38 found
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  1.  20
    Toward a Psychology of ArtThe Performance of MusicArt and Morality.Eddy Zemach, Rudolf Arnheim, David Barnett & R. W. Beardsmore - 1973 - Journal of Aesthetics and Art Criticism 31 (3):421.
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  2. The Limits of Imagination.R. W. Beardsmore - 1980 - British Journal of Aesthetics 20 (2):99-114.
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  3.  40
    The Theory of Family Resemblances.R. W. Beardsmore - 1992 - Philosophical Investigations 15 (2):131-146.
  4.  9
    Art and Morality.Richard Peltz & R. W. Beardsmore - 1973 - Journal of Aesthetic Education 7 (2):111.
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  5.  6
    Moral Reasoning.R. W. BEARDSMORE - 1969 - New York: Schocken Books.
  6. Consequences and Moral Worth.R. W. Beardsmore - 1969 - Analysis 29 (6):177 - 186.
  7.  25
    Art and Family Resemblances.R. W. Beardsmore - 1995 - Philosophical Investigations 18 (3):199-215.
  8.  61
    Book Reviews. [REVIEW]R. W. Beardsmore - 1985 - British Journal of Aesthetics 25 (1):81-83.
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  9. Autobiography and the Brain: Mary Warnock on Memory.R. W. Beardsmore - 1989 - British Journal of Aesthetics 29 (3):261-269.
  10.  11
    Art and Morality.M. R. Haight & R. W. Beardsmore - 1973 - Philosophical Quarterly 23 (91):187.
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  11.  89
    Book Reviews. [REVIEW]R. W. Beardsmore - 1980 - British Journal of Aesthetics 20 (2):81-83.
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  12.  63
    Book Reviews. [REVIEW]R. W. Beardsmore - 1982 - British Journal of Aesthetics 22 (2):81-83.
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  13.  16
    Literary Examples and Philosophical Confusion.R. W. Beardsmore - 1983 - Royal Institute of Philosophy Lectures 16:59-73.
    It is by no means unusual in works of philosophy for writers to make use of examples from literature or to bemoan the lack of literary examples in the work of other philosophers. Nor is it unusual for philosophers to write substantial tomes without ever mentioning any work of literature or to condemn the use of literary examples as a threat to clarity of thought. This contradiction in practice and principle might lead us to suspect that what we are here (...)
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  14.  69
    Two Trends in Contemporary Aesthetics.R. W. Beardsmore - 1973 - British Journal of Aesthetics 13 (4):346-366.
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  15.  3
    Moral Reasoning.Paul D. Eisenberg & R. W. Beardsmore - 1971 - Philosophical Review 80 (3):400.
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  16.  34
    John Dewey’s Theory of Art, Experience and Nature: The Horizons of Feeling.R. W. Beardsmore - 1992 - Idealistic Studies 22 (3):220-221.
    Alexander’s book has what may at first appera to be the fairly limited aim of defending Dewey’s aesthetics against a well-know charge made by Stephen Pepper and Benedetto Croce when Art and Experience was first published. Dewey, they suggested, had produced what purported to be a pragmatist theory of art. But since his theory retained many of the central tenets of idealism, the result was simply inconsistency.
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  17.  42
    Common-Sense Morality and Consequentialism.R. W. Beardsmore - 1986 - Philosophical Books 27 (2):116-118.
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  18.  14
    Learning From a Novel: R. W. Beardsmore.R. W. Beardsmore - 1972 - Royal Institute of Philosophy Supplement 6:23-46.
    There is always a danger in philosophy, that what is intended initially as simply one explanation of some form of activity, should come to be regarded as the only possible form of explanation. Nor does this danger seem to be diminished where a philosopher's aim is itself that of attacking limited notions of what is possible as an explanation. This is one, though not the only, reason why it is often the case that what at first appears as a revolutionary (...)
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  19.  9
    Literary Examples and Philosophical Confusion: R. W. Beardsmore.R. W. Beardsmore - 1983 - Royal Institute of Philosophy Supplement 16:59-73.
    It is by no means unusual in works of philosophy for writers to make use of examples from literature or to bemoan the lack of literary examples in the work of other philosophers. Nor is it unusual for philosophers to write substantial tomes without ever mentioning any work of literature or to condemn the use of literary examples as a threat to clarity of thought. This contradiction in practice and principle might lead us to suspect that what we are here (...)
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  20.  35
    Book-Reviews.R. W. Beardsmore - 1988 - British Journal of Aesthetics 28 (1):81-83.
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  21.  30
    Wittgenstein on Tolstoi's What is Art?R. W. Beardsmore - 1991 - Philosophical Investigations 14 (3):187-204.
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  22. The Censorship of Works of Art.R. W. Beardsmore - 1983 - In Peter Lamarque (ed.), Philosophy and Fiction: Essays in Literary Aesthetics. Aberdeen University Press.
     
