This paper investigates the question of characterizing first-order LFIs (logics of formal inconsistency) by means of two-valued semantics. LFIs are powerful paraconsistent logics that encode classical logic and permit a finer distinction between contradictions and inconsistencies, with a deep involvement in philosophical and foundational questions. Although focused on just one particular case, namely, the quantified logic QmbC, the method proposed here is completely general for this kind of logics, and can be easily extended to a large family of quantified paraconsistent (...) logics, supplying a sound and complete semantical interpretation for such logics. However, certain subtleties involving term substitution and replacement, that are hidden in classical structures, have to be taken into account when one ventures into the realm of nonclassical reasoning. This paper shows how such difficulties can be overcome, and offers detailed proofs showing that a smooth treatment of semantical characterization can be given to all such logics. Although the paper is well-endowed in technical details and results, it has a significant philosophical aside: it shows how slight extensions of classical methods can be used to construct the basic model theory of logics that are weaker than traditional logic due to the absence of certain rules present in classical logic. Several such logics, however, as in the case of the LFIs treated here, are notorious for their wealth of models precisely because they do not make indiscriminate use of certain rules; these models thus require new methods. In the case of this paper, by just appealing to a refined version of the Principle of Explosion, or Pseudo-Scotus, some new constructions and crafty solutions to certain non-obvious subtleties are proposed. The result is that a richer extension of model theory can be inaugurated, with interest not only for paraconsistency, but hopefully to other enlargements of traditional logic. (shrink)

Most research studying the corporate social performance –corporate financial performance link has utilized developed country samples. Also, this literature has generally focused on a wide variety of industries, ignoring the fact that certain sectors – such as controversial industries – have graver social and environmental issues. Hence, a gap exists in this tradition when it comes to emerging markets and controversial industries. This paper attempts to fill this void by providing preliminary evidence and insight on the matter. Based on an (...) exploration in six Latin American countries and five controversial industries, we find a negative bidirectional association between CSP and CFP. These results tend to contradict the mainstream conclusion of a positive bidirectional link, suggesting that institutional and market-level forces play a major role in shaping this relationship. (shrink)

This paper examines employees’ reactions to Corporate Social Responsibility programs at the attitudinal level. The results presented are drawn from an in-depth study of two Chilean construction firms that have well-established CSR programs. Grounded theory was applied to the data prior to the construction of the conceptual framework. The analysis shows that the implementation of CSR programs generates two types of attitudes in employees: attitudes toward the organization and attitudes toward society. These two broad types of attitudes can then be (...) broken down into four different categories : acceptance of the new role of the organization, identification with the organization, importance attached to the work performed and a sense of social justice. In turn, each of these categories is a grouping of many different concepts, some of which have at first sight little to do with CSR. Finally, the analysis reveals an attitudinal employee typology: the committed worker, the indifferent worker, and the dissident worker. (shrink)

Even though the link between perceived corporate social responsibility fit and corporate reputation has received much attention from scholars, this tradition has ignored that the underpinnings of this association vary depending on the particular characteristics of each industry under study. To delve into this matter, we investigate in the increasingly relevant context of controversial industries how PCSR-fit could enhance corporate reputation and which are the mediating mechanisms of this association. Our academic contribution is twofold. First, we find that controversial sectors (...) indeed can increase corporate reputation through CSR activities. However, we find that to achieve this goal, the nature of PCSR-fit should be different than what extant literature indicates, because companies in these settings should directly focus on avoiding or reducing their inherent controversial harm or impact. Second, we evidence that “CSR initiatives' legitimacy” and “situational skepticism” mediate the PCSR-fit and corporate reputation relationship in CIs. Therefore, we further unravel the underpinnings of this association to advance what we know on the matter and aid practitioners in this particular context. (shrink)

Three ethics program components, a code of ethics, ethics training initiatives and ethics-oriented performance appraisal content, were examined for their relationship to ethical intent using a sample of 525 employees from the Spanish financial services industry. As expected, all three components contributed to the prediction of ethical intent. Importantly, clusters of employees who reported experiencing distinct combinations of the program components were identified and compared for their level of ethical intent. Employees who perceived all three components to be strongly implemented (...) reported significantly higher levels of ethical intent relative to those who viewed the components as either all weakly implemented or not present. Combinations including training initiatives plus one other element had a similar impact to the fully implemented approach. Contrary to expectations, ethics-oriented performance appraisal content did not relate more strongly to ethical intent than codes of ethics. (shrink)

