Journal Name: Semiotica Issue: Ahead of print.

On the last page of the chapter "The Challenge to Philosophy," in Dewey's 1934 Art as Experience, we find the following passage: "My intention throughout this chapter has not been to criticize various philosophies of art as such, but to elicit the significance that art has for philosophy in its broadest scope. For philosophy like art moves in the medium of imaginative mind, and, since art is the most direct and complete manifestation there is of experience as experience, it provides (...) a unique control for the imaginative ventures of philosophy. … The significance of art as experience is, therefore, incomparable for the adventure of philosophical thought". This is precisely what... (shrink)

ABSTRACT This article aims to analyze some contours of the existential practice of attempting to “locate one's life” through self-reflection. I will focus primarily, but not exclusively, on two exemplifications of self-reflection that are not “philosophical” in any technical or academic sense: Cory Taylor's Dying: A Memoir and Yi-Fu Tuan's Who Am I? An Autobiography of Emotion, Mind, and Spirit. Taylor, a novelist, is writing hurriedly facing imminent death, while Tuan, a distinguished cultural geographer, writes facing not death but the (...) prospect of continuing to live without any real will to do so. Their reflections are carried out in two different rhetorical registers, with quite different motivational contexts and expectations. They throw clear light, with rich philosophical import, on the complex relations between memory and mood, such as regret and nostalgia, the languages of self-description, and the permanent tensions between hope and action in coming to terms with what or who one is, or has become, or with what, if anything, lies ahead. (shrink)

In this article I reflect upon the problem of the aesthetic intelligibility of the world in connection with an aesthetic approach to religious naturalism. Taking the work of R.W. Hepburn as conversation partner, I bring it into relation to the work of Charles Peirce and Michael Polanyi. Admitting the ambiguous nature of their own religious commitments, I try to sketch, with no claim to completeness, how they help to illuminate just what would be entailed in beginning the process of translating (...) religious forms of attending into aesthetic forms and what would be gained and what would be lost in doing so. (shrink)

In this article, I sketch the major points of intersection between the work of Michael Polanyi and Susanne Langer. The concepts of articulation and symbolization make up the organizing frame of the article. Langer’s semiotic approach to mind and knowing in all their forms intersects in fruitful and challenging ways with Polanyi’s approach that is based on the analogy of skills and the model of perception. Rather than being alternatives to one another, or incompatible in essential ways, they enrich one (...) another with respect to“pushing meaning up and down,” to art, religion, the emergence of mind, and the limits of language. Their focal concern with types of meanings hold their intellectual projects together in a vital and illuminating tension. (shrink)

This paper is a response to Jim Tiles, “On Our Exosomatic Existence.” It accepts the thrust of the close reading Tiles has given of my Pragmatism and the Forms of Sense but also points out he himself has not fully adverted to certain features of the book dealing with language as a form of social interaction, the precise way the notion of a form of sense is being used, the relations between Polanyi and pragmatism, the function of “quality” as an (...) analytical category in Dewey’s aesthetics, and the actual conceptual framework used to discuss embodied technics. I fully agree with Tiles about the need for a philosophy that accepts the task of “an extended conversation.”. (shrink)

John Brinckerhoff Jackson in his A Sense of Place, a Sense of Time writes, “Much of our contemporary American landscape can no longer be seen as a composition of well-defined individual spaces—farms, counties, states, territories, and ecological regions—but as zones of influence and control of roads, streets, highways: arteries which dominate and nourish and hold a landscape together and provide it with instant accessibility.”1 Jackson’s notion of zones has important experiential and semiotic consequences for the structures of experiencing. A zone (...) of influence has simultaneously a perceptual/symbolic reality and a physical reality in terms of mobility, that is, in terms of varying senses of “proximity” and... (shrink)