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Profile: Robert Pippin (University of Chicago)
  1. The Unavailability of the Ordinary.Robert Pippin - 2003 - Political Theory 31 (3):335-358.
    In Natural Right and History Leo Strauss argues for the continuing “relevance” of the classical understanding of natural right. Since this relevance is not a matter of a direct return, or a renewed appreciation that a neglected doctrine is simply true, the meaning of this claim is some- what elusive. But it is clear enough that the core of Strauss’s argument for that relevance is a claim about the relation between human experience and philosophy. Strauss argues that the classical understanding (...)
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  2. Idealism and Agency in Kant and Hegel.Robert B. Pippin - 1991 - Journal of Philosophy 88 (10):532-541.
  3.  58
    Hegel's Idealism: The Satisfactions of Self-Consciousness.Robert B. Pippin - 1989 - Cambridge University Press.
    This is the most important book on Hegel to have appeared in the past ten years. Robert Pippin offers a completely new interpretation of Hegel's idealism, which focuses on Hegel's appropriation and development of kant's theoretical project. Hegel is presented neither as a precritical metaphysician nor as a social theorist, but as a critical philosopher whose disagreements with Kant, especially on the issue of intuitions, enrich the idealist arguments against empiricism, realism and naturalism. In the face of the dismissal of (...)
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  4.  98
    Hegel's Practical Philosophy: Rational Agency as Ethical Life.Robert B. Pippin - 2008 - Cambridge University Press.
    This fresh and original book argues that the central questions in Hegel's practical philosophy are the central questions in modern accounts of freedom: What is freedom, or what would it be to act freely? Is it possible so to act? And how important is leading a free life? Robert Pippin argues that the core of Hegel's answers is a social theory of agency, the view that agency is not exclusively a matter of the self-relation and self-determination of an individual but (...)
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  5.  22
    The Persistence of Subjectivity: On the Kantian Aftermath.Robert B. Pippin - 2005 - Cambridge University Press.
    The Persistence of Subjectivity examines several approaches to, and critiques of, the core notion in the self-understanding and legitimation of the modern, 'bourgeois' form of life: the free, reflective, self-determining subject. Since it is a relatively recent historical development that human beings think of themselves as individual centers of agency, and that one's entitlement to such a self-determining life is absolutely valuable, the issue at stake also involves the question of the historical location of philosophy. What might it mean to (...)
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  6.  4
    Hegel on Self-Consciousness: Desire and Death in the Phenomenology of Spirit.Robert B. Pippin - 2010 - Princeton University Press.
    In the most influential chapter of his most important philosophical work, the Phenomenology of Spirit, Hegel makes the central and disarming assertions that "self-consciousness is desire itself" and that it attains its "satisfaction" only in another self-consciousness. Hegel on Self-Consciousness presents a groundbreaking new interpretation of these revolutionary claims, tracing their roots to Kant's philosophy and demonstrating their continued relevance for contemporary thought. As Robert Pippin shows, Hegel argues that we must understand Kant's account of the self-conscious nature of consciousness (...)
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  7.  70
    What is the Question for Which Hegel's Theory of Recognition is the Answer?Robert B. Pippin - 2000 - European Journal of Philosophy 8 (2):155–172.
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  8. Brandom's Hegel.Robert B. Pippin - 2005 - European Journal of Philosophy 13 (3):381–408.
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  9.  17
    Idealism as Modernism: Hegelian Variations.Robert B. Pippin - 1997 - Cambridge University Press.
    'Modernity' has come to refer both to a contested historical category and to an even more contested philosophical and civilisational ideal. In this important collection of essays Robert Pippin takes issue with some prominent assessments of what is or is not philosophically at stake in the idea of a modern revolution in Western civilisation, and presents an alternative view. Professor Pippin disputes many traditional characterisations of the distinctiveness of modern philosophy. In their place he defends claims about agency, freedom, ethical (...)
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  10.  14
    Kant's Theory of Form: An Essay on the Critique of Pure Reason.Robert Pippin - 1982 - Yale University Press.
  11. Nietzsche's on the Genealogy of Morals: Critical Essays.Keith Ansell Pearson, Babette Babich, Eric Blondel, Daniel Conway, Ken Gemes, Jürgen Habermas, Salim Kemal, Paul S. Loeb, Mark Migotti, Wolfgang Müller-Lauter, Alexander Nehamas, David Owen, Robert Pippin, Aaron Ridley, Gary Shapiro, Alan Schrift, Tracy Strong, Christine Swanton & Yirmiyahu Yovel - 2006 - Rowman & Littlefield Publishers.
    In this astonishingly rich volume, experts in ethics, epistemology, philosophy of mind, political theory, aesthetics, history, critical theory, and hermeneutics bring to light the best philosophical scholarship on what is arguably Nietzsche's most rewarding but most challenging text. Including essays that were commissioned specifically for the volume as well as essays revised and edited by their authors, this collection showcases definitive works that have shaped Nietzsche studies alongside new works of interest to students and experts alike. A lengthy introduction, annotated (...)
     
