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  1. Ten Theses on Politics.Jacques Rancière, Davide Panagia & Rachel Bowlby - 2001 - Theory and Event 5 (3).
  2.  17
    Rephrasing the Freudian Unconscious: Lyotard's Affect-Phrase"Emma."Heidegger and "The Jews."The InhumanLectures D'Enfance. [REVIEW]Anne Tomiche, Jean-Francois Lyotard, Andreas Michel, Mark S. Roberts, Geoff Bennington & Rachel Bowlby - 1994 - Diacritics 24 (1):42.
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  3.  33
    Andrianou, Dimitra. The Furniture and Furnishings of Ancient Greek Houses and Tombs. Cambridge: Cambridge University Press, 2009. Xvi+ 213 Pp. 24 Black-and-White Figs. Cloth, $80. Andrisano, Angela Maria, and Paolo Fabbri, Eds. La Favola di Orfeo: Letteratura, Immagine, Performance. Ferrara: UnifePress, 2009. 255 Pp. 41 Black-and-White. [REVIEW]Victor Bers, Rachel Bowlby, Claude Calame, Viccy Coltman, Katharina Comoth, Beiträge zur Philosophie Heidelberg & Joan Breton Connelly - 2010 - American Journal of Philology 131:345-347.
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  4.  6
    Flight of SpiritDe L'Esprit: Heidegger Et la Question.John Sallis, Jacques Derrida, Geoffrey Bennington & Rachel Bowlby - 1989 - Diacritics 19 (3/4):25.
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  5.  8
    Shopping for Identities: Gender and Consumer CultureCarried Away: The Invention of Modern ShoppingShopping for Pleasure: Women in the Making of London's West EndLifebuoy Men, Lux Women: Commodification, Consumption, and Cleanliness in Modern ZimbabweMeasured Excess: Status, Gender, and Consumer Nationalism in South Korea.Anne Herrmann, Rachel Bowlby, Erika Diane Rappaport, Timothy Burke & Laura C. Nelson - 2002 - Feminist Studies 28 (3):539.
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  6.  7
    Who's Framing Virginia Woolf?Virginia Woolf Et le Groupe de BloomsburyVirginia Woolf: The Frames of Art and Life. [REVIEW]Rachel Bowlby, Jean Guiguet & C. Ruth Miller - 1991 - Diacritics 21 (2/3):3.
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  7.  6
    Promoting Dorian Gray.Rachel Bowlby - 1987 - Oxford Literary Review 9 (1):147-164.
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  8. Derrida's Dying Oedipus.Rachel Bowlby - 2010 - In Miriam Leonard (ed.), Derrida and Antiquity. Oxford University Press.
     
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  9.  4
    I999) Bertens, Hans, The Idea of the Postmodern: A History (London: Routledge, 1995).Rachel Bowlby - 2004 - In Steven Connor (ed.), The Cambridge Companion to Postmodernism. Cambridge University Press. pp. 224.
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  10. Of Spirit: Heidegger and the Question.Geoffrey Bennington & Rachel Bowlby (eds.) - 1989 - University of Chicago Press.
    "I shall speak of ghost, of flame, and of ashes." These are the first words of Jacques Derrida's lecture on Heidegger. It is again a question of Nazism—of what remains to be thought through of Nazism in general and of Heidegger's Nazism in particular. It is also "politics of spirit" which at the time people thought—they still want to today—to oppose to the inhuman. "Derrida's ruminations should intrigue anyone interested in Post-Structuralism..... This study of Heidegger is a fine example of (...)
     
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  11. The Inhuman: Reflections on Time.Geoffrey Bennington & Rachel Bowlby (eds.) - 1992 - Stanford University Press.
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  12. A Happy Event.Rachel Bowlby - 1991 - Paragraph 14 (1):10-19.
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  13. Derrida One Day.Rachel Bowlby - 2008 - In Robert Eaglestone & Simon Glendinning (eds.), Derrida's Legacies: Literature and Philosophy. Routledge.
     
