Results for 'Richard Marc Shusterman'

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Richard Marc Shusterman
Florida Atlantic University
  1.  63
    Embodied Meaning and Aesthetic Experience: Mark Johnson, The Meaning of the Body. Aesthetics of Human Understanding. Chicago. University of Chicago Press, 2007. 276p, 2 Color Plates, 1 Halftone, 2 Line Drawings, 4 Figures, 6 Musical Examples. Cloth $32; ₤20 ISBN 0-226-40192-8.Richard Marc Shusterman - 2009 - Phenomenology and the Cognitive Sciences 8 (2):261-265.
  2.  90
    Body Consciousness: A Philosophy of Mindfulness and Somaesthetics.Richard Shusterman - 2008 - Cambridge University Press.
    Contemporary culture increasingly suffers from problems of attention, over-stimulation, and stress, and a variety of personal and social discontents generated by deceptive body images. This book argues that improved body consciousness can relieve these problems and enhance one's knowledge, performance, and pleasure. The body is our basic medium of perception and action, but focused attention to its feelings and movements has long been criticised as a damaging distraction that also ethically corrupts through self-absorption. In Body Consciousness, Richard Shusterman (...)
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  3. Bourdieu: A Critical Reader.Richard Shusterman (ed.) - 1999 - Wiley-Blackwell.
    This Critical Reader provides a new perspective on the work of France's foremost social theorist Pierre Bourdieu, by examining its philosophical import and promoting a fruitful dialogue between Bourdieu and philosophers in the English-speaking world. The contributors include leading philosophers who critically assess Bourdieu's philosophical theories and their significance from diverse philosophical perspectives to reveal which dimensions of his thought are the most useful for philosophy today. These discussions also raise important questions about the current institutional limits of philosophy and (...)
     
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  4.  20
    Postmodernism, or, the Cultural Logic of Late Capitalism.Richard Shusterman - 1992 - Journal of Aesthetics and Art Criticism 50 (3):254-257.
  5.  9
    Angus Carmichael Kerr-Lawson 1932-2011.Richard Marc Rubin - 2011 - Review of Metaphysics 65 (1):271-272.
  6.  4
    Editor’s Notes.Richard Marc Rubin - 2020 - Overheard in Seville 38 (38):5-5.
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  7.  46
    Thinking Through the Body: Essays in Somaesthetics.Richard Shusterman - 2012 - Cambridge University Press.
    Thinking through the body: educating for the humanities -- The body as background -- Self-knowledge and its discontents: from Socrates to somaesthetics -- Muscle memory and the somaesthetic pathologies of everyday life -- Somaesthetics in the philosophy classroom: a practical approach -- Somaesthetics and the limits of aesthetics -- Somaesthetics and Burke's sublime -- Pragmatism and cultural politics: from textualism to somaesthetics -- Body consciousness and performance -- Somaesthetics and architecture: a critical option -- Photography as performative process -- Asian (...)
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  8. Response to Richard Shusterman.Richard Rorty - 2001 - In Matthew Festenstein & Simon Thompson (eds.), Richard Rorty: Critical Dialogues. Polity Press. pp. 152--57.
     
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  9.  34
    Practicing Philosophy: Pragmatism and the Philosophical Life.Richard Shusterman - 1996 - Routledge.
    Applying contemporary pragmatism to the crucial question of how philosophy can help us live better, Shusterman develops his distinctive aesthetic model of philosophical living that includes politics, somatics, and ethnicity, while critically engaging the rival views of Dewey, Wittgenstein, and Foucault, as well as Rorty, Putnam, Goodman, Habermas, and Cavell.
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  10.  81
    Pragmatist Aesthetics: Living Beauty, Rethinking Art.Richard Shusterman - 1992 - Blackwell.
    This much acclaimed book has emerged as neo-pragmatism's most significant contribution to contemporary aesthetics.
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  11.  31
    Transactional Experiential Inquiry: From Pragmatism to Somaesthetics.Richard Shusterman - 2015 - Contemporary Pragmatism 12 (1):180-195.
