1. Cinema, Memory, Modernity: The Representation of Memory From the Art Film to Transnational Cinema.Russell J. A. Kilbourn - 2010 - Routledge.
    Introduction : cinema, memory, modernity: the return of memory as film -- No escape from time : memory and redemption in the international postwar art film -- The "crisis" of memory : "traumatic identity" in the contemporary memory film -- "Global memory" : cinema as lingua franca and the commodification of the image -- The eye of history : memory, surveillance and ethicality in the contemporary art film -- "Prosthetic memory" and transnational cinema : globalized identity and narrative recursivity in (...)
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    “When I Swallow His Heart and Lungs, Jesus is Pleased”: The Transmediation of Sacrifice in the Journals of Knud Rasmussen.Russell J. A. Kilbourn - 2014 - Angelaki 19 (4):95-110.
    :This paper examines the transmediation of sacrifice in the Isuma “Fast Runner” trilogy, focusing in particular upon The Journals of Knud Rasmussen. In this film the impact of the introduction of Christianity upon traditional Inuit culture in the 1920s sets the stage for literal and metaphorical sacrifice, tied inexorably to the parallel threat of conversion and the transvaluation of traditional shamanistic beliefs. In the process, the film maintains a critical stance with respect to both the ethnographic perspective of the outsider, (...)
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