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  14.  47
    Freudian Mythologies: Greek Tragedy and Modern Identities.Rachel Bowlby - 2007 - Oxford University Press.
    Since Freud reimagined Sophocles' Oedipus as a transhistorical Everyman, far-reaching changes have occurred in the social and sexual conditions of Western identity. This book shows how both classical and Freudian perspectives may now differently illuminate the forming stories of a present-day world of serial families, multiple sexualities, and reproductive technologies.
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  15. Flight Reservations.Rachel Bowlby - 1988 - Oxford Literary Review 10 (1):61-72.
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  16. ‘Half Art’: Baudelaire's Le Peintre de la Vie Moderne.Rachel Bowlby - 2011 - Paragraph 34 (1):1-11.
    This article considers Baudelaire's essay Le Peintre de la vie moderne as a possible response to the question of why art matters. Baudelaire's exhilarating innovation is to downgrade the significance of eternal value in art, in favour of what he designates its other half, the fleeting presentness that is modernity. Baudelaire explores this idea through a mock-anonymous celebration of the artist Constantin Guys, referred to as M. G., whose prolific sketches, done at speed, for rapid journal publication, chart the day-by-day (...)
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  17. Of Hospitality.Rachel Bowlby (ed.) - 2000 - Stanford University Press.
    These two lectures by Jacques Derrida, "Foreigner Question" and "Step of Hospitality/No Hospitality," derive from a series of seminars on "hospitality" conducted by Derrida in Paris, January 1996. His seminars, in France and in America, have become something of an institution over the years, the place where he presents the ongoing evolution of his thought in a remarkable combination of thoroughly mapped-out positions, sketches of new material, and exchanges with students and interlocutors. As has become a pattern in Derrida's recent (...)
     
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  18. Paper Machine.Rachel Bowlby (ed.) - 2005 - Stanford University Press.
    This book questions the book itself, archivization, machines for writing, and the mechanicity inherent in language, the media, and intellectuals. Derrida questions what takes place between the paper and the machine inscribing it. He examines what becomes of the archive when the world of paper is subsumed in new machines for virtualization, and whether there can be a virtual event or a virtual archive. Derrida continues his long-standing investigation of these issues, and ties them into the new themes that governed (...)
     
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  19. ‘Speech Creatures’: New Men in Pamela and Pride and Prejudice.Rachel Bowlby - 2009 - Paragraph 32 (2):240-251.
    This piece takes its cue from Malcolm Bowie's ‘speech creatures’, at once Aristotelian and psychoanalytic, to compare two forceful male characters in English novels who each make speeches proclaiming their own emotional reformation. Different as they are in other respects — an ex-libertine and a man of morals — Samuel Richardson's ‘Mr B.’ and Jane Austen's Mr Darcy both denounce their early parental education in relation to the humbler selfhood their wives-to-be have taught them. Such a development is both like (...)
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  20. Secsexecs: From the Confessional to the Professional.Rachel Bowlby - 1986 - Oxford Literary Review 8 (1):105-112.
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  21. Two by Three Malcolm Bowie, Freud, Proust and Lacan: Theory as Fiction . Xii + 225 Pp.Rachel Bowlby - 1990 - Paragraph 13 (1):89-96.
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  22. Why Psychoanalysis?Rachel Bowlby (ed.) - 2001 - Cambridge University Press.
    Why do some people still choose psychoanalysis-Freud's so-called talking cure-when numerous medications are available that treat the symptoms of psychic distress so much faster? Elisabeth Roudinesco tackles this difficult question, exploring what she sees as a "depressive society": an epidemic of distress addressed only by an increasing reliance on prescription drugs. Far from contesting the efficacy of new medications like Prozac, Zoloft, and Viagra in alleviating the symptoms of any number of mental or nervous conditions, Roudinesco argues that the use (...)
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  23. Why Psychoanalysis?Rachel Bowlby (ed.) - 2004 - Cambridge University Press.
    Why do some people still choose psychoanalysis-Freud's so-called talking cure-when numerous medications are available that treat the symptoms of psychic distress so much faster? Elisabeth Roudinesco tackles this difficult question, exploring what she sees as a "depressive society": an epidemic of distress addressed only by an increasing reliance on prescription drugs. Far from contesting the efficacy of new medications like Prozac, Zoloft, and Viagra in alleviating the symptoms of any number of mental or nervous conditions, Roudinesco argues that the use (...)
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