83 found
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  1. Visual Thinking.Rudolf Arnheim - 1969 - London: Faber.
    "Groundbreaking when first published in 1969, this book is now of even greater relevance to make the reader aware of the need to educate the visual sense, a ...
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  2.  1
    New Essays on the Psychology of Art.Rudolf Arnheim - 1986 - Journal of Aesthetics and Art Criticism 45 (2):200-201.
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  3. From Pleasure to Contemplation.Rudolf Arnheim - 1993 - Journal of Aesthetics and Art Criticism 51 (2):195-197.
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  4.  94
    Picasso's Guernica. The Genesis of a Painting.Rudolf Arnheim - 1963 - Journal of Aesthetics and Art Criticism 22 (1):88-89.
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  5. Letters Pro and Con.Rudolf Arnheim, Sherman E. Lee & Calvin S. Brown - 1961 - Journal of Aesthetics and Art Criticism 19 (3):347-348.
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  6. Inside and Outside in Architecture: A Symposium.Rudolf Arnheim, Wolfgang M. Zucker & Joseph Watterson - 1966 - Journal of Aesthetics and Art Criticism 25 (1):3-15.
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  7.  7
    Why Words Are Needed.Rudolf Arnheim - forthcoming - Journal of Aesthetic Education.
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  8.  27
    The Power of the Center: A Study of Composition in the Visual Arts.Rudolf Arnheim - 1983 - Journal of Aesthetics and Art Criticism 41 (4):448-450.
    Rudolf Arnheim has been known, since the publication of his groundbreaking _Art and Visual Perception_ in 1974, as an authority on the psychological interpretation of the visual arts. Two anniversary volumes celebrate the landmark anniversaries of his works in 2009. In _The Power of the Center_, Arnheim uses a wealth of examples to consider the factors that determine the overall organization of visual form in works of painting, sculpture, and architecture. _The Dynamics of Architectural Form_ explores the unexpected perceptual consequences (...)
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  9. Reminiscences.Rudolf Arnheim, Charles Gauss, Richard Kuhns, Avrum Stroll, Selma Jeanne Cohen, Gordon Epperson, Arnold Berleant, Hilde Hein & Charles Hartshorne - 1993 - Journal of Aesthetics and Art Criticism 51 (2):279-289.
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  10. The Two Authenticities of the Photographic Media.Rudolf Arnheim - 1993 - Journal of Aesthetics and Art Criticism 51 (4):537-540.
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  11.  5
    Toward a Psychology of Art.Rudolf Arnheim, David Barnett & R. W. Beardsmore - 1973 - Journal of Aesthetics and Art Criticism 31 (3):421-421.
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  12. Accident and the Necessity of Art.Rudolf Arnheim - 1957 - Journal of Aesthetics and Art Criticism 16 (1):18-31.
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  13.  91
    Deus Ex Machina.Rudolf Arnheim - 1992 - British Journal of Aesthetics 32 (3):221-226.
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  14.  65
    Style as a Gestalt Problem.Rudolf Arnheim - 1981 - Journal of Aesthetics and Art Criticism 39 (3):281-289.
  15.  76
    The Holes of Henry Moore: On the Function of Space in Sculpture.Rudolf Arnheim - 1948 - Journal of Aesthetics and Art Criticism 7 (1):29-38.
  16.  50
    Beauty as Suitability.Rudolf Arnheim - 1996 - Journal of Aesthetics and Art Criticism 54 (3):251-253.
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  17.  79
    Art as Such.Rudolf Arnheim - 1999 - British Journal of Aesthetics 39 (3):252-254.
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  18.  15
    A Plea for Visual Thinking.Rudolf Arnheim - 1980 - Critical Inquiry 6 (3):489-497.
    The habit of separating the intuitive from the abstractive functions, as they were called in the Middle Ages, goes far back in our tradition. Descartes, in the sixth Meditation, defined man as "a thing that thinks," to which reasoning came naturally; whereas imagining, the activity of the senses, required a special effort and was in no way necessary to the human nature or essence. The passive ability to receive images of sensory things, said Descartes, would be useless if there did (...)
