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Ranjan Ghosh [19]Ranjan K. Ghosh [6]
  1.  62
    Introduction: "Rendezvous with the Scholar-Gipsy".Ranjan Ghosh - 2013 - Substance 42 (2):3-11.
    When Matthew Arnold's wandering scholar-gipsy encounters former colleagues in a country lane who "of his way of life enquired," he replies thatHe spends the rest of his days in this lonely pursuit, "waiting for the spark from heaven to fall." If literature is compared to the scholar gipsy, what would be the politics and dynamics of the "spark"? Both have their presences, but in trying to understand their character—via the normative, aesthetic and cultural ways of understanding how they both matter (...)
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  2.  23
    Discussion.Ranjan K. Ghosh & Richard Shusterman - 2003 - Journal of Aesthetics and Art Criticism 61 (3):293–298.
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  3.  26
    5. India, Itihasa, and Inter-Historiographical Discourse.Ranjan Ghosh - 2007 - History and Theory 46 (2):210–217.
    An effective and enriching discourse on comparative historiography invests itself in understanding the distinctness and identity that have created various civilizations. Very often, infected by bias, ideology, and cultural one-upmanship, we encounter a presumptuousness that is redolent of impatience with the cultural other and of an ingrained refusal to acknowledge what one’s own history and culture fail to provide. This “failure” need not be the inspiration to subsume the other within one’s own understanding of the world and history and, thereby, (...)
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  4.  78
    Artistic Communication and Symbol: Some Philosophical Reflections.Ranjan K. Ghosh - 1987 - British Journal of Aesthetics 27 (4):319-325.
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  5.  41
    Globing the Earth: The New Eco-Logics of Nature.Ranjan Ghosh - 2012 - Substance 41 (1):3-14.
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  6.  24
    Aesthetics of Hunger:(In) Fusion Approach, Literature, and the Other.Ranjan Ghosh - 2011 - Symploke 19 (1-2):143-157.
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  7.  35
    Literature: The "Mattering" and the Matter.Ranjan Ghosh - 2013 - Substance 42 (2):33-47.
    How empty and barren would life be if all our art and literature were taken away. What a calamity!Beyond the circle of the reading room are the world's greatest collection of books and the finest works of art from all places and times—sculpture from the Parthenon, Ming vases, Viking jewelry, great stone bulls and lions from Assyria, Egyptian mummies, medieval tapestries—brought together and taken out of context and time, like Keats's Grecian urn, because in themselves and in conjunction they create—they (...)
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  8.  1
    Possessed by Sahitya.Ranjan Ghosh - 2019 - Symploke 27 (1-2):325.
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  9.  8
    Sahitya Redux.Ranjan Ghosh - 2017 - Symploke 25 (1-2):523.
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  10.  30
    Carlyle's “Hero as Poet” and Sri Aurobindo's Poetic Theory.Ranjan Ghosh - 2006 - Angelaki 11 (1):35 – 44.
  11.  4
    Institutionalised Theory, Fusion, Desivad.Ranjan Ghosh - 2006 - Oxford Literary Review 28 (1):25-36.
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  12.  19
    Art as Dramatization and the Indian Tradition.Ranjan K. Ghosh - 2003 - Journal of Aesthetics and Art Criticism 61 (3):293-295.
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  13.  4
    Forum: Chinese and Western Historical Thinking.Itihasa India, Inter-Historiographical Discourse & Ranjan Ghosh - 2007 - History and Theory 46 (2):210-217.
  14.  3
    Rabindranath and Rabindranath Tagore: Home, World, History.Ranjan Ghosh - 2015 - History and Theory 54 (4):125-148.
  15. Afterword: The Quarrel Continues?Mark Bevir & Ranjan Ghosh - 2012 - In Ranjan Ghosh (ed.), Lover's Quarrel with the Past: Romance, Representation, Reading. Berghahn Books.
     
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  16. Aesthetic Theory and Art: A Study in Susanne K. Langer.Ranjan K. Ghosh - 1979 - Ajanta Books International.
  17. Communication as Inessential to Art.Ranjan Ghosh - 1978 - Indian Philosophical Quarterly 6 (1):13-20.
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  18.  3
    Essays in Literary Aesthetics.Ranjan K. Ghosh - 2018 - Springer Singapore.
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  19. Fine Art, Creativity and Kant: Some Philosophical Reflections.Ranjan Ghosh - 2004 - Indian Philosophical Quarterly 31 (1-4):229.
     
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  20. Fusion Approach: Theory, Contestation, Limits.Ranjan Ghosh (ed.) - 2006 - Upa.
    fusion theory challenges efforts to see theory as inhibiting by presenting an approach that is innovative, eclectic, and subtle in order to draw out competing and constellating ideas and opinions. This collected volume of essays examines fusion theory and demonstrates how the theory can be applied to the reading of various works of Indian English novelists.
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  21. Great Indian Thinkers on Art: Creativity, Aesthetic Communication, and Freedom.Ranjan K. Ghosh - 2006 - Black & White.
     
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  22.  11
    Lover's Quarrel with the Past: Romance, Representation, Reading.Ranjan Ghosh - 2012 - Berghahn Books.
    Although not a professional historian, the author raises several issues pertinent to the state of history today.Qualifying the "non-historian" as an "able" interventionist in historical studies, the author explores the relationship between ...
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  23. Susanne K. Langer's Aesthetics of Painting and Some Indian Art.Ranjan Ghosh - 1977 - Indian Philosophical Quarterly 4 (3):297-305.
     
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  24. The Alleged Duality In Susanne Langer's Aesthetics : A Reassessment.Ranjan Ghosh - 1980 - Indian Philosophical Quarterly 7 (4):501.
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  25. The Logic of Our Talk About the Artist's Intention.Ranjan Ghosh - 1987 - Indian Philosophical Quarterly 14 (3):287.
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