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Richard Shusterman [193]Richard M. Shusterman [2]Richard Marc Shusterman [1]
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Richard Marc Shusterman
Florida Atlantic University
  1.  1
    Performing Live: Aesthetic Alternatives for the Ends of Art.Richard Shusterman - 2018 - Cornell University Press.
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  2.  76
    Body Consciousness: A Philosophy of Mindfulness and Somaesthetics.Richard Shusterman - 2008 - Cambridge University Press.
    Contemporary culture increasingly suffers from problems of attention, over-stimulation, and stress, and a variety of personal and social discontents generated by deceptive body images. This book argues that improved body consciousness can relieve these problems and enhance one's knowledge, performance, and pleasure. The body is our basic medium of perception and action, but focused attention to its feelings and movements has long been criticised as a damaging distraction that also ethically corrupts through self-absorption. In Body Consciousness, Richard Shusterman refutes such (...)
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  3.  13
    Postmodernism, or, the Cultural Logic of Late Capitalism.Richard Shusterman - 1992 - Journal of Aesthetics and Art Criticism 50 (3):254-257.
  4.  42
    Thinking Through the Body: Essays in Somaesthetics.Richard Shusterman - 2012 - Cambridge University Press.
    Thinking through the body: educating for the humanities -- The body as background -- Self-knowledge and its discontents: from Socrates to somaesthetics -- Muscle memory and the somaesthetic pathologies of everyday life -- Somaesthetics in the philosophy classroom: a practical approach -- Somaesthetics and the limits of aesthetics -- Somaesthetics and Burke's sublime -- Pragmatism and cultural politics: from textualism to somaesthetics -- Body consciousness and performance -- Somaesthetics and architecture: a critical option -- Photography as performative process -- Asian (...)
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  5.  73
    Pragmatist Aesthetics: Living Beauty, Rethinking Art.Richard Shusterman - 1992 - Blackwell.
    This much acclaimed book has emerged as neo-pragmatism's most significant contribution to contemporary aesthetics.
  6. Pragmatist Aesthetics.Richard Shusterman - 1992 - Wiley-Blackwell.
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  7.  52
    Performing Live: Aesthetic Alternatives for the Ends of Art.Richard Shusterman - 2000 - Cornell University Press.
    The end of aesthetic experience -- Don't believe the hype -- The fine art of rap -- Affect and authenticity in country musicals -- The urban aesthetics of absence : pragmatist reflections in Berlin -- Beneath interpretation -- Somaesthetics and the body/media issue -- The somatic turn : care of the body in contemporary culture -- Multiculturalism and the art of living -- Genius and the paradox of self-styling.
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  8.  34
    Somaesthetics: A Disciplinary Proposal.Richard Shusterman - 1999 - Journal of Aesthetics and Art Criticism 57 (3):299-313.
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  9.  29
    Practicing Philosophy: Pragmatism and the Philosophical Life.Richard Shusterman - 1996 - Routledge.
    Applying contemporary pragmatism to the crucial question of how philosophy can help us live better, Shusterman develops his distinctive aesthetic model of philosophical living that includes politics, somatics, and ethnicity, while critically engaging the rival views of Dewey, Wittgenstein, and Foucault, as well as Rorty, Putnam, Goodman, Habermas, and Cavell.
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  10. Pragmatist Aesthetics: Living Beauty, Rethinking Art.Richard SHUSTERMAN - 1992 - Transactions of the Charles S. Peirce Society 29 (3):480-488.
     
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  11.  30
    Pragmatism and East-Asian Thought.Richard Shusterman - 2004 - Metaphilosophy 35 (1-2):13-43.
  12.  26
    Surface and Depth: Dialectics of Criticism and Culture.Richard Shusterman - 2002 - Cornell University Press.
    If aesthetics is both surface and depth, impassioned immediacy yet also critical distance of judgment, how can this doubleness be held together in one ...
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  13.  52
    Body Consciousness and Performance: Somaesthetics East and West.Richard Shusterman - 2009 - Journal of Aesthetics and Art Criticism 67 (2):133-145.
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  14. Teaching Philosophy.Gillian Howie, Michael Mcghee, Phil Hutchinson, Michael Loughlin, Richard Shusterman & William Edelglass - 2009 - Continuum.
    In the current academic climate, teaching is often seen as secondary to research. Teaching Philosophy seeks to bring teaching philosophy higher on the academic agenda.An international team of contributors, all of whom share the view that philosophy is a subject that can transform students, offers practical guidance and advice for teachers of philosophy. The book suggests ways in which the teaching of philosophy at undergraduate level might be facilitated. Some of the essays place the emphasis on individual self discovery, others (...)
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  15. Making Sense and Changing Lives: Directions in Contemporary Pragmatism.Richard Shusterman - 2005 - Journal of Speculative Philosophy 19 (1):63-72.
  16. Pragmatism and Criticism: A Response to Three Critics of Pragmatist Aesthetics.Richard Shusterman - 2002 - Journal of Speculative Philosophy 16 (1):26 - 38.
  17.  63
    Aesthetic Experience: From Analysis to Eros.Richard Shusterman - 2006 - Journal of Aesthetics and Art Criticism 64 (2):217–229.
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  18. Pragmatist Aesthetics: Living Beauty, Rethinking Art.Richard Shusterman - 1992 - Rowman & Littlefield Publishers.
    This much acclaimed book has emerged as neo-pragmatism's most significant contribution to contemporary aesthetics. By articulating a deeply embodied notion of aesthetic experience and the art of living, and by providing a compellingly rigorous defense of popular art—crowned by a pioneer study of hip hop—Richard Shusterman reorients aesthetics towards a fresher, more relevant, and socially progressive agenda. The second edition contains an introduction where Shusterman responds to his critics, and it concludes with an added chapter that formulates his novel notion (...)
     
