Results for 'Raquel Artuch-Garde'

829 found
Order:
  1.  2
    Relationship Between Resilience and Self-Regulation: A Study of Spanish Youth at Risk of Social Exclusion.Raquel Artuch-Garde, Maria del Carmen González-Torres, Jesús de la Fuente, M. Mariano Vera, María Fernández-Cabezas & Mireia López-García - 2017 - Frontiers in Psychology 8.
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark   9 citations  
  2.  8
    External Support for Collaborative Problem Solving in a Simulated Provider/Patient Medication Scheduling Task.Daniel Morrow, Liza Raquel, Angela Schriver, Seth Redenbo, David Rozovski & Gillian Weiss - 2008 - Journal of Experimental Psychology: Applied 14 (3):288-297.
    Direct download (3 more)  
     
    Export citation  
     
    Bookmark  
  3. Action Et Contemplation : Sur Une Lecture Eckhartienne de Shizuteru Ueda.Bouso Raquel - 2012 - Theologiques 20 (1-2):313-339.
    In 1923 Rudolf Otto gathered a number of appendices in Das Heilige (1917) in one of which he connected Zen Buddhism and the medieval mystic Meister Eckhart. The common denominator was life, as it lives without reason, lives because it lives, likewise the righteous man works for the sake of working and only then is genuinely free. When, in 1965 Shizuteru Ueda published his doctoral dissertation on Eckhart, he included a comparison with Zen returning to that topic. In light of (...)
    Translate
     
     
    Export citation  
     
    Bookmark  
  4. Five Faces of Modernity: Modernism, Avant-Garde, Decadence, Kitsch, Postmodernism.Matei Calinescu - 1987 - Duke University Press.
    _Five Faces of Modernity_ is a series of semantic and cultural biographies of words that have taken on special significance in the last century and a half or so: _modernity_, _avant-garde_, _decadence_, _kitsch_, and _postmodernism_. The concept of modernity—the notion that we, the living, are different and somehow superior to our predecessors and that our civilization is likely to be succeeded by one even superior to ours—is a relatively recent Western invention and one whose time may already have passed, if (...)
     
    Export citation  
     
    Bookmark   13 citations  
  5.  10
    How to Encourage Social Entrepreneurship Action? Using Web 2.0 Technologies in Higher Education Institutions.Víctor Jesus García-Morales, Rodrigo Martín-Rojas & Raquel Garde-Sánchez - 2019 - Journal of Business Ethics 161 (2):329-350.
    University students will be our future business leaders, and will have to address social problems caused by business by implementing solutions such as social entrepreneurship ventures. In order to facilitate the learning process that will foster social entrepreneurship, however, a more holistic pedagogy is needed. Based on learning theory, we propose that students’ social entrepreneurship actions will depend on their learning about CSR and their absorptive capacity. We propose that instructors and higher education institutions can enhance this absorptive capacity by (...)
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark  
  6.  59
    Temporalization as Transcendental Aesthetics - Avant-Garde, Modern, Contemporary.Peter Osborne - 2013 - Nordic Journal of Aesthetics 23 (44-45).
    Reflections on the relationship of aesthetics to politics tend to circle, almost compulsively, around a relatively stable set of conceptual oppositions, inherited from German philosophies of the late 18th century. This essay proposes an expansion of the theoretical terms of the debate by extending the field of transcendental aesthetics into the domain of historical temporalization. Fundamental art-historical categories may thereby be incorporated, philosophically transformed, into ‘aesthetics’ as forms of historical temporalization: avant-garde, modern, contemporary. The essay expounds two theses, in particular: (...)
    Direct download (4 more)  
     
    Export citation  
     
    Bookmark   1 citation  
  7.  63
    Art, Mimesis, and the Avant-Garde: Aspects of a Philosophy of Difference.Andrew E. Benjamin - 1991 - Routledge.
    Art, Mimesis and the Avant-Garde explores the relationship between art and philosophy. Andrew Benjamin argues for a reworking of the task of philosophy in terms of the centrality of ontology. It is in relation to this centrality, understood through the differences between modes of being, that art, mimesis, and the avant-garde come to be presented. A fundamental part of this book is the original interpretations of important contemporary painters and their themes: Lucian Freud's self-portraits, Francis Bacon 's use of mirrors, (...)
    Direct download  
     
