist) tendency to rehabilitate (white) femininity from the abject popular, and the twentieth- to twenty-first-century (postmodernist) tendency to rehabilitate the popular from abject white femininity. Careful attention to the role of nineteenth-century racial politics in Nietzsche's Gay Science shows that his work uses racial nonwhiteness to counter the supposedly deleterious effects of (white) femininity (passivity, conformity, and so on). This move—using racial nonwhiteness to rescue pop culture from white femininity—is a common twentieth- and (...)
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  4. On Intersectionality and Cultural Appropriation: The Case of Postmillennial Black Hipness.Robin James - 2011 - Journal of Black Masculinity 1 (2).
    Feminist, critical race, and postcolonial theories have established that social identities such as race and gender are mutually constitutive—i.e., that they “intersect.” I argue that “cultural appropriation” is never merely the appropriation of culture, but also of gender, sexuality, class, etc. For example, “white hipness” is the appropriation of stereotypical black masculinity by white males. Looking at recent videos from black male hip-hop artists, I develop an account of “postmillennial black hipness.” The inverse of white hipness, this practice involves the (...)
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  5. Neoliberal Noise: Attali, Foucault, & the Biopolitics of Uncool.Robin James - 2014 - Culture, Theory, and Critique 52 (2):138-158.
    Is it even possible to resist or oppose neoliberalism? I consider two responses that translate musical practices into counter-hegemonic political strategies: Jacques Attali’s theory of “composition” and the biopolitics of “uncool.” Reading Jacques Attali’s Noise through Foucault’s late work, I argue that Attali’s concept of “repetition” is best understood as a theory of neoliberal biopolitics, and his theory composition is actually a model of deregulated subjectivity. Composition is thus not an alternative to neoliberalism but its quintessence. An aesthetics and ethos (...)
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  6. From Receptivity to Transformation: On the Intersection of Race, Gender, and the Aesthetic in Contemporary Continental Philosophy.Robin James - 2010 - In Kathryn Gines, Donna-Dale Marcano & Maria Davidson (eds.), Convergences: Black Feminism and Continental Philosophy.
  7. Feminist Aesthetics, Popular Music, and the Politics of the 'Mainstream'.Robin James - 2011 - In L. Ryan Musgrave (ed.), Feminist Aesthetics and Philosophy of Art. Springer.
    While feminist aestheticians have long interrogated gendered, raced, and classed hierarchies in the arts, feminist philosophers still don’t talk much about popular music. Even though Angela Davis and bell hooks have seriously engaged popular music, they are often situated on the margins of philosophy. It is my contention that feminist aesthetics has a lot to offer to the study of popular music, and the case of popular music points feminist aesthetics to some of its own limitations and unasked questions. This (...)
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  8. Process Philosophy and Christian Thought.Delwin Brown, Ralph E. James & Gene Reeves - 1971 - Religious Studies 9 (1):97-98.
     
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  9. Incandescence, Melancholy, and Feminist Bad Vibes.Robin James - forthcoming - Differences 25 (2).
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  10. From "No Future" to "Delete Yourself ".Robin James - 2013 - Journal of Popular Music Studies 25 (4).
    Beginning with the role of the Sex Pistols’s “God Save the Queen” in Lee Edelman and J. Jack Halberstam’s debates about queer death and failure, I follow a musical motive from the Pistols track to its reappearance in Atari Teenage Riot’s 1995 “Delete Yourself .” In this song, as in much of ATR’s work from the 1990s, overlapping queer and Afro-diasporic aesthetics condense around the idea of death or “bare life.” ATR’s musical strategies treat this death as a form of (...)
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  11. Affective Resonance: On the Uses and Abuses of Music in and for Philosophy.Robin James - 2012 - PhaenEx 7 (2):59-95.
    Because music communicates extra-propositionally, philosophers often use musical concepts and metaphors to discuss implicit and/or affective knowledges. Music is a productive means to philosophically analyze affect, but only when these analyses are grounded in rigorous studies of actual musical works and practices. When we don’t ground our study of music in musical practices, works, and theories, “music” just becomes a mirror of whatever assumptions and biases we already have. I show how the overly-abstract treatment of music and sound in Jean-Luc (...)
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  12. Deconstruction, Fetishism, and the Racial Contract: On the Politics of "Faking It" in Music.Robin M. James - 2007 - CR 7 (1):45-80.
    I read Sara Kofman's work on Nietzsche, Charles Mills' _The Racial Contract_, and Kodwo Eshun's Afrofuturist musicology to argue that most condemnations of "faking it" in music rest on a racially and sexually problematic fetishization of "the real.".
