My dissertation is a study of the relationships among aesthetics, ethics and politics in the philosophy of Ludwig Wittgenstein. In this project I use primary texts, records of conversations, and correspondence to describe Wittgenstein's "moral perfectionism." I then consider what place there might be for political action within his conception of the good life. The aim of the dissertation is twofold. First, it is an analysis of Wittgenstein's ethical thought and the continuity it provides between his early and later work. (...) I begin with Wittgenstein's claim that "Ethics and aesthetics are one," and then I trace the development of his views on ethics through the middle and later periods of his work. Second, the study of Wittgenstein's ethical views is an occasion for the study of the relationships among aesthetics, ethics, and politics. I argue that Wittgenstein's views on ethics and ethical language suggests a "politics of health". I read Wittgenstein as a critic of modernity whose work suggests both that our future political endeavors should be detached from questions of certainty, and that we should return to the Aristotelian model of allowing the good person to stand as a moral and political exemplar without epistemic or scientific justification. (shrink)

A systematic philosophy that presupposes an ecocentric world view, rather than a homocentric or egocentric world view, can be a viable resource for investigating issues in environmental philosophy and conservation ethics. Generally speaking, the Japanese philosophical and religious tradition represents a commitment to ecocentrism. This philosophical orientation is in concert with the world view of manynaturalists. We explore one example of ecocentrism by unveiling the crosscultural connection between the naturalistic philosophy of Louis Agassiz, a nineteenth-century French-American biologist, and the early (...) writings of Nishida Kitarō, a twentieth-century Japanese philosopher. We suggest that the central player in understanding the ecocentric connection between Agassiz and Nishida is American philosopher-psychologist William James. James was once a student of Agassiz and his writings influenced Nishida's early work. Related issues concerning conservation ethics and the Japanese intellectual tradition are also addressed. (shrink)

This work is a concise study of the central concepts in Wittgenstein's later philosophy of psychology. Schulte uses Wittgenstein's manuscripts from 1945-49 to illuminate central arguments and ideas more accessible through these manuscripts than through the published texts. Specifically Schulte is concerned with manuscripts 130-8 which deal with the logic of psychological concepts, the concepts of thinking, understanding, sensation, and perception, as well as with philosophical method, philosophical argumentation, and an analysis of conditional statements. Also included in the manuscripts are (...) remarks on aesthetics and ethics. Schulte's book clarifies Wittgenstein's thoughts on these subjects and connects these developments in his thinking to his work in the late 1940s. Experience and Expression includes discussion of language games, the classifications of psychological concepts, expression, experience, objects of vision, memory, and emotion, as well as belief, supposition and assertion. (shrink)

In this excellent introductory study, Schulte provides a clear, concise account of Wittgenstein's life and works. Schulte captures the flavor of Wittgenstein's life: the passion and intensity, as well as the desire for solitude and loneliness which inform his writings. The first chapter presents a sensitive and thoughtful picture of Wittgenstein as a man who loved to make things. We suffer with Wittgenstein as he lives to see the suicides of three of his four brothers and contemplates suicide himself, and (...) we feel gladdened when an uncle persuades Wittgenstein to choose a creative endeavor--the writing of his first book. Schulte portrays Wittgenstein in search of the "decent" life. His book is to be commended for introducing us to the Wittgenstein whose forceful personality so markedly colors his work. (shrink)