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  23.  17
    Learning From a Novel.R. W. Beardsmore - 1972 - Royal Institute of Philosophy Lectures 6:23-46.
  24.  7
    No Title Available: New Books. [REVIEW]R. W. Beardsmore - 1980 - Philosophy 55 (211):130-132.
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  25. Art and Morality.R. W. Beardsmore - 1974 - Mind 83 (330):310-311.
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  26. Morality and Purpose.J. L. Stocks & R. W. Beardsmore - 1972 - Religious Studies 8 (1):82-85.
     
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  27.  15
    Wittgenstein and Knowledge: The Importance of 'On Certainty' By Thomas Morawetz University of Massachusetts Press, 1978, 159 Pp., $10.00. [REVIEW]R. W. Beardsmore - 1980 - Philosophy 55 (211):130-.
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  28.  6
    No Title Available: New Books. [REVIEW]R. W. Beardsmore - 1983 - Philosophy 58 (224):271-272.
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  29.  3
    John Dewey’s Theory of Art, Experience and Nature: The Horizons of Feeling. [REVIEW]R. W. Beardsmore - 1992 - Idealistic Studies 22 (3):220-221.
    Alexander’s book has what may at first appera to be the fairly limited aim of defending Dewey’s aesthetics against a well-know charge made by Stephen Pepper and Benedetto Croce when Art and Experience was first published. Dewey, they suggested, had produced what purported to be a pragmatist theory of art. But since his theory retained many of the central tenets of idealism, the result was simply inconsistency.
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  30.  9
    The Architecture of Experience: The Role of Language and Literature in the Construction of the World By G. D. Martin Edinburgh University Press, 1981, Vi+201 Pp., £12.00. [REVIEW]R. W. Beardsmore - 1983 - Philosophy 58 (224):271-.
  31. "Art, An Enemy of the People": Roger L. Taylor. [REVIEW]R. W. Beardsmore - 1980 - British Journal of Aesthetics 20 (2):182.
     
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  32. Consequences and moral worth.R. W. Beardsmore - 1969 - Erkenntnis 29 (6):177.
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  33. "Culture and Value": Ludwig Wittgenstein. [REVIEW]R. W. Beardsmore - 1982 - British Journal of Aesthetics 22 (2):172.
     
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  34. MARTIN, G. D. The Architecture of Experience: The Role of Language and Literature in the Construction of the World. [REVIEW]R. W. Beardsmore - 1983 - Philosophy 58:271.
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  35. MORAWETZ, THOMAS "Wittgenstein and Knowledge: The Importance of" On Certainty. [REVIEW]R. W. Beardsmore - 1980 - Philosophy 55:130.
     
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  36. "The Object of Literary Criticism": Richard Shusterman. [REVIEW]R. W. Beardsmore - 1985 - British Journal of Aesthetics 25 (1):86.
     
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  37. "The Reasons of Art: Artworks and Transformations of Philosophy": Edited by Peter J. McCormick. [REVIEW]R. W. Beardsmore - 1988 - British Journal of Aesthetics 28 (1):81.
     
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  38. "Tolstoy's 'What Is Art?"': T. J. Diffey. [REVIEW]R. W. Beardsmore - 1986 - British Journal of Aesthetics 26 (4):399.
     
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