This paper argues against evolutionary accounts of aesthetics by defending the idea that our fundamental aesthetic categories have undergone great changes in the last two millennia, in particular, during an “artistic revolution” that lasted from 1680 to 1830. This revolution was made possible by the development of a number of technologies of art that created a separate cultural space for this new invention. The attempt to extend this revolution to include the aesthetic appreciation of the natural environment is aided by (...) a new set of technologies that help make an aesthetic object out of natural environments. This even morerecent development is further evidence against an evolutionary explanation of art. (shrink)
Ecotourism has been defined in a number of possibly incompatible ways, such as travel to especially wonderful natural sites, as aform of educational travel, and as sustainable tourism. These various understandings of ecotourism can be used to ground a number of different kinds of natural area policies. In particular they can ground a number of policies concerning the management of the many National Parks in the United States. In this paper, in order to assess these policies, I distinguish several different (...) understandings of “ecotourism” and discuss the kinds of park management programs that might be based on them. In the course of this discussion, I examine the history of tourism in Europe in order to develop other notions of ecotourism, including two based on the idea of pilgrimage. To clarify this last idea of ecotourism, I examine religious pilgrimage and several ideas of nature taken from the Romantic Movement in Europe and the Transcendentalist movement in the United States, as seen in the work of Emerson, Thoreau, Muir, and Ansel Adams. (shrink)
Discussions of green design and sustainable architecture have become common in the architectural profession, but not in philosophy. This is unfortunate, as philosophers could make important contributions to this discussion, given that these terms rife with ambiguities and that the relationships between these ideas and the traditional Vitruvian values of architecture (beauty, structure, and utility) are unclear. In a recent article, Tom Spector addresses some of these issues to assess whether the notion of sustainability could underpin an entire design philosophy. (...) He concludes that it cannot. I argue that Spector’s argumentsare flawed. After discussing the history of green design, I connect a number of theories in the new field of environmental aesthetics to the question of architectural aesthetics to show how sustainability might inform architecture. (shrink)
A growing literature testifies to the persistence of place as an incorrigible aspect of human experience, identity, and morality. Place is a common ground for thought and action, a community of experienced particulars that avoids solipsism and universalism. It draws us into the philosophy of the ordinary, into familiarity as a form of knowledge, into the wisdom of proximity. Each of these essays offers a philosophy of place, and reminds us that such philosophies ultimately decide how we make, use, and (...) understand places, whether as accidents, instruments, or fields of care. (shrink)
This paper seeks to discover if urban planning has any 'internal values' which might help guide its practitioners and provide standards with which to judge their works, thereby providing for some disciplinary autonomy. After arguing that such values can best be discovered through an examination of the history of utopian urban planning, I examine one period in that history, the early Renaissance and, in particular, the work of Leon Battista Alberti. Against Susan Lang's thesis that Alberti's work was guided by (...) the fundamental value of beauty, I argue that Alberti was centrally concerned to design cities that would help their citizens develop civic virtue. Against Françoise Choay's thesis that Alberti was not a utopian, I argue that Alberti was a procedural utopian interested in advancing certain political goals. This analysis suggests that urban planning has an internal value structure which includes some specific political values. (shrink)
According to Aristotle, both urban planning and political philosophy originated in the work of one man, Hippodamus of Miletus. If Aristotle is right, then the study of Hippodamus's work should help us understand their history as interrelated fields. Unfortunately, it is difficult to determine with any degree of precision exactly what Hippodamus's contributions were to these two fields when the two fields are studied separately. In urban planning, Hippodamus was traditionally credited with having invented the ''grid pattern'' in which straight (...) streets intersect each other at right angles to form regular city blocks. However, as grid patterned cities have been discovered that were built before Hippodamus's birth, this traditional attribution must be false. In political philosophy, Hippodamus was credited with having written the first utopian ''constitution''. However, Aristotle's account of this constitution is so brief that it is difficult to determine what philosophical position lies behind it and, as that account makes clear, several of the laws governing Hippodamus's ideal city seem contradictory. In this paper, I argue that Hippodamus did significant work in both fields but that his intentions can only be seen clearly if his philosophical and architectural works are read together. This reading not only makes clear the unique contribution that Hippodamus made to both disciplines, but it shows how they were-and perhaps how they should be-related. (shrink)