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  13.  8
    Affective Resonance: On the Uses and Abuses of Music In and For Philosophy.Robin James - 2012 - Phaenex: Journal of Existential and Phenomenological Theory and Culture 7 (2).
    Because music communicates extra-propositionally, philosophers often use musical concepts and metaphors to discuss implicit and/or affective knowledges. Music is a productive means to philosophically analyze affect, but only when these analyses are grounded in rigorous studies of actual musical works and practices. When we don’t ground our study of music in musical practices, works, and theories, “music” just becomes a mirror of whatever assumptions and biases we already have. I show how the overly-abstract treatment of music and sound in Jean-Luc (...)
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  14.  2
    Feminism and the Politics of Resilience: Essays on Gender, Media, and the End of Welfare Angela McRobbie Cambridge, UK: Polity Press, 2020.Robin James - forthcoming - Hypatia:1-4.
  15. In but Not of, of but Not In: On Taste, Hipness, and White Embodiment.Robin James - 2009 - Contemporary Aesthetics.
    The status of the body figures paradoxically in the interrelated discourses of whiteness, aesthetic taste, and hipness. While Richard Dyer’s analysis of whiteness argues that white identity is “in but not of the body,” Carolyn Korsmeyer’s and Julia Kristeva’s feminist analyses of aesthetic “taste” demonstrate that this faculty is traditionally conceived as something “of” but not “in” the body. While taste directly distances whiteness from embodiment, hipness negatively affirms this same distance: the hipster proves his elite status within white culture (...)
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  16.  14
    Diaectic of Pop.Robin James - forthcoming - Journal of Aesthetics and Art Criticism.
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  17.  15
    The Conjectural Body: Gender, Race, and the Philosophy of Music.Robin James - 2010 - Lexington Books.
    The Conjectural Body combines continental philosophy with musicology, popular music studies, and feminist, critical race, and postcolonial theories to offer a unique perspective on issues of gender, race, and the philosophy of music. It is one of the few books in philosophy to take popular music seriously, and is one of the few books in continental feminism to privilege music over the visual.
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  18.  74
    Autonomy, Universality, and Playing the Guitar: On the Politics and Aesthetics of Contemporary Feminist Deployments of the “Master's Tools”.Robin M. James - 2009 - Hypatia 24 (2):77-100.
    Some feminists have argued that the “master's tools” cannot be utilized for feminist projects. When read through the lens of non-ideal theory, Judith Butler's reevaluation of “autonomy” and “universality” and Peaches's engagement with guitar rock are instances in which implements of patriarchy are productively repurposed for feminist ends. These examples evince two criteria whereby one can judge the success of such an attempt: first, accessibility and efficacy; second, that the use is deconstructive of its own conditions.
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  19. "These.Are.The Breaks": Rethinking "Disagreement" Through Hip Hop.Robin James - 2011 - Transformations 19.
    In this paper, I argue that it is productive to read Rancière’s theory of political practice – what he calls “disagreement” – with and against Kodwo Eshun’s theorization of hip hop. Thinking disagreement through hip hop helps flesh out how, exactly, disagreement works, particularly at the level of individual embodiment and consciousness. While Rancière himself gives us many examples of interruptions to the political body , I am interested in examining how these interruptions work in, on, and through individual bodies. (...)
     
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  20.  31
    Philosophies or Phonographies? On the Political Stakes of Theorizing About and Through "Music".Robin James - 2018 - Journal of Speculative Philosophy 32 (3):499-513.
    Traditionally, in Anglo-American and Continental philosophy, music is addressed as the object of philosophical analysis: it is either a case study for developing broader, generalizable ideas about ontology, metaphysics, or ethics, or it is the thing that we apply philosophical methods and concepts to.1 It is the philosophy of music, remember. But in the last several decades philosophers in these traditions have increasingly taken “music” as a model for philosophical analysis: There is a branch of Deleuze studies dedicated to this; (...)
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  21.  89
    On Popular Music in Postcolonial Theory.Robin James - 2005 - Philosophia Africana 8 (2):171-187.
  22.  73
    Gender and Aesthetics.Robin M. James - 2005 - Teaching Philosophy 28 (2):198-200.
  23.  37
    Ls Whitehead’s ‘Actual Entity’ a Contradiction in Terms?Robinson B. James - 1972 - Process Studies 2 (2):112-125.
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  24.  48
    The Musical Semiotic.Robin James - 2002 - Philosophy Today 46 (5):113-119.
