Monique Roelofs offers a pathbreaking systematic model of the field of address and puts it to work in the arts, critical theory, and social life. She shows how address props up finely hewn modalities of relationality, agency, and normativity. Address exceeds a one-on-one pairing of cultural productions with their audiences. As ardently energizing tiny slippages and snippets as fueling larger impulses in the society, it activates and reaestheticizes registers of race, gender, class, coloniality, and cosmopolitanism. In readings of (...) writers and artists ranging from Julio Cortázar to Jamaica Kincaid and from Martha Rosler to Pope.L, Roelofs demonstrates the centrality of address to freedom and a critical political aesthetics. Under the banner of a unified concept of address, Hume, Kant, and Foucault strike up conversations with Benjamin, Barthes, Althusser, Fanon, Anzaldúa, and Butler. Drawing on a wide array of artistic and theoretical sources and challenging disciplinary boundaries, the book illuminates address's significance to cultural existence and to our reflexive aesthetic engagement in it. (shrink)

Elaborating decolonial and intersectional methods, aesthetics has developed rich tools for tackling power differences. A philosophical question arises about the nature of gendered embodied experience and materiality: How to comprehend the cultural field if it is at once a site of heinous expropriation and violence and one of vital social and political possibility? This essay explores this question through a reading of Claudia Llosa's film The Milk of Sorrow ( La teta asustada ) (2009). The film, we show, reworks racial, (...) gendered, and colonial logics and supplants a model of transculturation, magical realism, and syncretism and its attendant figuration of resistance by a cultural vision of a web of multivalent, pluri-directional aesthetic promises and threats. Thus it presents a young Indigenous woman as a contemporary decolonial actor who, in encounter with popular culture and the global marketplace, renders memory livable and opens up unforeseen futures for her young town and country. We signal the implications for the positioning of the decolonial feminist spectator or culture maker and for a decolonial aesthetics. Aesthetic existence at the intersection of oppression and liberation, although impure and troubled, functions as a bountiful font of feminist energy and sustenance and a site of communal caring and imagination. (shrink)

Aesthetic desire and distaste prime everyday life in surprising ways. The Cultural Promise of the Aesthetic casts much-needed light on the complex mix of meanings our aesthetic activities weave into cultural existence. Anchoring aesthetic experience in our relationships with persons, places, and things, Monique Roelofs explores aesthetic life as a multimodal, socially embedded, corporeal endeavor. Highlighting notions of relationality, address, and promising, this compelling study shows these concepts at work in visions of beauty, ugliness, detail, nation, ignorance, and (...) cultural boundary. Unexpected aesthetic pleasures and pains crop up in sites where passion, perception, rationality, and imagination go together but also are in conflict. Bonds between aesthetics and politics are forged and reforged. Cross-disciplinary in outlook, and engaging the work of theorists and artists ranging from David Hume to Theodor W. Adorno, Frantz Fanon, Clarice Lispector, and Barbara Johnson, The Cultural Promise of the Aesthetic lays open the interpretive web that gives aesthetic agency its vast reach. (shrink)

I analyze the Brazilian novelist Clarice Lispector's novella, The Hour of the Star, in terms of the entwinements of beauty with economic mobility and abandonment, . . . with constructions of cultural citizenship and liminality.

Black Art and Aesthetics comprises essays, poems, interviews, and over 50 images from artists and writers: GerShun Avilez, Angela Y. Davis, Thomas F. DeFrantz, Theaster Gates, Aracelis Girmay, Jeremy Matthew Glick, Deborah Goffe, James B. Haile III, Vijay Iyer, Isaac Julien, Benjamin Krusling, Daphne Lamothe, George E. Lewis, Sarah Elizabeth Lewis, Meleko Mokgosi, Wangechi Mutu, Fumi Okiji, Nell Painter, Mickaella Perina, Kevin Quashie, Claudia Rankine, Claudia Schmuckli, Evie Shockley, Paul C. Taylor, Kara Walker, Simone White, and Mabel O. Wilson. The (...) stellar contributors practice Black aesthetics by engaging intersectionally with class, queer sexuality, female embodiment, dance vocabularies, coloniality, Afrodiasporic music, Black post-soul art, Afropessimism, and more. Black aesthetics thus restores aesthetics to its full potential by encompassing all forms of sensation and imagination in art, culture, design, everyday life, and nature and by creating new ways of reckoning with experience, identity, and resistance. Highlighting wide-ranging forms of Black aesthetics across the arts, culture, and theory, Black Art and Aesthetics: Relationalities, Interiorities, Reckonings provides an unprecedented view of a field enjoying a global resurgence. Black aesthetics materializes in communities of artists, activists, theorists, and others who critique racial inequities, create new forms of interiority and relationality, uncover affective histories, and develop strategies for social justice. (shrink)