    Export citation  
     
    Bookmark   1 citation  
  8.  23
    A New Avant-Garde?Gerald Keaney - 2011 - Rethinking Marxism 23 (4):556-564.
    Many artists who identify as politically committed are suspicious of art due to the Situationist argument that revolutionary art is impossible. If right, the argument also rules out a future artistic avant-garde. I believe that, by concentrating on the truthtelling possibilities of art, we can meet the Situationist argument. To do so, it is necessary to change the relationship art has to everyday life. We can then speculate on the form of a future avant-garde.
    Direct download  
    Translate
     
     
    Export citation  
     
    Bookmark  
  9.  14
    Avant-Garde: Making War, Revolutionary Politics and Art.Dragana Jeremic-Molnar & Aleksandar Molnar - 2008 - Filozofija I Društvo 19 (2):191-220.
    In the article the authors are dealing with the militant potential of the concept of avant-garde. Emerging in the politics and art in the first half of the 19th century and designed to ruin almost the whole tradition of 'bourgeois' enlightenment, political and artistic avant-garde was never capable of emancipating itself from its roots in strategic military thinking. Its true essence was to create battlefields in every domain of public life where the chance was given to ruin civil society - (...)
    No categories
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark  
  10.  4
    The Avant-Garde’s Visual Arts in the Context of Santayana’s Idea of Vital Liberty.Krzysztof Skowroński - 2012 - Human Affairs 22 (2):142-160.
    In the present paper, the author looks at the political dimension of some trends in the visual arts within twentieth-century avant-garde groups through George Santayana’s idea of vital liberty. Santayana accused the avant-gardists of social and political escapism, and of becoming unintentionally involved in secondary issues. In his view, the emphasis they placed on the medium and on treating it as an aim in itself, not, as it should be, as a transmitter through which a stimulating relationship with the environment (...)
    No categories
    Direct download (3 more)  
     
    Export citation  
     
    Bookmark  
  11.  31
    Making Theory/Constructing Art: On the Authority of the Avant-Garde.Daniel Alan Herwitz - 1993 - University of Chicago Press.
    Artists and critics regularly enlist theory in the creation and assessment of artworks, but few have scrutinized the art theories themselves. Here, Daniel examines and critiques the norms, assumptions, historical conditions, and institutions that have framed the development and uses of art theory. Spurred by the theoretical claims of Arthur Danto, a leader in the philosophy of the avant-garde, Herwitz reexamines the art and theory of major figures in the avant-garde movement including John Cage, Jean-François Lyotard, Jean Baudrillard, and Andy (...)
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark  
  12.  19
    Neo-Avant-Garde.David Hopkins & Anna Katharina Schaffner (eds.) - 2006 - Rodopi.
    'ART' AND 'LIFE'... AND DEATH: MARCEL DUCHAMP, ROBERT MORRIS AND NEO-AVANT- GARDE IRONY DAVID HOPKINS Peter Bürger charges avant-garde art of the and 60s ...
    Direct download  
     
    Export citation  
     
    Bookmark  
  13. Russian Avant-Garde and Radical Modernism: An Introductory Reader.Denis G. Ioffe & Frederick H. White (eds.) - 2012 - Academic Studies Press.
    I. An introduction -- II. Russian futurism and the related currents -- III. Russian suprematism and constructivism -- IV. The OBERIU circle (Daniil Kharms and his associates) -- V. Russian experimental performance and theater -- VI. Avant-garde cinematography: Sergei Eisenstein and Dziga Vertov.
     
