9 found
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Ryan P. Doran [8]Ryan Paul Doran [1]
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Ryan P. Doran
Cambridge University
  1. Moral Beauty, Inside and Out.Ryan P. Doran - 2021 - Australasian Journal of Philosophy 99 (2):396-414.
    In this article, robust evidence is provided showing that an individual’s moral character can contribute to the aesthetic quality of their appearance, as well as being beautiful or ugly itself. It is argued that this evidence supports two main conclusions. First, moral beauty and ugliness reside on the inside, and beauty and ugliness are not perception-dependent as a result; and, second, aesthetic perception is affected by moral information, and thus moral beauty and ugliness are on the outside as well.
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  2. Ugliness Is in the Gut of the Beholder.Ryan P. Doran - forthcoming - Ergo: An Open Access Journal of Philosophy.
    I offer the first sustained defence of the claim that ugliness is constituted by the disposition to disgust. I advance three main lines of argument in support of this thesis. First, ugliness and disgustingness tend to lie in the same kinds of things and properties (the argument from ostensions). Second, the thesis is better placed than all existing accounts to accommodate the following facts: ugliness is narrowly and systematically distributed in a heterogenous set of things, ugliness is sometimes enjoyed, and (...)
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  3.  97
    Thick and Perceptual Moral Beauty.Ryan P. Doran - 2022 - Australasian Journal of Philosophy:1-18.
    Which traits are beautiful? And is their beauty perceptual? It is argued that moral virtues are partly beautiful to the extent that they tend to give rise to a certain emotion— ecstasy—and that compassion tends to be more beautiful than fair-mindedness because it tends to give rise to this emotion to a greater extent. It is then argued, on the basis that emotions are best thought of as a special, evaluative, kind of perception, that this argument suggests that moral virtues (...)
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  4.  46
    Aesthetic Animism.Ryan P. Doran - forthcoming - Philosophical Studies.
    I argue that the main existing accounts of the relationship between the beauty of environmental entities and their moral standing are mistaken in important ways. Beauty does not, as has been suggested by optimists, confer intrinsic moral standing. Nor is it the case, as has been suggested by pessimists, that beauty at best provides an anthropocentric source of moral standing that is commensurate with other sources of pleasure. I present arguments and evidence that show that the appreciation of beauty tends (...)
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  5.  54
    Sullying Sights.Ryan P. Doran - 2022 - Philosophical Psychology 35 (2):177-204.
    In this article, an account of the architecture of the cognitive contamination system is offered, according to which the contamination system can generate contamination represen- tations in circumstances that do not satisfy the norms of contamination, including in cases of mere visual contact with disgusting objects. It is argued that this architecture is important for explaining the content, logic, distribution, and persistence of maternal impression beliefs – according to which fetal defects are caused by the pregnant mother’s experiences and actions (...)
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  6.  13
    Beauty and Sublimity: A Cognitive Aesthetics of Literature and the Arts. [REVIEW]Ryan P. Doran - 2020 - British Journal of Aesthetics 60 (4):492-495.
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  7.  1
    Expression, Evolution, & Ontology: Debating the Work of Stephen Davies. [REVIEW]Ryan P. Doran & Shelby Moser - 2017 - Debates in Aesthetics 13:1-10.
  8.  72
    Restorative Aesthetic Pleasures and the Restoration of Pleasure.Ryan Paul Doran - 2017 - Australasian Philosophical Review 1 (1):73-78.
    I argue, contra Mohan Matthen, that at least some aesthetic pleasures arising from the appreciation of aesthetic features of artworks are what he calls ‘r-pleasures’ as opposed to ‘f-pleasures’—and moreover, that the paradigm aesthetic pleasure appears to be an r-pleasure on Matthen's terms. I then argue that talk of r- and f-pleasures does not distinguish different kinds, but two different features of pleasure; so this supposed distinction cannot be used to characterize a sui generis aesthetic pleasure.
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  9.  4
    Art and the Emotions: Debating the Work of Jenefer Robinson. [REVIEW]Ryan P. Doran & Shelby Moser - 2019 - Debates in Aesthetics 14:1-14.
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