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  1.  10
    Spartan History and Archaeology.R. M. Cook - 1962 - Classical Quarterly 12 (01):156-.
    ARCHAEOLOGYTHE Classical Spartans were noted for their austerity, which seemed already ancient to writers of the fifth century B.C. The early poetry and art of their country show a considerable aesthetic sense. This apparent contradiction has caused some students to conclude that the strict Lycurgan regimen was not introduced till the middle or even the end of the sixth century and that before that date Sparta had culturally been developing in much the same way as other important Greek states. The (...)
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  2.  11
    Spartan History and Archaeology.R. M. Cook - 1918 - Classical Quarterly 12 (1):156-158.
    ARCHAEOLOGYTHE Classical Spartans were noted for their austerity, which seemed already ancient to writers of the fifth century B.C. The early poetry and art of their country show a considerable aesthetic sense. This apparent contradiction has caused some students to conclude that the strict Lycurgan regimen was not introduced till the middle or even the end of the sixth century and that before that date Sparta had culturally been developing in much the same way as other important Greek states. The (...)
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  3.  31
    The Date of the Hesiodic Shield.R. M. Cook - 1937 - Classical Quarterly 31 (3-4):204-.
    In attempting to date the Shield several complementary methods are possible. Roughly these may be classed as literary, historical and archaeological. The literary method indicates that the Shield comes late in the Hesiodic corpus: in particular the use of the F is careful. The historical method suggests a preciser upper limit. Wilamowitz believed that the point of lines 393–401, which give the season in which the combat between Herakles and Kyknos took place, can only be that a commemorative festival was (...)
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  4.  27
    Amazons.R. M. Cook - 1958 - The Classical Review 8 (3-4):272-.
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  5.  15
    A. D. Trendall: South Italian Vase Painting. Pp. 32; 20 plates (4 in colour), 2 figs. London: British Museum, 1966. Stiff paper, 5 s.R. M. Cook - 1967 - The Classical Review 17 (1):117-117.
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  6.  20
    A Greek Colony in Sicily.R. M. Cook - 1966 - The Classical Review 16 (01):108-.
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  7.  26
    Adolf Greifenhagen: Griechische Eroten. Pp. 89; 54 figs. Berlin: de Gruyter, 1957. Cloth, DM. 14.R. M. Cook - 1958 - The Classical Review 8 (3-4):300-.
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  8.  31
    Ancient Italy.R. M. Cook & J. M. C. Toynbee - 1957 - The Classical Review 7 (01):66-.
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  9.  36
    Arthur Lane: Greek Pottery. Second edition. Pp. xv + 64; 100 plates, 4 in colour. London: Faber, 1963. Cloth, 45 s. net.R. M. Cook - 1965 - The Classical Review 15 (1):132-132.
  10.  19
    Aesthetics Made Easy.R. M. Cook - 1965 - The Classical Review 15 (01):100-.
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  11.  26
    Aspects of Greek Death.R. M. Cook - 1974 - The Classical Review 24 (01):109-.
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  12.  28
    Ancient Painting.R. M. Cook & J. M. C. Toynbee - 1955 - The Classical Review 5 (01):86-.
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  13.  21
    A View of Early Greece.R. M. Cook - 1963 - The Classical Review 13 (01):95-.
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  14.  26
    Cretan Pottery.R. M. Cook - 1958 - The Classical Review 8 (3-4):271-.
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  15.  20
    Carpenter's Rule.R. M. Cook - 1962 - The Classical Review 12 (03):287-.
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  16.  20
    Festschrift für Max Wegner. Pp. iv+168; 48 plates. Münister: Aschendorff, 1962. Cloth, DM. 29.50 (paper, DM. 28).R. M. Cook - 1963 - The Classical Review 13 (03):357-.
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  17.  16
    Festschrift für Max Wegner. Pp. iv+168; 48 plates. Münister: Aschendorff, 1962. Cloth, DM. 29.50.R. M. Cook - 1963 - The Classical Review 13 (3):357-357.
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  18.  15
    Greek Art in New York.R. M. Cook - 1955 - The Classical Review 5 (3-4):309-.