Despite the centrality of the topic for the debate on sustainability, future generations have largely been ignored by business ethics. This neglect is in part due to the enormous philosophical challenges posed by the concepts of future generations and intergenerational duties. This article reviews some of these difficulties and defends that much clarity would be gained from making a distinction between future generations and the next generations. It also argues that the concept of next generations offers a better starting point (...) for business ethics to incorporate the topic in its research agenda. We then suggest four potential pathways to explore this territory. The four approaches build on the notion of organizations as communities with memory and vision, on the narrative shape of organizational life, on the affinity of stakeholders with the next generation, and on systems of indirect reciprocity. These first two approaches are connected to communitarian approaches to business ethics, and the last two engage in a dialog with contractarian views and stakeholder theory. The article ends with some implications for theory and practice. (shrink)

In this paper, we consider some contributions to the model theory of the logic of formal inconsistency $\mathsf{QmbC}$ as a reply to Walter Carnielli, Marcelo Coniglio, Rodrigo Podiacki and Tarcísio Rodrigues’ call for a ‘wider model theory.’ This call demands that we align the practices and techniques of model theory for logics of formal inconsistency as closely as possible with those employed in classical model theory. The key result is a proof that the Keisler–Shelah isomorphism theorem holds for (...) $\mathsf{QmbC}$, i.e. that the strong elementary equivalence of two $\mathsf{QmbC}$ models $\mathfrak{A}$ and $\mathfrak{B}$ is equivalent to them having strongly isomorphic ultrapowers. As intermediate steps, we introduce some notions of model-theoretic equivalence between $\mathsf{QmbC}$ models, explicitly prove Łoś’ theorem and introduce a useful technique of model-theoretic ‘atomization’ in which the satisfaction sets of non-deterministically evaluated formulae are associated with new predicates. Finally, we consider some of the extensions of $\mathsf{QmbC}$, explicitly showing that Keisler–Shelah holds for $\mathsf{QCi}$ and suggesting that it holds of extensions like $\mathsf{QCila}$ and $\mathsf{QCia}$ as well. (shrink)

This paper explores the antecedents of intra-organizational social capital from a comprehensive perspective that integrates leadership as the main antecedent. To be precise, we propose that intra-organizational social capital is a direct consequence of an organizational ethical and community context to which leadership in the servant dimension plays a transcendental role. Indeed, since the seminal work of Greenleaf the servant leadership concept has been widespread among business academics and professionals for the value it brings to the organization not only in (...) ethical but also in excellence terms. Among the recent styles and theories on leadership up to date, servant leadership fits perfectly an organizational ethical context both at the organizational or group level, acting in addition as a main promoter of that context. Furthermore, servant leadership is linked to the cultivation of helpful, altruistic and servant attitudes among the employees which are useful elements in the generation of social capital inside the organization. A model then for understanding the causes of intra-organizational social capital with a focus on servant leadership is here elaborated from which conclusions and implications for Management will be delineated. (shrink)

Business Ethics: A European Review, EarlyView.

Entre las múltiples y variadas nuevas formas de espiritualidad contemporánea podemos destacar el chamanismo, más concretamente los neochamanismos como uno de los nuevos desarrollos espirituales a partir de la recuperación de nuestra relación ancestral con la Naturaleza y que busca en los orígenes, el acceso a una religión primigenia conservada por algunos pueblos indígenas. En este artículo tratamos de reflexionar acerca de la llegada y la extensión de dicho fenómeno a España en el marco del nuevo mercado espiritual, de esa (...) constelación místico-esotérica que vive Occidente como una forma de explicación válida ante los déficits de sentido modernos y posmodernos que nos acechan y que nos hacen volver la vista atrás. De esta forma, recuperamos viejas formas de conocimiento transcendente en las filosofías y religiones antiguas que nos sirven como nuevas estrategias a través de las cuales afrontar la realidad cotidiana. (shrink)