Wagner is thought to be one of the first Modern Architects, yet a number of writers have argued that his most famous Modern building, the?Postsparkasse,? violates the most basic principles of Modern Architecture; principles that Wagner himself helped develop. This essay develops a new interpretation of this building by placing it in the context of fin de siècle Viennese culture. This interpretation shows that the?Postsparkasse? is a Modern building, but it also shows that the common understanding of?Modern Architecture? needs to (...) be revised. It also suggests a new role for architecture in the contemporary world. (shrink)
This essay examines the possibility of developing a more complete evolutionary aesthetics that can be used to appraise both natural landscapes and works of landscape architects. For the purpose of this essay, an “evolutionary aesthetics” is an aesthetic theory that is closely connected to Darwin’s theory of evolution. Two types of Darwinian evolutionary aesthetics seem possible; a theory of evolved tastes, such as that developed by Dennis Dutton, and an aesthetics of evolving nature based on Carlson’s positive aesthetics. After, exploring (...) both theories, I argue that, while the two positions approach aesthetics from different directions, they support similar aesthetic judgments concerning landscapes, and this suggests that the two positions might be incorporated into a broader theory of evolutionary aesthetics. That theory is briefly outlined and applied to both natural landscapes and parks. (shrink)
A multi-disciplinary study of the house that the philosopher Ludwig Wittgenstein built for his sister in Vienna between 1926 and 1928, this book weaves together ideas taken from a number of disciplines_sociology, political science, aesthetics, architecture, urban planning, and philosophy_to develop a complex, multifaceted interpretation of the purpose and design of the house, which, in turn, is used to ground a new interpretation of Wittgenstein's philosophical works emphasizing their mystical nature and practical purpose.
According to Kuhn a new scientific discipline comes into existence when a group of scientists adopt a common paradigm within which to conduct research. The adoption of this paradigm senes to focus the attention of the group’s members on a common explanatory task-at-hand and leads them to adopt similar methods and aims, thus making possible the standard puzzle solving activities that allow normal science to advance rapidly. However, Kuhn argues, in pre-paradigm periods and during revolutionary phases, scientists do not engage (...) in such singleminded, puzzle-solving behavior, as the paradigm itself is put into question. Instead, during these periods, they become at least partially self-reflective in that they become interested in understanding the nature of their discipline and its relationships to other disciplines. In this paper, I argue that Philosophical Counseling is in a pre-paradigm period and is in need of a paradigm centered definition if it is to develop an identity and advance rapidly. In an Aristotelian mood, I seek this definition though an examination of the related fiends of psychotherapy and pastoral counseling. (shrink)
Communitarians have argued that liberalism somehow causes or leads to a consumer society. Moreover, they have argued that consumer society is somehow morally suspect. Given the connection between liberalism and consumerism, they have argued that the moral problems they have found in consumer society give reason to oppose liberalism. In this paper, after defining “consumerism” and “liberalism,” I examine the various communitarian arguments against consumerism, and the various arguments that seek to connect liberalism to consumerism. I argue that only one (...) of these arguments has any hope of establishing this connection. (shrink)
The inaugural collection in an exciting new exchange between philosophers and geographers, this volume provides interdisciplinary approaches to the environment as space, place, and idea. Never before have philosophers and geographers approached each other's subjects in such a strong spirit of mutual understanding. The result is a concrete exploration of the human-nature relationship that embraces strong normative approaches to environmental problems.
How is the poor quality of the secondary literature on Foucault to be explained? Of course, this does not imply that all works on Foucault are bad: Dreyfus and Rabinow's book is of high quality, as is that of Cousin and Hussain. However most other studies of Foucault are simply not very good. Beginning with Alan Sheridan's paraphrase of the Foucaultian corpus, extending through Lemert and Gillan's Michel Foucault; Social Theory as Transgression, and ending, for now, in Racevskis' Lacanian reading (...) of Foucault, this short tradition in scholarship has included much which would have better remained unwritten. These works are typically expository in nature. They tend to be celebratory and uncritical. They often over-use past tense “accomplishment verbs,” e.g. “Foucault established…” or “Foucault undercut…”. (shrink)
Title: Michel Foucault Publisher: Palgrave Macmillan ISBN: 0312531664 Author: Mark Cousins and Athar Hussain Title: Michel Foucault and the Subversion of Intellect Publisher: Cornell University Press ISBN: 0801415721 Author: Karlis Racevskis.