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  19.  61
    The End of Aesthetic Experience.Richard Shusterman - 1997 - Journal of Aesthetics and Art Criticism 55 (1):29-41.
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  20. Somaesthetics and The Second Sex: A Pragmatist Reading of a Feminist Classic.Richard Shusterman - 2003 - Hypatia 18 (4):106-136.
    This paper explains the discipline of somaesthetics, which emerges from pragmatism's concern with enhancing embodied experience and reconstructing the aesthetic in ways that make it more central to key philosophical concerns of knowledge, ethics, and politics. I then examine Beauvoir's complex treatment of the body in The Second Sex, assessing both her arguments that could support the pragmatic approach of somaesthetics but also those that challenge its bodily focus as a danger for feminism.
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  21.  69
    Dewey's Art as Experience : The Psychological Background.Richard Shusterman - 2010 - Journal of Aesthetic Education 44 (1):pp. 26-43.
  22. Practicing Philosophy: Pragmatism and the Philosophical Life.Richard Shusterman - 1996 - Routledge.
    Applying contemporary pragmatism to the crucial question of how philosophy can help us live better, Shusterman develops his distinctive aesthetic model of philosophical living that includes politics, somatics, and ethnicity, while critically engaging the rival views of Dewey, Wittgenstein, and Foucault, as well as Rorty, Putnam, Goodman, Habermas, and Cavell.
     
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  23. Of the Scandal of Taste: Social Privilege as Nature in the Aesthetic Theories of Hume and Kant.Richard Shusterman - 1989 - Philosophical Forum 20 (3):211-229.
  24. The Interpretive Turn: Philosophy, Science, Culture.David Hiley, James Bohman & Richard Shusterman (eds.) - 1991 - Cornell University Press.
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  25.  12
    Undoing Aesthetics.Richard Shusterman - 2000 - Journal of Aesthetics and Art Criticism 58 (1):83-84.
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  26.  28
    Back to the Future: Aesthetics Today.Richard Shusterman - 2012 - Nordic Journal of Aesthetics 23 (43).
    This paper originated as the keynote address at the conference “Aesthetics Today” organized by the Finnish Society of Aesthetics to mark its 40th anniversary and was delivered at the University of Helsinki on March 1, 2012. Written for that particular occasion the sense of an oral presentation has been maintained. Shusterman’s point of departure is the thesis that contemporary aesthetics can be characterized by a number of leading themes that mark a return to older aesthetic perspectives, after these perspectives have (...)
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  27.  44
    Somaesthetics and Care of the Self: The Case of Foucault.Richard Shusterman - 2000 - The Monist 83 (4):530-551.
    Among the many features that made Michel Foucault a remarkable philosopher was a doubly bold initiative: to renew the ancient idea of philosophy as a special way of life, and to insist on its distinctly somatic and aesthetic expression. This paper examines Foucault as an exemplary but problematic pioneer in a field I call somaesthetics, a discipline that puts the body’s experience and artful refashioning back into the heart of philosophy as an art of living. A long dominant Platonist tradition, (...)
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  28.  57
    Somaesthetics and Burke's Sublime.Richard Shusterman - 2005 - British Journal of Aesthetics 45 (4):323-341.
    Burke is an important exception to Nietzsche's claim that philosophical aesthetics ignores physiology and the role of practical interest. Grounded on the powerful interest of survival, Burke's theory of the sublime also offers a physiological explanation of our feelings of sublimity that explicitly defines certain conditions of our nerves as the ‘efficient cause’ of such feelings. While his general account of sublimity is widely appreciated, its somatic dimension has been dismissed as hopelessly misguided. In examining Burke's views in relation to (...)
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  29.  35
    Thinking Through the Body, Educating for the Humanities: A Plea for Somaesthetics.Richard Shusterman - 2006 - Journal of Aesthetic Education 40 (1):1-21.
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  30. Of the Scandal of Taste: Social Privilege as Nature in the Aesthetic Theories of Hume and Kant.Richard Shusterman - 1989 - Philosophica Forum 20 (3):211-229.
     
