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  1.  10
    "Un Declenchement:" The Revolutionary Implications of Philippe Sollers' "Nombres" for a Logocentric Western Culture.Roland A. Champagne - 1973 - Substance 3 (7):101.
  2.  10
    Reading and Producing Theater.Danielle Kaisergruber, Carl R. Lovitt & Roland A. Champagne - 1977 - Substance 6 (18/19):163.
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  3.  15
    My Cup Runneth Over.Roland A. Champagne - 1991 - American Journal of Semiotics 8 (4):53 - 71.
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  4.  9
    Beyond the Structuralist Myth of Ecriture.U. Rehn Wolfman & Roland A. Champagne - 1978 - Substance 6 (20):127.
  5.  8
    Le Roman du Texte: A Response to Julia Kristeva's Reading of Antoine de Lasale's "Petit Jehan de Saintre".Roland A. Champagne - 1972 - Substance 2 (4):125.
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  6.  7
    Theater as Representation.Andre Helbo, Rose M. Avila & Roland A. Champagne - 1977 - Substance 6 (18/19):172.
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  7.  9
    Levin’s ‘Disobedient Tears’.Roland A. Champagne - 2006 - American Journal of Semiotics 22 (1/4):149-164.
    The literary semiotics of Pierre Bourdieu incorporates the principles of habitus and hexis to reveal hidden codes in some literary texts. Tolstoy’s Anna Karenina is such a literary text. A Bourdieu-guided semiotic reading of Levin’s weeping locates marriage as the nexus enabling the interpretation of his “disobedient tears” on the eve of his wedding to Kitty. The habitus and hexis of marriage reveal the imbedded mythological, psychoanalytic, physiological, cultural, and socio-cultural codes that intersect in Levin’s crying. Bourdieu’s method thus allows (...)
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  8. Roland Barthes the Pianist: The Mediation of His Music ('Barthes and Utopia':'Space, Travel, Writing'by Diana Knight).Roland A. Champagne - 1999 - Semiotica 123 (3-4):357-366.
     
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  9.  6
    At the Intersection of Political Theory and Philosophy: Hannah Arendt’s Projection of Kant’s Voice Into the Political Arena.Roland A. Champagne - 1998 - Idealistic Studies 28 (3):123-135.
  10.  3
    Levin’s ‘Disobedient Tears’: Applying the Literary Semiotics of Pierre Bourdieu in Anna Karenina.Roland A. Champagne - 2006 - American Journal of Semiotics 22 (1/4):149-164.
    The literary semiotics of Pierre Bourdieu incorporates the principles of habitus and hexis to reveal hidden codes in some literary texts. Tolstoy’s Anna Karenina is such a literary text. A Bourdieu-guided semiotic reading of Levin’s weeping locates marriage as the nexus enabling the interpretation of his “disobedient tears” on the eve of his wedding to Kitty. The habitus and hexis of marriage reveal the imbedded mythological, psychoanalytic, physiological, cultural, and socio-cultural codes that intersect in Levin’s crying. Bourdieu’s method thus allows (...)
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