    Export citation  
     
    Bookmark  
  14. Theory of the Avant-Garde.Peter Burger - 1984 - Univ of Minnesota Press.
    No categories
     
    Export citation  
     
    Bookmark   17 citations  
  15. The Cult of the Avant-Garde Artist.Donald B. Kuspit - 1993
    No categories
     
    Export citation  
     
    Bookmark   3 citations  
  16. La Révolution du Langage Poétique l'Avant-Garde À la Fin du Xixe Siècle : Lautréamont Et Mallarmé.Julia Kristeva - 1974
    Translate
     
     
    Export citation  
     
    Bookmark   3 citations  
  17.  12
    Art in Progress: A Philosophical Response to the End of the Avant-Garde.Maarten Doorman - 2003 - Amsterdam University Press.
    In this challenging essay, Maarten Doorman argues that in art, belief in progress is still relevant, if not essential. The radical freedoms of postmodernism, he claims, have had a crippling effect on art, leaving it in danger of becoming meaningless. Art can only acquire meaning through context the concept of progress, then, is ideal as the primary criterion for establishing that context. The history of art, in fact, can be seen as a process of constant accumulation, works of art commenting (...)
    Direct download  
     
    Export citation  
     
    Bookmark   1 citation  
  18. Theorizing the Avant-Garde Modernism, Expressionism, and the Problem of Postmodernity.Richard Murphy - 1999
    No categories
     
    Export citation  
     
    Bookmark   1 citation  
  19. Avant-Garde Florence From Modernism to Fascism.Walter L. Adamson - 1993
    No categories
     
    Export citation  
     
    Bookmark   1 citation  
  20. Esprit de Corps the Art of the Parisian Avant-Garde and the First World War, 1914-1925.Kenneth E. Silver - 1989
    No categories
     
    Export citation  
     
    Bookmark   1 citation  
  21.  28
    Avant-Garde Fascism: The Mobilization of Myth, Art, and Culture in France, 1909-1939.Mark Antliff - 2007 - Duke University Press.
    Fascism, modernism and modernity -- The Jew as anti-artist : Georges Sorel and the aesthetics of the anti- Enlightenment -- La Cité française : Georges Valois, Le Corbusier and fascist theories of urbanism -- Machine primitives : Philippe Lamour and the fascist cult of youth -- Classical violence : Thierry Maulnier and the legacy of the Cercle Proudhon.
    Direct download  
     
    Export citation  
     
    Bookmark  
  22. Jaroslav Rössler: Czech Avant-Garde Photographer.Vladimír Birgus & Jan Mlcoch (eds.) - 2006 - MIT Press.
    No categories
     
    Export citation  
     
    Bookmark  
  23. Leger and the Avant-Garde.Christopher Green & Fernand Léger - 1976
    No categories
     
    Export citation  
     
    Bookmark  
  24. The British Avant-Garde the Theory and Politics of Tradition.Josephine M. Guy - 1991
    No categories
     
    Export citation  
     
    Bookmark  
  25. The Avant-Garde.Thomas B. Hess & John Ashbery - 1968 - Macmillan.
    No categories
     
    Export citation  
     
    Bookmark  
  26. Fascist Modernism: Aesthetics, Politics, and the Avant-Garde.Andrew Hewitt - 1993 - Stanford University Press.
    Using the literary work of Filippo Tommaso Marinetti, the founder of the Italian Futurist movement and an early associate of Mussolini, the author explores the point of contact between a "progressive" aesthetic practice and a "reactionary" political ideology.
    No categories
     
    Export citation  
     
    Bookmark  
  27. Health and Happiness in 20th-Century Avant-Garde Art.Donald B. Kuspit & Lynn Gamwell - 1996
    No categories
     
    Export citation  
     
    Bookmark  
  28. Psychostrategies of Avant-Garde Art.Donald Kuspit - 2002 - Journal of Aesthetics and Art Criticism 60 (3):279-280.
     
    Export citation  
     
    Bookmark  
  29. The Avant-Garde Finds Andy Hardy.Robert B. Ray - 1995 - Harvard University Press.
     
    Export citation  
     
    Bookmark  
  30. The Russian Avant-Garde Book, 1910-1934.Margit Rowell, Deborah Wye & N. Museum of Modern Art York - 2002
    No categories
     
    Export citation  
     
    Bookmark  
  31. The Avant-Garde: Race, Religion, War.Mike Sell - 2011 - Seagull Books.
     
    Export citation  
     
    Bookmark  
  32. Popular Avant-Garde.Renée M. Silverman (ed.) - 2010 - Rodopi.
     