El concepto de gobierno es inseparable del de opinión pública en la medida en que la supervivencia de todos los gobiernos depende críticamente de la conformidad de la opinión pública. Pero las democracias protegen mejor a sus gobernantes de la amenaza que encierra la opinión pública que las dictaduras. Por una parte, las elecciones confieren a los gobernantes democráticos una legitimidad de origen de la que carecen muchos dictadores por haber alcanzado el poder a través de métodos considerados ilegítimos. Por (...) otra parte, mientras la receptividad ante las demandas de la opinión pública suele reforzar la legitimidad de ejercicio de los gobiernos democráticos, se interpreta generalmente como signo de debilidad de las dictaduras. La vulnerabilidad de las dictaduras ante la opinión pública les lleva a adoptar inmediatamente medidas para defenderse de ella, combinando actuaciones represivas que inhiben a la población de expresar sus preferencias auténticas con otras que controlan los flujos de información que circulan en la sociedad. En un régimen de opinión pública cerrada no puede emerger una sociedad civil capaz de desafiar seriamente al poder. Pero si repentinamente la población comienza a acceder a información innegable que pone en evidencia la mendacidad de los gobernantes, la opinión pública cerrada puede derrumbarse rápidamente y precipitar la caída del gobierno. (shrink)

“Flesh” and “Figure” in Merleau-Ponty and DeleuzeGilles Deleuze points out, in his work on Francis Bacon, that “the phenomenological hypothesis is perhaps insufficient because it invokes only the lived body. But the lived body is still very little in relation to a more profound and almost unlivable Power.” The present study fi rst seeks to specify what is this intensive Power of a life carried out at the limit of the unlivable. This leads to an analysis of Deleuze’s notion of (...) Figure. Thus, we come back to the explicitly anti-phenomenological position of Deleuze, in other words, to his will, which he constantly reaffirms, to liberate philosophy – by following the path opened by Bergson – from the ruinous presupposition of a merely human measure of appearing, which would still be the presupposition of phenomenology. In particular, we are asking ourselves if Merleau-Ponty’s notions of “being in depth” and of “pregnancy” do not escape from Deleuze’s critique, and if it is also substantiated that Deleuze was able to assert that phenomenology “erects as a norm ‘natural perception’ and its conditions.” It is the confrontation of Deleuze and Merleau-Ponty’s theses on art and the world, which finally allows us to put forward an answer.“Carne” e “Figura” in Merleau-Ponty e DeleuzeGilles Deleuze fa notare, nella sua opera su Francis Bacon, che «l’ipotesi fenomenologica è forse insufficiente, in quanto si rifà solamente al corpo vissuto.Ma il corpo vissuto è ancora poca cosa rispetto ad una Potenza più profonda e quasi invivibile». Il saggio presente cerca innanzitutto di precisare che cosa sia questa Potenza intensiva di una vita portata al limite dell’invivibile. Questo condurrà in un secondo momento ad un’analisi della nozione deleuziana di Figura.Il saggio ritorna quindi sulla posizione esplicitamente anti-fenomenologica di Deleuze, in altri termini sulla sua volontà, incessantemente riaffermata, di liberarela fi losofi a, nel solco di Bergson, dal pericolo di una misura semplicemente umana dell’apparire, premessa che a suo giudizio starebbe ancora al fondo del progetto della fenomenologia. Ci chiederemo, in particolare, se le nozioni merleau-pontiane di “essere della profondità” e di “pregnanza” non sfuggano alla critica di Deleuze, al di là del fatto quest’ultimo abbia affermato che la fenomenologia “erige a norma la ‘percezione naturale’ e le sue condizioni”. È il confronto tra le tesi di Deleuze e di Merleau-Ponty sull’arte ed il mondo che permetterà, in ultima analisi, di avanzare una risposta a questo insieme di interrogativi. (shrink)

In addressing the fundamental issues of Merleau-Ponty’s last ontology, for which Being is an expressive movement, this paper focuses on Merleau-Ponty’s reflections on painting, sculpture and, mainly, cinema. Two reasons justify such a choice. The first one is that Merleau-Ponty’s reflections on films as artistic objects are starting to become better known, while an exclusive privilege has been too long given to his texts on painting, sculpture and literature. An enrichment of our reading of his aesthetics and ontology is thus (...) made possible. The second reason is that, although it is true that Merleau-Ponty’s general aesthetic doctrine introduces us to the question of movement, of its meaning and its ontological status as “expression,” it is even more true that, in the framework of this general aesthetic doctrine, his analyses of the mode of expression of cinematographic images become especially significant. (shrink)

