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  1.  58
    Kant on Beauty and Biology: An Interpretation of the Critique of Judgment.Rachel Zuckert - 2007 - Cambridge University Press.
    Kant's Critique of Judgment has often been interpreted by scholars as comprising separate treatments of three uneasily connected topics: beauty, biology, and empirical knowledge. Rachel Zuckert's book is the first to interpret the Critique as a unified argument concerning all three domains. She argues that on Kant's view, human beings demonstrate a distinctive cognitive ability in appreciating beauty and understanding organic life: an ability to anticipate a whole that we do not completely understand according to preconceived categories. This ability is (...)
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  2. The Purposiveness of Form: A Reading of Kant's Aesthetic Formalism.Rachel Zuckert - 2006 - Journal of the History of Philosophy 44 (4):599-622.
    Rachel Zuckert - The Purposiveness of Form: A Reading of Kant's Aesthetic Formalism - Journal of the History of Philosophy 44:4 Journal of the History of Philosophy 44.4 599-622 Muse Search Journals This Journal Contents The Purposiveness of Form: A Reading of Kant's Aesthetic Formalism Rachel Zuckert In the "critique of aesthetic judgment," Kant claims that when we find an object beautiful, we are appreciating its "purposive form." Many of Kant's readers have found this claim one of his least interesting (...)
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  3.  39
    Awe or Envy: Herder Contra Kant on the Sublime.Rachel Zuckert - 2003 - Journal of Aesthetics and Art Criticism 61 (3):217–232.
  4.  55
    A New Look at Kant's Theory of Pleasure.Rachel Zuckert - 2002 - Journal of Aesthetics and Art Criticism 60 (3):239–252.
    I argue (contra Guyer et al.) that in the Critique of Judgment Kant espouses a formal, intentional theory of pleasure, and reconstruct Kant's arguments that this view can both identify what all pleasures have in common, and differentiate among kinds of pleasure. Through his investigation of aesthetic experience in the Critique of Judgment, I argue, Kant radically departs from his views about pleasure as mere sensation in the Groundwork and the Critique of Practical Reason, and provides a view of pleasure (...)
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  5. Boring Beauty and Universal Morality: Kant on the Ideal of Beauty.Rachel Zuckert - 2005 - Inquiry : An Interdisciplinary Journal of Philosophy 48 (2):107 – 130.
    This paper argues that Kant 's account of the "ideal of beauty " in paragraph 17 of the Critique of Judgment is not only a plausible account of one kind of beauty, but also that it can address some of our moral qualms concerning the aesthetic evaluation of persons, including our psychological propensity to take a person's beauty to represent her moral character.
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  6.  88
    Kant's Rationalist Aesthetics.Rachel Zuckert - 2007 - Kant-Studien 98 (4):443-463.
    It is quite standard, even banal, to describe Kant's project in the Critique of Pure Reason [KrV] as a critical reconciliation of rationalism and empiricism, most directly expressed in Kant's claim that intuitions and concepts are two distinct, yet equally necessary, and necessarily interdependent sources of cognition. Similarly, though Kant rejects both the rationalist foundation of morality in the concept of perfection and that of the empiricists in feeling or in the moral sense, one might broadly characterize Kant's moral philosophy (...)
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  7.  8
    Adaptive Naturalism in Herder’s Aesthetics.Rachel Zuckert - 2015 - Graduate Faculty Philosophy Journal 36 (2):269-293.
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  8.  30
    Sculpture and Touch: Herder's Aesthetics of Sculpture.Rachel Zuckert - 2009 - Journal of Aesthetics and Art Criticism 67 (3):285-299.
  9.  9
    Is There Kantian Art Criticism?Rachel Zuckert - 2013 - In Margit Ruffing, Claudio La Rocca, Alfredo Ferrarin & Stefano Bacin (eds.), Kant Und Die Philosophie in Weltbürgerlicher Absicht: Akten des Xi. Kant-Kongresses 2010. De Gruyter. pp. 343-356.
  10.  26
    Kames's Naturalist Aesthetics and the Case of Tragedy.Rachel Zuckert - 2009 - Journal of Scottish Philosophy 7 (2):147-162.
    In this essay, I discuss Kames' aesthetic theory, as presented in his essay, ‘Our Attachment to Objects of Distress’ (concerning the problem of tragedy), and in Elements of Criticism. I argue that Kames' (non-)response to the problem of tragedy – that we find tragedies painful (not pleasing), yet are ‘attracted to them through the workings of the “blind instinct” of sympathy’ – is intended to call the standard formulation of the problem of tragedy (‘why do we find such painful things (...)
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  11.  19
    Expressivism and Aesthetics.Rachel Zuckert - 2006 - Graduate Faculty Philosophy Journal 27 (2):1-24.
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  12.  10
    Kant's Account of Practical Fanaticism.Rachel Zuckert - 2010 - In Benjamin Lipscomb & James Krueger (eds.), Kant's Moral Metaphysics: God, Freedom, and Immortality. De Gruyter. pp. 291.
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  13.  13
    After Herder: Philosophy of Language in the German Tradition, by Michael N. Forster. [REVIEW]Rachel Zuckert - 2013 - European Journal of Philosophy 21 (S1):E7--E12.
  14.  22
    Review: Gasche, The Idea of Form: Rethinking Kant's Aesthetics[REVIEW]Rachel Zuckert - 2003 - Notre Dame Philosophical Reviews 2003 (6).
  15.  12
    Living with Nietzsche.Rachel Zuckert - 2005 - Review of Metaphysics 59 (2):453-454.
  16.  1
    Expressivism and Aesthetics.Rachel Zuckert - 2006 - Graduate Faculty Philosophy Journal 27 (2):1-24.
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  17.  1
    Kant's Rationalist Aesthetics.Rachel Zuckert - 2007 - Kant-Studien 98 (4):443-463.
    It is quite standard, even banal, to describe Kant's project in the Critique of Pure Reason [KrV] as a critical reconciliation of rationalism and empiricism, most directly expressed in Kant's claim that intuitions and concepts are two distinct, yet equally necessary, and necessarily interdependent sources of cognition. Similarly, though Kant rejects both the rationalist foundation of morality in the concept of perfection and that of the empiricists in feeling or in the moral sense, one might broadly characterize Kant's moral philosophy (...)
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  18.  2
    Organisms and Metaphysics: Kant’s First Herder Review.Rachel Zuckert - 2014 - In Eric Watkins & Ina Goy (eds.), Kant's Theory of Biology. De Gruyter. pp. 61-78.
  19.  7
    Review: Ameriks, Interpreting Kant's Critiques[REVIEW]Rachel Zuckert - 2004 - Notre Dame Philosophical Reviews 2004 (5).
  20.  1
    After Herder: Philosophy of Language in the German Tradition, by Michael N. Forster. Oxford: Oxford University Press, 2010, Xii + 482 Pp. ISBN 13: 978‐0‐19‐922811‐9 Hb £52.50. [REVIEW]Rachel Zuckert - 2013 - European Journal of Philosophy 21 (S1):E7-E12.
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  21. Hegel on Philosophy in History.James Kreines & Rachel Zuckert (eds.) - 2017 - Cambridge University Press.
    In this volume honouring Robert Pippin, prominent philosophers such as John McDowell, Slavoj Žižek, Jonathan Lear, and Axel Honneth explore Hegel's proposals concerning the historical character of philosophy. Hegelian doctrines discussed include the purported end of art, Hegel's view of human history, including the history of philosophy as the history of freedom, and the nature of self-consciousness as realized in narrative or in action. Hegel scholars Rolf-Peter Horstmann, Sally Sedgwick, Terry Pinkard, and Paul Redding attempt to vindicate some of Hegel's (...)
     
