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  1.  18
    Art and Institution: Aesthetics in the Late Works of Merleau-Ponty.Rajiv Kaushik - 2011 - Continuum.
    Introduction -- Matisse in slow motion -- Art and natural being -- Proust and the significant event -- Reversibility between the arts -- Concluding remarks.
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  2. Architectonic and Myth Time: Merleau-Ponty’s Proust in The Visible and the Invisible.Rajiv Kaushik - 2008 - Studia Phaenomenologica 8:121-139.
    In a Working Note to The Visible and the Invisible, Merleau-Ponty uses the fine phraseology of an “architectonic past” and a “mythical time” to describe Proust’s remembrances of things past. This paper first considers how this architectonic past sheds light on Merleau-Ponty’s ontology, and second how this results in a mythical time, which is an originary encounter with this past. Paying also attention to Merleau-Ponty’s final, completed reflections on “Swann’s Way,” Volume One of Remembrances of Things Past, I suggest that (...)
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  3.  21
    Affectivity and Religious Experience.Rajiv Kaushik - 2008 - New Yearbook for Phenomenology and Phenomenological Philosophy 8:55-71.
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  4.  29
    Affectivity and Religious Experience: Husserl's “God” in the Unpublished Manuscripts.Rajiv Kaushik - 2011 - The New Yearbook for Phenomenology and Phenomenological Philosophy 8:55-71.
  5.  7
    Introduzione.Rajiv Kaushik - 2017 - Chiasmi International 19:233-237.
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  6. Introduction.Rajiv Kaushik - 2017 - Chiasmi International 19:229-232.
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  7.  7
    Introduction.Rajiv Kaushik - 2017 - Chiasmi International 19:225-228.
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  8. Lighten Up.Rajiv Kaushik - 2017 - Chiasmi International 19:183-199.
    This paper examines the ways Merleau-Ponty and Nancy think about light, a central theme in Western philosophy closely tied with form and intelligibility. The first section of this paper points out that each thinker replaces the “highest moment of light,” where it is relieved of its weight and materiality, with darkness, where light instead emerges from some apophantic depth indissociable from the material. The second section of this paper gives a critique of darkness in Nancy from Merleau-Ponty’s perspective. According to (...)
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  9.  7
    The Shape of Things.Rajiv Kaushik - 2016 - Chiasmi International 18:313-331.
    This paper begins by pointing to an obvious difficulty in Merleau-Ponty’s late philosophy: undoing the decisive separation between linguistic connotation and the denotated, undoing the decisive separation between linguistic meaning and the sensible world. This difficulty demands that we understand how the sensible and the symbolic have a sort of spontaneous relation. How can this be? The history of this problem is then traced back to Husserl, and in particular to his The Origin of Geometry. For Husserl, ‘abstract geometry’ is (...)
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  10.  7
    The Secondary Passivity: Merleau-Ponty at the Limit of Phenomenology.Rajiv Kaushik - forthcoming - Continental Philosophy Review:1-14.
    This paper considers the move from passivity to a generative passivity in Merleau-Ponty’s ontology. In The Visible and the Invisible Merleau-Ponty calls this generative passivity a “secondary passivity” and in his passivity lectures he describes it as “passivity without passivism.” The paper argues that this secondary passivity must be understood in terms of an écart within the phenomena. That is, in terms of a separation and distance which is matrixed and configured within what appears. This is the basis for Merleau-Ponty’s (...)
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  11.  7
    Excerpt. Proust. A Theory, – and a Concordant Practice, – of Language.Maurice Merleau-Ponty & Rajiv Kaushik - 2019 - Chiasmi International 21:45-51.
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