The present paper investigates the late ontology of Maurice Merleau-Ponty, which considers being as expressive movement. The paper takes as its point of departure Merleau-Ponty’s reflections on painting, sculpture and especially cinema. Two reasons justify this choice. On the one hand, Merleau-Ponty’s reflections on film as a work of art are now starting to be better known, after they have been overshadowed by his writings on painting, sculpture or literature for a long time. This entails a considerable enrichment of our (...) interpretation of Merleau-Ponty’s aesthetics and his ontology. On the other hand, if Merleau-Ponty’s general theory of aesthetics leads to questions concerning the sense and the ontological status of movement, it is certain that, within this theory, the analysis of the particular mode of expression of cinematic images gains an extraordinary relevance. (shrink)

The Hiatus of Sense. Framing and Cinematic Montage according to Eisenstein and Merleau-Ponty“Cinema portrays movement, but how? Is it, as we are inclined to believe, by copying more closely the changes of place? We may presume not, since slow motion shows a body floating between objects like seaweed, but not moving itself.” This interrogation constitutes the only allusion to the cinema in Eye and Mind, and, by reading the argumentation developed in this work, one cannot help thinking that the role (...) which it reserves for cinema is, finally, to be the simple revelation of the illusions of naïve consciousness in relation to movement. Nothing is said about the expressive movement of cinema itself. Nothing is said about the logic of cinematic sense and therefore of cinematic language. Does this mean that Merleau-Ponty, up to the end of his life, had a relationship to cinema that was merely supplementary, that he always privileged the analysis of pictorial, musical, or literary aesthetic experiences?In contrast, we propose to establish that his philosophical position cannot be characterized by the idea that he held the cinema in an ancillary role and status because, in other texts, Merleau-Ponty knew how to decipher in cinema, to a large degree, the enigma of movement as the form of expressivity. But we will argue here that he knew it only up to a certain point. This is what a discussion with the theoretical writings of Sergei Einstein will have to establish. We shall seek to rediscover the philosophical – and even ontological – reasons for this state of things which, if one wants to preserve for cinema the characteristic that allows it to be stimulating for thought, must not under any circumstances be interpreted as the simple result of Merleau-Ponty not having enough interest in the cinema.Lo scarto del senso. Inquadratura e montaggio cinematografico secondo Eisenstein e Merleau-Ponty«Il cinema ci dà il movimento, ma come? Forse, come generalmente si crede, riproducendo il più ravvicinatamente possibile il cambiamento di luogo ? Pare proprio di no: infatti il rallentatore ci mostra un corpo che fluttua tra gli oggetti come un’alga, ma che non si muove»Questa interrogazione costituisce la sola allusione al cinema ne L’occhio e lo spirito e, leggendo l’argomentazione sviluppata in quest’opera, non si può evitare di pensare che il ruolo che essa riserva al cinema sia, in fin dei conti, quello di essere un semplice rivelatore di illusioni della coscienza ingenua di fronte al movimento. Nulla viene detto a proposito del movimento espressivo del cinema in se stesso. Nulla viene detto della logica del senso cinematografico e dunque del linguaggio cinematografico. Questo significa forse che Merleau-Ponty ha avuto, fino alla fine della sua vita, solo un rapporto accessorio con il cinema, e che ha sempre privilegiato l’analisi delle esperienze estetiche pittoriche, musicali o letterarie?Ci proponiamo, al contrario, di stabilire che la sua posizione filosofica non può essere caratterizzata dal mantenimento del cinema in un ruolo ed in uno statuto ancillare, poiché, in altri testi, Merleau-Ponty ha saputo in gran parte decifrare l’enigma del movimento come forma d’espressività al cinema. Questo è quanto un confronto con gli scritti teorici di Sergei Eisenstein ci dovrà permettere di stabilire. Cercheremo di reperire le ragioni filosofiche – ed ontologiche – di questo stato di cose, che non deve essere in nessun caso interpretato, se si vuole conservare il suo carattere stimolante per il pensiero, come il semplice risultato di uno scarso interesse di Merleau-Ponty per il cinema. (shrink)

Contra lo que podría haberse esperado, el crecimiento de la pobreza y de las desigualdades en América Latina a consecuencia de las reformas económicas no ha provocado la quiebra de las democracias ni situaciones de ingobernabilidad. Los actuales problemas de la democracia en América Latina, en cambio, surgen de una crisis de la representación política, que en parte es consecuencia de la historia previa de los partidos como mecanismos de intercambio particularista, y en parte de su dificultad para adaptarse a (...) las demandas sociales en la nueva situación económica. (shrink)