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  25.  19
    The Gender Politics of Music and the Ineffable: On the Feminine in Jankelevitch and Levinas.Robin James - 2018 - Journal of Aesthetics and Phenomenology 5 (2):99-118.
    ABSTRACTTranslated into English in 2004, Vladimir Jankelevitch’s book Music and the Ineffable has made a significant impact in anglophone musicology. I argue that the figure of the feminine is central to his understanding of music and musical ineffability, and use feminist philosophers’ interpretations and critiques of the figure of the feminine in his close friend and colleague Emmanuel Levinas’s work to unpack the gender politics of Jankelevitch’s book and the secondary literature on it. I focus on the figure of the (...)
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  26.  30
    Hierarchical Predictive Coding in Frontotemporal Networks with Pacemaker Expectancies: Evidence From Dynamic Causal Modelling of Magnetoencephalography.Phillips Holly, Blenkmann Alejandro, Hughes Laura, Bekinschtein Tristan & Rowe James - 2015 - Frontiers in Human Neuroscience 9.
  27.  63
    White Self-Criticality Beyond Anti-Racism: How Does It Feel to Be a White Problem?Rebecca Aanerud, Barbara Applebaum, Alison Bailey, Steve Garner, Robin James, Crista Lebens, Steve Martinot, Nancy McHugh, Bridget M. Newell, David S. Owen, Alexis Sartwell & Karen Teel - 2014 - Lexington Books.
    George Yancy gathers white scholarship that dwells on the experience of whiteness as a problem without sidestepping the question’s implications for Black people or people of color. This unprecedented reversion of the “Black problem” narrative challenges contemporary rhetoric of a color-evasive world in a critically engaging and persuasive study.
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  28. Analytical Report on Papers Delivered in Two Tillich Meetings, Montréal, Canada, November 6 – 9, 2009.Loye Ashton, Marcia Maclennan, Ronald Maclennan, Charles Fox & Rob James - 2011 - Unknown_international Yearbook for Tillich Research 6 (1):409-424.
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  29. Karl R. Popper, The World of Parmenides.R. James - 1999 - Journal of Consciousness Studies 6 (5):91-91.
     
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  30.  1
    The Yoga Revolution: Bridging the Gap Between Spiritualism and Materialism.Rohan James - 2012 - Global Publishing Group.
    The #1 guide to finding inner peace and outer success. In this ground breaking book, International Yoga Instructor Rohan James has catapulted the practice of Yoga into the 21st century. We live in a fast paced material world but this need not detract from you achieving inner peace nor should following a spiritual practice hinder you in being successful in the world. You can have it all!
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  31. The North American Paul Tillich Society.Robison James & Michael Drummy - 2002 - Bulletin for the North American Paul Tillich Society 38 (1).
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  32.  27
    Two Georgian Fathers: Diverse in Experience, United in Grief.R. M. James & A. N. Williams - 2008 - Medical Humanities 34 (2):70-79.
    The history of paediatrics and child health is increasingly recognised to be about children themselves and how they and their families cope and adapt to their medical condition rather than about medical practitioners and august institutions. This article considers two case studies, showing how two Georgian fathers cared for their children when sickness struck and their reactions when the children died. Davies (Giddy) Gilbert, FRS (1767–1840), was a member of Parliament first for Helston and later for Bodmin. (He married Ann (...)
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  33. Deliberation and Economic Valuation: National Park Management.Rosemary F. James & Russell K. Blamey - 2005 - In Michael Getzner, Clive L. Spash & Sigrid Stagl (eds.), Alternatives for Environmental Valuation. Routledge. pp. 225--243.
     
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  34. Did Cain Fail to Represent the Thoughts of Abel Before He Killed Him.R. James & R. Blair - 2003 - In B. Repacholi & V. Slaughter (eds.), Individual Differences in Theory of Mind: Implications for Typical and Atypical Development. Hove, E. Sussex: Psychology Press. pp. 143--170.
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  35.  19
    Ewa Płonowska Ziarek. Feminist Aesthetics and the Politics of Modernism. [REVIEW]Robin James - 2014 - philoSOPHIA: A Journal of Continental Feminism 4 (2):244-249.
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  36.  1
    Wind Turbine Infra and Low-Frequency Sound: Warning Signs That Were Not Heard.Richard R. James - 2012 - Bulletin of Science, Technology and Society 32 (2):108-127.
    Industrial wind turbines are frequently thought of as benign. However, the literature is reporting adverse health effects associated with the implementation of industrial-scale wind developments. This article explores the historical evidence about what was known regarding infra and low-frequency sound from wind turbines and other noise sources during the period from the 1970s through the end of the 1990s. This exploration has been accomplished through references, personal interviews and communications, and other available documentation. The application of past knowledge could improve (...)