    In responding to five symposium articles that discuss my book Thinking through the Body and my theories of somaesthetics and pragmatism, this essay elaborates two central methodological orientations that guide my philosophical research. The first is transactional experiential inquiry in which inquiry can develop new directions, aims, methods, and standards through the dynamic experiences acquired in the course of the inquiry’s pursuit and in which its transactional experiences involve research that transcends familiar disciplinary limits and conventions. The second principle involves (...)
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  12.  59
    Performing Live: Aesthetic Alternatives for the Ends of Art.Richard Shusterman - 2000 - Cornell University Press.
    The end of aesthetic experience -- Don't believe the hype -- The fine art of rap -- Affect and authenticity in country musicals -- The urban aesthetics of absence : pragmatist reflections in Berlin -- Beneath interpretation -- Somaesthetics and the body/media issue -- The somatic turn : care of the body in contemporary culture -- Multiculturalism and the art of living -- Genius and the paradox of self-styling.
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  13.  28
    Surface and Depth: Dialectics of Criticism and Culture.Richard Shusterman - 2002 - Cornell University Press.
    If aesthetics is both surface and depth, impassioned immediacy yet also critical distance of judgment, how can this doubleness be held together in one ...
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  14.  31
    Pragmatism and East-Asian Thought.Richard Shusterman - 2004 - Metaphilosophy 35 (1-2):13-43.
  15. Pragmatist Aesthetics: Living Beauty, Rethinking Art.Richard Shusterman - 1992 - Rowman & Littlefield Publishers.
    This much acclaimed book has emerged as neo-pragmatism's most significant contribution to contemporary aesthetics. By articulating a deeply embodied notion of aesthetic experience and the art of living, and by providing a compellingly rigorous defense of popular art—crowned by a pioneer study of hip hop—Richard Shusterman reorients aesthetics towards a fresher, more relevant, and socially progressive agenda. The second edition contains an introduction where Shusterman responds to his critics, and it concludes with an added chapter that formulates (...)
     
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  16.  10
    Analytic Aesthetics.Richard Shusterman (ed.) - 1989 - Blackwell.
  17.  14
    Undoing Aesthetics.Richard Shusterman - 2000 - Journal of Aesthetics and Art Criticism 58 (1):83-84.
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  18.  83
    Richard Shusterman on Pleasure and Aesthetic Experience.Alexander Nehamas - 1998 - Journal of Aesthetics and Art Criticism 56 (1):49-51.
  19.  60
    Soma, Self, and Society: Somaesthetics as Pragmatist Meliorism.Richard Shusterman - 2011 - Metaphilosophy 42 (3):314-327.
    Abstract: This article explains the pragmatist project of somaesthetics in five different ways. First, it clarifies the notion of soma as encompassing both subjective intentionality and material objectivity in the world. Second, it highlights the social dimensions of somaesthetics, building on the basic insight that the soma is always shaped by the social and physical environments in which it is nested. Third, it examines the similarities and differences between somaesthetics and the Merleau-Ponty tradition of somatic phenomenology, while answering some of (...)
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  20.  9
    Reconsidering Richard Shusterman’s Somaesthetics.James Garrison - 2015 - Contemporary Pragmatism 12 (1):135-155.
    In his work on somaesthetics, Richard Shusterman employs Confucianism’s take on ritualized self-cultivation to address blind spots in Euro-American accounts. However, Shusterman’s remarks on the later classical-era thinker Xún Zǐ hint at a possible tension with the former’s pragmatism and promotion of somatic self-fashioning. The classical Confucian debate between Mencius and Xún Zǐ on human nature being either “good” or “bad” broaches issues of somaesthetics, namely as concerns self-cultivation being either internally spontaneous or externally imposed. Looking at (...)
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  21.  15
    Segmentation of the Speech Stream in a Non-Human Primate: Statistical Learning in Cotton-Top Tamarins.Marc D. Hauser, Elissa L. Newport & Richard N. Aslin - 2001 - Cognition 78 (3):B53-B64.
  22. Pragmatism and Criticism: A Response to Three Critics of Pragmatist Aesthetics.Richard Shusterman - 2002 - Journal of Speculative Philosophy 16 (1):26 - 38.