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  19.  15
    Art and Visual Perception: The New Version.Rudolf Arnheim - 1976 - Journal of Aesthetics and Art Criticism 34 (3):361-364.
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  20.  7
    The Gestalt Theory of Expression.Rudolf Arnheim - 1949 - Psychological Review 56 (3):156-171.
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  21.  68
    Ancient Chinese Aesthetics and its Modernity.Rudolf Arnheim - 1997 - British Journal of Aesthetics 37 (2):155-157.
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  22.  52
    From Function to Expression.Rudolf Arnheim - 1964 - Journal of Aesthetics and Art Criticism 23 (1):29-41.
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  23.  47
    The Ontological Limbo of Spirits.Rudolf Arnheim - 1998 - British Journal of Aesthetics 38 (1):63-65.
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  24.  42
    The Completeness of Physical and Artistic Form.Rudolf Arnheim - 1994 - British Journal of Aesthetics 34 (2):109-113.
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  25.  12
    On the Nature of Photography.Rudolf Arnheim - 1974 - Critical Inquiry 1 (1):149-161.
    When a theorist of my persuasion looks at photography he is more concerned with the character traits of the medium as such than with the particular work of particular artists. He wishes to know what human needs are fulfilled by this kind of imagery, and what properties enable the medium to fulfill them. For his purpose, the theorist takes the medium at its best behavior. The promise of its potentialities captures him more thoroughly than the record of its actual achievements, (...)
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  26.  57
    Information Theory: An Introductory Note.Rudolf Arnheim - 1959 - Journal of Aesthetics and Art Criticism 17 (4):501-503.
  27.  4
    Toward a Psychology of Art. Collected Essays.Rudolf Arnheim - 1967 - Journal of Aesthetics and Art Criticism 26 (1):138-141.
    From the Introduction: The papers collected in this book are based on the assumption that art, as any other activity of the mind, is subject to psychology, accessible to understanding, and needed for any comprehensive survey of mental functioning. The author believes, furthermore, that the science of psychology is not limited to measurements under controlled laboratory conditions, but must comprise all attempts to obtain generalizations by means of facts as thoroughly established and concepts as well defined as the investigated situation (...)
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  28.  53
    The Expression and Composition of Color.Rudolf Arnheim - 1998 - Journal of Aesthetics and Art Criticism 56 (4):349-352.
  29.  48
    Picasso's Night Fishing at Antibes.Rudolf Arnheim - 1963 - Journal of Aesthetics and Art Criticism 22 (2):165-167.
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  30.  45
    Gestalt and Art.Rudolf Arnheim - 1943 - Journal of Aesthetics and Art Criticism 2 (8):71-75.
  31.  45
    Schönberg's Thought and the Theory of Music.Rudolf Arnheim - 1997 - British Journal of Aesthetics 37 (4):403-406.
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  32.  42
    Colors: Irrational and Rational.Rudolf Arnheim - 1974 - Journal of Aesthetics and Art Criticism 33 (2):149-154.
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  33.  42
    Notes on Seeing Sculpture.Rudolf Arnheim - 1984 - Journal of Aesthetics and Art Criticism 42 (3):319-321.
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  34.  2
    Art and Visual Perception, a Psychology of the Creative Eye.Rudolf Arnheim - 1955 - Journal of Aesthetics and Art Criticism 13 (3):411-412.
    Since its publication fifty years ago, this work has established itself as a classic. It casts the visual process in psychological terms and describes the creative way one's eye organizes visual material according to specific psychological premises. In 1974 this book was revised and expanded, and since then it has continued to burnish Rudolf Arnheim's reputation as a groundbreaking theoretician in the fields of art and psychology.
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  35.  9
    Entropy and Art: An Essay on Disorder and Order.Rudolf Arnheim - 1973 - Journal of Aesthetics and Art Criticism 32 (2):280-281.