Address figures prominently in contemporary feminism, yet calls for further theorizing. Modes of address are forms of signification we direct at people, objects, and places, and they at us. Address constitutes a vital dimension of our corporeal interactions with persons and the material world. Our relationships are in motion as we adopt modes of address toward one another or fail to do so. Clarifying address through examples from Gloria Anzaldúa, this essay reveals its importance in María Lugones's writings. The essay (...) thereby highlights underexplored aspects of Lugones's texts, identifies continuities between Lugones's philosophy and feminist work that comprehends address as a carrier of aesthetic and political meanings, and illuminates the resources of a remarkably fruitful concept. Address, in Lugones, is the centerpiece of a quotidian cultural politics. Principal concepts she introduces recruit address. Yet, by foregrounding address, the essay also brings into view unforeseen obstructions in the paths of address that Lugones champions, and an enlarged playing field that we can activate to realize desirable frames of address and derail objectionable structures. Avenues open up for further development of Lugones's insights and for inquiries into address. (shrink)

In the closing episode of Diamela Eltit's 1988 novella The Fourth World, the city of Santiago de Chile—including its inhabitants—goes up for sale. Eltit's investigation of the specter of all‐out commodification illuminates the entwinements of aesthetics and race under finance capitalism. Published at the tail end of the Pinochet dictatorship, the novel makes a poignant contribution to the debate over the “lettered city” in Latin America. Briefly situating The Fourth World in this context and placing it in conversation with current (...) lines of reflection on social identity and the notion of the aesthetic, this article analyzes the novel's implications for a philosophical understanding of the aesthetics–race relation: one, the work attests to an expansive conception of racial identity; two, it comprehends aesthetic agency as a much‐needed and potentially critical site of transformed racial existence; and, three, it calls for multimodal forms of address to counter neoliberal rationality. The article brings out these points through a close reading of passages and by highlighting the novel's decolonial feminist aesthetic. In ending, the article takes note of the new notions of creativity and political participation that arise. (shrink)

Following exhibits in Basel and Frankfurt, Kara Walker’s show A Black Hole is Everything a Star Longs to Be: Drawings 1992–2020 is on display in the De Pont Mus.

Critical accounts of race have drastically changed the landscapes of the social, the political, and the intimate. Philosophical perspectives on racial identity and difference hold out transformative possibilities for aesthetics. Revealing the entanglement of analytical concepts and day-to-day life with racial meaning, such approaches challenge the field of aesthetics to encounter its methodologies with a fresh look. How can aesthetics rethink itself by rethinking race and empire? What shape do aesthetic themes take in light of the historical, spatial, imaginative, affective, (...) sensory, and sexual registers of racial subjectivity and the pervasiveness of racist and neocolonial constellations? How do art and the aesthetic reflect, or critically engage, racialization? What forms and idioms enable us to articulate the racial ethics and politics that shape our various conscious and unconscious aesthetic projects? (shrink)

What is it to experience the sardonic quality of Mingus' music, the nostalgia of a street-scene, the evanescence of a light installation, or the flowingness of Virginia Woolf's prose? Aesthetic experiences make artworks what they are for us--expressive, enlightening, enjoyable. They ground aesthetic value. How can we best account for them? ;The traditional view of aesthetic perception describes a mode of disinterested contemplation, free from the cognitive and utilitarian strictures conditioning ordinary awareness. Philosophers have challenged this view on analytical, marxist, (...) feminist, pragmatist, and postmodernist grounds. Through interrelation and contextualization requirements, aestheticians have attempted to salvage the notion of an aesthetically appropriate mode of appreciation . But the nature of this kind of appreciation depends on the nature of the small-scale experiential states that form its substance, namely, the experiences of aesthetic properties. ;These experiences are peculiar. Conceptually complexer than pure sensations, and phenomenally richer than sheer imaginings and cognitions, aesthetic experiences exhibit significant parallels and differences with other states of mind. They display a rocky distribution over various sense modalities, a selective sensitivity to contextual factors, and a striking interconnectedness among themselves. Current analyses in terms of cognition, imagination, metaphorical understanding, nonaesthetic sensation, and counterfactual perception have trouble accommodating their coherence and stability. With the assistence of theoretical work on categorization, perception, and qualia , I propose to locate a more fine-grained attitude at the basis of aesthetic experience, involving perceptually driven conceptualizations, arising through processes of progressive phenomenal differentiation. I substantiate this proposal by considering a number of pertinent phenomena in aesthetics, namely the role of imaginings in pictorial and musical perception; the function of artistic categories, and the experience of seeing objects in depictions. ;This view, call it the conceptualizations view, allows us to identify the distinctive artistic functioning of aesthetic experience--its role as an intermediary between different domains of artistic meaning--while respecting its variety and its relations with other forms of mentation. Thus we can clarify its formative role within the aesthetic sphere at large, and, most importantly, its connection with value. (shrink)