  23. Somaesthetics and The Second Sex: A Pragmatist Reading of a Feminist Classic.Richard Shusterman - 2003 - Hypatia 18 (4):106-136.
    This paper explains the discipline of somaesthetics, which emerges from pragmatism's concern with enhancing embodied experience and reconstructing the aesthetic in ways that make it more central to key philosophical concerns of knowledge, ethics, and politics. I then examine Beauvoir's complex treatment of the body in The Second Sex, assessing both her arguments that could support the pragmatic approach of somaesthetics but also those that challenge its bodily focus as a danger for feminism.
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  24.  3
    Performing Live: Aesthetic Alternatives for the Ends of Art.Richard Shusterman - 2000 - Cornell University Press.
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  25. Pragmatist Aesthetics: Living Beauty, Rethinking Art.Richard SHUSTERMAN - 1992 - Transactions of the Charles S. Peirce Society 29 (3):480-488.
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  26.  16
    T.S. Eliot and the Philosophy of Criticism.Richard Shusterman - 1988 - Columbia University Press.
    T.S. Eliot, no less a distinguished as a critic than as a poet, began as a student of philosophy. As a young man he planned to take up philosophy as a career, and his later critical theory was deeply influenced by his philosophical outlook. This book, written by a professional philosopher trained in the analytic tradition, is the first philosophically rigorous and systematic account of Eliot's views and development. Tracing this devolpment against the mainstream twentieth-century philosophy, both Anglo-American and continental, (...)
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  27.  37
    Somaesthetics: A Disciplinary Proposal.Richard Shusterman - 1999 - Journal of Aesthetics and Art Criticism 57 (3):299-313.
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  28.  31
    Back to the Future: Aesthetics Today.Richard Shusterman - 2012 - Nordic Journal of Aesthetics 23 (43).
    This paper originated as the keynote address at the conference “Aesthetics Today” organized by the Finnish Society of Aesthetics to mark its 40th anniversary and was delivered at the University of Helsinki on March 1, 2012. Written for that particular occasion the sense of an oral presentation has been maintained. Shusterman’s point of departure is the thesis that contemporary aesthetics can be characterized by a number of leading themes that mark a return to older aesthetic perspectives, after these perspectives (...)
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  29.  6
    The Interpretive Turn: Philosophy, Science, Culture.David Hiley, James Bohman & Richard Shusterman (eds.) - 1991 - Cornell University Press.
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  30.  4
    William James, Somatic Introspection, and Care of the Self.Richard Shusterman - 2005 - Philosophical Forum 36 (4):419-440.
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  31.  10
    Bodies in the Streets: The Somaesthetics of City Life.Richard Shusterman (ed.) - 2019 - Brill.
    Thirteen original essays explore the qualities and challenges of urban life from a variety of disciplinary perspectives that illustrate the aesthetic, cultural, and political roles of bodies in the city streets.
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  32.  54
    Body Consciousness and Performance: Somaesthetics East and West.Richard Shusterman - 2009 - Journal of Aesthetics and Art Criticism 67 (2):133-145.
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  33.  69
    The End of Aesthetic Experience.Richard Shusterman - 1997 - Journal of Aesthetics and Art Criticism 55 (1):29-41.
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  34.  69
    Aesthetic Experience: From Analysis to Eros.Richard Shusterman - 2006 - Journal of Aesthetics and Art Criticism 64 (2):217–229.
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  35.  38
    William James, Somatic Introspection, and Care of the Self.Richard Shusterman - 2005 - Philosophical Forum 36 (4):419–440.
  36.  74
    Dewey's Art as Experience : The Psychological Background.Richard Shusterman - 2010 - Journal of Aesthetic Education 44 (1):pp. 26-43.
  37.  15
    Internationalism in Philosophy: Models, Motives and Problems.Richard Shusterman - 1997 - Metaphilosophy 28 (4):289-301.
  38.  29
    Pragmatism and Liberalism Between Dewey and Rorty.Richard Shusterman - 1994 - Political Theory 22 (3):391-413.
