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Richard Wollheim [110]R. Wollheim [12]R. W. Wollheim [1]
  1.  25
    Painting as an Art.Richard Wollheim - 1987 - Princeton University Press.
    Explains the difference between pictorial and linguistic meaning, examines the works of Titian, Poussin, Ingres, Manet, Picasso, and de Kooning, and discusses art's psychological impact.
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  2. The Thread of Life.Richard Wollheim - 1984 - New Haven: Cambridge University Press.
    This book is based on the William James Lectures delivered at Harvard University in 1982. It offers a new approach to the philosophical understanding of a person, taking as fundamental the process of living as a person, and emphasising the continuity and development across time of an individual life.
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  3.  35
    Art and its Objects.Richard Wollheim - 1968 - Cambridge, United Kingdom: Cambridge University Press. Edited by Richard Thomas Eldridge.
    Richard Wollheim's classic reflection on art considers central questions regarding expression, representation, style, the significance of the artist's intention and the essentially historical nature of art. Presented in a fresh series livery for the twenty-first century, with a specially commissioned preface written by Richard Eldridge, illuminating its continuing importance and relevance to philosophical enquiry, Art and its Objects continues to be a perceptive and engaging introduction to the questions and philosophical issues raised by works of art and the part they (...)
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  4. Art and its objects.Richard Wollheim - 1968 - New York,: Harper & Row.
    What defines a work of art and determines the way in which we respond to it?
  5. On the Emotions.Richard Wollheim - 1999 - Yale University Press.
    Distinguished philosopher Richard Wollheim's rich and thought-provoking account of the emotions considers what emotions are, how they arise in our lives, and how standard and "moral" emotions differ.
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  6.  66
    The mind and its depths.Richard Wollheim - 1993 - Cambridge, Mass.: Harvard University Press.
    This book brings together Wollheim's broad and abiding concerns to illuminate human thought at its furthest reaches of introspection and expression.
  7. On pictorial representation.Richard Wollheim - 1998 - Journal of Aesthetics and Art Criticism 56 (3):217-226.
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  8. The Thread of Life.Richard Wollheim - 1984 - The Personalist Forum 1 (1):55-58.
     
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  9.  25
    Art and its objects: with six supplementary essays.Richard Wollheim - 1980 - New York: Cambridge University Press. Edited by Richard Thomas Eldridge.
    What defines a work of art and determines the way in which we respond to it? This classic reflection was written with the belief that the nature of art has to be understood simultaneously from the artist's as well as the spectator's viewpoint.
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  10. On the Emotions.Richard Wollheim - 1999 - The Personalist Forum 15 (2):442-444.
     
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  11. On the Emotions.Richard Wollheim - 1999 - Journal of Aesthetics and Art Criticism 59 (3):336-337.
     
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  12. Imagination and Identification.Richard Wollheim - 1973 - Harvard University Press.
     