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  12. Mine and Thine? The Kantian State.Robert B. Pippin - 2006 - In Paul Guyer (ed.), The Cambridge Companion to Kant and Modern Philosophy. Cambridge University Press. pp. 416--446.
     
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  13. What is 'Conceptual Activity'?Robert Pippin - unknown
    One of the most discussed and disputed claims in John McDowell’s Mind and World is the claim that we should not think that in experience, “conceptual capacities are exercised on non-conceptual deliverances of sensibility.” Rather, “Conceptual capacities are already operative in the deliverances of sensibility themselves.” Such capacities are said to be operative, but not in the same way they are operative when the faculty of assertoric judgment is explicitly exercised. This position preserves the passivity and receptivity necessary for McDowell (...)
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  14. Authenticity in Painting: Remarks on Michael Fried's Art History.Robert Pippin - 2005 - Critical Inquiry 31 (3):575-598.
    My topic is authenticity in or perhaps as painting, not the authenticity of paintings; I know next to nothing about the problem of verifying claims of authorship. I am interested in another kind of genuineness and fraudulence, the kind at issue when we say of a person that he or she is false, not genuine, inauthentic, lacks integrity, and, especially when we say he or she is playing to the crowd, playing for effect, or is a poseur. These are not (...)
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  15.  28
    Nietzsche, Psychology, and First Philosophy.Robert B. Pippin - 2010 - University of Chicago Press.
    " Pippin contends that Nietzsche's singular prose was an essential part of this goal, and so he organizes the book around four of Nietzsche's most important ...
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  16. Kant on the Spontaneity of Mind.Robert B. Pippin - 1987 - Canadian Journal of Philosophy 17 (2):449 - 475.
  17. 12 Nietzsche, Heidegger, and the Metaphysics of Modernity.Robert B. Pippin - 1991 - In Keith Ansell-Pearson (ed.), Nietzsche and Modern German Thought. Routledge. pp. 282.
     
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  18. Modernism as a Philosophical Problem: On the Dissatisfactions of European High Culture.Robert B. Pippin - 1999 - Wiley-Blackwell.
    _Modernism as a Philosophical Problem, 2e_ presents a new interpretation of the negative and critical self-understanding characteristic of much European high culture since romanticism and especially since Nietzsche, and answers the question of why the issue of modernity became a philosophical problem in European tradition.
     
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  19. Hegel's Social Theory of Agency : The 'Inner-Outer' Problem.Robert Pippin - 2010 - In Arto Laitinen & Constantine Sandis (eds.), Hegel on Action. Palgrave-Macmillan. pp. 3-50.
    The following is a chapter of a book and I should say something at the outset about the content of the book. The topic is Hegel’s “social theory of agency,” and that topic, given how the problem of agency is usually understood, raises the immediate question of why anyone would think that “sociality” would have anything at all to do with the “problem of agency.” That problem is understood in a number of ways; most generally – what distinguishes naturally occurring (...)
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  20.  26
    Avoiding German Idealism.Robert B. Pippin - 1995 - Proceedings of the Eighth International Kant Congress 1:977-997.
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  21. Recognition and Reconciliation. Actualized Agency in Hegel's Jena Phenomenology.Robert Pippin - 2007 - In Bert van den Brink & David Owen (eds.), Recognition and Power: Axel Honneth and the Tradition of Critical Social Theory. Cambridge University Press. pp. 57--78.
     
