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  1.  24
    Framing Cognition: Dewey’s Potential Contributions to Some Enactivist Issues.Roberta Dreon - 2019 - Synthese 198 (Suppl 1):485-506.
    It is well known that John Dewey was very far from embracing the traditional idea of cognition as something happening inside one’s own mind and consisting in a pictorial representation of the alleged purely external reality out there. His position was largely convergent with enactivist accounts of cognition as something based in life and consisting in human actions within a natural environment. The paper considers Dewey’s conception of cognition by focusing on its potential contributions to the current debate with enactivism. (...)
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  2.  8
    A Pragmatist View of Emotions: Tracing Its Significance for the Current Debate.Roberta Dreon - 2019 - In Laura Candiotto (ed.), The Value of Emotions for Knowledge. Springer Verlag. pp. 73-99.
    This chapter reconstructs the classical pragmatists’ position on human emotions, by assuming an original inquiring approach. It considers James’s, Dewey’s and Mead’s conceptions as contributions to an open theoretical laboratory in which the suggestions and unresolved difficulties presented by James were first discussed and developed by Dewey and then, immediately afterward, reconsidered and further articulated by Mead. At the same time, the paper develops a constant comparison with current contributions on this subject, coming from the most advanced trends in so-called (...)
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  3.  13
    Dewey on Language: Elements for a Non-Dualistic Approach.Roberta Dreon - 2014 - European Journal of Pragmatism and American Philosophy 6 (2).
  4.  29
    Shared Aesthetic Starting Points?Roberta Dreon - 2015 - Aisthesis: Pratiche, Linguaggi E Saperi Dell’Estetico 8 (1):53-69.
    Are there any theoretical resources – conceptual, lexical or argumentative ones – in the interdisciplinary debate on the evolutionary origins of the arts that can help us go beyond the traditional autonomistic conception of art, in favour of a more continuist and inclusive interpretation of human artistic practices? The paper examines the different voices in the debate, against the background of a cultural naturalist attitude inspired by John Dewey, by focusing on those contributions which can be interpreted in non-reductionist, anti-foundationalist (...)
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  5.  6
    Note di lettura. Il realismo trascendentale: una proposta fenomenologica / Individualismo e solidarietà / Che cos'è Intercultura?Michele Bella, Valeria Bizzari & Roberta Dreon - 2014 - Società Degli Individui 49:163-171.
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  6. Introduction: On Some Varieties of Immediate Experience - Between Wittgenstein and Pragmatism.Anna Boncompagni & Roberta Dreon - 2018 - Pragmatism Today 2 (9):5-8.
    Introduction to the Special Issue "Varieties of Immediate Experience: Between Wittgenstein and Pragmatism".
     
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  7.  4
    Introduction to Pragmatism and Psychologism.Rosa M. Calcaterra & Roberta Dreon - 2017 - European Journal of Pragmatism and American Philosophy 9 (1).
  8.  4
    Affective Scaffoldings as Habits: A Pragmatist Approach.Laura Candiotto & Roberta Dreon - 2021 - Frontiers in Psychology 12.
    In this paper, we provide a pragmatist conceptualization of affective habits as relatively flexible ways of channeling affectivity. Our proposal, grounded in a conception of sensibility and habits derived from John Dewey, suggests understanding affective scaffoldings in a novel and broader sense by re-orienting the debate from objects to interactions. We claim that habits play a positive role in supporting and orienting human sensibility, allowing us to avoid any residue of dualism between internalist and externalist conceptions of affectivity. We provide (...)
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  9. Chi è che sta sognando? Merleau-Ponty su sonno e sogno.Roberta Dreon - 2012 - Aisthesis: Pratiche, Linguaggi E Saperi Dell’Estetico 5 (2).
    This paper considers some thesis proposed by Maurice Merleau-Ponty during his lessons on sleeping and dreaming in the mid fifties, also with reference to the contemporary scientific debate. Dreaming and sleeping constitute a privileged perspective for considering the characteristic human interweaving of natural and cultural aspects, of animality and meaning. The immediate association of sleeping with a suspension of consciousness and with an absence of worldly contacts seems problematic. Furthermore the dualistic opposition between conscious activity and bodily passivity seems far (...)
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  10.  5
    Dewey After the End of Art.Roberta Dreon - 2020 - Contemporary Pragmatism 17 (2-3):146-169.
    This article explores the significance of Hegel’s aesthetic lectures for Dewey’s approach to the arts. Although over the last two decades some brilliant studies have been published on the “permanent deposit” of Hegel in Dewey’s mature thought, the aesthetic dimension of Dewey’s engagement with Hegel’s heritage has not yet been investigated. This inquiry will be developed on a theoretical level as well as on the basis of a recent discovery: in Dewey’s Correspondence traces have been found of a lecture on (...)
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  11.  3
    Désaturer et naturaliser l’esprit. Deux usages du pragmatisme.Roberta Dreon - 2020 - European Journal of Pragmatism and American Philosophy 12 (1).