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  13.  56
    On art and the mind.Richard Wollheim - 1973 - Cambridge, Mass.: Harvard University Press.
    Collected essays and lectures reflect the philosopher's belief in the relationship between art and the mind.
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  14. Equality.Richard Wollheim & Isaiah Berlin - 1956 - Proceedings of the Aristotelian Society 56:281--326.
  15.  20
    What Makes Representational Painting Truly Visual?Richard Wollheim - 2003 - Aristotelian Society Supplementary Volume 77:131-167.
    I offer two, complementary, accounts of the visual nature of representational picturing. One, in terms of six features of depiction, sets an explanatory task. The other, in terms of the experience to which depiction gives rise, promises to meet that need. Elsewhere I have offered an account of this experience that allows this promise to be fulfilled. I sketch that view, and defend it against Wollheim's claim that it cannot meet certain demands on a satisfactory account. I then turn to (...)
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  16. What makes representational painting truly visual?Richard Wollheim - 2003 - Aristotelian Society Supplementary Volume 77 (1):131–147.
    [Richard Wollheim] Any experiential view of pictorial meaning will assign to each painting an appropriate experience through which its mean can be recovered. When the meaning is representational, what is the nature of the appropriate experience? If there is agreement that the experience is to be described as seeing-in, disagreement breaks out about how seeing-in is to be understood. This paper challenges two recent interpretations: one in terms of perceived resemblance, the other in terms of imagining seeing. Neither view gives (...)
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  17.  23
    F. H. Bradley.Richard Wollheim - 1959 - Baltimore]: Penguin Books.
  18.  65
    In defense of seeing-in.Richard Wollheim - 2003 - In Heiko Hecht, Robert Schwartz & Margaret Atherton (eds.), Looking Into Pictures. MIT Press. pp. 3--16.
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  19. On Art and the Mind.Richard Wollheim - 1974 - Philosophy 50 (191):113-117.
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  20.  9
    What Makes Representational Painting Truly Visual?Richard Wollheim - 2003 - Supplement to the Proceedings of the Aristotelian Society 77 (1):131-147.
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  21. Philosophical Essays on Freud.Richard Wollheim & James Hopkins (eds.) - 1982 - New York: Cambridge University Press.
    Philosophers are increasingly coming to recognize the importance of Freudian theory for the understanding of the mind. The picture Freud presents of the mind's growth and organization holds implications not just for such perennial questions as the relation of mind and body, the nature of memory and personal identity, the interplay of cognitive and affective processes in reasoning and acting, but also for the very way in which these questions are conceived and an interpretation of the mind is sought. This (...)
     
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  22. Art and its Objects an Introduction to Aesthetics.Richard Wollheim - 1971 - Harper & Row.
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  23.  30
    I_— _Richard Wollheim.Richard Wollheim - 2003 - Aristotelian Society Supplementary Volume 77 (1):131-147.
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  24.  77
    On formalism and pictorial organization.Richard Wollheim - 2001 - Journal of Aesthetics and Art Criticism 59 (2):127–137.
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  25. Art and Its Objects. An Introduction to Aesthetics.Richard Wollheim - 1969 - Philosophy 44 (170):350-351.
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  26.  95
    John Stuart mill and the limits of state action.Richard Wollheim - 1973 - Social Research: An International Quarterly 40 (1):1--30.
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  27. The bodily ego.Richard Wollheim - 1982 - In Richard Wollheim & James Hopkins (eds.), Philosophical Essays on Freud. Cambridge University Press. pp. 124--138.
  28. How Can One Person Represent Another?A. Griffiths & Richard Wollheim - 1960 - Aristotelian Society Supplementary Volume 34:187-224.
  29.  13
    Expression.Richard Wollheim - 1968 - Royal Institute of Philosophy Supplement 1:227-244.
    Whether the word ‘passion’, as indicating the suffering or affection from without of a soul, is by now no more than a dead metaphor, surviving from an antique conception of the mind; whether, indeed, there is any way open to us of determining the passivity or otherwise of our inner life, apart, that is, from how it strikes us, from how we are prompted to describe it, are not questions that I can take up this evening. It is enough for (...)
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  30. On persons and their lives.Richard Wollheim - 1980 - In A. O. Rorty (ed.), Explaining Emotions. Univ of California Pr. pp. 299--321.
     
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  31.  9
    On the Emotions.Robert H. Haraldsson & Richard Wollheim - 2001 - Philosophical Review 110 (3):466.
    It is a daunting task to tell the story of the lives emotions lead, how they are rooted in the deeper folds of the person’s psyche and wax and wane over a lifetime. Wollheim’s book is at times a daring attempt to cast an analytic philosopher in the role of narrator of this fascinating but hard to follow story. Two related story lines run through his book. One repeatedly criticizes contemporary philosophers for turning a blind eye to the psychological reality (...)
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  32.  1
    Danto's Gallery of Indiscernibles.Richard Wollheim - 2012 - In Ernest Lepore & Mark Rollins (eds.), Danto and his Critics. Oxford, UK: Wiley‐Blackwell. pp. 30–39.
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  33. Memory, experiential memory, and personal identity.Richard Wollheim - 1979 - In Graham F. Macdonald (ed.), Perception and Identity. Cornell University Press. pp. 186--234.
     