    Export citation  
     
    Bookmark  
  33. Seurat and the Avant-Garde.Paul Smith - 1997
    No categories
     
    Export citation  
     
    Bookmark  
  34. Women, Destruction, and the Avant-Garde: A Paradigm for Animal Liberation.Kim Socha - 2012 - Rodopi.
  35. The Will to Chance: Necessity and Arbitrariness in the Czech Avant-Garde From Poetism to Surrealism.Malynne M. Sternstein - 2007 - Slavica Publishers.
    Against arbitrariness -- The plastic word -- The simultaneous vision -- Each of us tracks his own toad -- The bed in the background : the erotics of chance in the discourses of Czech surrealism -- The poet and the hangman.
     
    Export citation  
     
    Bookmark  
  36. Avant-Garde Und Industrie.Stanislaus von Moos, Chris Smeenk & Technische Hogeschool Delft - 1983
    No categories
    Translate
     
     
    Export citation  
     
    Bookmark  
  37. Speaking for Vice Homosexuality in the Art of Charles Demuth, Marsden Hartley, and the First American Avant-Garde.Jonathan Weinberg, Charles Demuth & Marsden Hartley - 1993
    No categories
     
    Export citation  
     
    Bookmark  
  38. The Challenge of the Avant-Garde.Paul Wood (ed.) - 1999
    No categories
     
    Export citation  
     
    Bookmark  
  39.  26
    Global Justice and Avant-Garde Political Agency.Lea Ypi - 2011 - Oxford University Press.
    Global Justice and Avant-Garde Political Agency offers a fresh, nuanced example of political theory in an activist mode. Setting the debate on global justice in the context of recent methodological disputes on the relationship between ideal and nonideal theorizing, Ypi's dialectical account shows how principles and agency really can interact.
    Direct download  
     
    Export citation  
     
    Bookmark   7 citations  
  40.  15
    Lea Ypi on Global Justice and Avant-Garde Political Agency: Some Reflections.David Miller - 2013 - Ethics and Global Politics 6 (2):93-99.
    Lea Ypi’s book Global Justice and Avant-Garde Political Agency is a very rich book, and one cannot hope to do it justice in the space of a short discussion.1 In this commentary I will focus on the second part of her title, reserving for another occasion her interesting discussion of equality and sufficiency as principles of global justice. Here I will restrict myself to some remarks about method in political theory, and especially the idea of avant-garde political theory, which is (...)
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark   2 citations  
  41. The Aesthetics of Anarchy: Art and Ideology in the Early Russian Avant-Garde.Nina Gurianova - 2012 - University of California Press.
    In this groundbreaking study, Nina Gurianova identifies the early Russian avant-garde as a distinctive movement in its own right and not a preliminary stage to the Constructivism of the 1920s. Gurianova identifies what she terms an “aesthetics of anarchy”—art-making without rules—that greatly influenced early twentieth-century modernists. Setting the early Russian avant-garde movement firmly within a broader European context, Gurianova draws on a wealth of primary and archival sources by individual writers and artists, Russian theorists, theorizing artists, and German philosophers. Unlike (...)
    No categories
     
    Export citation  
     
    Bookmark   1 citation  
  42.  8
    Listening to the Avant-Garde.Rahul Rao - 2013 - Ethics and Global Politics 6 (2):101-107.
    In her book Global Justice and Avant-Garde Political Agency, Lea Ypi revisits the debate over the scope of justice between cosmopolitans and statists, which has been constitutive of the field of international normative theory. Against statists, Ypi defends the global scope of egalitarian principles of justice, deriving them from a causally fundamental relationship between relative and absolute deprivation. Against cosmopolitans, she demonstrates that associative political relations play an essential role in implementing egalitarian principles of global justice and that condemnations of (...)
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark   1 citation  
  43.  67
    The Paradox of Public Art: Democratic Space, the Avant-Garde, and Richard Serra's "Tilted Arc".Caroline Levine - 2002 - Philosophy and Geography 5 (1):51 – 68.
    This essay interprets the controversy over Richard Serra's monumental sculpture, Tilted Arc , which was designed for a public plaza in downtown Manhattan in 1979 and then torn down five years later after intense public outcry. Levine reads this controversy as characteristic of contemporary debates over the arts, which continue the tradition of the nineteenth century avant-garde, pitting art against a wider public, and insisting that art must deliberately resist mainstream tastes and values in favor of marginality and innovation. This (...)
    Direct download (4 more)  
     