White on White/Black on Black is a unique contribution to the philosophy of race. The text explores how 14 philosophers, 7 white and 7 black, philosophically understand the dynamics of the process of racialization.

Monique Roelofs’s The Cultural Promise of the Aesthetic is groundbreaking in its nuanced account of the potential and limitations of the aesthetic for creating a more just, humane world. Particularly timely are Roelofs’s analyses of the ways in which racial and gender stereotypes are reinforced and the operations of what she calls “racialized aesthetic nationalism,” the tendencies of aesthetic values to shore up schisms along racial, ethnic, and national lines. I raise questions, however, about the appropriateness of (...) aesthetic criticism that stresses sins of omission, the desirability of insisting that the broad nexus of social relations always be kept in view, and the danger that foregrounding minority group membership and gender will reduce individuals in marked categories to mere exemplifications of such status. (shrink)

The central claim of Monique Roelofs’s wide-ranging examination of the aesthetic is that it “hold[s] out the promise of a shared culture... people and objects [connected] in flourishing collective and material bonds”. Roelofs acknowledges Kant’s and Hume’s commitment to shared human faculties that allow judgements of taste “to attain intersubjective validity”; but her argument quickly develops from this “promise” to one with social and political consequences—of a harmonious and egalitarian society—and to radically different theoretical formulations and conclusions. (...) Roelofs then also starts from a now familiar “everyday aesthetics” position—although it is not explicitly... (shrink)

Many philosophical views have the surprising implication that, within the boundaries of each human being, there is not just one mind, but many: anywhere from two (the person and their brain, or the person and their body) to trillions (each of the nearly-entirely-overlapping precise entities generated by the Problem of the Many). This is often treated as absurd, a problem of ‘Too Many Minds’, which we must find ways to avoid. It is often thought specifically absurd to allow such a (...) multiplication of conscious subjects, even if we could accept it for physical objects. I consider metaphysical, phenomenological, and moral arguments for this asymmetry, and show that they all fail: many overlapping conscious minds is no more problematic than many overlapping physical objects. Theories that imply such a multiplicity may or may not be true, but they cannot be rejected simply for implying it. (shrink)

Preparing words in speech production is normally a fast and accurate process. We generate them two or three per second in fluent conversation; and overtly naming a clear picture of an object can easily be initiated within 600 msec after picture onset. The underlying process, however, is exceedingly complex. The theory reviewed in this target article analyzes this process as staged and feedforward. After a first stage of conceptual preparation, word generation proceeds through lexical selection, morphological and phonological encoding, phonetic (...) encoding, and articulation itself. In addition, the speaker exerts some degree of output control, by monitoring of self-produced internal and overt speech. The core of the theory, ranging from lexical selection to the initiation of phonetic encoding, is captured in a computational model, called WEAVER++. Both the theory and the computational model have been developed in interaction with reaction time experiments, particularly in picture naming or related word production paradigms, with the aim of accounting for the real-time processing in normal word production. A comprehensive review of theory, model, and experiments is presented. The model can handle some of the main observations in the domain of speech errors (the major empirical domain for most other theories of lexical access), and the theory opens new ways of approaching the cerebral organization of speech production by way of high-temporal-resolution imaging. (shrink)

Surrealism in North Africa and Western Asia : crossings and encounters -- Multiple surrealisms -- Surrealist encounters.

Social isolation has serious repercussions for people and communities across the globe, yet knowledge about this phenomenon has remained rather limited – until now. The first multidisciplinary study to explore this issue, Social Isolation in Modern Society integrates relevant research traditions in the social sciences and brings together sociological theories of social networks and psychological theories of feelings of loneliness. Both traditions are embedded in research, with the results of a large-scale international study being used to describe the extent, nature (...) and divergent manifestations of social isolation. With a new approach to social inequality, this empirically based study includes concrete policy recommendations, and presents a clear insight into personal, social and socio-economic causes and the consequences of social isolation. (shrink)

Increasing privacy concerns are arising from expanding use of aggregated personal information in health practices. Conversely, in light of the promising benefits of data driven healthcare, privacy...