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  22. Self-Interpreting Selves: Comments on Alexander Nehamas's Nietzsche: Life as Literature.Robert Pippin - 2014 - Journal of Nietzsche Studies 45 (2):118-133.
    When Alexander Nehamas’s pathbreaking, elegantly conceived and executed book, Nietzsche: Life as Literature,1 first appeared in 1985, the reception of Nietzsche in the Anglo-American philosophical community was still in its initial, hesitant stages, even after the relative success of Walter Kaufmann’s much earlier, 1950 book, Nietzsche: Philosopher, Psychologist, Anti-Christ,2 and its postwar “decontamination” of Nietzsche after his appropriation by the Nazis.3 Arthur Danto’s 1964 book, Nietzsche as Philosopher,4 was also an important if somewhat isolated event, and there finally began to (...)
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  23. Bernard Williams: In the Beginning Was the Deed: Realism and Moralism in Political Argument.Robert B. Pippin - 2007 - Journal of Philosophy 104 (10).
  24. Concept and Intuition. On Distinguishability and Separability.Robert B. Pippin - 2005 - Hegel-Studien 39:25-39.
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  25.  16
    Le Grand Imagier of George Wilson Seeing Fictions in Film: The Epistemology of Movies, by George M. Wilson. Oxford: Oxford University Press, 2011, 240 Pp. ISBN 978‐0‐19‐959489‐4 Hb £30.00. [REVIEW]Robert Pippin - 2013 - European Journal of Philosophy 21 (2):334-341.
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  26. The Status of Literature in Hegel's Phenomenology of Spirit.Robert B. Pippin - 2011 - In Richard T. Gray, Nicholas Halmi, Gary Handwerk, Michael A. Rosenthal & Klaus Vieweg (eds.), Inventions of the Imagination: Interdisciplinary Perspectives on the Imaginary since Romanticism. University of Washington Press.
    Hegel, in a chapter called “Absolute Knowing,” end his most exciting and original work, the Jena Phenomenology of Spirit, with a quotation, or rather a significant misquotation, of a poet? The poet is Schiller and the poem is his 1782 “Freundschaft” (Friendship). This immediately turns into two questions: Why are the last words not Hegel’s own, and why are they rather a poet’s? I will turn to the details in a moment but, as noted, such an inquiry may not be (...)
     
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  27. Fichte's Alleged Subjective, Psychological, One-Sided Idealism.Robert B. Pippin - 2000 - In Sally S. Sedgwick (ed.), The Reception of Kant's Critical Philosophy: Fichte, Schelling, and Hegel. Cambridge University Press. pp. 147--170.
  28.  26
    Hegel's Practical Philosophy: The Realization of Freedom'.Robert B. Pippin - 2000 - In Karl Ameriks (ed.), The Cambridge Companion to German Idealism. Cambridge University Press. pp. 180--199.
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  29.  24
    Fatalism in American Film Noir: Some Cinematic Philosophy.Robert B. Pippin - 2011 - University of Virginia Press.
    Introduction -- Trapped by oneself in Jacques Tourneur's Out of the past -- "A deliberate, intentional fool" in Orson Welles's The lady from Shanghai -- Sexual agency in Fritz Lang's Scarlet Street -- "Why didn't you shoot again, baby?": concluding remarks.
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  30.  17
    Apperception and Difference Between Kantian and Hegelian Idealism.Robert B. Pippin - 1989 - Proceedings of the Sixth International Kant Congress 2 (2):535-550.
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  31.  31
    Naturalness and Mindedness: Hegel' Compatibilism.Robert B. Pippin - 1999 - European Journal of Philosophy 7 (2):194–212.
    The problem of freedom in modern philosophy has three basic components: (i) what is freedom, or what would it be to act freely? (ii) Is it possible so to act? (iii) And how important is leading a free life?1 Hegel proposed unprecedented and highly controversial answers to these questions.
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  32. Reason's Form.Robert Pippin - unknown
    The question of freedom in the modern German tradition is not just a metaphysical question. It concerns the status of a free life as a value, indeed, as they took to saying, the “absolute” value. A free life is of unconditional and incomparable and inestimable value, and it is the basis of the unique, and again, absolute, unqualifiable respect owed to any human person just as such. This certainly increases the pressure on anyone who espouses such a view to tell (...)
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  33.  82
    The Schematism and Empirical Concepts.Robert B. Pippin - 1976 - Kant-Studien 67 (1-4):156-171.
  34.  94
    Philosophy is its Own Time Comprehended in Thought.Robert B. Pippin - 2006 - Topoi 25 (1-2):85-90.
    So much philosophy is so unavoidably guided by intuitions, and such intuitions are so formed by examples, and such examples must of necessity present so cropped and abstract a picture of an instance or event or decision, that, left to its traditional methods, philosophy might be ill-equipped on its own to answer a question about the true content of an historical ideal like ``autonomy'', or authenticity or ``leading a free life''. One needs to bring so many factors into play at (...)
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  35. You Can't Get There From Here: Transition Problems in Hegel's Phenomenology of Spirit.Robert Pippin - 1993 - In Frederick C. Beiser (ed.), The Cambridge Companion to Hegel. Cambridge University Press. pp. 52--85.
     