    Export citation  
     
    Bookmark   1 citation  
  44.  75
    Art-House Cinema, Avant-Garde Film, and Dramatic Modernism. Cardullo - 2011 - Journal of Aesthetic Education 45 (2):1-16.
    The most important modes of film practice, in my view, are art-house cinema and the avant-garde, both of which contrast with the classical Hollywood mode of film practice. While the latter is characterized by its commercial imperative, corporate hierarchies, and a high degree of specialization as well as a division of labor, the avant-garde is an “artisanal” or “personal” mode. Avant-garde films tend to be made by individuals or very small groups of collaborators, financed either by the filmmakers alone or (...)
    Direct download (5 more)  
     
    Export citation  
     
    Bookmark  
  45.  33
    Introducing Avant-Garde Film, on Michael O'Pray Avant-Garde Film: Forms, Themes and Passions.William C. Wees - 2004 - Film-Philosophy 8 (2).
    Michael O'Pray _Avant-Garde Film: Forms, Themes and Passions_ London and New York: Wallflower, 2003 ISBN 1 903364 56 6 136 pp.
    Direct download (5 more)  
     
    Export citation  
     
    Bookmark  
  46. Franciszka Themerson's "Ubu Comic Strip" : Autography, Caricature, and the Avant Garde.Barnaby Dicker - 2010 - In Renée M. Silverman (ed.), Popular Avant-Garde. Rodopi.
     
    Export citation  
     
    Bookmark  
  47. Reading Freire in London : Jo Spence's Photographs Between Popular and Avant-Garde.Siona Wilson - 2010 - In Renée M. Silverman (ed.), Popular Avant-Garde. Rodopi.
     
    Export citation  
     
    Bookmark  
  48.  29
    María Jesús Vitón, Diálogos con Raquel. Praxis pedagógicas y reflexión de saberes para el desarrollo educativo en la diversidad cultural, Editorial Popular, Madrid, España, 2012, 211 p. [REVIEW]María Teresa Sáez Ortega - 2013 - Polis: Revista Latinoamericana 35.
    María Jesús Vitón es Doctora en Ciencias de la Educación y Profesora Titular de la Universidad Autónoma de Madrid. Desarrolla su docencia y sus investigaciones en el terreno de lo socio-educativo, en grupos, en territorios, en países y en paisajes donde su quehacer profesional cobra el sentido de contribuir a transformar; a transformar con otros.Diálogos con Raquel es una propuesta metodológica práctica para planificar, desarrollar y evaluar acciones educativas en la diversidad cultural, con ..
    Direct download  
    Translate
     
     
    Export citation  
     
    Bookmark  
  49.  31
    The Bankruptcy of Left-Wing Kulturkritik: The “After the Avant-Garde” Conference.Richard Wolin - 1985 - Telos: Critical Theory of the Contemporary 1985 (63):168-173.
    The words of the keynote speaker at the “After the Avant-Garde” Conference (University of Houston, March 6-9, 1985) were destined to fall on deaf ears. Here was the 55-year-old Hans Magnus Enzensberger—poet, essayist, editor of Kursbuch —who 15 years earlier had argued for a left-wing “takeover” of the media for revolutionary ends. Yet this night he had a more Socratic wisdom to convey: an innate distrust of the concept of the avant-garde, a notion that suggests the obligation of a self-styled (...)
    Direct download (3 more)  
     
    Export citation  
     
    Bookmark  
  50.  26
    The Notion “Ideology” in the Context of the Russian Avant-Garde.Dennis Ioffe - 2012 - Cultura 9 (1):135-154.
    This article discusses the role of ideology in the Avant-Garde of both Russia and Western Europe. For this purpose, it is necessary to clearly delineate “ideology”and “politics,” which takes up the first part of this study. A number of different views of these aspects, as expressed by several critical approaches with respect to the Russian Avant-Garde, are confronted and critically examined.
    Direct download (7 more)  
     
    Export citation  
     
    Bookmark  
1 — 50 / 829