Beginning with Ronald Hepburn’s path-breaking essay, “Contemporary Aesthetics and the Neglect of Natural Beauty,” which helped establish the modern discipline of environmental aesthetics, philosophers have provided sketches of what, after Hegel, might be called “philosophical histories of the aesthetics of nature.” These histories are remarkably similar and can easily be blended together to create a “received history” of the discipline. This history has subtly influenced work in the field. Unfortunately, it is not completely accurate and, as a result, has had (...) a misleading effect. A more accurate and expanded alternative history calls into question the received history’s view both on the origins of the field in arts-based aesthetic theories and on the nature and value of the aesthetic categories, “the picturesque” and “the sublime.” These categories were not borrowed from philosophy of art and inappropriately applied to nature, but instead were developed to appraise landscapes, which unlike natural objects could only rarely be judged beautiful since they are almost never symmetrical or ordered. (shrink)
In this paper, I argue that there is no essential inconsistency between a well-constructed free trade policy and environmental sound development. From an examination of the concept of “free trade,” I argue that “free trade” must mean “environmentally sustainable trade.” The argument is conceptual in nature. I argue that free trade must mean trade free of subsidies in which the price of a good fairly reflects the costs of its production. I then argue that environmentally unsustainable commodity trade is in (...) fact “subsidized.” Therefore, the international regulation of this trade would be consistent with the goal of free trade. Moreover, such regulation could promote both environmental conservation and the long-run interest of developing countries. However, ethical and practical considerations demand that these regulations must be structured so that they do not have a negative short-term economic impact on developing countries. A mechanism to implement this policy is suggested. (shrink)
The eighteenth century notion of the “picturesque” has been misunderstood by many contemporary environmental aestheticians. This has contributed both to amisunderstanding of the history of environmental aesthetics and, within the discipline, to a misunderstanding of English garden design. This essay contains a discussion of the term as it appears in environmental aesthetics literature and an examination of the history of the term as used in eighteenth-century garden design literature. This history is used to contest the account of the term as (...) used by contemporary environmental aestheticians and to develop a philosophically more interesting interpretation of it. (shrink)
Many philosophers and environmentalists have advocated the development of a revolutionary new moral paradigm that treats natural objects as “morally considerable” in-themselves, independently of their relation to human beings. Often it is claimed that we need to develop a radically new theory of value to underpin this new paradigm. In this paper, I argue against this position and in favor of a more critical approach to environmental ethics. Such a critical approach, I believe, is not only more politically sound, but (...) it is not open to the kinds of objections that afflict “biocentric moral theories” that depend on a conception of the intrinsic worth of nature. In the first sections of the paper, I develop a set of these criticism. In the last part of the paper, I turn to examine the advantages of a critical approach to environmental ethics. (shrink)
This paper outlines a normative/philosophical theory of evolutionary aesthetics, one that differs substantially from existing explanatory/psychological theories, such as Dutton’s. This evolutionary theory is based on Carlson’s scientific cognitivism, but differs in that it is based on evolutionary rather than ecological theory. After offering a short account of Carlson’s theory, I distinguish it from a normative evolutionary aesthetics. I then explore an historically important normative/philosophical theory of the aesthetics of nature that is consistent with Darwin’s theory of natural selection; namely, (...) the theory of the picturesque. Finally, after summarizing Nietzsche’s early theory of tragedy, I discuss how some of his ideas might be incorporated into an evolutionary aesthetics. (shrink)
A number of different types of arguments have been advanced against the use of Utopian speculation in Political Philosophy. In this essay I examine what I call "political arguments against utopianism." I limit my discussion to those arguments made by liberals. These arguments hold that there is some essential incompatibility between liberalism and utopianism. I argue that this is not the case. After examining these arguments in detail, I attempt to define "utopianism." This leads me to argue that there is (...) a type of utopianism, which I call "political utopianism," which escapes the political arguments advanced by liberals. I end by urging that liberals should spend more time developing Utopian conceptions of liberal society. (shrink)