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  36.  73
    What Was Abstract Art? (From the Point of View of Hegel).Robert Pippin - 2007 - In Stephen Houlgate (ed.), Hegel and the Arts. Northwestern University Press. pp. 1-24.
    The emergence of abstract art, first in the early part of the century with Kandinsky, Malevich, and Mondrian, and then in the much more celebrated case of America in the fifties (Rothko, Pollock, and others) remains puzzling. Such a great shift in aesthetic standards and taste is not only unprecedented in its radicality. The fact that nonfigurative art, without identifiable content in any traditional sense, was produced, appreciated, and, finally, eagerly bought and, even, finally, triumphantly hung in the lobbies of (...)
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  37. How to Overcome Oneself: Nietzsche on Freedom.Robert Pippin - 2009 - In Ken Gemes & Simon May (eds.), Nietzsche on Freedom and Autonomy. Oxford University Press. pp. 69.
  38. Back to Hegel?Robert Pippin - 2012 - Mediations 26 (1).
    Robert Pippin reviews Slavoj Žižek’s Less than Nothing, a serious attempt to re-actualize Hegel in the light of Lacanian metapsychology. But does Žižek’s attempt to think Hegel with Lacan produce, as Žižek hopes, a political figuration adequate to the present? Or does it land us rather in the Hegelian zoo, along with such well-known specimens as the Beautiful Soul, the Unhappy Consciousness, and The Knight of Virtue?
     
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  39.  15
    Leaving Nature Behind.Robert Pippin - 2002 - In Nicholas Smith (ed.), Reading Mcdowell. Routledge. pp. 58--75.
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  40. The Significance of Taste: Kant, Aesthetic and Reflective Judgment.Robert B. Pippin - 1996 - Journal of the History of Philosophy 34 (4):549-569.
    The Significance of Taste: Kant, Aesthetic and Reflective Judgment ROBERT B. PIPPIN 1? THE FUNDAMENTAL QUESTION of the "Analytic of the Beautiful" in the "Critique of Aesthetic Judgment" is easy enough to identify. On what basis, if any, could one claim some sort of universal a priori validity for judgments of the form, "This is beautiful"? In Kant's well-known analysis of this question, the issue is reformulated as: By what right could one claim that another person ought to feel pleasure (...)
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  41.  48
    Hegel, Modernity, and Habermas.Robert B. Pippin - 1991 - The Monist 74 (3):329-357.
  42. Philosophical Film: Trapped by Oneself in Jacques Tourneur's Out of the Past.Robert Pippin - unknown
    The belated genre classification, “film noir,” is a contested one, much more so than “Western” or “musical.”2 However, there is wide agreement that there were many stylistic conventions common to the new treatment of crime dramas prominent in the 1940s: grim urban settings, often very cramped interiors, predominantly night time scenes, and so-called “low key” lighting and unusual camera angles.3 But there were also important thematic elements in common.Two are especially interesting. First, noirs were almost always about crime, usually murder, (...)
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  43. 1. Barthes's Punctum Barthes's Punctum (Pp. 539-574).Michael Fried, Robert Pippin, Michel Chaouli, Stefan Andriopoulos, Richard Menke, Carlo Ginzburg, Dragan Kujundzic, Jacques Derrida & J. Hillis Miller - 2005 - Critical Inquiry 31 (3).
  44.  7
    Hegel's Practical Philosophy.Robert Pippin - 2010 - Graduate Faculty Philosophy Journal 31 (2):423-441.
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  45.  47
    The Idealism of Transcendental Arguments.Robert B. Pippin - 1988 - Idealistic Studies 18 (2):97-106.
  46. Marcuse on Hegel and Historicity.Robert B. Pippin - 1985 - Philosophical Forum 16 (3):180.
     
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  47.  6
    In the Beginning Was the Deed.Robert B. Pippin - 2007 - Journal of Philosophy 104 (10):533-539.
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  48.  62
    Kant's Theory of Value: On Allen Wood's Kant's Ethical Thought.Robert B. Pippin - 2000 - Inquiry : An Interdisciplinary Journal of Philosophy 43 (2):239 – 265.
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  49.  50
    Hegel's Original Insight.Robert B. Pippin - 1993 - International Philosophical Quarterly 33 (3):285-295.
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  50.  73
    Agency and Fate in Orson Welles's The Lady From Shanghai.Robert B. Pippin - 2011 - Critical Inquiry 37 (2):214-244.
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