The Hiatus of Sense. Framing and Cinematic Montage according to Eisenstein and Merleau-Ponty“Cinema portrays movement, but how? Is it, as we are inclined to believe, by copying more closely the changes of place? We may presume not, since slow motion shows a body floating between objects like seaweed, but not moving itself.” This interrogation constitutes the only allusion to the cinema in Eye and Mind, and, by reading the argumentation developed in this work, one cannot help thinking that the role (...) which it reserves for cinema is, finally, to be the simple revelation of the illusions of naïve consciousness in relation to movement. Nothing is said about the expressive movement of cinema itself. Nothing is said about the logic of cinematic sense and therefore of cinematic language. Does this mean that Merleau-Ponty, up to the end of his life, had a relationship to cinema that was merely supplementary, that he always privileged the analysis of pictorial, musical, or literary aesthetic experiences?In contrast, we propose to establish that his philosophical position cannot be characterized by the idea that he held the cinema in an ancillary role and status because, in other texts, Merleau-Ponty knew how to decipher in cinema, to a large degree, the enigma of movement as the form of expressivity. But we will argue here that he knew it only up to a certain point. This is what a discussion with the theoretical writings of Sergei Einstein will have to establish. We shall seek to rediscover the philosophical – and even ontological – reasons for this state of things which, if one wants to preserve for cinema the characteristic that allows it to be stimulating for thought, must not under any circumstances be interpreted as the simple result of Merleau-Ponty not having enough interest in the cinema.Lo scarto del senso. Inquadratura e montaggio cinematografico secondo Eisenstein e Merleau-Ponty«Il cinema ci dà il movimento, ma come? Forse, come generalmente si crede, riproducendo il più ravvicinatamente possibile il cambiamento di luogo? Pare proprio di no: infatti il rallentatore ci mostra un corpo che fluttua tra gli oggetti come un’alga, ma che non si muove»Questa interrogazione costituisce la sola allusione al cinema ne L’occhio e lo spirito e, leggendo l’argomentazione sviluppata in quest’opera, non si può evitare di pensare che il ruolo che essa riserva al cinema sia, in fin dei conti, quello di essere un semplice rivelatore di illusioni della coscienza ingenua di fronte al movimento. Nulla viene detto a proposito del movimento espressivo del cinema in se stesso. Nulla viene detto della logica del senso cinematografico e dunque del linguaggio cinematografico. Questo significa forse che Merleau-Ponty ha avuto, fino alla fine della sua vita, solo un rapporto accessorio con il cinema, e che ha sempre privilegiato l’analisi delle esperienze estetiche pittoriche, musicali o letterarie?Ci proponiamo, al contrario, di stabilire che la sua posizione filosofica non può essere caratterizzata dal mantenimento del cinema in un ruolo ed in uno statuto ancillare, poiché, in altri testi, Merleau-Ponty ha saputo in gran parte decifrare l’enigma del movimento come forma d’espressività al cinema. Questo è quanto un confronto con gli scritti teorici di Sergei Eisenstein ci dovrà permettere di stabilire. Cercheremo di reperire le ragioni filosofiche – ed ontologiche – di questo stato di cose, che non deve essere in nessun caso interpretato, se si vuole conservare il suo carattere stimolante per il pensiero, come il semplice risultato di uno scarso interesse di Merleau-Ponty per il cinema. (shrink)

Patočka discusses «the disaster of the rejection of metaphysics» by Heidegger. In this critique, he has claimed that «Merleau-Ponty, Ricoeur, Waehlens and others» could neither be satisfied with the Heideggerian closure of the ontological sphere onto itself nor be content with Husserlian transcendentalism. In fact, there is a convergence between Patočka and Merleau-Ponty on this point, as demonstrated by a note from The Visible and the Invisible in which Merleau-Ponty affirms “I am for metaphysics” ...We show that these two thinkers (...) have seen that phenomenology always faces, by eidetic necessity, what remains essentially irreducible for it: being. One thing toremember with Patočka, however, is that «we must not forget that the phenomenon is precisely phenomenon of being» even if «the structure of the appearing is entirely independent of the structure of beings.» But another thing is to thematize the relation between the appearing of the phenomenon and the manifestation of being. This implies that “after” phenomenological description a new type of correlation is analyzed. (shrink)