  39. Richard Shusterman’s Hip-Hop Embodiments.Robert Dobrowolski - 2009 - Studia Philosophica Wratislaviensia 4 (3):81-94.
    Richard Shusterman’s aesthetic legitimation of popular art is the part of invented by himself somaesthetics theory, which is devoted to the body and its experience. His meliorative efforts to critically re-evaluate its positive role in human existence focus on hip-hop culture. However, although Shusterman’s characteristics of hip-hop seems to be valid to a large extent, it raises some doubts. It should be noted that all the features of hip-hop mentioned by him are non-specific. Also political engagement or (...)
     
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  40.  11
    Introduction.Richard Shusterman - 2004 - Metaphilosophy 35 (1-2):1-12.
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  41. Ars Erotica: Sex and Somaesthetics in the Classical Arts of Love.Richard Shusterman - 2021 - New York/Cambridge: Cambridge University Press.
    The term ars erotica refers to the styles and techniques of lovemaking with the honorific title of art. But in what sense are these practices artistic and how do they contribute to the aesthetics and ethics of self-cultivation in the art of living? In this book, Richard Shusterman offers a critical, comparative analysis of the erotic theories proposed by the most influential premodern cultural traditions that shaped our contemporary world. Beginning with ancient Greece, whose god of desiring love (...)
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  42.  7
    The Role of Time Perception in Temporal Binding: Impaired Temporal Resolution in Causal Sequences.Richard Fereday, Marc J. Buehner & Simon K. Rushton - 2019 - Cognition 193:104005.
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  43.  38
    Thinking Through the Body, Educating for the Humanities: A Plea for Somaesthetics.Richard Shusterman - 2006 - Journal of Aesthetic Education 40 (1):1-21.
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  44.  41
    Soma and Psyche.Richard Shusterman - 2010 - Journal of Speculative Philosophy 24 (3):205-223.
    In the ancient legend of Cupid and Psyche, Venus was jealous of Psyche’s beauty and plotted to punish her by binding her through love to a hideous creature that would appear once Cupid scratched Psyche with his arrow of desire while she slept, so that she would fall in love with the next thing she saw upon awakening. But when Cupid saw her beauty, he was so overwhelmed that he accidentally wounded himself with his own arrow and thus fell deeply (...)
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  45.  68
    Somaesthetics and Burke's Sublime.Richard Shusterman - 2005 - British Journal of Aesthetics 45 (4):323-341.
    Burke is an important exception to Nietzsche's claim that philosophical aesthetics ignores physiology and the role of practical interest. Grounded on the powerful interest of survival, Burke's theory of the sublime also offers a physiological explanation of our feelings of sublimity that explicitly defines certain conditions of our nerves as the ‘efficient cause’ of such feelings. While his general account of sublimity is widely appreciated, its somatic dimension has been dismissed as hopelessly misguided. In examining Burke's views in relation to (...)
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  46.  64
    Somatic Style.Richard Shusterman - 2011 - Journal of Aesthetics and Art Criticism 69 (2):147-159.
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  47.  47
    Somaesthetics and Care of the Self: The Case of Foucault.Richard Shusterman - 2000 - The Monist 83 (4):530-551.
    Among the many features that made Michel Foucault a remarkable philosopher was a doubly bold initiative: to renew the ancient idea of philosophy as a special way of life, and to insist on its distinctly somatic and aesthetic expression. This paper examines Foucault as an exemplary but problematic pioneer in a field I call somaesthetics, a discipline that puts the body’s experience and artful refashioning back into the heart of philosophy as an art of living. A long dominant Platonist tradition, (...)
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  48.  13
    Putnam and Cavell on the Ethics of Democracy.Richard Shusterman - 1997 - Political Theory 25 (2):193-214.
  49.  9
    Winckelmann on Taste: A Somaesthetic Perspective.Richard Shusterman - 2018 - Journal of Aesthetics and Art Criticism 76 (2):175-186.
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  50.  35
    Reflections on Richard Shusterman's Dewey.James Scott Johnston - 2004 - Journal of Aesthetic Education 38 (4):99-108.
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