Green product innovation has been recognized as one of the key factors to achieve growth, environmental sustainability, and a better quality of life. Understanding green product innovation as a result of interaction between innovation and sustainability has become a strategic priority for theory and practice. This article investigates green product innovation by means of a multiple case study analysis of 12 small to medium size manufacturing companies based in Italy and Canada. First, we propose a conceptual framework that presents three (...) key environmental dimensions of green product innovation such as energy minimization, materials reduction, and pollution prevention as identified in the life cycle phases of products. Based on insights gained from in-depth interviews, we discuss firms' motivations to develop green products, environmental policies and targets for products, different dimensions of green product innovation, and challenges faced during developing and marketing of green products. Results from the study are then synthesized and integrated in a toolbox that sheds light on various aspects of green product innovation and provides solutions to challenges and risks that are faced by firms. Finally, implications for managers, academia and public policy makers are discussed. (shrink)

From Realism to "Realicism" is a unique critical study of Peirce's metaphysics, and his repeated insistence on the realism of the medieval schoolman as the key to understanding his own system. By tracing the problem of universals beginning with its Greek roots, Rosa Maria Perez-Teran Mayorga provides the necessary yet underrepresented background of moderate realism and Peirce's eventual revision of metaphysics.

From Realism to 'Realicism' is a unique critical study of Peirce's metaphysics, and his repeated insistence on the realism of the medieval schoolman as the key to understanding his own system. By tracing the problem of universals beginning with its Greek roots, Rosa Maria Perez-Teran Mayorga provides the necessary yet underrepresented background of moderate realism and Peirce's eventual revision of metaphysics.

Sándor Márai: Consciousness of Reality, Creator of History shows the way Márai builds a series of characters based on Divorce in Buddha, instead of the concept of historical novel. Thanks to their connection between consciousness and reality, these characters are able to recognize themselves in the confessional space and they are regarded as representatives of unofficial history.

El artículo analiza la incidencia política como herramienta eficaz de la sociedad civil sobre la implementación de políticas públicas, analizándolo en particular en la educación. Postula cómo entender esa incidencia y se pregunta quiénes deben incidir. Afirma que la incidencia en las políticas educativas no tiene a la fecha demasiados casos exitosos que contar, y que una agenda amplia y renovada como la propuesta aquí, pensada desde la complejidad del cambio educativo, implicaría aportes importantes en los modos de pensar y (...) hacer incidencia política en pro del derecho a la educación. (shrink)

Resumen: El presente artículo propone que la 31ª Bienal de Sao Paulo entraña un afán emancipador para los "sin tierra" - errantes, migrantes y viajeros. Para ello se conforma como un cuerpo sin órganos, que despliega estrategias liberadoras promoviendo: desarticulación, experimentación, vagabundeo y tránsito de sujetos y pueblos. Esta Bienal, en tanto CsO, mueve intensidades como flujos sensibles por los intersticios de los proyectos artísticos dispuestos en organismo. Acá el CsO es un conjunto de prácticas reservadas a desterritorializar los estratos (...) del "organismo social" y hacer estallar los órganos estructurados en dichos sistemas.: This article shows that the 31st Sao Paulo Biennial has an emancipatory affinity for the landless - wanderers, migrants, and travelers. As such it becomes a Body without Organs that displays liberating strategies, promoting disarticulation, experimentation, wandering, and the transit of subjects and peoples. This Biennial, as a BwO, moves intensities as sensible flows through the interstices of the artistic projects inside the organism. Here, the BwO becomes a set of practices that deterritorialize the strata of the "social organism", making the structured organs in these systems explode. (shrink)

The contemporary research on "meta-function", closely associated with names as Breton, Ricoeur, Greisch, is located in continuity with the traditional question on metaphysics, which metaphysics itself has posed in its historical development starting from Aristotle, followed by the exegetical readings in the late antiquity, in the Arabic philosophy and in the Scholasticism. The analysis of meta-function as peculiar character of metaphysics highlights the double movement of transcendence and immanence, of going beyond and coming back. It shows how metaphysics overcomes physis (...) to rediscover it in a formal way on a deeper ontological level by posing the question about "being as being", which is not a natural object. In this way metaphysics displays its eidetical nature according to which metaphysics and phenomenology no longer appear as opposed in front of phenomena. (shrink)

Love: An Emotion that Ties and liberates is a reflective look about love, in which love dialogues from the west tradition, represented by literary works from different historical moments, talk to build a panorama “about truths”, complexities, contradictions and emotions of the love passion. A journey that goes with the courteous love, Divine Comedy, Faust, Tristan and Isolde, Abelard and Heloise, until now; showing how universal this feeling is, and the undeniable links that this one establishes with freedom and death.

