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  1.  1
    1. Cover Cover (Pp. C1-C4).Eleanor Cowan, Renaud Gagné, Patrick Glauthier, Julia Hejduk, Josiah Osgood & Christopher Welser - 2009 - Classical Antiquity 28 (2):279-327.
    The conflict between Jupiter and Juno in the Aeneid is commonly read as a battle between the forces of order and chaos. The present article argues that this schematization, though morally and aesthetically satisfying, fails to account for most of the data. Virgil's Jupiter is in fact concerned solely with power and adulation, despite persistent attempts by readers——and characters in the poem——to see him as benign. By systematically discussing every appearance of Jupiter in the poem, the article seeks to correct (...)
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  2.  12
    Atreid Ancestors in Alkaios.Renaud Gagné - 2009 - Journal of Hellenic Studies 129:39-.
    Alkaios refers to Pittakos as one who has 'acquired an Atreid wife' in fragment 70 Voigt. This papers looks at the connotations of that statement in the text of the Lesbian poet, and its significance for the history of the Greek idea of ancestral fault.
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  3.  12
    Aristotle as Poet: The Song for Hermias and Its Contexts by Andrew Ford (Review).Renaud Gagné - 2013 - Classical World: A Quarterly Journal on Antiquity 107 (1):135-136.
  4. Invisible Kin: Works and Days 280-285.Renaud Gagne - 2010 - Hermes 138 (1):1-21.
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  5. L'esthétique de la peur chez Empédocle.Renaud Gagné - 2006 - Revue de Philosophie Ancienne 24 (1):83-110.
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  6.  32
    (M.) Steinrück The Suitors in the Odyssey. The Clash Between Homer and Archilochus. (Hermeneutic Commentaries 2.) Pp. Viii + 153. New York and Oxford: Peter Lang, 2008. Cased, £29.90, €39.90. ISBN: 978-1-4331-0475-. [REVIEW]Renaud Gagné - 2010 - The Classical Review 60 (1):301-.
  7.  9
    Poétiques de la chrèsmodie.Renaud Gagné - 2013 - Kernos 26:95-109.
    Par l’analyse de l’oracle de Glaukos tel qu’il apparaît au chapitre 86 du 6e livre d’Hérodote, cet article se propose d’illustrer la richesse du matériau oraculaire des périodes archaïque et classique, et l’intérêt de redonner au chrèsmos hexamétrique sa place dans le grand paysage des traditions poétiques de la Grèce archaïque et classique.The oracular poetry of the archaic and classical periods is a vast corpus of texts united by the same conventions of language, the same family of images and ideas (...)
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  8.  2
    Richard Bouchon, Pascale Brillet-Dubois, Nadine Le Meur-Weissman (Éd.), Hymnes de la Grèce Antique.Renaud Gagné - 2014 - Kernos 27:469-472.
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  9. Regimes of Comparatism: Frameworks of Comparison in History, Religion and Anthropology.Renaud Gagné, Simon Goldhill & Geoffrey E. R. Lloyd - 2019
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  10.  15
    Themis at Eleusis: Clement of Alexandria, Protrepticus 2.22.5.Renaud Gagné & Miguel Herrero - 2009 - Classical Quarterly 59 (1):289-.
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  11.  33
    The Sins of the Fathers: C.A. Lobeck and K.O. Müller.Renaud Gagné - 2008 - Kernos 21.
    The notion of “inherited guilt,” or ancestral fault, has played a prominent role in scholarship on ancient Greek religion and literature. Although it corresponds to no clearly circumscribed ancient concept, it has acquired something of a self-evident value in philological research. Shaped by centuries of ideological involvement with the Greek material, and by the apparently equivalent Judeo-Christian notions of corporate responsibility and original sin, the term “inherited guilt” imposes a heavy baggage of assumptions and resonances on the material it is (...)
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  12.  13
    Zeus in Early Poetry - Yasumura Challenges to the Power of Zeus in Early Greek Poetry. Pp. XII + 223. London: Bristol Classical Press, 2011. Cased, £50. Isbn: 978-0-7156-3678-7. [REVIEW]Renaud Gagné - 2014 - The Classical Review 64 (2):333-334.
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