The term “emotional practices” is gaining currency in the historical study of emotions. This essay discusses the theoretical and methodological implications of this concept. A definition of emotion informed by practice theory promises to bridge persistent dichotomies with which historians of emotion grapple, such as body and mind, structure and agency, as well as expression and experience. Practice theory emphasizes the importance of habituation and social context and is thus consistent with, and could enrich, psychological models of situated, distributed, and (...) embodied cognition and their approaches to the study of emotion.It is suggested here that practices not only generate emotions, but that emotions themselves can be viewed as a practical engagement with the world. Conceiving of emotions as practices means understanding them as emerging from bodily dispositions conditioned by a social context, which always has cultural and historical specificity. Emotion-as-practice is bound up with and dependent on “emotional practices,” defined here as practices involving the self , language, material artifacts, the environment, and other people. Drawing on Pierre Bourdieu's concept of habitus, the essay emphasizes that the body is not a static, timeless, universal foundation that produces ahistorical emotional arousal, but is itself socially situated, adaptive, trained, plastic, and thus historical. Four kinds of emotional practices that make use of the capacities of a body trained by specific social settings and power relations are sketched out—mobilizing, naming, communicating, and regulating emotion—as are consequences for method in historical research. (shrink)

Et si l'on osait reparler d'espoir? Et pas seulement en parler, mais le vivre à nouveau. Dorénavant, l'avenir fait peur au lieu de faire envie. Chacun nourrit toujours des espoirs intimes, mais les grands espoirs collectifs sont en panne. Comment redonner un avenir à l'espoir? Voilà ce que nous cherchons. En explorant d'abord ses sources grecques, juives et chrétiennes. En suivant ses tribulations occidentales, du mythe de Pandore au siècle des révolutions, qui le révèlent tour à tour ambigu, religieux, politique, (...) continûment orienté par un désir de futur. Pourtant, dans notre monde obsédé par l'immédiat et le seul présent, l'espoir en vient à manquer d'horizon, de temps, d'action, de pensée vivifiante. Nous proposons de reprendre l'espoir au sérieux, de lui redonner sa place et ses chances, d'en refaire l'apprentissage. Contre tous les philosophes qui s'en sont méfiés ou l'ont rejeté, nous jugeons vitale cette singulière émotion pensante. Sans un espoir lucide et bien tempéré, l'humanité perdrait sa dignité. (shrink)

Lire les Dialogues de Platon avec en tete les questions soulevees par Nietzsche m'a fait saisir en eux une force et une etrangete usees par des myriades d'interpretations. Verifier combien Nietzsche platonise- m'a permis de percevoir une pensee qui, par-dela Oui et Non, accumule hypotheses et points d'interrogation. Ce livre tente d'expliciter une evidence jusque-la souterraine: la parente existant entre leurs manieres de philosopher. Qui reduit leurs philosophies a un ensemble de doctrines peut seulement voir ce qui les oppose: pensee (...) du devenir contre metaphysique de l'etre, interpretation contre recherche dialectique de la verite, corps pensant contre corps tombeau, la liste n'est pas close. Pour mettre en question ces oppositions, il fallait rappeler que penser est pour eux une aventure, une pluralite d'experiences joyeuses ou penibles ouvrant sur des chemins a explorer. La methode du contrepoint rigoureux, superposition de deux lignes melodiques qui n'exclut pas les dissonances, etait donc la plus indiquee. La mise en regard de leurs textes fait certes apparaitre des renversements, mais surtout des echos ou des chiasmes.Le Socrate musicien- qu'etait Platon et le Dionysos philosophos- dont Nietzsche se disait le disciple sont les figures croisees d'un philosophe que l'un invente et l'autre reinvente - d'un philosophe qui, ni metaphysicien ni anti-metaphysicien, est capable d'interroger impitoyablement comme de chanter au-dessus de la vie. Cette autre maniere de philosopher est, peut etre, ce dont la philosophie a aujourd'hui besoin. M. D. (shrink)

Xenotransplantation pits clinical research ethics against public health needs because recipients must undergo long-term, perhaps life-long, surveillance for infectious diseases. This surveillance requirement is effectively an abrogation of the right to withdraw from a clinical trial. Ulysses contracts, which are advance directives for future care, may be an ethical mechanism by which to balance public health needs against limitation of individual rights.