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  31. Rap Aesthetics: Violence and the Art of Keeping It Real.Richard Shusterman - 2005 - In D. Darby & T. Shelby (eds.), Hip Hop and Philosophy. Open Court.
  32.  38
    Complexities of Aesthetic Experience: Response to Johnston.Richard Shusterman - 2004 - Journal of Aesthetic Education 38 (4):109.
  33.  27
    Pragmatism and Liberalism Between Dewey and Rorty.Richard Shusterman - 1994 - Political Theory 22 (3):391-413.
  34.  64
    Beneath Interpretation: Against Hermeneutic Holism.Richard Shusterman - 1990 - The Monist 73 (2):181-204.
    Kohelet, that ancient postmodern who already remarked that all is vanity and there is nothing new under the sun, also insisted that there is a time for everything: a time to be born and a time to die, a time to break down and a time to build up, a time to embrace and a time to refrain from embracing. There is no mention of a time for interpretation, but surely there is one; and just as surely that time is (...)
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  35.  31
    Soma and Psyche.Richard Shusterman - 2010 - Journal of Speculative Philosophy 24 (3):205-223.
    In the ancient legend of Cupid and Psyche, Venus was jealous of Psyche’s beauty and plotted to punish her by binding her through love to a hideous creature that would appear once Cupid scratched Psyche with his arrow of desire while she slept, so that she would fall in love with the next thing she saw upon awakening. But when Cupid saw her beauty, he was so overwhelmed that he accidentally wounded himself with his own arrow and thus fell deeply (...)
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  36.  12
    Putnam and Cavell on the Ethics of Democracy.Richard Shusterman - 1997 - Political Theory 25 (2):193-214.
  37. Bourdieu: A Critical Reader.Richard Shusterman (ed.) - 1999 - Wiley-Blackwell.
    This Critical Reader provides a new perspective on the work of France's foremost social theorist Pierre Bourdieu, by examining its philosophical import and promoting a fruitful dialogue between Bourdieu and philosophers in the English-speaking world. The contributors include leading philosophers who critically assess Bourdieu's philosophical theories and their significance from diverse philosophical perspectives to reveal which dimensions of his thought are the most useful for philosophy today. These discussions also raise important questions about the current institutional limits of philosophy and (...)
     
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  38. Performing Live: Aesthetic Alternatives for the Ends of Art.Richard Shusterman - 2004 - Journal of Aesthetics and Art Criticism 62 (3):300-302.
     
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  39.  59
    Somatic Style.Richard Shusterman - 2011 - Journal of Aesthetics and Art Criticism 69 (2):147-159.
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  40. Pragmatism and Perspectivism on Organic Wholes.Richard Shusterman - 1992 - Journal of Aesthetics and Art Criticism 50 (1):56-58.
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  41. Form and Funk: The Aesthetic Challenge of Popular Art.Richard Shusterman - 1991 - British Journal of Aesthetics 31 (3):213-213.
  42. Body and the Arts: The Need for Somaesthetics.Richard Shusterman - 2012 - Diogenes 59 (1-2):7-20.
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  43.  28
    Asian Ars Erotica and the Question of Sexual Aesthetics.Richard Shusterman - 2007 - Journal of Aesthetics and Art Criticism 65 (1):55–68.
  44.  7
    Aesthetic Experience and the Powers of Possession.Richard Shusterman - 2019 - Journal of Aesthetic Education 53 (4):1.
    Since the second half of the twentieth century, the influential concept of aesthetic experience has been strongly criticized by powerful voices both in analytic philosophy and in continental theory, sometimes to the point of rejecting its significance for art or even to denying its very existence. Nonetheless, it stubbornly reasserts itself as central to understanding art's meaning and value. Philosophical critique of aesthetic experience takes multiple forms. Theorists seeking a definition of art generally reject aesthetic experience as inadequate for this (...)
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  45.  6
    Dance as Art, Theatre, and Practice: Somaesthetic Perspectives.Richard Shusterman - 2019 - Midwest Studies in Philosophy 44 (1):143-160.
    Midwest Studies In Philosophy, Volume 44, Issue 1, Page 143-160, December 2019.
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  46.  50
    Somaesthetics and C. S. Peirce.Richard Shusterman - 2009 - Journal of Speculative Philosophy 23 (1):pp. 8-27.
  47. Emerson's Pragmatist Aesthetics.Richard Shusterman - 1999 - Revue Internationale de Philosophie 53 (207):87-99.
     
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  48.  5
    Aesthetic Experience: From Analysis to Eros.Richard Shusterman - 2006 - Journal of Aesthetics and Art Criticism 64 (2):217-229.
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  49. Dewey on Experience: Foundation or Reconstruction?Richard Shusterman - 1994 - Philosophical Forum 26 (2):127-148.
     
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  50.  9
    Home Alone? Self and Other in Somaesthetics and "Performing Live".Richard Shusterman - 2002 - Journal of Aesthetic Education 36 (4):102.
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