The purpose of this study was to illuminate the ethically difficult situations experienced by care providers working in a nursing home. Individual interviews using a narrative approach were conducted. A phenomenological-hermeneutic method developed for researching life experience was applied in the analysis. The findings showed that care providers experience ethical challenges in their everyday work. The informants in this study found the balance between the ideal, autonomy and dignity to be a daily problem. They defined the culture they work in (...) as not supportive. They also thought they were not being seen and heard in situations where they disagree with the basic values of the organization. The results are discussed in terms of Habermas’s understanding of modern society. Care settings for elderly people obviously present ethical challenges, particularly in the case of those suffering from dementia. The care provider participants in this study expressed frustration and feelings of powerlessness. It is possible to understand their experiences in terms of Habermas’s theory of modern society and the concept of the system’s colonization of the life world. (shrink)

Whilst he was writing De principatibus, was Machiavelli really as out of touch with the Florentine politico-institutional world as his letter of December 1513 claims? Who read Il principe prior to its publication, and how? Why did the philosopher Agostino Nifo, one of the major proponents of Renaissance Averroism, plagiarize it? To what extent is the Machiavellian "principato civile" comprehensible only by way of its Medicean and Florentine affiliation? Did the young Lorenzo de' Medici's political programme seek to eliminate the (...) Roman church? What politicocultural stance is hidden behind certain political terms from the humanist tradition that Machiavelli revisited in Il principe? To what extent was the Machiavellian relationship between animality and humanity, simulation and dissimulation, influenced by Leonardo da Vinci's ceuvre? And, finally, what are the questions that remain open in Il principe? This compilation offers some possible answers to these questions, thus providing new critical tools for the study of Niccolo Machiavelli's Il principe -- Back cover. (shrink)

What does it mean to get hooked by a work, whether a bestseller or a classic, a TV series or a painting in a museum? What is this aesthetic experience that makes us feel captivated? What do works of art do, and how, in particular, do they bind us to them? In "Hooked," Rita Felski builds an aesthetics premised on our attachments rather than our free agency and challenges the ethos of critical aloofness that is so much a part (...) of modern intellectuals' self-image. The result is sure to be as widely read, and as controversial, as Felski's 2015 book, "The Limits of Critique." Felski looks at several "attachment devices." One of these is "attunement"--those affinities and stirrings that often fall below the threshold of consciousness. Why, for example, are we drawn to a painting or piece of music in ways we struggle to explain, while being left cold by others whose merits we duly acknowledge? Another attachment device is "identification"--a widespread response to fiction that is often invoked by critics but usually treated as synonymous with either identity or empathy. But Felski shows that identifying has no neat fit with identity categories, and it can trigger ethical, political, or intellectual affinities that have little to do with co-feeling. What people most commonly identify with, Felski argues, are characters who are alluring, arresting, or alive, not in spite of their aesthetic qualities but because of them. This kind of identification is not limited to naïve readers or over-invested viewers, but is also a defining aspect of what scholars in the humanities do. Relatedly, academic "interpretation" emerges here as another circuit of connection: critics forge ties to the works they explicate, the methods they use, the disciplinary identities they inhabit. "Hooked" returns us to the fundamentals of aesthetic experience, showing that the social meanings of artworks do not lie encrypted in their depths, within reach only of expert critics, but are generated within the embrace of captivated audiences. (shrink)

This book re-assesses the life and legacy of Swami Vivekananda from the vantage point of socially-engaged religion in a time of global dislocations and inequities. Due to the complexity of Vivekananda as a historical figure on the cusp of a new era, few works offer a nuanced, academic examination of his liberative vision and legacy.