Xenotransplantation is defined as “any procedure that involves the transplantation, implantation, or infusion into a human recipient of either live cells, tissues, or organs from a nonhuman animal source, or human body fluids, cells, tissues or organs that have had ex vivo contact with live nonhuman animal cells, tissues, or organs.” Xenotransplantation has been viewed by desperate patients and their surgeons as a solution to the problem of the paucity of human organs available for transplantation. Foes of xenotransplantation argue that (...) the use of animal organs degrades the human race and should be avoided.In this paper, we briefly review the cultural context of xenotransplantation and explore the infectious disease risk of xenotransplantation. The United States Code of Federal Regulations requires life-long surveillance of a xenotransplantation recipient due to the largely unknown risk of novel infectious disease transmitted across species, known as xenogeneic infectious disease. We argue that despite being in the interest of protecting the public health, the imposition of lifelong surveillance requirements on xenotransplant recipients effectively abrogates the right to withdraw from a clinical trial after the transplantation has taken place. Moreover, we argue that a waiver of the right to withdraw should be made explicit in the interest of full disclosure, out of respect for the research subject’s right of self-determination. (shrink)

Concepts for sustainable bioeconomy systems are gradually replacing the ones on linear product chains. The reason is that continuously expanding linear chain activities are considered to contribute to climate change, reduced biodiversity, over-exploitation of resources, food insecurity, and the double burden of disease. Are sustainable bioeconomy systems a guarantee for a healthy planet? If yes, why, when, and how? In literature, different sustainability indicators have been presented to shed light on this complicated question. Due to high degrees of complexity and (...) interactions of actors in bioeconomy systems, trade-offs and non-linear outcomes became apparent. This fueled the debates about the normative dimensions of the bioeconomy. In particular, the behavior of actors and the utilization of products do not seem to be harmonized according to the environmental, social, and economic pillars of sustainability. Potential conflicts require a new conceptual framework that is here introduced. It consists of a ‘sustainability’ cylinder captured between an inner-cylinder, representing order, and an outer-cylinder for chaos, based on the laws of physics and complex adaptive systems. Such a framework permits (bioeconomy) systems to propagate in the sustainability zone only if they follow helical pathways serving as the new norms. Helices are a combination of two sinusoidal patterns. The first represents here the sustainable behavior of interacting actors and the second the balanced usage of resources and products. The latter counteracts current growth discourses. The applicability of the conceptual cylinder framework is positively verified via 9 cases in Europe, which encompass social-organizational and product-technological innovations. –. (shrink)

Dans cet ouvrage, Monique Lauret retrace l'histoire du mouvement psychanalytique en Chine qui ne cesse de croître depuis les années 1980, analyse l'influence de la pensée chinoise sur la théorisation de Lacan, et établit des passerelles entre pensée chinoise et psychanalyse. Il existe un passage inattendu entre pensée chinoise et psychanalyse autour de la question de l'humanisation et du rêve. Lacan s'intéressa en particulier à trois notions de la philosophie chinoise: la nature, le désir et la sagesse (discernement). Il (...) reprit les concepts clés de Mencius, fils spirituel de Confucius: le Xing (nature ou sexuel) et le Ming (décret du Ciel ou destin) à partir desquels il conçut la nature de l'être parlant soumis aux lois du Ciel, c'est-à-dire celles de son désir et de sa jouissance. Il porta aussi un regard neuf sur la langue et l'écriture idéographique chinoises: il y découvrit un système de signifiance révélant le mécanisme subtil de l'inconscient structuré comme écriture, ce qui lui permit d'approfondir les concepts de jouissance, d'identification et de Trait unaire. Enfin, il dénonça l'effondrement de la ' sagesse ' de l'humanité à l'origine de nos maux contemporains: une précipitation dans la haine et l'archaïque, la haine étant le plus puissant vecteur de la pulsion de mort. Par ce dialogue entre deux pensées civilisationnelles qui défendent l'idée que l'homme ne peut être humain que dans sa relation à l'autre, cet ouvrage propose une position de discernement face à l'essor de la révolution techno-numérique et au malaise dans la civilisation. (shrink)

Un regroupement de textes qui analysent le platonisme, ainsi que l'antiplatonisme de l'époque moderne et contemporaine. [SDM].

Uncovers in the works of Plato and Nietzsche, not some royal road to truth, but rather the intensity of their love and commitment to the life of thought, whatever it discovers and wherever it might lead.