The use of informatic metaphors and models derived from mid-20th-century cyberscience in molecular biology has been the subject of much controversy. Many social critics have argued that informatic discourses implicitly privilege a disembodied or implicitly masculine conception of life that is most fully realized in contemporary genomics. In this paper, I offer a different perspective on these issues by returning to the 18th-century work of Gregor Mendel, who conducted a series of experiments that are generally regarded as having laid down (...) the basic rules of heredity underlying genetic science. I attempt to show that a nascent informatic understanding of the body is already present in Mendel’s work, and that the implications of his approach for the politics of gender and social life are much more ambiguous than is generally recognized. More specifically, I argue that the meaning of ‘sex’, and of its relation to the organic body, is implicitly at stake in Mendel’s thought. I suggest that his text contains certain unresolved questions of sexual propriety that are today still being worked out in the context of contemporary genomics. (shrink)

The invention of photography in the early 19th century changed the way that we see the world, and has played an important role in the development of western science. Notably, photographic vision is implicated in the definition of a new temporal relation to the natural world at the same time as modern biological science emerges as a disciplinary formation. It is this coincidence in birth that is central to this study. I suggest that by examining the relationship of early photography (...) to nature, we can gain some insight into the technological and epistemological underpinnings of biological vision. To this end, this article is primarily concerned with the role of photographic technology in the genealogy of biological vision. I argue that photography has always been ambiguously located between art and science, between nature and culture, and between life and death. Hence, while it may be a technological expression of the scientific desire to know and to control nature, photographic vision has continually disrupted and frustrated the ambitions of biological technoscience. The technovision of early biological science illustrates that the elusive temporality of nature has always been central to the production of knowledge of life. (shrink)

Contemporary understandings of nature, or what is ‘natural’, are increasingly subject to debate in our bio-technological age. In this article, I argue that ideas about nature and biology bear a largely unacknowledged relation to normative ideas about sex in western science and philosophy. By examining the concepts of nature and sex in the writings of prominent 18th-century thinkers such as Kant, Rousseau, Burke and Linnaeus, I try to show that in response to the withdrawal, absence or ‘death’ of God that (...) characterizes the Enlightenment worldview, the desire to control sexual expression emerges as a key feature of scientific, aesthetic and philosophical systems of knowledge. Moreover, this desire shapes the concept of nature in such a way that it becomes amenable to the specifically 19th-century figuration of modern biological science. (shrink)

The importance of friendship in the later work of Michel Foucault is increasingly being recognized, but the relationship between friendship and Foucault's concept of 'life as a work of art' is not well understood. Friendship, traditionally associated with 'masculine' virtue, can be seen to undergo significant change in connection with the emergence of modern sexuality. I suggest that Foucault's work alerts us to the fact that friendship is a key site for challenging the stability of the modern gender regime and (...) the institution of heterosexuality that underlies it. By drawing on insights from Nietzsche, Heidegger and Derrida, I elaborate upon the significance of both friendship and the work of art in Foucault. I argue that the intrinsic connection of the aesthetic with beauty is central to Foucault's 'aesthetics of existence'. A focus on beauty enables us to see how friendship can be understood in terms of the work of art. Key Words: art • beauty • Derrida • finitude • Foucault • friendship • heterosexuality • masculinity • Nietzsche. (shrink)

Masturbation is a neglected topic in debates around biopower and biopolitics. This article takes Michel Foucault’s recasting of the idea of a regulatory, population-level form of biopower in terms of ‘mechanisms of security’ as its starting point for an investigation into the ways in which bodies enter into and are reshaped by biopolitical discourses on masturbation. While the notion of security faded from view in favour of Foucault’s better known focus on governmentality, this article argues that there is value in (...) recovering the concept of security in the context of a genealogy of modern bodies. Specifically, it explores the possibility that a biopolitical perspective on security operates not only above, but also below the disciplining of individual masturbating bodies. The article proceeds, initially, via an examination of contemporary studies of masturbation, arguing that they largely neglect the material dynamism of bodies. The main focus, however, is on rereading some of the key works in the historical anti-masturbation literature from a complexity perspective. It is shown that these texts engage with a ‘population’ of vital forces and affects that must be regulated if life is to remain secure, and which circulate below the level of individual bodies in relation to a complex milieu. Finally, the article claims that men’s bodies appear as crucial sites of biopolitics, and that normative forms of masculinity can be regarded as interventions into embodiment that are designed to nullify or regulate complexity. (shrink)

Although there is much feminist work that has examined the intersection of gender and neoliberalism, critical work on men and masculinities remains underdeveloped in this area. This article suggests that complexity theory is a crucial resource for a critical analysis of the ways in which masculinities contribute to the ongoing maintenance of neoliberal socio-economic systems. Critical work on neoliberalism and capitalist economics has recently been drawn to complex systems theory, as evidenced by the work of scholars such as Sylvia Walby, (...) William Connolly and Brian Massumi. Their work produces important insights into neoliberalism, but does not develop a sustained reflection on the place of men and masculinities in this domain. In order to develop a critical account of the relation of masculinity to complexity, the article draws on the work of Judith Butler and Bonnie Mann. It suggests that Butler’s theorising on precariousness contains important resources for understanding how hegemonic masculinities are positioned in relation to the complexity of neoliberal systems, as illustrated in Mann’s concept of ‘sovereign masculinity’. Finally, drawing on two different examples of the enactment of masculinities in neoliberal contexts, the article argues that hegemonic forms of masculinity can be understood as technologies for the amelioration of the complexities and insecurities generated by neoliberal markets. (shrink)