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Roland Barthes
University of Naples Federico II
  1. Camera Lucida : Reflections on Photography.Roland Barthes - 2010 - In Christopher Want (ed.), Philosophers on Art From Kant to the Postmodernists: A Critical Reader. Columbia University Press.
     
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  2.  14
    Mythologies.Roland Barthes & Annette Lavers - 1973 - Journal of Aesthetics and Art Criticism 31 (4):563-564.
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  3.  63
    Elements of Semiology.Roland Barthes - unknown
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  4. 2 Theory of the Text.Roland Barthes - 1981 - In Robert Young (ed.), Untying the Text: A Post-Structuralist Reader. Routledge & Kegan Paul. pp. 31.
     
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  5.  35
    Comment vivre ensemble ? – Sur l'idiorrythmie.Roland Barthes - forthcoming - Rhuthmos.
    01. Leçon inaugurale/Inaugural lecture - janvier/January 7, 1977 « Comment vivre ensemble – Sur l'idiorrythmie » Leçons au Collège de France – 1977 02. Comment vivre ensemble 01 - janvier/January 12, 1977 03. Comment vivre ensemble 02 - janvier/January 19, 1977 04. Comment vivre ensemble 03 - janvier/January 26, 1977 05. Comment vivre ensemble 04 - février/February 2, 1977 06. Comment vivre ensemble 05 - février/February 9, 1977 07. Comment vivre ensemble 06 - février/February 16, (...) - Comment penser le (...)
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  6. The Neutral: Lecture Course at the College de France.Roland Barthes (ed.) - 2005 - Columbia University Press.
    "I define the Neutral as that which outplays the paradigm, or rather I call Neutral everything that baffles paradigm." With these words, Roland Barthes describes a concept that profoundly shaped his work and was the subject of a landmark series of lectures delivered in 1978 at the Collège de France, just two years before his death. Not published in France until 2002, and appearing in English for the first time, these creative and engaging lectures deepen our understanding of Roland Barthes's (...)
     
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  7.  58
    Barthes, R. (1977). Image, Music, Text. (S. Heath, Ed.)The Journal of Aesthetics and Art Criticism (Vol. 37, P. 220). Hill and Wang. Doi:10.2307/429854Image, Music, Text. [REVIEW]Roland Barthes - 1977 - Journal of Aesthetics and Art Criticism 37 (2):235-236.
    Roland Barthes, the French critic and semiotician, was one of the most important critics and essayists of this century. His work continues to influence contemporary literary theory and cultural studies. Image-Music-Text collects Barthes's best writings on photography and the cinema, as well as fascinating articles on the relationship between images and sound. Two of Barthes's most important essays, "Introduction to the Structural Analysis of Narrative" and "The Death of the Author" are also included in this fine anthology, an excellent introduction (...)
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  8.  11
    L'obvie Et L'Obtus: Essais Critiques III.Vincent B. Leitch & Roland Barthes - 1983 - Substance 12 (4):91.
  9.  4
    Lecture In Inauguration of the Chair of Literary Semiology, College de France, January 7,1977.Roland Barthes - 1979 - Oxford Literary Review 4 (1):31-44.
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  10.  14
    Roland Barthes: A Conservative EstimateImage-Music-Text.Steven Ungar, Philip Thody, Roland Barthes & Stephen Heath - 1979 - Substance 8 (1):119.
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  11.  13
    Lettres.Roland Barthes, Frederick Crews & J. P. Faye - 1971 - Substance 1:v.
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  12.  3
    The Discourse of the ImaginaryA Lover's Discourse: FragmentsRoland Barthes by Roland Barthes.Gregory L. Ulmer, Roland Barthes & Richard Howard - 1980 - Diacritics 10 (1):60.
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  13.  24
    Relationship Between Writing, Reading and the Dominant Cultural Discourse. Perhaps the Most Important Philo-Sophical Influence on Barthes Was The.Roland Barthes - 2005 - In Siobhan Chapman & Christopher Routledge (eds.), Key Thinkers in Linguistics and the Philosophy of Language. Edinburgh University Press. pp. 27.
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  14.  22
    On Émile Benveniste.Roland Barthes - 1981 - Semiotica 37 (s1):25-46.
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  15.  2
    Sade, or Text as FantasySade, Fourier, Loyola.Michael Riffaterre & Roland Barthes - 1972 - Diacritics 2 (3):2.
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  16.  16
    Taking Sides.Roland Barthes - 1994 - In Barry Smart (ed.), Michel Foucault: Critical Assessments. Routledge. pp. 24.
  17.  11
    Primary Works.Fontana Press, Annette Lavers, Roland Barthes & Harvester Wheatsheaf - 2005 - In Siobhan Chapman & Christopher Routledge (eds.), Key Thinkers in Linguistics and the Philosophy of Language. Edinburgh University Press.
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  18. The Critical DifferenceS/Z.Barbara Johnson, Roland Barthes & Richard Miller - 1978 - Diacritics 8 (2):2.
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  19.  1
    Turn and Return: The Image of DeconstructionDelimitations: Phenomenology and the End of MetaphysicsA Lover's Discourse: Fragments.J. Timothy Bagwell, John Sallis, Roland Barthes & Richard Howard - 1989 - Diacritics 19 (1):97.
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    RB: The Third DegreeRoland Barthes Par Roland Barthes.Steven Ungar & Roland Barthes - 1977 - Diacritics 7 (1):67.
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  21.  1
    The Dolls of Bunraku.Roland Barthes & David Savran - 1976 - Diacritics 6 (4):44.
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  22. Names and Terms.Theodor Wiesengrund Adorno, Giorgio Agamben, Louis Althusser, Hannah Arendt, John Langshaw Austin, Gaston Bachelard, Alain Badiou, Mikhail Mikhaylovich Bakhtin, Roland Barthes & Georges Bataille - 2006 - In Paul Wake & Simon Malpas (eds.), The Routledge Companion to Critical Theory. Routledge.
     
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  23. AD Coleman.Roland Barthes - 1989 - In Richard Kostelanetz (ed.), Esthetics Contemporary. Prometheus Books. pp. 339.
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  24. Arcimboldo lub Retor i Magik.Roland Barthes - forthcoming - Estetyka I Krytyka 15 (15/16):225-239.
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  25. A Question of Tempo to Lucette Finas.Roland Barthes - 1982 - Oxford Literary Review 5 (1-2):150-153.
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  26.  20
    How to Live Together: Novelistic Simulations of Some Everyday Spaces.Roland Barthes - 2012 - Columbia University Press.
    "Notes for a lecture course and seminar at Collaege de France (1976-1977)"-- T.p.
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  27. Incidents.Roland Barthes & Bishan Samaddar - 2010 - Seagull Books.
     
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  28. The Neutral: Lecture Course at the Collège De France, 1977-1978.Roland Barthes - 2005 - Columbia University Press.
     
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  29. U9 Roland Barthes.Roland Barthes - 2007 - In Diarmuid Costello & Jonathan Vickery (eds.), Art: Key Contemporary Thinkers. Berg. pp. 149.
     
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  30. Argo SumCamera Lucida.Michael Halley & Roland Barthes - 1982 - Diacritics 12 (4):69.
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