13 found
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  1.  34
    Experiencing Narrative Worlds: On the Psychological Activities of Reading.David Herman & Richard J. Gerrig - 1997 - Substance 26 (1):167.
  2.  28
    The Impact of Memory Demands on Audience Design During Language Production.William S. Horton & Richard J. Gerrig - 2005 - Cognition 96 (2):127-142.
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  3.  22
    On the Pretense Theory of Irony.Herbert H. Clark & Richard J. Gerrig - 1984 - Journal of Experimental Psychology: General 113 (1):121-126.
  4.  33
    Revisiting the Memory‐Based Processing Approach to Common Ground.William S. Horton & Richard J. Gerrig - 2016 - Topics in Cognitive Science 8 (4):780-795.
    Horton and Gerrig outlined a memory-based processing model of conversational common ground that provided a description of how speakers could both strategically and automatically gain access to information about others through domain-general memory processes acting over ordinary memory traces. In this article, we revisit this account, reviewing empirical findings that address aspects of this memory-based model. In doing so, we also take the opportunity to clarify what we believe this approach implies about the cognitive psychology of common ground, and just (...)
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  5.  9
    Emotional Influences on Word Recognition.Richard J. Gerrig & Gordon H. Bower - 1982 - Bulletin of the Psychonomic Society 19 (4):197-200.
  6.  66
    Reexperiencing Fiction and Non-Fiction.Richard J. Gerrig - 1989 - Journal of Aesthetics and Art Criticism 47 (3):277-280.
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  7.  26
    Relevance Theory, Mutual Knowledge, and Accidental Irrelevance.Richard J. Gerrig - 1987 - Behavioral and Brain Sciences 10 (4):717.
  8. Is There a Paradox of Suspense? A Reply to Yanal.Richard J. Gerrig - 1997 - British Journal of Aesthetics 37 (2):168-174.
  9. Notes on Audience Response.Richard J. Gerrig & Deborah A. Prentice - 1996 - In David Bordwell Noel Carroll (ed.), Post-Theory: Reconstructing Film Studies. University of Wisconsin Press. pp. 388--403.
     
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  10.  12
    Common Ground and Everyday Language Use: Comments on Horton and Keysar (1996).James W. Polichak & Richard J. Gerrig - 1998 - Cognition 66 (2):183-189.
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  11.  86
    Empirical Constraints on Computational Theories of Metaphor: Comments on Indurkhya.Richard J. Gerrig - 1989 - Cognitive Science 13 (2):235-241.
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  12. Musical Emotions in the Context of Narrative Film.Matthew A. Bezdek & Richard J. Gerrig - 2008 - Behavioral and Brain Sciences 31 (5):578-578.
    Juslin & Vll's (J&V's) discussions of evaluative conditioning and episodic memory focus on circumstances in which music becomes associated with arbitrary life events. However, analyses of film music suggest that viewers experience consistent pairings between types of music and types of narrative content. Researchers have demonstrated that the emotional content of film music has a major impact on viewers' emotional experiences of a narrative.
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  13.  41
    Moral Judgments in Narrative Contexts.Richard J. Gerrig - 2005 - Behavioral and Brain Sciences 28 (4):550-550.
    In narrative contexts, people often find themselves mentally rooting for “bad guys.” These circumstances lead to questions about how Sunstein's moral heuristics function during narrative experiences. In particular, must people undertake explicit moral analysis for the heuristics to apply?
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