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  1.  5
    Howison’s Post-Hegelian Personalism and the “Conception of God” Discusion.Robert E. Lauder - 1987 - The Owl of Minerva 18 (2):131-144.
    In this country the idealists of the latter years of the nineteenth century and the early part of this century can be looked at as representing a conservative position, if the agnostics, naturalists and pragmatists of that time are taken to represent liberal movements. George Holmes Howison as an idealist was neither an isolated voice nor a member of a general school of thought that had slight influence. Howison’s published philosophical writings extend from 1861 to 1916. One reason among others (...)
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  2.  6
    Howison’s Philosophical Vision: A Post-Kantian Idealism.Robert E. Lauder - 1991 - Idealistic Studies 21 (2/3):124-134.
    The mystery of person is so deep that philosophers should welcome insights into that mystery from wherever they come. Literature, theater, film and psychology are a few sources that may provide help. The study of previous philosophies of person can be especially helpful. At the turn of the century there were numerous philosophical idealisms in this country. One was personal idealism and one of the most highly respected proponents of personal idealism was George Holmes Howison. If the idealists of the (...)
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  3.  11
    Ingmar Bergman: The Filmmaker as Philosopher.Robert E. Lauder - 1987 - Philosophy and Theology 2 (1):44-56.
    Following two introductory sections which deal with the search for meaning and the model of film as a form of probing, I argue that Bergman deals with a number of important philosophical issues within his film corpus. A summary account of the vision which emerges from this corpus is sketched, followed by an analysis of the central role of the artist in society as Bergman conceives it.
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  4.  4
    Person in the World: A Call to God.Robert E. Lauder - 1983 - Proceedings and Addresses of the American Philosophical Association 57:60.
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  5.  5
    Spirit in Ashes: Hegel, Heidegger and Man-Made Mass Death. [REVIEW]Robert E. Lauder - 1989 - New Scholasticism 63 (1):118-120.
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  6.  5
    To Be Human: An Introductory Experience in Philosophy. [REVIEW]Robert E. Lauder - 1986 - International Philosophical Quarterly 26 (4):408-409.
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  7.  5
    Vatican II and Phenomenology: Reflections on the Life-World of the Church. [REVIEW]Robert E. Lauder - 1986 - International Philosophical Quarterly 26 (4):406-408.
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  8.  13
    Woody Allen: Camus’s Existentialism as Comedy.Robert E. Lauder - 1988 - Philosophy and Theology 2 (4):362-373.
    Critics’ praise of Woody Allen as an artist is increasing. No other comedian includes within his humour so many references to God. Philosophers interested in contemporary culture should take Allen’s comedy seriously. Accepting Albert Camus’s vision of reality, Allen has been artistically handling the absurdity of reality by use of humour. Through comedies, Allen’s films deal with important questions. His finest film may contain an argument for God.
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  9.  6
    What is God?: How to Think About the Divine. [REVIEW]Robert E. Lauder - 1990 - American Catholic Philosophical Quarterly 64 (2):288-290.
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  10.  11
    Walker Percy: The Existential Wayfarer's Triumph Over Everydayness.Robert E. Lauder - 1982 - Proceedings and Addresses of the American Philosophical Association 56:41.
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  11.  6
    W. T. Harris’ Philosophy As Personalism.Robert E. Lauder - 1990 - Idealistic Studies 20 (1):43-60.
    The concept of person is a primary interest of the contemporary intellectual world. Modern literature, films, theater, theology and philosophy focus their attention increasingly on the meaning of person. The current interests of philosophers can activate and direct their reading of the history of philosophy. The rereading of the history of philosophy with a new interest can lead to new insights and discoveries. Through these insights and discoveries, philosophies of the past come to life in the present and influence the (...)
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  12.  2
    God, Death, Art and Love the Philosophical Vision of Ingmar Bergman.Robert E. Lauder - 1989
    Discusses the metaphysical themes of Bergman's films, analyzes his major works, and attempts to explain his philosophy.
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