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  1.  77
    Passions and Actions: Deleuze's Cinematographic Cogito.Richard Rushton - 2008 - Deleuze and Guatarri Studies 2 (2):121-139.
    When writing about cinema does Deleuze have a conception of cinema spectatorship? In New Philosophy for New Media, Mark Hansen argues that Deleuze does have a conception of cinema spectatorship but that the subjectivity central to that spectatorship is weak and impoverished. This article argues against Hansen's reductive interpretation of Deleuze. In doing so, it relies on the three syntheses of time developed in Difference and Repetition alongside an elaboration of Deleuze's notion of a ‘cinematographic Cogito’. In this way, the (...)
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  2.  3
    The Reality of Film: Theories of Filmic Reality.Richard Rushton - 2011 - Distributed in the United States Exclusively by Palgrave Macmillan.
    In formulating a notion of filmic reality, The Reality of Film offers a novel way of understanding our relationship to cinema. It argues that cinema need not be understood in terms of its capacities to refer to, reproduce or represent reality, but should be understood in terms of the kinds of realities it has the ability to create. The Reality of Film investigates filmic reality by way of six key film theorists: André Bazin, Christian Metz, Stanley Cavell, Gilles Deleuze, Slavoj (...)
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  3.  28
    A Deleuzian Imaginary: The Films of Jean Renoir.Richard Rushton - 2011 - Deleuze and Guatarri Studies 5 (2):241-260.
    This article contrasts the notion of a Deleuzian imaginary with that articulated by various film theorists during the 1970s and 1980s. Deleuze offers us, I argue, a way to conceive of the imaginary in the cinema in a positive way; that is, as something which opens up new expressions of the real. By contrast, for film theorists of the 1970s and 1980s, the imaginary was primarily conceived as a negative concept, as something which offered merely escapes or fraudulent distortions of (...)
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  4.  38
    Cavell and the Politics of Cinema: On Marie Antoinette.Richard Rushton - 2014 - Film-Philosophy 18 (1):110-127.
    This paper examines Stanley Cavell's theories from the perspective of a 'politics of cinema' and engages in a critical reading of Sofia Coppola's 2006 film, Marie Antoinette.
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  5. Filmic Realization.Richard Rushton - 2003 - Journal for Cultural Research 7 (1):85-95.
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  6. Introduction.Richard Rushton & Lynsey Russell‐Watts - 2010 - Journal for Cultural Research 14 (1):1-3.
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  7. Refractions of Reality: Philosophy and the Moving Image, John Mullarkey.Richard Rushton - 2010 - Journal of the British Society for Phenomenology 41 (3):329-330.
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  8.  31
    Capital Women.Richard Rushton - 2002 - Theory and Event 6 (1).
  9.  13
    Acknowledgement and Unknown Women: The Films of Catherine Breillat.Richard Rushton - 2010 - Journal for Cultural Research 14 (1):85-101.
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  10.  6
    The Psychoanalytic Structure of Trauma:Spellbound.Richard Rushton - 2004 - Journal for Cultural Research 8 (3):371-384.
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