    This essay is an attempt to reconcile the disturbing contradiction between the striving for order in nature and in man and the principle of entropy implicit in the second law of thermodynamics - between the tendency toward greater organization and the general trend of the material universe toward death and disorder.
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  36.  32
    The Dimensions of Disagreement.Rudolf Arnheim - 1979 - Journal of Aesthetics and Art Criticism 38 (1):15-20.
  37.  3
    Film as Art.Rudolf Arnheim & Arthur Knight - 1958 - Journal of Aesthetics and Art Criticism 17 (2):260-262.
    In the fall of 1957 the University of California Press expanded Arnheim’s 1933 book _Film_ by four essays and brought that landmark work back into print as _Film as Art._ Now nearly fifty years after that re-edition, the book continues to occupy an important place in the literature of film. Arnheim’s method, provocative in this age of technological wizardry, was to focus on the way art in film was derived from that medium’s early limitations: no sound, no color, no three-dimensional (...)
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  38.  31
    Perceptual Analysis of a Cosmological Symbol.Rudolf Arnheim - 1961 - Journal of Aesthetics and Art Criticism 19 (4):389-399.
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  39.  20
    The Priority of Expression.Rudolf Arnheim - 1949 - Journal of Aesthetics and Art Criticism 8 (2):106-109.
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  40.  24
    Consciousness: An Island of Images.Rudolf Arnheim - 1994 - Journal of Theoretical and Philosophical Psychology 14 (2):121-27.
    Discusses consciousness as an island of images, which informs us incompletely and indirectly about the mental and the physical worlds. A dualistic worldview separates the perceptual world from the transcendental physical world. Both universes of discourse are empowered by dynamic forces and are related to each other by reflection, the one reflecting the other. The physical world is understood and operated through the intermediary of perception. 2012 APA, all rights reserved).
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  41.  23
    A Review of Proportion. [REVIEW]Rudolf Arnheim - 1955 - Journal of Aesthetics and Art Criticism 14 (1):44-57.
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  42.  3
    The Dynamics of Architecturel Form.Rudolf Arnheim - 1978 - Journal of Aesthetics and Art Criticism 37 (2):237-239.
    Rudolf Arnheim has been known, since the publication of his groundbreaking _Art and Visual Perception_ in 1974, as an authority on the psychologicalinterpretation of the visual arts. Two anniversary volumes celebrate the landmark anniversaries of his works in 2009. In _The Power of the Center_, Arnheim uses a wealth of examples to consider the actors that determine the overall organization of visual form in works of painting, sculpture, and architecture. _The Dynamics of Architectural Form_ explores the unexpected perceptual consequences of (...)
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  43.  21
    Hansen's Curvilinear Perspective.Rudolf Arnheim - 1974 - Journal of Aesthetics and Art Criticism 32 (3):424.
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  44. Entropy and Art.Rudolf Arnheim - 1971 - Berkeley: University of California Press.
  45.  21
    From Chaos to Wholeness.Rudolf Arnheim - 1996 - Journal of Aesthetics and Art Criticism 54 (2):117-120.
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  46.  19
    Melancholy Unshaped.Rudolf Arnheim - 1963 - Journal of Aesthetics and Art Criticism 21 (3):291-297.
  47.  18
    Artistic Symbols: Freudian and Otherwise.Rudolf Arnheim - 1953 - Journal of Aesthetics and Art Criticism 12 (1):93-97.
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  48.  3
    Perceptual Abstraction and Art.Rudolf Arnheim - 1947 - Psychological Review 54 (2):66-82.
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  49.  13
    Letters Pro and Con.Rudolf Arnheim - 1971 - Journal of Aesthetics and Art Criticism 30 (2):255-256.
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  50.  5
    Perceptual Aspects of Art for the Blind.Rudolf Arnheim - 1990 - Journal of Aesthetic Education 24 (3):57-65.
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