Whithin the critique literature scope there are two standpoints as regards Machiavellian Cosmos: On one hand the traditional standpoint embodied by Leo Straus that has belittled the impact of the forces of nature; whereas on the other hand the standpoint headed by Gennaro Sasso, Miguel Angel Granada y Anthony Parel has interpreted the Machiavellian text concerning the debate between neoplatonics and neoaristotelians The Machiavelli´s overuse of a cosmological schema- wherein the life of the politic bodies is explained through an adequate (...) knowledge of the laws of the natural world-is argued in this paper as from the interpretation of the oblivione delle cose concept in D., II, V and D., I, LVI. (shrink)

Across two studies, a wide age range of participants was interviewed about the nature of death. All participants were living in rural Madagascar in a community where ancestral beliefs and practices are widespread. In Study 1, children (8–17 years) and adults (19–71 years) were asked whether bodily and mental processes continue after death. The death in question was presented in the context of a narrative that focused either on the corpse or on the ancestral practices associated with the afterlife. Participants (...) aged 8 years and older claimed that death brings an end to most bodily and mental processes. Nevertheless, particularly in the context of the religious narrative, they claimed that certain mental processes continue even after death. This assertion of an afterlife was more evident among adults than children, especially with respect to cognitive processes, such as knowing and remembering. In Study 2, 5‐ and 7‐year‐olds were asked similar questions in connection with the death of a bird and a person. Seven‐year‐olds consistently claimed that bodily and mental processes cease at death, whereas 5‐year‐olds were unsystematic in their replies. Together, the two studies replicate and extend findings obtained with Western children showing that, in the course of development, different conceptions of death are elaborated—a biological conception in which death terminates living processes and a religious conception in which death marks the beginning of a new form of spiritual existence. (shrink)

Proposing a comparative reading of the main writings of Machiavelli and More, the essay detects the compresence of political realism and utopian tension in Machiavellian thought as well as the intrinsic bond between idealism and realist irony that characterises More’s Utopia. Relying on such a reading, the essay underlines the deep affinities that, notwithstanding the noticeable differences between them, allow to identify a common substratum deeply rooted in the origins of modernity. The analysis aims at problematizing the utopia-realism divide, in (...) order to develop a nuanced interpretation in order to escape the simplistic dichotomous reading which is widespread in the literature. (shrink)

This sentence: «Infinita è la violenza delle convinzioni acquisite», which appears in this text for the first time, could be the most faithful motto of Mario Martelli’s critical production, always characterized by his hard and consistent struggle against the «convizioni acquisite» of critical literature, historiography and philosophy, all of which have so severely mislead our view of Niccolò Machiavelli’s work and thought.

This sentence: «Infinita è la violenza delle convinzioni acquisite», which appears in this text for the first time, could be the most faithful motto of Mario Martelli’s critical production, always characterized by his hard and consistent struggle against the «convizioni acquisite» of critical literature, historiography and philosophy, all of which have so severely mislead our view of Niccolò Machiavelli’s work and thought.

This essay collects four decades of my own reflections, as an anthropologist and feminist, on gender and coloniality across various contexts in Latin America. It also highlights the decolonial methodology and vocabulary that I have had to develop in my various roles as scholar, public intellectual, and expert witness over the years. Briefly, what I present here is a decolonial feminist perspective that argues for the existence of a patriarchal political order in communal societies before colonization. Yet, in my view, (...) precolonial gender has a dual structure that is plural in essence and differs markedly from the binary gender structure of colonial-modern societies, which works in terms of a One and its marginalized others. As I argue, the capturing and transformation of precolonial dual gender structures by the modern gender system exacerbates inequality, increases violence against women, and disempowers them politically. For that reason, I speak of “low-intensity” and “high-intensity” patriarchal systems. (shrink)

Digital technology is transforming life and is beginning to have a profound effect on individual psychic life and the wider social milieu. This article seeks to understand the nature of the new technology and its implications for personal life, culture, and education. The scene is set by comparing the introduction of printing to the revolution inaugurated by digital technology. This new age is often called “postmodern,” and some of the characteristics of the age suggested by Lyotard, Baudrillard, McLuhan, and others (...) are identified. The cultural impact of technology, according to Heidegger, is outlined, together with the interpretation in terms of digital technology proposed by Dreyfus and Spinosa. This is illustrated with examples and compared with the position of other thinkers. Finally, the consequences for education, including universities, are presented, and some proposals for approaches to education in terms of meaning, embodiment, and teacher-student relationship are considered. (shrink)