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  19.  35
    Greek Rhapsodes in Etruria? - Roland Hampe, Erika Simon: Griechische Sagen in der frühen Etruskischen Kunst. Pp. xii + 71; 30 plates, 12 figs. Mainz: von Zabern, 1964. Cloth, DM. 48.R. M. Cook - 1965 - The Classical Review 15 (01):97-.
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  20.  23
    Greek Sculpture.R. M. Cook - 1953 - The Classical Review 3 (3-4):190-.
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  21.  33
    Gloria S. Merker: The Hellenistic Sculpture of Rhodes. (Studies in Mediterranean Archaeology, xl.) Pp. 34; 34 plates. Gothenburg: Paul Astrom, 1973. Paper, Kr.50.R. M. Cook - 1975 - The Classical Review 25 (2):327-327.
  22.  24
    Hellenistic Art.R. M. Cook - 1975 - The Classical Review 25 (02):295-.
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  23.  33
    Hommages à Albert Grenier. (Collection Latomus, lviii.) 3 vols. Pp. xiv+1665; 338 plates. Brussels: Latomus, 1962. Paper, 3,000 B.fr.R. M. Cook - 1963 - The Classical Review 13 (3):357-357.
  24.  29
    Heide Froning: Dithyrambos und Vasenmalerei in Athen. (Beiträge zur Archäologie, 2.) Pp. v + 130; 16 plates. Würzburg: Triltsch, 1971. Stiff paper.R. M. Cook - 1974 - The Classical Review 24 (2):309-309.
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  25.  24
    Heinrich Neumayer: Greek Vase-Painting. Pp. 15; 20 coloured plates. London: Methuen, 1967. Boards, 8 s_. 6 _d. net.R. M. Cook - 1968 - The Classical Review 18 (02):246-247.
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  26.  19
    Hellenistic Sculpture.R. M. Cook - 1956 - The Classical Review 6 (3-4):275-.
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  27.  44
    Isabelle K. Raubitschek: The Hearst Hillsborough Vases. Pp. 97; 109 figs. Mainz: von Zabern, 1969. Cloth, DM. 56.R. M. Cook - 1972 - The Classical Review 22 (01):140-.
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  28.  23
    Isabelle K. Raubitschek: The Hearst Hillsborough Vases. Pp. 97; 109 figs. Mainz: von Zabern, 1969. Cloth, DM. 56.R. M. Cook - 1972 - The Classical Review 22 (1):140-140.
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  29.  25
    Klaus P. Stähler: Grab und Psyche des Patroklos. Pp. 76; 4 plates, 13 figs. Munster, 1967 . Stiff paper, DM.9.R. M. Cook - 1968 - The Classical Review 18 (3):357-357.
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  30.  24
    Luigi Polacco: L'Atleta Cirene-Perinto. Pp. 47; 23 plates. Rome: Bretschneider, 1955. Cloth, L. 6,000.R. M. Cook - 1957 - The Classical Review 7 (01):86-.
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  31.  22
    Ludwig Pallat: Richard Schöne. Pp. xii+418; 31 plates. Berlin: de Gruyter, 1959. Cloth, DM. 32.R. M. Cook - 1961 - The Classical Review 11 (01):91-.
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  32.  22
    ‘Make Your Own Greek Vase’ - Joseph Veach Noble: The Techniques of Painted Attic Pottery. Pp. xvi+121; 96 plates. London: Faber, 1966. Cloth, £6. 6s. net.R. M. Cook - 1966 - The Classical Review 16 (03):397-.
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  33.  27
    Notes on the Homeric Epigram to the Potters.R. M. Cook - 1948 - The Classical Review 62 (02):55-57.
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  34.  13
    Opuscula Atheniensia, ix. (Skr. utg. av Svenska Institutet i Athen, 4°, xv.) Pp. 159; 163 figs. Lund: Gleerup, 1969. Paper, Kr.85.R. M. Cook - 1971 - The Classical Review 21 (3):464-464.
  35.  9
    Opuscula Atheniensia, vii. . Pp. 194; 22 plates, 26 figs. Lund: Gleerup, 1967. Paper, kr. 100.R. M. Cook - 1968 - The Classical Review 18 (2):250-250.