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  37.  21
    Academic Freedom: History Trumps Questionnaire.R. Flynn James - 2006 - Behavioral and Brain Sciences 29 (6):575-576.
    The fact that a right is unlikely to be exercised by most members of a group does not mean it has lost its social and justice-defending utility. Current attitudes can be revealed by a questionnaire, but the value of a tradition must be assessed in the light of history. Historically, academic freedom and tenure are inseparable and mutually reinforcing. (Published Online February 8 2007).
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  38.  5
    Gayraud Agnès, Diaectic of Pop, Urbanomic/Mono Series (MIT Press, 2020), 456 Pp., $29.95. [REVIEW]Robin James - 2021 - Journal of Aesthetics and Art Criticism 79 (1):120-124.
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  39.  17
    The Behaviour of the F Region of the Ionosphere Over Grahamstown During the Partial Solar Eclipse of 14th January 1945.J. A. Gledhill, M. E. Szendrei & R. W. James - 1947 - Transactions of the Royal Society of South Africa 31 (3):315-323.
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  40.  5
    On Popular Music in Postcolonial Theory.Robin James - 2005 - African Philosophy 8 (2):171-187.
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  41.  17
    La rencontre interreligieuse d'après Paul Tillich : Pour une nouvelle conception de l'exclusivisme, de l'inclusivisme et du pluralisme.Robison B. James - 2002 - Laval Théologique et Philosophique 58 (1):43-64.
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  42.  4
    Sonic Cyberfeminisms, Perceptual Coding and Phonographic Compression.Robin James - 2021 - Feminist Review 127 (1):20-34.
    I argue that sound-centric scholarship can be of use to feminist theorists if and only if it begins from a non-ideal theory of sound; this article develops such a theory. To do this, I first develop more fully my claim that perceptual coding was a good metaphor for the ways that neoliberal market logics produce relations of domination and subordination, such as white supremacist patriarchy. Because it was developed to facilitate the enclosure of the audio bandwidth, perceptual coding is especially (...)
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  43.  13
    Utilizing a Social Ethic Toward the Environment in Assessing Genetically Engineered Insect-Resistance in Trees.R. R. James - 1997 - Agriculture and Human Values 14 (3):237-249.
    Social policies are used to regulate how members of a society interact and share resources. If we expand our sense of community to include the ecosystem of which we are a part, we begin to develop an ethical obligation to this broader community. This ethic recognizes that the environment has intrinsic value, and each of us, as members of society, are ethically bound to preserve its sustainability. In assessing the environmental risks of new agricultural methods and technologies, society should not (...)
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  44.  11
    Transmission Electron Microscopy Study of Phase Compatibility in Low Hysteresis Shape Memory Alloys.Rémi Delville, Sakthivel Kasinathan, Zhiyong Zhang, Jan Van Humbeeck, Richard D. James & Dominique Schryvers - 2010 - Philosophical Magazine 90 (1-4):177-195.
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  45. La rencontre interreligieuse d'après Paul Tillich. Pour une nouvelle conception de l'exclusivisme, de l'inclusivisme et du pluralisme: Théologies du pluralisme religieux.Robison B. James - 2002 - Laval Théologique et Philosophique 58 (1):43-64.
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  46.  13
    Analytical Report on Papers Delivered in Two Tillich Meetings, Montréal, Canada, November 6 – 9, 2009.Rob James, Charles Fox, Ronald Maclennan, Marcia Maclennan & Loye Ashton - 2011 - International Yearbook for Tillich Research 6 (1):409-424.
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  47.  11
    What is Orthopaedic Triage? A Systematic Review.Joanne H. Morris, Rebecca E. James, Rachel Davey & Gordon Waddington - 2015 - Journal of Evaluation in Clinical Practice 21 (1):128-136.
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  48.  8
    A History of Rendcomb College.H. C. Barnard, C. H. C. Osborne, J. C. James & R. L. James - 1978 - British Journal of Educational Studies 26 (1):104.
  49.  10
    Irony and Comedy in Empiricists' Efforts to Understand Paul Tillich's Theory of Religious Symbolism.Robison James - 1993 - Semiotics:160-168.
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    Analytical Report on Papers Delivered in Two Tillich Meetings in Atlanta, Georgia, 29-30 October 2010.Rob James, Loye Ashton, Charles Fox, Ronald Maclennan & John Starkey - 2012 - International Yearbook for Tillich Research 7 (1).
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