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  1.  16
    Have Computation, Animatronics, and Robotic Art Anything to Say About Emotion, Compassion, and How to Model Them? The Survivor Project.Ephraim Nissan, Ricardo Cassinis & Laura Maria Morelli - 2008 - Pragmatics and Cognition 16 (1):3-36.
    We discuss robotic art, emotion in robotic art, and compassion in the philosophy of art. We discuss a particular animated artwork, survivor, the walking chair, symbolising survivors of landmine blasts, learning to use crutches, and maimed emotionally as well as physically. Its control incorporates mutual relations between very rudimentary representations of distinct emotions. This artwork is intended for sensitising viewers to the horror experienced by those who survive, and those who don't. We can only give a small sample, here, of (...)
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  2.  11
    Have Computation, Animatronics, and Robotic Art Anything to Say About Emotion, Compassion, and How to Model Them?: Thesurvivorproject.Ephraim Nissan, Ricardo Cassinis & Laura Maria Morelli - 2008 - Pragmatics and Cognition 16 (1):3-36.
    We discuss robotic art, emotion in robotic art, and compassion in the philosophy of art. We discuss a particular animated artwork,survivor, the walking chair, symbolising survivors of landmine blasts, learning to use crutches, and maimed emotionally as well as physically. Its control incorporates mutual relations between very rudimentary representations of distinct emotions. This artwork is intended for sensitising viewers to the horror experienced by those who survive, and those who don’t. We can only give a small sample, here, of the (...)
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