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  12.  13
    Geniali individui. Crisi di un mito e nuove possibilità.Roberta Dreon - 2015 - Società Degli Individui 53:46-58.
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  13.  5
    Il Pragmatismo, Una Storia Ancora in Corso.Roberta Dreon - 2017 - Società Degli Individui 57:151-162.
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  14. Il radicamento naturale delle arti: John Dewey nel dibattito contemporaneo.Roberta Dreon - 2009 - Aisthesis: Pratiche, Linguaggi E Saperi Dell’Estetico 2 (1).
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  15.  2
    James on the Stream of Language: With Some Remarks on His Influence on Wittgenstein.Roberta Dreon - 2020 - Cognitio 21 (1):68-82.
    Este artigo sustenta uma leitura do capítulo “Stream of Thought” em The Principles of Psichology segundo o qual William James não formulou uma ideia de significados linguísticos como sentimentos privados que ocorrem dentro da mente do falante, ao contrário, criticava o hábito de, basicamente, considerar a linguagem como uma associação de nomes, devido às consequências ilusórias dessa suposição ao nosso entendimento do pensamento como resultante, principalmente, da soma das suas partes discretas. James sugere a possibilidade de adoção de uma abordagem (...)
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  16. Linguaggio e corpo delle emozioni. Dewey, Nussbaum e la lingua di Saba.Roberta Dreon - 2010 - Aisthesis: Pratiche, Linguaggi E Saperi Dell’Estetico 3 (1).
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  17.  1
    On a Certain Vagueness in the Definition of Art: Margolis’ Aesthetics and Wittgenstein’s Legacy.Roberta Dreon - 2019 - In Diego Mantoan & Luigi Perissinotto (eds.), Paolozzi and Wittgenstein: The Artist and the Philosopher. Springer Verlag. pp. 167-183.
    This paper considers Joseph Margolis’ aesthetics as an insightful way to draw a critical balance on the whole venture of defining art, with a crucial reference to Wittgenstein’s legacy. The point of departure is Margolis’ claim that the whole definition debate began with a misinterpretation of Wittgenstein’s teaching, whose meaning would not consist in denying any definition of art, but rather in refuting the possibility of giving one only, clear and distinct as well as context-independent definition of it. The chapter (...)
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  18.  7
    Pragmatist Aesthetics, Twenty Years Later. Understanding Interpretation, Interpreting Un-Derstanding.Roberta Dreon - 2012 - European Journal of Pragmatism and American Philosophy 4 (1):260-266.
  19.  9
    Roberta Dreon (Università degli Studi di Venezia) Merleau-Ponty. una concezione non soggettocentrica dell’empatia?Roberta Dreon - 2012 - Chiasmi International 14:439-449.
    Merleau-Ponty. Une conception de l’empathie non centrée sur le sujet?Cet article étudie l’émergence du terme « empathie » dans les textes de Merleau-Ponty. Il souligne que le concept n’est pas avant tout présenté comme une catégorie épistémologique, remettant en question si et comment nous pouvons éventuellement connaître les autres. Au contraire, il est conçu comme une catégorie ontologique, pour dire notre appartenance à une nature commune. De ce point de vue, il propose une façon sensible pour comprendre les autres, basée (...)
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  20.  57
    Roberta Dreon (Università degli Studi di Venezia) Merleau-Ponty. una concezione non soggettocentrica dell’empatia?Roberta Dreon - 2012 - Chiasmi International 14:439-449.
    Merleau-Ponty. Une conception de l’empathie non centrée sur le sujet?Cet article étudie l’émergence du terme « empathie » dans les textes de Merleau-Ponty. Il souligne que le concept n’est pas avant tout présenté comme une catégorie épistémologique, remettant en question si et comment nous pouvons éventuellement connaître les autres. Au contraire, il est conçu comme une catégorie ontologique, pour dire notre appartenance à une nature commune. De ce point de vue, il propose une façon sensible pour comprendre les autres, basée (...)
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  21.  3
    Richard Shusterman, Coscienza del corpo. La filosofia come arte di vivere e la somaestetica.Roberta Dreon - 2015 - Rivista di Estetica:199-201.
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  22.  3
    Was Art as Experience Socially Effective?Roberta Dreon - 2013 - European Journal of Pragmatism and American Philosophy 5 (1).
  23.  20
    What is Evolutionary Aesthetics for?Roberta Dreon - 2013 - Aisthesis: Pratiche, Linguaggi E Saperi Dell’Estetico 6 (2):95-111.
    What is evolutionary aesthetics for? This paper investigates whether and in what way it may be useful to develop a conception of artistic practices as culturally differentiated behaviours in response to our vital needs, without resorting to a reductionist and substantial conception of human nature. Through an approach based on cultural naturalism, the suggested inquiry is also meant to verify whether in the debate on the evolutionary origins of the arts there are conceptual tools and theses which can help understand (...)
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  24.  5
    Pragmatist Aesthetics: Histories, Questions, and Consequences.Richard Shusterman & Roberta Dreon - 2021 - European Journal of Pragmatism and American Philosophy 13 (1).