18 found
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  1.  77
    Psychophysical magic: rendering the visible 'invisible'.Chai-Youn Kim & Randolph Blake - 2005 - Trends in Cognitive Sciences 9 (8):381-388.
  2. Neural bases of binocular rivalry.Frank Tong, Ming Meng & Randolph Blake - 2006 - Trends in Cognitive Sciences 10 (11):502-511.
  3.  74
    On the use of continuous flash suppression for the study of visual processing outside of awareness.Eunice Yang, Jan Brascamp, Min-Suk Kang & Randolph Blake - 2014 - Frontiers in Psychology 5:91286.
    The interocular suppression technique termed continuous flash suppression (CFS) has become an immensely popular tool for investigating visual processing outside of awareness. The emerging picture from studies using CFS is that extensive processing of a visual stimulus, including its semantic and affective content, occurs despite suppression from awareness of that stimulus by CFS. However, the current implementation of CFS in many studies examining processing outside of awareness has several drawbacks that may be improved upon for future studies using CFS. In (...)
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  4.  27
    A neural theory of binocular rivalry.Randolph Blake - 1989 - Psychological Review 96 (1):145-167.
  5. Strength of early visual adaptation depends on visual awareness.Randolph Blake, Duje Tadin, Kenith V. Sobel, Tony A. Raissian & Sang Chul Chong - 2006 - Pnas Proceedings of the National Academy of Sciences of the United States of America 103 (12):4783-4788.
  6.  53
    On the perceptual reality of synesthetic color.Randolph Blake, Thomas J. Palmeri, Rene Marois & Chai-Youn Kim - 2005 - In Robertson, C. L. & N. Sagiv (eds.), Synesthesia: Perspectives From Cognitive Neuroscience. Oxford University Press.
  7.  26
    Slow and steady, not fast and furious: Slow temporal modulation strengthens continuous flash suppression.Shui'er Han, Randolph Blake & David Alais - 2018 - Consciousness and Cognition 58:10-19.
  8. Perception of visual motion.Robert Sekuler, Scott Nj Watamaniuk & Randolph Blake - 2002 - Stevens Handbook of Experimental Psychology 1.
  9.  11
    "Abnormal fusion" of stereopsis and binocular rivalry.Randolph Blake & Robert P. O'Shea - 1988 - Psychological Review 95 (1):151-154.
  10. Binocular rivalry and stereopsis revisited.Randolph Blake - 2012 - In Jeremy M. Wolfe & Lynn C. Robertson (eds.), From Perception to Consciousness: Searching with Anne Treisman. Oxford University Press.
  11.  11
    Gibson's inspired but latent prelude to visual motion perception.Randolph Blake - 1994 - Psychological Review 101 (2):324-328.
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  12.  24
    Introduction.G. Keith Humphrey & Randolph Blake - 2001 - Brain and Mind 2 (1):1-4.
  13.  50
    Is “Σ” purple or green? Bistable grapheme-color synesthesia induced by ambiguous characters.Suhkyung Kim, Randolph Blake & Chai-Youn Kim - 2013 - Consciousness and Cognition 22 (3):955-964.
    People with grapheme-color synesthesia perceive specific colors when viewing different letters or numbers. Previous studies have suggested that synesthetic color experience can be bistable when induced by an ambiguous character. However, the exact relationship between processes underlying the identity of an alphanumeric character and the experience of the induced synesthetic color has not been examined. In the present study, we explored this by focusing on the temporal relation of inducer identification and color emergence using inducers whose identity could be rendered (...)
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  14.  53
    Measuring visual awareness.Chai-Youn Kim & Randolph Blake - 2005 - Trends in Cognitive Sciences 9 (8):381-388.
  15.  21
    Revisiting the perceptual reality of synesthetic color.Chai-Youn Kim & Randolph Blake - 2013 - In Julia Simner & Edward Hubbard (eds.), Oxford Handbook of Synesthesia. Oxford University Press. pp. 283.
    Colour synaesthesia is the mental experience involving a strong association between specific colours and specific auditory stimuli, such as words, or achromatic visual stimuli, such as numerals or letters. In the contemporary literature on colour synaesthesia, the majority view treats the phenomenon as one arising from some of the same neural events mediating colour perception triggered by genuinely coloured objects; this view that synaesthesia is perceptually based, however, is not universally endorsed. What strategies have been utilized to evaluate the perceptual (...)
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  16.  30
    Motion perception.Robert Sekuler, Scott Nj Watamaniuk & Randolph Blake - 2002 - In J. Wixted & H. Pashler (eds.), Stevens' Handbook of Experimental Psychology. Wiley.
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  17. On the Use of Continuous Flash Suppression for the Study of Visual Processing Outside of Awareness.Eunice Yang, Jan Brascamp, Min-Suk Kang & Randolph Blake - 2015 - In Julien Dubois & Nathan Faivre (eds.), Invisible, but how?: the depth of unconscious processing as inferred from different suppression techniques. Lausanne, Switzerland: Frontiers Media SA.
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  18.  15
    Corrigendum to “Slow and steady, not fast and furious: Slow temporal modulation strengthens continuous flash suppression” [Conscious Cogn. 58 10–19]. [REVIEW]Shui'er Han, Randolph Blake & David Alais - 2018 - Consciousness and Cognition 59:112.