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  36.  46
    Opuscula Atheniensia, viii. (Skr. utg. av Svenska Institutet i Athen, 4°, xiv.) Pp. 217; 82 figs. Lund: Gleerup, 1968. Paper, Kr. 100.R. M. Cook - 1970 - The Classical Review 20 (1):109-109.
  37.  36
    Opuscula Atheniensia, x. (Skrifter utgivna av Svenska Institutet i Athen, 4°, xviii.) Pp. vi+90; 101 figs. Stockholm: Svenska Institutet i Athen, 1971. Stiff paper, Sw.kr.75.R. M. Cook - 1974 - The Classical Review 24 (1):160-160.
  38.  25
    Pierre Roussel: Sparte. 2 e édition. Pp. 165; 24 plates, 1 map. Paris: de Boccard, 1960. Cloth, 24 fr.R. M. Cook - 1961 - The Classical Review 11 (03):308-.
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  39.  32
    SirJohn Beazley: The Berlin Painter. (Australian Humanities Research Council, Occasional Papers, No. 6.) Pp. 15; 10 plates. Melbourne: University Press (London: Cambridge University Press), 1964. Paper, 10 s. net.R. M. Cook - 1966 - The Classical Review 16 (1):126-126.
  40.  7
    Spartan History and Archaeology1.R. M. Cook - 1962 - Classical Quarterly 12 (1-2):156-158.
    ARCHAEOLOGYTHE Classical Spartans were noted for their austerity, which seemed already ancient to writers of the fifth century B.C. The early poetry and art of their country show a considerable aesthetic sense. This apparent contradiction has caused some students to conclude that the strict Lycurgan regimen was not introduced till the middle or even the end of the sixth century and that before that date Sparta had culturally been developing in much the same way as other important Greek states. The (...)
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  41.  20
    Sermons in Stones.R. M. Cook - 1964 - The Classical Review 14 (01):92-.
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  42.  22
    Semni Karouzou: The Amasis Painter. Pp. xii + 46; 44 plates. Oxford: Clarendon Press, 1956. Cloth, 75 s. net.R. M. Cook - 1957 - The Classical Review 7 (3-4):271-272.
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  43.  32
    Studien zur griechischen Vasenmalerei. (Antike Kunst, Beiheft 7.) Pp. 68; 30 plates, 8 figs. Bern: Francke, 1970. Boards, 58 Sw. fr.R. M. Cook - 1972 - The Classical Review 22 (2):291-291.
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  44.  17
    The Archaic Greeks - A. R. Burn: The Lyric Age of Greece. Pp. xvi+422; 6 sketch-maps. London: Arnold, 1960. Cloth, 42 s. net.R. M. Cook - 1961 - The Classical Review 11 (03):259-.
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  45.  23
    Tyranny and its Causes.R. M. Cook - 1957 - The Classical Review 7 (02):141-.
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  46.  14
    The Date of the Hesiodic Shield.R. M. Cook - 1937 - Classical Quarterly 31 (3-4):204-214.
    In attempting to date the Shield several complementary methods are possible. Roughly these may be classed as literary, historical and archaeological. The literary method indicates that the Shield comes late in the Hesiodic corpus: in particular the use of the F is careful. The historical method suggests a preciser upper limit. Wilamowitz believed that the point of lines 393–401, which give the season in which the combat between Herakles and Kyknos took place, can only be that a commemorative festival was (...)
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  47.  15
    The Homeric Epigram to the Potters.R. M. Cook - 1951 - The Classical Review 1 (01):9-.
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  48.  8
    The Homeric Epigram to the Potters.R. M. Cook - 1951 - The Classical Review 1 (1):9-9.
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  49.  18
    The Last of the Battleships.R. M. Cook - 1963 - The Classical Review 13 (01):105-.
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  50.  59
    G. Roger Edwards: Corinth VII.3: Corinthian Hellenistic Pottery. Pp. xviii + 254; 86 plates. Princeton, N.J.: American School of Classical Studies, 1975. Cloth, $35. [REVIEW]R. M. Cook - 1977 - The Classical Review 27 (2):306-306.
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