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  22. Gerard, Kames, Alison, and Stewart.Rachel Zuckert - 2012 - In Timothy M. Costelloe (ed.), The Sublime: From Antiquity to the Present. Cambridge University Press. pp. 64.
  23. Kant on Beauty and Biology: An Interpretation of the 'Critique of Judgment'.Rachel Zuckert - 2007 - Cambridge University Press.
    Kant's Critique of Judgment has often been interpreted by scholars as comprising separate treatments of three uneasily connected topics: beauty, biology, and empirical knowledge. Rachel Zuckert's book interprets the Critique as a unified argument concerning all three domains. She argues that on Kant's view, human beings demonstrate a distinctive cognitive ability in appreciating beauty and understanding organic life: an ability to anticipate a whole that we do not completely understand according to preconceived categories. This ability is necessary, moreover, for human (...)
     
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  24. Kant on Beauty and Biology: An Interpretation of the Critique of Judgment.Rachel Zuckert, Fiona Hughes, Robert Wilson, Robert Wicks, Brent Kalar & Jennifer Mcmahon - 2009 - Journal of Aesthetics and Art Criticism 67 (2):201-221.
     
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  25. Purposiveness, Time, and Unity: A Reading of "the Critique of Judgment".Rachel Zuckert - 2000 - Dissertation, The University of Chicago
    I propose a unified reading of Kant's third critical work, The Critique of Judgment, as a sustained argument that "purposiveness without a purpose" is the a priori, transcendental principle of judgment, a "subjective" yet necessary condition for the practice of judging and for the possibility of experience. I argue that Kant's principle of purposiveness is a temporal-formal structure of the subject's judging activity, a structure of anticipation that unites present and past moments as "towards" the future. Such purposiveness is a (...)
     
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  26. sChelling and Hegel.Rachel Zuckert - 2010 - In Dean Moyar (ed.), The Routledge Companion to Nineteenth Century Philosophy. Routledge. pp. 165.
     
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  27. The Purposiveness of Form: A Reading of Kant's Aesthetic Formalism.Rachel Zuckert - 2006 - Journal of the History of Ideas 44:599-622.
    Rachel Zuckert - The Purposiveness of Form: A Reading of Kant's Aesthetic Formalism - Journal of the History of Philosophy 44:4 Journal of the History of Philosophy 44.4 599-622 Muse Search Journals This Journal Contents The Purposiveness of Form: A Reading of Kant's Aesthetic Formalism Rachel Zuckert In the "critique of aesthetic judgment," Kant claims that when we find an object beautiful, we are appreciating its "purposive form." Many of Kant's readers have found this claim one of his least interesting (...)
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