There are many operas that are based on false historical facts, use stage directions that contradict the libretto or make incorrect use of musical forms. This article considers whether the alteration of the empirical truth of an opera compromises or alters its ontological truth in any way, since analysing every layer of an opera is fundamental in order to understand it. As we will see in reference to the three fundamental components of opera – librettos, scores and stage designs – (...) and taking Bizet’s Carmen and Verdi’s Don Carlos as examples, this becomes problematic when the empirical criteria of truth is compromised. However, as we shall suggest throughout the article, the hermeneutic reading can be considered as the means of interpreting what truly constitutes opera as a work of art and how a truth is achieved therein that does not unfold in any other way. (shrink)

Contingentism depicts normativity as one of our human effective possibilities rather than as a metaphysical bottleneck which we should necessary fulfill. The book is a critical survey of Richard McKay Rorty’s “neo-pragmatism”, in the light of various theoretical arguments as well as of his own resourceful attempts to renew philosophy from within its practice.

Contingentism depicts normativity as one of our human effective possibilities rather than as a metaphysical bottleneck which we should necessary fulfill. The book is a critical survey of Richard McKay Rorty’s “neo-pragmatism”, in the light of various theoretical arguments as well as of his own resourceful attempts to renew philosophy from within its practice.

With its emphasis on indeterminacy, ambiguity, uncertainty, and chance, contingentism depicts normativity as one of our human practical possibilities rather than as a metaphysical bottleneck which we should necessary fulfill at the cost of repudiating concrete ways in which we grant epistemic and ethical meaning to our activities. Richard McKay Rorty's "neo-pragmatism" launched a powerful challenge to entrenched philosophical and pre-philosophical certainties of modernity, allowing us to articulate the powerful picture of normativity as a distinctive exercise and activity of human (...) beings. The book is a critical survey of his philosophy, in the light of various theoretical arguments as well as of his own resourceful attempts to renew philosophy from within its practice by using the conceptual tools and argumentative techniques of both analytic philosophy and pragmatism. (shrink)

Este artículo es un homenaje a las principales actrices de la escena española, tanto del teatro como del cine. En particular, se fija en la faceta cómica de una serie de artistas que, a través de su talento y su amor a la interpretación, dignificaron su profesión y nos legaron obras memorables. En un mundo predominantemente masculino, estas mujeres lucharon contra las adversidades de su tiempo y supieron labrarse una trayectoria admirable.

En los años �30 del siglo pasado surge La Legión de la Decencia, en Estados Unidos, radicalizando una ola inquisitorial ya iniciada años atrás para imponer la censura en el cine. Este artículo se sumerge en ese Hollywood en vigilancia permanente y fija su atención en las mujeres de aquella industria: directoras, guionistas, editoras, actrices� Profesionales de valía excepcional que sufrieron los rigores de los centinelas de la moral. Un plano panorámico, con un enfoque feminista, que nos recuerda algunos nombres, (...) títulos y fechas inolvidables de ese universo cinematográfico. (shrink)

Abstract:The influence of John Duns Scotus' doctrine of the free will on Charles Peirce's normative theory is proposed in the context of commentaries on James J. Liszka's latest book on Peirce and the normative sciences.

Apresentam-se aqui as conclusões de uma pesquisa em que foram analisados dois programas de televisão, um encarte de jornal e uma revista - todos destinados ao público adolescente. A análise, feita a partir de um referencial teórico baseado nos conceitos de sujeito, poder e discurso, da obra de Michel Foucault, permite qualificar a mídia como um "espaço formador de sujeitos'', basicamente porque seus discursos e as práticas que instauram constituem um modo especifico de "ser jovem" e se inscrevem numa rede (...) de poder e saber sobre a adolescência, possível de apreender a partir dos próprios textos. (shrink)

Charles Peirce did not seem to have a consistent view regarding ethics. His occasional remarks on this subject appear to be contradictory at best and cynical at worst. As a result, many have suggested that his comments on ethics, especially those expressed in the 1898 Cambridge Conference lectures, should be dismissed or ignored. This chapter argues that Peirce's views on ethics can be best understood by comparing them to his views on scholastic realism and nominalism. When analyzed in this way, (...) Peirce's observations on ethics can serve as the grounds for a robust moderate moral realism that can compare favorably with contemporary metaethical theories. (shrink)

In this ambitious study of the development of Charles Peirce 's realism, Mateusz Oleksy attempts "to show that over the course of his entire career Peirce significantly modified his position on realism ". Oleksy differentiates between Peirce 's earlier scholastic realism and Peirce 's mature realism, which Oleksy calls pragmatic realism. "One of the main theses of this book," he proclaims in the introduction, "is that PR is incompatible with SR as a whole, and that it replaces the latter in (...) Peirce 's mature thought". Oleksy proposes to defend this thesis in the four ensuing chapters, "knowing very well that Peirce would most likely protest, since all throughout his career he declared loyalty to SR". (shrink)