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  34.  82
    On the Freudian unconscious.Richard Wollheim - 2003 - Proceedings and Addresses of the American Philosophical Association 77 (2):23--35.
  35. Art and illusion.Richard Wollheim - 1963 - British Journal of Aesthetics 3 (1):15--37.
  36.  56
    Imagination and Pictorial Understanding.Anthony Savile & Richard Wollheim - 1986 - Aristotelian Society Supplementary Volume 60 (1):19 - 60.
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  37. Equality.R. W. Wollheim - 1956 - Proceedings of the Aristotelian Society 56:281.
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  38.  51
    Expression.Richard Wollheim - 1968 - Royal Institute of Philosophy Lectures 1:227-244.
    Whether the word ‘passion’, as indicating the suffering or affection from without of a soul, is by now no more than a dead metaphor, surviving from an antique conception of the mind; whether, indeed, there is any way open to us of determining the passivity or otherwise of our inner life, apart, that is, from how it strikes us, from how we are prompted to describe it, are not questions that I can take up this evening. It is enough for (...)
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  39. Freud, A Collection of Critical Essays.R. Wollheim - 1976 - British Journal for the Philosophy of Science 27 (2):191-197.
  40. Natural law.Richard Wollheim - 1967 - In Paul Edwards (ed.), The Encyclopedia of Philosophy. New York: Macmillan. pp. 5--450.
     
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  41.  40
    Why is Drawing Interesting?R. Wollheim - 2005 - British Journal of Aesthetics 45 (1):1-10.
    This paper is a talk that the late Richard Wollheim gave at Loughborough University in September 1998. It is published here with the permission of Loughborough University and Wollheim's literary executors. The paper begins by reflecting on modes of artistic evaluation, distinguishing evaluations of interest from evaluations of quality. The former, the subject of the paper, are relativized to works of art within particular art forms, and concern ‘the extent to which the methods and the resources of the particular art (...)
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  42. Emotions and their philosophy of mind.R. Wollheim - 2003 - In A. Hatimoysis (ed.), Philosophy and the Emotions. Cambridge University Press. pp. 19-38.
     
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  43.  89
    Nelson Goodman's languages of art.Richard Wollheim - 1970 - Journal of Philosophy 67 (16):531-539.
  44.  25
    Representation: The philosophical contribution to psychology.Richard Wollheim - 1977 - Critical Inquiry 3 (4):709--723.
    Armed with a theory of representation, or with answers to the two questions, What is a representation? and What is it to represent?, we might imagine ourselves approaching a putative representation and asking of it, Is it a representation?, and then, on the assumption that the answer is yes, going on to ask of it, What does it represent? Now, the answers that such questions receive might be called the applied answers of the theory that we are armed with. It (...)
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  45. How Can One Person Represent Another?A. Phillips Griffiths & Richard Wollheim - 1960 - Aristotelian Society Supplementary Volume 34 (1):187-224.
  46. The cabinet of dr. lacan.Richard Wollheim - 1991 - Topoi 10 (2):163--174.
    Obscurity is not the worst failing, and it is philistinism to pretend that it is. In a series of brilliant essays written over the last fifteen years Stanley Cavell has consistently argued that more important than the question whether obscurity could have been avoided is whether it affects our confidence in the author. Confidence raises the issue of intention, and I would have thought that the primary commitment of a psychoanalytic writer was to pass on, and (if he can) to (...)
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  47. Hume on religion.David Hume & Richard Wollheim - 1964 - Cleveland,: World Pub. Co..
  48. Crime, Sin and Mr. Justice Devlin.Richard Wollheim - 1959 - Encounter.
     
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  49.  1
    Imagination and Pictorial Understanding.Anthony Savile & Richard Wollheim - 1986 - Aristotelian Society Supplementary Volume 60 (1):19-60.
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  50.  45
    Flawed crystals: James's the golden bowl and the plausibility of literature as moral philosophy.Richard Wollheim - 1983 - New Literary History 15 (1):185--191.
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